Virtuoso: Jurnal Pengkajian dan Penciptaan Musik
VIRTUOSO is a scholarly journal that presents music analysis and music composition articles. The expert editors receive articles on music and music studies from various groups of students, lecturers, musicians, teachers, and other elements of society. This journal encompasses original research articles, review articles, and performance analysis, including: Classic Music Traditional Music Contemporary Music Music Performance Musicology Music Education Musical Theatre Ethnomusicology Music Therapy World Music Film Music Digital Music Modern Music This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
Articles
175 Documents
<![CDATA[Optimalisasi Kompetensi Primavista Mahasiswa Instrumen Pokok Piano Melalui Metode Drill ]]>
<![CDATA[Raden Roro Maha Kalyana Mitta Anggoro]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 4 No. 1 (2021) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v4n1.p70-81
<![CDATA[Every musical instrument that is taken at the college "demands" students to be mastery learning, in both theoretical and practical aspects, as well as possible. However, in the process, there are obstacles that often arise. As in learning the Piano Major course. Based on observations in class, students are constrained in terms of primavista. With the character of the piano score that is consisting of two staves, students are constrained to coordinate their cognitive processing when reading piano scores, with the application of their ten fingers when playing the piano. This study discusses the primavistalearning of piano with the drill method. The type of research conducted was qualitative research, which was conducted in Music Arts Study Program, Universitas Negeri Surabaya.Based on the results, there was a significant improvement in the students' ability to apply the music notation they had read primavistly. In the pre-test session, most of the students' scores were below 40%. However, when the post-test session was conducted, the results of the work shown were very satisfactory. All students were able to achieve scores above 70%. Based on these results, it can be stated that the drill method has succeeded in optimizing the development of primavistaabilities of piano students. It is hoped that this method can be used routinely in piano classes so that students' primavistaabilities can be further honed.]]>
<![CDATA[The Effect of Learning Gamelan Art on Emotional Intelligence ]]>
<![CDATA[Jarmani Jarmani]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p75-81
<![CDATA[Teenager are increasingly confronted with emotional issues, demanding a solution such as adolescent emotional intelligence development. Traditional Indonesian music, notably Javanese gamelan, can help teenager develop emotional intelligence. People who follow a set of rules and limits undertake Javanese gamelan exercises. When practicing gamelan, the individual must hit his gamelan tool and listen to the gamelan played by his colleagues in the gamelan group to generate a harmonic gamelan sound. This study used quantitative approaches in conjunction with a sample size of 135 UWK Surabaya students. The Java Gamelan Music Exercise Intensity Scale (r = 0.848) and the Emotional Intelligence Scale (r = 0.772) are used as data-gathering instruments in the sampling technique. The product-moment correlation method was used to analyze the data, and the result was 0.550. The study's findings revealed a link between the severity of Javanese gamelan music training and emotional intelligence, with the higher the intensity of Javanese gamelan music training, the higher the emotional intelligence. The intensity variable of Javanese gamelan music training can contribute 30.25 percent to the emotional intelligence variable. In contrast, the remaining 69.75 percent is influenced by elements other than the intensity variable of Javanese gamelan music training. Beyond the intensity variables of Javanese gamelan music training, the family, non-family, physical, and psychological environments all have a role.]]>
<![CDATA[Desain Penelitian Musik di Era Digital (Sebuah Tinjauan Studi Literatur) ]]>
<![CDATA[Riyan Hidayatullah]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p28-40
<![CDATA[This article seeks to investigate various literatures that address the issue of music research methodology, discussed in the case of Indonesia. The main background in writing is a lack of sources on music research methods. Especially in the digital age, when there is an abundance of data. A separate investigation is required into the procedures for conducting research, managing data, and understanding the research methods to be used. This article is a review of the literature that employs the exposition method to present general and specific concepts from previous research. The sources used include the outcomes of debates about art and music research. Music research concepts are discussed and reviewed in reference materials, resulting in a new understanding of the subject. The aim is to expand conceptual ideas about music research paradigms and their relevance in the digital age. The principles of art and music research methodology are addressed. Following that, we'll talk about how to design music research in the digital age. The result suggest, the rapid technological advancements are forcing music researchers to revise how data is collected and validated. Data from the internet is no longer used as a complement, but rather as the primary source of capital for digital-based music research design. The components of research in a coherent and logistical way to find answers to research problems are the focus of music research design in the digital age. Make use of relevant apps and websites, as well as big data.]]>
