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Al-Fathin: Jurnal Bahasa dan Sastra Arab
Published by Institut Agama Islam Negeri Metro Lampung
ISSN : 26223325     EISSN : 26226820     DOI : https://doi.org/10.32332/al-fathin.v3i01
Core Subject : Education,
Languange, Linguistic, Communication & Media
Al-Fathin: Jurnal Bahasa dan Sastra Arab diterbitkan oleh Fakultas Ushuluddin Adab dan Dakwah Institut Agama Islam Negeri (IAIN) Metro. Jurnal Al-Fthin diterbitkan dua kali dalam satu tahun edisi 1 Januari-Juni dan edisi 2 Juli-Desember. Tim redaksi menyambut baik kontribusi artikel seputar kajian kebahasaan maupun kesusastraan Arab dari para ilmuwan, sarjana, professional, dan peneliti untuk dipublikasikan dan disebarluaskan setelah melalui mekanisme seleksi naskah, telaah mitra bestari, dan proses penyuntingan.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 129 Documents
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Kritik Terhadap Oposisi Biner Pada Novel Animal Farm: Teori Dekonstruksi Jacques Derrida Zullyansyah, Alfatan; Alandira , Palendika; Zullyansyah , Alfatan; Fauziah, Isma; Suci Novianti, Wulan; Alandira, Palendika
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 01 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/94eqm719

Abstract

This research aims to analyze the binary oppositions found in the novel Animal Farm by George Orwell using Jacques Derrida’s theory of the deconstruction of binary oppositions. This qualitative research employs a descriptive analytical approach. The material object of this study is the novel Animal Farm, while the formal object is Jacques Derrida’s theory of the deconstruction of binary oppositions. The focus of the research is on the binary oppositions present in the text of Animal Farm, while the content analysis method is used to examine the text and identify the forms of binary oppositions in the novel’s characters. The results of the study show that Animal Farm contains many binary opposition texts that require interpretation. The final conclusion is that the novel presents binary opposition texts that must be dismantled using Jacques Derrida’s theory of deconstruction, resulting in new concepts such as animals conducting research.
Struktur Simbolik dalam Syair Al-Khansa: Analisis Semiotik dan Nilai Karakter Mardani, Dadan; Hezam, Motea Naji Dabwan; Kodir, Abdul; Rohanda
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/cjywpm93

Abstract

Penelitian ini bertujuan untuk mengungkap struktur simbolik yang terkandung dalam syair elegi Al-Khansa melalui pendekatan semiotik Ferdinand de Saussure. Fokus analisis diarahkan pada puisi “al-Majdu Ḥillatahu” yang diambil dari Dīwān al-Khansāʾ, dengan menelusuri relasi antara penanda dan petanda dari ungkapan-ungkapan simbolik yang mencerminkan nilai emosional, religius, budaya, dan gender. Hasil penelitian menunjukkan bahwa simbol-simbol seperti air mata, mata, waktu, perjalanan, dan sosok saudara tidak hanya merepresentasikan kesedihan personal, melainkan juga sarat makna kolektif dan spiritual dalam budaya Arab pra-Islam dan awal Islam. Simbol-simbol tersebut memuat nilai karakter seperti keberanian, ketabahan, kesetiaan, dan harapan, yang dapat dijadikan dasar penguatan pendidikan karakter dalam pengajaran sastra Arab. Penelitian ini juga menegaskan bahwa pendekatan semiotik tidak hanya memperkaya khazanah kritik sastra Arab klasik, tetapi juga memberikan landasan metodologis untuk integrasi nilai-nilai moral dalam kurikulum pendidikan bahasa Arab kontemporer.
Perubahan Bacaan Syair dalam Kitab Maulid Āḍyā ʾulāmiʿ Di Masyarakat Kabupaten Tanjung Jabung Barat (Kajian Fonetik) Reko, Muhammad Reko; Muhammad Reko, Reko; Zaini, Hisyam; Afifah, Nur; Suja'i, Mahmud
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/g1d4th11

Abstract

This study aims to describe the mispronunciations of Hijaiyah letters in the recitation of the Maulid Āḍyā ʾUlāmiʿ verses among the community in Tanjung Jabung Barat Regency. The researcher employs articulatory phonetics theory to examine how the sounds in the verses are produced and to observe the phonetic shifts in Arabic pronunciation due to the influence of the local language in Tanjung Jabung Barat. This study will discuss the forms of pronunciation changes and the factors that influence them in the recitation of the Maulid Āḍyā ʾUlāmiʿ. In addition, the researcher uses a descriptive qualitative method. Data collection techniques include regular observation, in-depth interviews, and documentation. The results of the study reveal mispronunciations of the letters ʿAyn (ع), Ghain (غ), Ḥāʾ (ح), Thāʾ (ث), Qāf (ق), and Ṣād (ص). These changes include the letter ʿAin being replaced with hamzah, Ghain changing to g, Ḥāʾ becoming hāʾ, Ṯāʾ becoming sīn, Qāf changing to kāf or hamzah, and Ṣād becoming sīn. These pronunciation errors are caused by the influence of the Jambi Malay dialect applied when reading the Arabic-language verses of Āḍyā ʾUlāmi.
Representation of Amoral Values in Hikayatu Buhlul Short Story by Kamil Kaelani as a Media for Children’s Character Building Ananta, Maghfiroh Fitri; Zawawi, Moh; Moh Zawawi, Moh Zawawi
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/nyrzee04

