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Randwick International of Social Science Journal
Published by RIRAI Publisher
ISSN : 27225666     EISSN : 27225674     DOI : -
Core Subject : Humanities, Social,
Humanities Social Sciences
The RISS Journal publishes research and analysis papers in the fields of social science include humanities such as anthropology, business studies, communication studies, corporate governance, criminology, history, culture, cross-cultural studies, ethics, education, economy, geography, philosophy, psychology, sociology, social welfare political, population studies, performing arts, visual arts, human right studies, gender and sexuality, religious studies. RISS Journal is published in both online and printed versions.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 401 Documents
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Cultural Riddles and Performance in Modern African Societies Akporherhe Friday; Udi Peter Oghenerioborue
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.633

Abstract

Several forms of performance arts are underutilized for in the past few decades and the Urhobo riddles are not left out. This paper therefore examines various methods of preservation and transfer of riddles in traditional society. This study adopted the survey-descriptive approach as the data and information were collected from natural environment and analysed. It is underpinned by Sigmund Freud’s psychoanalytic theory that focuses on the unconscious mind of people as the storehouse of latent materials which can be activated and brought to the conscious awareness. The information were collected with sound recordings which were afterward deciphered and deciphered from the Urhobo dialect into the English adaptation. In-depth interviews were also conducted to obtained first-hand information from respondents. The respondents were purposively selected and interviewed. The data collected in the field were qualitatively analyzed using descriptive and analytical methods. Findings reveal that riddles perform utilitarian functions like entertainment, education, knowledge transfer, coping and distractive strategies and so on. These linguistic resources should be preserved and documented due to their cultural values. Though there are problems hindering the growth of the riddles in contemporary societies, orators have devised the use of popular music as new way of preservation and transferring of oral traditions like the riddles from going into extinction.
Assessment of the Social and Economic Structures of Semi-nomadic Communities in the Zirkuh Region Based on the Architecture of Seasonal Settlement Tenglia Aistrict with Ancient Anthropological Approaches Enayatullah Dadman; Mukhtar Askari; Gulrahman Mushfiq; Wafiullah Aminzai
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.634

Abstract

Most information that are obtained from archaeological excavations includes only material data and non- material relationships, social behavior cannot be obtained solely from material data. For this purpose archeologists used ancient anthropological method, ancient anthropology is the study and investigation of contemporary lifestyles to enable archeologists to understand the processes by which archaeological evidence is created. Tanglia district is one of the semi-nomadic livestock of Zirkoh city in South Khorasan, This district has primitive architecture which is similar to pre-history, whose texture is like a small village and has private and public spaces, so the ancient anthropological study of this area was necessary. The present research has assisted and analyzed the relations within the establishment and the appearance of social structures of Tenglia district, regard to the research aria the social structure of the studied society was collected randomly and used described method, as a result geographical and environmental factors are important and necessary in the social structures of Tenglia district.
The Rwa Bhineda Painting Principles: The Art of I Dewa Nyoman Batuan I Made Ruta; Ni Wayan Masyuni Sujayanthi; Ni Made Purnami Utami; I Made Saryana; Gede Yoga Kharisma Pradana
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.591

Abstract

Rwa Bhineda are two distinct characteristics that exist in this life. The goal of this article is to reveal the principle of rwa bhineda in I Dewa Nyoman Batuan's mandala paintings. The mandala paintings by I Nyoman Batuan are very distinctive and have inspired many other artists' paintings. However, there has been no study that discusses the principle of rwa bhineda, which makes mandala paintings by I Dewa Nyoman Batuan look distinctive. This article discusses the principle of rwa bhineda in a painting by I Dewa Nyoman Batuan and the meaning of rwa bhineda in a mandala painting by I Dewa Nyoman Batuan. This study uses a qualitative method. The data sources for this study were mandala paintings by I Dewa Nyoman Batuan himself, mandala painters, cultural observers, and people observing mandala paintings selected based on purposive sampling and snowball techniques. All data obtained through observation, interviews, and literature studies were analyzed qualitatively and interpretatively using aesthetic theory and deconstruction theory. The results of the research show that the principle of rwa bhineda in the mandala painting by I Dewa Nyoman Batuan is made in the form of a circle, which is beautified by the duality motif. The principle of rwa bhineda in mandala paintings by I Dewa Nyoman Batuan has an aesthetic meaning, a cultural meaning, and a counter-destruction meaning.
Hermeneutic Review of the Meanings of Angling Darma Relief at Candi Jago I Nyoman Suardina; Marina Wardaya
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.618