<![CDATA[Pengembangan Bahan Ajar Mata Kuliah Gitar Tingkat Indria Secara Online di Program Studi Musik FBS UNESA ]]>
<![CDATA[Agus Suwahyono]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p65-74
<![CDATA[This research was motivated by the sudden implementation of an online learning system that shocked most educators. In the future, there must be a system change policy for the implementation of online learning in every subject. The type of research used in the development of this teaching material (handout) is research and development or Research and Development (R&D). Research and information gathering initial field trials, revising test results, field trials, refinement of field test results, field implementation tests. The results of this study contained several aspects that were assessed in the form of the accuracy of the contents of the teaching materials (handouts) with the acquisition of a rating scale of 80% and 78%, the aspects of the usefulness of the teaching materials (handouts) with the acquisition of 100% and 100%, the aspects of completeness with the acquisition of a rating scale of 93% and 100%, the linguistic aspect with the acquisition of a rating scale of 80% and 73%, and the aspect of the feasibility of the content of the uku with the acquisition of a rating scale of 96%. Overall, the Indria Guitar Teaching Materials product (handout) is easy and can be defined and ready to be implemented.]]>
<![CDATA[Peran Emosi Dalam Interpretasi Musikal Musisi Untuk Meningkatkan Kinerja Estetis (Studi Kasus: Komparasi Pada Pemain Cello dan Gitar) ]]>
<![CDATA[Nathan Thomas]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p1-10
<![CDATA[The complex task in musical performance, sometimes makes musicians get an unsatisfactory evaluation. On the other hand, the structural approach to music itself which is believed to be a fundamental tool for musical interpretation has not clear yet how its capacities could become the basis for translating written notes into musical sounds. On the other hand, music is experienced not exclusively as a mere structure and sound event but also experienced as subjective events. This study, therefore, explores the role of musician's subjective experiences, particularly emotions, in shaping musical interpretations. This study uses a qualitative method with a comparative approach. This approach is used to investigates how emotions can mediate the transformation of written notes into musical sounds. A comparison of two cases of interpretation on the cellist and on the guitar player is held in order to explain if there are differences in the interpretation process of the two groups of musicians. The result of this study shows that: (1) Emotional experience gained in the socialization of everyday emotions plays an important role in understanding music (2) After musicians can apprehend the emotions contained in the musical structure, they can manifest them into an acoustic code that has an iconic relationship with the emotional content of the musical structure (3) Emotional experience posits as the basis for translating structural information into meaningful sound.]]>
<![CDATA[Analisis Psikoakustik Gending Tari Topeng Gunungsari ]]>
<![CDATA[Candra Kurniawan]]>;
<![CDATA[Nurida Finahari]]>;
<![CDATA[Gatot Soebiyakto]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p11-18
<![CDATA[Dance performances are art communication between dancers and their audience. The regional art unique characteristics are local cultural wealth form. One of the Malang regency traditional dance is the Gunungsari Mask dance. The dancer response to accompaniment gending can be analyzed from the psychoacoustic aspect. This study aims to analyze the psychoacoustic of the Gunungsari gending. Sound analysis was performed using Wave Surfer to obtain temporal and spectral signals. The WavePad application is used to get the FFT for spectral and TFT for temporal. Furthermore, Audacity is used to numerize the voice signal. Each sample was taken as 100 data from the graph per minute. The numerical results were processed using Microsoft Excel to obtain the graph trend line equation. The results showed that the Gunungsari gending had polynomial patterns for spectral and temporal. The temporal pattern corresponds to 6 degree polynomial regression while the spectral is of 3-4 degree. Thus, Gending Gunungsari has Angka Gending (as cited reference) that are in accordance and can be used as therapeutic gending.]]>
<![CDATA[Identitas Kultural Masyarakat Minahasa (Musik Mazani Pada Generasi Milenial) ]]>
<![CDATA[Stefanny Mersiany Pandaleke]]>;
<![CDATA[Meyltsan Herbert Maragani]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p41-48