Abstract

In the contemporary digital era, the cultivation of children's character encounters substantial challenges, particularly in the context of the erosion of moral and cultural values within society. Moreover, the escalation in youth violence signifies that character education has not been effective in cultivating a noble younger generation. The present study has two objectives. Firstly, it seeks to provide a representation of immoral values in the short story Hikayat Buhlul by Kamel Kilani. Secondly, it will sanalyse these values in shaping the moral knowledge, moral feelings and moral actions of the main characters. This analysis will be based on Thomas Lickona's character education theory. The present study employs a qualitative descriptive method, with primary data derived from the short story Hikayat Buhlul and secondary data from journals, articles, and relevant literature. The data collection techniques employed in this study encompass the reading and note-taking methods. The subsequent data analysis is guided by the Miles and Huberman model, which involves data reduction, data presentation, and conclusion drawing. The results of the study indicate that there are four data related to moral knowledge, five data for moral feelings, and five data for moral actions. The present study concludes that children's literature plays a crucial role in shaping children's character through implicit moral messages, with the family environment, especially the role of parents, as the main factor in the internalisation of moral values.
Gaya Bahasa dan Nilai-Nilai Pendidikan Karakter: Studi Stilistika-Kritik Sastra Heurmeneutika Terhadap Syair Da’il Ayyam Idris, Ilham Maulana; Abdurohman, Maman
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/y8c54d34

Abstract

This study explores the uniqueness of the language style found in the classical Arabic poem Daʿ Il-Ayyām Tafʿal Mā Tashāʾ by Imam al-Shāfiʿī. Using an interdisciplinary approach that integrates stylistics and literary criticism, particularly Paul Ricoeur's hermeneutic theory, this study employs a descriptive-qualitative method. Documentation techniques are used as the main technique in data collection. 12 stanzas of the poem are analyzed at two main levels of stylistic analysis: syntax and morphology. Each linguistic level is examined based on its role in conveying the values ​​of character education in the poem. The research findings reveal that specific syntactic-morphological structures, such as the deliberate use of the imperative (fiʿl amr) 4 times and the prohibition forms (fi'il nahi) 2 times, the subjunctive form 1 time and the adjective form 2 times function as firm moral instructions and powerful means to express profound character values. The main character education values ​​revealed through stylistic analysis based on hermeneutic interpretation include the character education values ​​of tawakal (relief), patience, steadfastness, generosity, and maintaining honor. Overall, this study proves that the stylistic framework is an effective approach to uncovering the layered, implicit, and emotionally charged meanings in classical Arabic poetry, and underscores the importance of interdisciplinary analysis in bridging linguistic form and moral communicative function in literary discourse.
Fantasi Ideologis ar-Rajul dalam Cerpen Arinillah: Analisis  Subjektivitas Slavoj Žižek Sudarmawan, Habib; Habib; Mukhlis, Fahrudin; Fery Fauzi, Moh.; Mutamakkin, Nur; Maitsa, Khadija
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/8mmde326

Abstract

This study examines the ideological fantasy in representing the divine within literary discourse, as reflected in Taufik al-Hakim’s short story “Arinillah.” The research aims to analyze the ideological fantasy that structures the subjectivity of ar-Rajul using Slavoj Žižek’s concept of the subject within the symbolic order. Employing a qualitative descriptive method, the study operationally analyzes textual data in the form of words, phrases, sentences, and dialogues by identifying expressions of lack, desire, and symbolic substitution in the narrative. The analysis is conducted through close reading and theoretical interpretation based on Žižek’s framework of lack, fantasy, and the Real. The findings reveal that ar-Rajul’s subjectivity is constituted by ideological fantasy triggered by his son’s demand to “show Allah,” positioning him in a persistent state of lack. This fantasy manifests in symbolic strategies that attempt to represent the divine while simultaneously concealing the impossibility of a direct encounter with the Real.
Multimodal-Pragmatic Analysis of Arabic–Indonesian Subtitle Translation in the Animated Film Muhsin and Mahasin: The Episode “The Danger of Boasting” Yulia Yuliani, Sri; Zaka Al Farisi, Mohamad; Supriadi, Rinaldi
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/38581305

