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Virtuoso: Jurnal Pengkajian dan Penciptaan Musik
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 26220407     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
VIRTUOSO is a scholarly journal that presents music analysis and music composition articles. The expert editors receive articles on music and music studies from various groups of students, lecturers, musicians, teachers, and other elements of society. This journal encompasses original research articles, review articles, and performance analysis, including: Classic Music Traditional Music Contemporary Music Music Performance Musicology Music Education Musical Theatre Ethnomusicology Music Therapy World Music Film Music Digital Music Modern Music This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 175 Documents
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Angganada: Sebuah Komposisi Karawitan Bali I Putu Angga Mahendra; Hendra Santosa; Ni Putu Hartini
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 2 (2022)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v5n2.p117-124

Abstract

Angganada's composition aims to realize an idea or imagination about the anatomy of the human body as a motivation to encourage the achievement of an innovative piece of music. The method of creating works of art will be carried out in four stages, namely: the exploration stage, the second stage of experimentation, and the third stage of formation and ending with a performance. This form of composition still uses the grip and structure found in Balinese musical instruments in general, namely the Tri Angga. Tri Angga are the three main parts which are often called kawitan, crew, thrusters, like the human body which consists of head, body and legs. The anatomy of the human body is divided into four main parts, namely the head, body, hands and feet. The purpose of this composition is the sound of the body or Body Cak and facial expressions that are able to strengthen the meaning of Anggaada in collaboration with Balinese gamelan to distinguish the standard of Tri Angga from the anatomy of the human body. The media revealed in this work consists of combining two types of gamelan, namely gamelan Smara Pagulingan, Gender Wayang and Body Cak by producing sounds produced by hitting certain body parts, such as applause, vocal sounds, and hitting certain body parts. collaborate on the sidelines of the song so as to support the stylist's concept.
Pembelajaran Teori Musik Secara Daring Menggunakan Model Pembelajaran Student Team Achievement Division (STAD) Yudi Sukmayadi
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 2 (2022)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v5n2.p110-116

Abstract

The online learning situation certainly requires special adjustments in the field of education. In Junior High School the learning strategy applied by the teacher must be effective in the learning process, so that it can achieve the expected final results. This study aims to reveal online learning strategies in the Cultural Arts class with Music Theory at Sultan Iskandar Muda Junior High School, Medan. Qualitative research with a descriptive approach in explaining the findings of information in the field. The results of this study are there are 3 strategies used by teachers, namely 1) direct learning strategies, 2) indirect learning strategies, and 3) independent learning strategies, using a student-centered learning approach as the subject of study. This online learning strategy is quite effective, because students are not only able to find one starting sign of one scale, but also various starting signs of one scale. The learning strategy carried out by the supporting teacher also makes it easier for students to understand the concept of early signs.
Karinding: Dari Ungkapan Hati Menjadi Karya Seni (Sebuah Tinjauan Etnomusikologi) Zulfikar Alamsyah; Agus Suherman
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 2 (2022)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v5n2.p125-133

Abstract

Karinding is a traditional West Javanese musical instrument made of bamboo. Now the existence of these traditional musical instruments has started to bloom again being preserved by young people. By using a descriptive analytic method through an ethnomusicological approach, literature study techniques, and observation, this study aims to describe aspects of function, musical, instruments, and support. The results of this study include four things. First, in the aspect of Karinding function experienced significant changes. Starting from a communication tool until now it has changed its function as a medium of entertainment, education, and commodities. Second, in terms of musical Karinding is experiencing development, Karinding buhun, which at first only could imitate the sound and rhythm of insects and tools around the community, has developed with the type of Karinding toél which has diatonic and pentatonic scales. Third, this Karinding musical instrument is divided into three parts namely pancepengan, cécét ucing, and paneunggeul. These three parts of Karinding have their own philosophical values ​​which are closely related to the beliefs of the Sundanese people. Fourth, the Karinding Attack community and the Karinding Group in Cirama Girang Village have become one of the activist communities in preserving the traditional arts of Karinding in West Java. From this study it can be concluded that Karinding is a musical instrument that was born from folklore which has a life learning philosophy to become a patient, confident and simple human being. This musical instrument has undergone revitalization to become a traditional musical performance. In addition, the Karinding art, which was declared almost extinct, has now been revived and is in great demand, especially by young people.
Gema Bilah Kaca: Bentuk Inovasi Gamelan Sebagai Upaya Pelestarian Budaya di Kabupaten Pacitan Ipuk Widyastuti
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 2 (2022)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v5n2.p104-109