<![CDATA[The artistic activity of the Minahasa community using Mazanias a vocal performance is unavoidable for the community, especially for the millennial generation. The profession of the millennial generation in Minahasa can no longer be generalized as farmers, which has an impact on the use of Mazani in daily activities. This research seeks to reveal how the community maintains Mazanias an identity of Minahasa through artistic activities for the millennial generation. This research uses a qualitative method with a cultural approach. The research design used is a case study, which was carried out in Minahasa Regency, North Sulawesi. Data collection techniques through observation, interviews, and document studies. The results indicate that there are three stages of forming the cultural identity of the Minahasa community using Mazani,namely (1) public perception of Mazani, (2) mindset of the Minahasa community, and (3) the sustainability of Mazaniin the millennial generation. Mazaniis an artistic act has been entrenched, a medium of communication and intermediary for the relationship between humans and God, as well as humans and each other. That perception determines the mindset of the Minahasa community that Mazanimust continue to be passed down from generation to generation. Performing arts are an effort by the Minahasa community to prioritize continue the cultural identity of the community from previous generation to the millennial generation.]]>
<![CDATA[Music Composition “Kala Senja” (Melody Variation Overview) ]]>
<![CDATA[Elbana Duta Perwira]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p19-27
<![CDATA[The musical "Kala Senja" is an expression of the composer's feelings and memories from his childhood. This melody variation has 4 reviews of melodic variations, namely; Melodic Variation and Fake namely, Rhytmyc Variation and Fake, Dead Spot Filler, Counter Melody. The purpose of the creation of this work is as a means to achieve the goals of character education for ancient children with millennials in a musical work and as a creation of artistic texts or social texts about the character of ancient children with millennial times in a musical work. The method of finding the focus of the work can be done as an initial stimulus. An initial stimulus can be defined as something that evokes thoughts, enthusiasm or encourages activity. The stimuli for a composition can be in the form of auditive (hearing), visual (seeing), kynesthetic (movement), tactile and musical ideas from something that becomes an experience. The type of initial stimulation is in the form of visual and audio stimuli. Composers make a piece of music by describing the composer's feelings when he was a child. There are 4 parts in this piece of music. The first part of this composition is an expression of the composer's feelings of pleasure. In the second part is the composer's sad feelings. In the third part is an expression of the composer's angry feelings. The fourth part is the composer's tired feeling. This composition uses an ensemble format. The composer uses a string section with the hope that the composer can enrich the harmony and melody in the musical "Kala Senja", so that this piece of music will sound melodic and harmonious. The percussion ensemble format in this piece of music is used to provide detailed rhythmic patterns, so that apart from sounding melodic and harmonious, it also has many varied rhythms.]]>
<![CDATA[Analisis dan Ekspresi Gerak: Mencari Hubungan Pada “Sonata Romantica Bagain I. Allegro Moderato” Manuel Ponce ]]>
<![CDATA[Leonard Aldo Prasetyo Sembiring]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p49-56
<![CDATA[This research departs from the difficulty of players in connecting how musical works can inform movements to players, he said on classical guitarist instruments. So it requires a strategy to answer the challenges in the music performance area. So this study requires several processes to connect this, one of which is the positive analysis that will be discussed in this research. The discussion material is limited to romantic to modern music as a golden era of classical guitar, one of which is the work of Manuel Maria Ponce's "Sonata Romantica I. Allegro Moderato". The content of this study is in the form of a study of elements of music elements including; harmonic studies, forms, rhythms and motifs, as well as looking at the results of other players in interpreting the work. While the results of this study show that there are many fluctuations in the two regions of the graph representing dynamic and tempo, it is from these fluctuations that musicians get the potential to use gesture expressions.]]>
<![CDATA[The Portrait of Nationalism in The Superman Is Dead’s Song, Jadilah Legenda ]]>
<![CDATA[Puji Lestari]]>;
<![CDATA[Lambok Hermanto Sihombing]]>
<![CDATA[ Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 1 (2022) ]]>
Publisher : <![CDATA[Universitas Negeri Surabaya ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.26740/vt.v5n1.p57-64
<![CDATA[Music is one of medium to convey a message. Through music, people do not only enjoy the beat but also know what is behind the lyric. Jadilah Legendais one of the songs written by Superman Is Dead (SID), Punk Rock pioneers from Bali. In this scientific study, the authors aim to analyse the portrait of nationalism among Indonesian people depicted in Jadilah Legenda. The qualitative approach is used to analyze the lyrics of its song. The dataset was taken from SID’s official website www.supermanisdead.net and any other journal articles. To support the analysis, the authors apply the Scansion approach from Dennis DeSantis to analyze the stress pattern on the lyrics and Stuart Hall's representation and cultural identity to interpret the message of the song. As a result, the song attempted to portray the nationalism and solidarity of Indonesian people.]]>