Abstract

The purpose of this research is to discover the cultural relationship between the Angling Darma reliefs at Candi Jago. Candi Jago is the only place where you can find Angling Darma relief. The Angling Darma relief on Jago Temple is a testament to the glory of the civilization of the Hindu-Buddhist dynasty in Indonesia. However, not many Indonesians know the meaning of the Angling Darma relief at Candi Jago. No one has yet discussed the cultural aspect in relation to the angling darma relief motif on Jago temple in a hermeneutic review. The problems are: 1) What is the shape of the relief of Angling Darma at Candi Jago?.; 2) Is there a correlation between the Angling Darma reliefs at Candi Jago and culture? 3) What is the relationship between Angling Darma reliefs and culture from a hermeneutic perspective? This study uses a qualitative method with a hermeneutic paradigm. All primary data was successfully collected based on observations of the reliefs at Candi Jago. All secondary data were searched through a literature study of Candi Jago. The totality of the data was analyzed qualitatively in a hermeneutical review. The findings revealed: 1) an Angling Darma relief in the form of a painting of a character named Angling Darma; 2) a correlation between culture and Angling Darma reliefs at Candi Jago; and 3) a moral meaning emphasizing firm belief and chivalrous attitude in cultural relations and the Angling Darma reliefs at Candi Jago.
Ni Ketut Arini: A Bali Performing Arts Maestro Gusti Ayu Ketut Suandewi; Sulistyani Sulistyani; Anak Agung Ketut Oka Adnyana; Tjokorda Istri Putra Padmini
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.640

Abstract

Ni Ketut Arini, who is popularly called Mrs. Arini, is a maestro of Balinese performing arts. This article will discuss the maestro's progress, who is known as a multi-talented artist with a long history of preserving this regional performing arts. In Bali, there are many performing arts artists. However, of the many artists referred to, it seems that not many have track records throughout Mrs. Arini's career. The questions: how is Mrs. Arini's progress in preserving traditional Balinese performing arts?. This research was conducted using the life history method. The data sources for this research were Mrs. Ni Ketut Arini herself, her colleagues, her students at Sanggar Warini and related communities who were selected based on purposive sampling and snowball. All data collected through observation, interviews, and literature studies were analyzed using Bourdieu's theory of aesthetics and social action theory. The results of the study show that Ni Ketut Arini is an artist who graduated from the Indonesian Art College (STSI) in Denpasar, and most of her life has been dedicated to the preservation of Balinese performing arts. Since the age of 14, Ni Ketut Arini has mastered Balinese traditional dance. Her skill in dancing traditional Balinese dance has made Ibu Arini have many students and become a role model for artists in Bali. Mrs. Arini is known for consistently preserving traditional Balinese dance. Through the Warini Studio that she cares for, Mrs. Arini continues to strive to care for, maintain, and develop this Balinese performing art to attract Balinese cultural tourism.
The Manifestation of Kuntisraya Story in Ethnic Dyah Kustiyanti; Suminto Suminto; I Wayan Sutirtha
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.631

Abstract

The purpose of writing this article is to discover the manifestations of the Kuntisraya story in works of arts in Indonesia. In general, Kuntisraya stories can be found in ancient Javanese literary works. In particular, it turns out that there are works of art, design, and ethnic performing arts in Indonesia that are realized based on the Kuntisraya story. The problems are : 1) What is the form of the manifestation of the Kuntisraya story in works of art and design?; 2) What is the form of the manifestation of the Kuntisraya story in ethnic performing arts?. This research was conducted with qualitative methods. Observations and interviews have been used to obtain primary data. The results of the literature study have been used as secondary data. All data has been analyzed qualitatively using aesthetic and reception theories. The results of the study show that : 1) manifestations of the Kuntisraya story exist in works of art and designs in the form of architectural reliefs of temples; and 2) manifestations of the Kuntisraya story exist in performing arts in the form of sacred performing arts and tourism performing arts.
Discovery in Balinese Shadow Puppet Shows I Made Marajaya
Randwick International of Social Science Journal Vol. 4 No. 1 (2023): RISS Journal, January
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i1.594

Abstract

The purpose of this article is to examine discovery in relation to the creativity of Balinese shadow puppet show agents. Since time immemorial, there has been nothing new in the creativity of Balinese shadow puppet shows. However, it turns out that there is novelty and discovery in the development of Balinese shadow puppet shows. The problems are: 1) Why does the puppeteer innovate in the Balinese shadow puppet show?; 2) What is the form of discovery in the Balinese shadow puppet show?; 3) Is there an impact of discovery in the Balinese shadow puppet show? This problem has been investigated using qualitative methods. Discovery elements related to creativity in Balinese shadow puppet performances have been observed, and a literature study has been carried out based on publications about Balinese shadow puppets. All data were analyzed qualitatively using practical theory and aesthetic theory from a cultural studies perspective. The results of the study show that: 1) responding to market demands, cultural influences from modern society, technological sophistication, and the need for creativity and artist training for Balinese shadow puppet performances; 2) there is a condensation of the performance structure accompanied by a simplification of the language of the puppeteers, variations in the movements of the puppet characters, variations of light, variations of sound, and new apparatus are discoveries in Balinese shadow puppet performances; and 4) the discovery of the Balinese shadow puppet show has had an impact on Balinese puppet artists and art. Keywords : Discovery, Creativity, Shadow Puppet Show, Bali.
The Existence of Customary Land and its Utilization Pattern for Tourism Business I Made Suwitra; I Ketut Sudiarta; I Ngurah Suryawan; Dimas Imaniar; Niko Pahlevi Hentika
Randwick International of Social Science Journal Vol. 4 No. 2 (2023): RISS Journal, April
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i2.644