Abstract

The study of subtitle translation in religious animated films has become increasingly significant as it requires not only linguistic equivalence but also the ability to construct pragmatic meaning through the integration of multiple communicative modes. The episode “Bahaya Pamer” from the animation Muhsin and Mahasin serves as an interesting object of analysis because it conveys Islamic moral values of modesty through verbal and visual interactions rich in educational messages. This research analyzes the Arabic–Indonesian subtitle translation strategies and the role of multimodality in constructing pragmatic meaning and supporting the delivery of moral messages. Employing a qualitative approach with content analysis, the study examines eight dialogue segments containing speech acts and multimodal elements encompassing visual, auditory, and gestural dimensions. Drawing upon Speech Act Theory (Searle, 1979), Multimodal Discourse Analysis (Kress & van Leeuwen, 2006), and the audiovisual translation strategies model (Díaz Cintas & Remael, 2021), the findings reveal that literal transfer, adaptation, and expansion are dominant strategies used to adjust emotional and cultural contexts of the target audience. The coherence among modes reinforces pragmatic meaning and highlights the relationship between language, moral values, and visual context.
Eksplorasi Gaya Bahasa Majāz Mursal sebagai Strategi Retorika dalam Dakwah Digital Berbahasa Arab Rahmayanti, Sri; Haniah, Haniah; Harjum, Mohamad; Fadillah Amin, Nur; Hamzah, Nur; Husnul Khatimah, A.
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/masbyw37

Abstract

In the digital era, social media has become a strategic medium for disseminating Islamic da’wah with broad and transboundary reach. This condition requires the application of effective rhetorical strategies, one of which is the use of majāz mursal. This study aims to identify the forms of majāz mursal found in Arabic digital da’wah discourse and to explain their contribution to the effectiveness of da’wah communication. This research employs a descriptive qualitative approach with a discourse analysis and Arabic rhetorical (balāghah) framework. The research data consist of five Arabic digital da’wah contents purposively selected from TikTok and Instagram platforms, including short motivational videos, kalām ḥikmah (words of wisdom), and da’wah captions. Data were collected through content documentation and semi-structured interviews with ten informants. Data analysis was conducted through several stages, namely identifying majāz expressions, classifying the types of majāz mursal based on semantic relationships, and interpreting their rhetorical functions within the context of digital da’wah. The findings indicate that majāz mursal with sababiyyah, musabbabiyyah, kulliyyah, and juz’iyyah relationships are dominantly employed to clarify moral messages, enhance linguistic aesthetics, and strengthen the persuasive power of da’wah. Therefore, the use of majāz mursal can be considered an applicative and effective rhetorical strategy in digital da’wah practices.
Tubuh sebagai Abjek: Paradoks Patriarki dalam Lā Sakākīn fī Maţābikhi Hādhihi al-Madīnah (Kajian Feminisme Kristeva) Salwa, Lala Durotus; Lala Durotus Salwa
Al-Fathin: Jurnal Bahasa dan Sastra Arab Vol 8 No 02 (2025): Al-Fathin: Jurnal Bahasa dan Sastra Arab
Publisher : Institut Agama Islam Negeri Metro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32332/5mcbyz26

Abstract

Kondisi konflik sosial-politik yang berkepanjangan di Suriah turut melahirkan sistem yang menautkan kekuasaan dengan kontrol tubuh perempuan. Perempuan diposisikan di antara dua hal yaitu dituntut dalam moralitas “kesucian” namun juga diobjektifikasi oleh “hasrat”. Novel لا سكاكين في مطابخ هذه المدينة (No Knives in The Kitchen of This City) (2013) karya Khaled Khalifa turut merepresentasikan paradoks sistem patriarkal tersebut. Melalui salah satu tokoh utamanya, Sawsan, tubuhnya dianggap sebagai tubuh yang menjijikkan, sumber dosa, dan harus disingkirkan oleh sistem karena ia dianggap mengganggu stabilitas sistem melalui ketidakpatuhannya. Penelitian ini menggunakan metode eksplanatif-kualitatif. Melalui teori abjeksi Julia Kristeva, penelitian ini bertujuan menjelaskan bagaimana paradoks sistem patriarkal sebagai lokus normal abjeksi tersebut dan bagaimana abjeksi muncul baik sebagai strategi stablilitas sistem maupun sebagai respons personal. Hasil penelitian ini adalah (1) sistem patriarkal dalam novel ini bersifat paradoks antara tubuh perempuan yang dituntut dalam konteks moralitas sosial berupa norma “kesucian” keperawanan, tubuh tertutup, dan tersembunyinya hasrat seksual namun juga diobjektifikasi dalam konteks hasrat berupa pelecehan. Paradoks sistem patriarkal ini menjadi lokus “normal” terjadinya abjeksi, (2) abjeksi muncul dari eksternal (sosial, agama, dan politik) sebagai strategi sistem untuk menjaga stabilitasnya dengan menghinakan tubuh Sawsan yang dianggap kotor, terbuka, dan berhasrat sekaligus terinternalisasi dalam dirinya melalui praktik self-abjection berupa operasi selaput dara, ambiguitas pembatasan tubuh antara terbuka dan tertutup, dan represi hasrat. Proses abjeksi ini tidak menghasilkan keutuhan subjek, melainkan membentuk subjektivitas Sawsan sebagai subject in process yang terus bergerak dalam siklus penolakan, melankolia, dan pemaknaan ulang diri tanpa stabilitas final. Abjeksi Sawsan ini tidak hanya dibaca sebagai bentuk resistensi personal, tetapi juga menyingkap kekuatan internalisasi paradoks sistem patriarkal dalam pembentukan tubuh dan kesadaran perempuan Suriah di bawah rezim al-Assad.

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