Abstract

The purpose of this study are: (1) A comparison of the existence of customary land rights owned by indigenous villages in Gianyar Regency and those owned by indigenous communities in Banyuwangi Regency.; and (2) patterns of utilization of customary land for the provision of tourist facilities and attractions. Customary land owned by Batuan Traditional Village and Padangtegal Traditional Village in Gianyar Regency, Bali still exists mainly in the form of customary village druwe land. Meanwhile, the Osing Indigenous Community of Kemiren Village in Banyuwangi Regency, East Java is not explicitly recognized as having customary land rights over land or other physical resources. Customary rights are reflected in the ownership of intangible cultural assets/heritage, such as art, rituals, and traditions. The utilization of customary rights for tourism businesses in Batuan Customary Village and Padangtegal Customary Village is managed individually or institutionalized by customary villages based on local regulations. (awig-awig and/or pararem). Whereas in the Osing indigenous community of Kemiren Village there is the utilization of intangible cultural heritage owned by indigenous communities such as art, rituals, and traditions as tourist attractions and attractions.
Kale Ritual Processing in the Kalimusada as a New Balaganjur Andi Pastika Putra; I Wayan Rai S; Kadek Suartaya
Randwick International of Social Science Journal Vol. 4 No. 2 (2023): RISS Journal, April
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i2.656

Abstract

Kalimasada is an experimental Balaganjur work from a new perspective. Experimental Balaganjur with a new perspective was created due to the reality that most of Balaganjur's creations are still guided by traditional principles. Therefore, the purpose of creating Balaganjur's work is to create experimental Balaganjur according to the creator's ideas by developing instrumentation, sound exploration, playing techniques, and searching for new timbres and appearances. The problem: what are the characteristics of kale composition as music?. Sources of data in this creation are carried out through interviews, video or audio documentation, and appreciating the Balaganjur performance directly. The process is qualitavelly analysed using the theory of the creation of works of art based on local wisdom, the theory of Hindu aesthetics, and the theory of creativity. The Results: The creation of Balaganjur's experimental work "Kalimasada" produces an experimental work by Balaganjur from a new perspective of creation in the process of its creation, focusing on exploring the exploration of timbre, rhythm, thematic, and fabric as creativity in the work. Through this process, the experimental Balaganjur "Kalimasada" is realised in a freer form, changes, and shows the creator's creative attitude. Balaganjur's experimental work "Kalimasada" has aesthetic value, creativity value, honesty value, and creator identity value as a new offer in the creation of Balaganjur's work.
Peliatan Style in Legong Keraton Lasem Performance Ni Made Ruastiti; Ni Putu Ayu Aneska Rastini; Ni Luh Sustiawati
Randwick International of Social Science Journal Vol. 4 No. 2 (2023): RISS Journal, April
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Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rissj.v4i2.657

Abstract

The Legong Keraton Lasem dance is one of the classical Balinese dances featuring Panji's story about the love story of King Lasem and Diah Rangke Sari. This classical dance first appeared and developed in the palace environment of Bali. There have been many research results on the Legong Keraton Dance. However, there has not been any research that reveals the Legong Keraton Lasem and Peliatan Style. The problems are: 1) How did the Peliatan Style in Legong Lasem Performance Originate?; 2) What is the form of the Peliatan Style in Legong Keraton Lasem dance?. The purpose of this research was to reveal the existence of the Peliatan Style in Legong Keraton Lasem Performance, which has catapulted Bali's name into the eyes of the world. This research was conducted using qualitative methods. The source of the data for this study was the Legong performance, the dancers, musicians, artists, cultural observers, and related communities who were selected based on purposive sampling and snowball techniques. All data that has been collected through observation, interviews, and literature studies will be analysed using aesthetic theory, hierarchical theory, and practical theory. The results showed that the Peliatan Style in Legong Keraton has a distinctive characteristic in the volume of dance movements performed, which tends to be large with the maximum tilt of the dancer's body. It is different from how to dance the Legong Keraton in general. The Legong Keraton Lasem with Peliatan Style emerged due to two factors, namely internal and external factors. Internal factors include the talent possessed by the Legong dancers themselves. They dance with the aim of satisfying their material and spiritual needs. Meanwhile, encouragement from outside came from the environment of Peliatan Village, which is indeed famous for its artistic activities; its people are very passionate about art every day.

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