Abstract

The purpose of this paper is to provide an explanation of the process of making glass gamelan which has recently become a topic of discussion among musicians of the musical arts. Musical art is an intangible form of heritage from historical civilization in the form of chanting music originating from gamelan. In general, gamelan is made of bronze, iron, or brass. So it is different with the gamelan in Song Meri Studio, this studio tries to innovate by introducing gamelan made of glass. This study uses a descriptive analysis method by describing the data from research conducted through field observations, interviews, and collection of video samples uploaded to the You Tube channel. The sample in this study is the Song Meri Studio located in Sukoharjo, Pacitan. The findings show that the birth of the glass gamelan has shattered the enthusiasm of the people in the Nitikan area, Sukoharjo, Pacitan to continue to perform in the midst of the incessant pandemic. By utilizing glass waste as a raw material for making gamelan, Sanggar Song Meri succeeded in attracting public interest and even the regent of Pacitan was inspired to continue to preserve culture even with limited tools. In short, the results of the research that to obtain high and low notes, the effort that can be done is to adjust the length and width of the glass blades, this is of course very different from the way of tuning gamelan within or copper in general.
Metode Tikitiki Dalam Pembelajaran Perkusi Drum Band Pare Kediri Mantaaba Zukhruf Nabilunnuha; Sunarto; Wahyu Lestari
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 2 (2022)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v5n2.p82-89

Abstract

The Tikitiki rhythmic syllable method is a notation reading method developed by Dr. Pono Banoe. This method is an effective method for understanding rhythm for beginners. The success of the practice process of drummer Bahana Eka Sapta is due to the members who have various musical experiences. In addition, the many contributions of drummer Bahana Eka Sapta in fulfilling ceremonies, parades and competitions are an effective factor in the Tikitiki method chosen during practice. The purpose of this study is to analyze how the Tikitiki method is applied in the Bahana Eka Sapta training process. In this study using descriptive qualitative methods. Sources of data taken in this study are primary data sources from members of Bahana Eka Sapta and trainers Bahana Eka Sapta. Meanwhile, secondary data sources were taken when the research took place in the form of documentation, song archives, and assignment letters. Data obtained through observation, interviews and documentation. The results showed that there was ease in understanding the members of the Bahana Eka Sapta drum band after the Tikitiki rhythmic syllable method was applied in the training process so that it became a solution to overcome diverse musical experiences and help new members in understanding rhythm. The Tikitiki method can also be applied to drum band activities at school and institutional extracurricular activities to make it easier for beginners to understand the rhythm of the song.
Pengaruh Musik Dalam Mengembangkan Kreativitas Pada Mata Kuliah Pembelajaran Seni Rupa di IAIN Ponorogo Tirta Dimas Wahyu Negara; Angga Fitriyono
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 2 (2022)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v5n2.p90-95

Abstract

Music is a feeling that can be heard through rhythm, melody, timbre with its own harmony in each chant. Music is often used as a stimulant to arouse the emotional aspects of a person. Therefore music can also help the body and mind to work together in doing a job. Students at IAIN Ponorogo in the Fine Arts Learning course will get musical stimulants with different genres to be able to feel the impact and difference. The aim is to find out the extent of the impact given by music in an effort to provide comfort in the classroom. The types of music chosen are pop, rock and instrumental genres. This study uses a mixed method in the form of a combination of methods (quantitative and qualitative). The quantitative method functions as an explanatory with technical data analysis using simple linear regression using IBM SPSS V 24 software, while data were collected through interviews and questionnaires. The results of this study are 1) Music has a significant impact when creating art, 2) Music genres that suit taste can add to the mood in activities, 3) Inner calm affects the discovery of creative ideas. Based on these results, it can be concluded that music has a significant influence on someone to be able to find comfort in creating art.
Variasi Bowing Etudes Ou Caprices No. 2 Rodolphe Kreutzer Sebagai Strategi Pembentukan Teknik Tangan Kanan Pada Pemain Violin Sagaf Adzkia; Alya Sabina Muntasya
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 5 No. 2 (2022)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v5n2.p96-103

Abstract

Violin players are required to have balanced technical skills not only with the left hand (finger operation on the strings), but also the role of the right hand (playing the bow). Qualifications that emphasize exercises that focus on right-hand skills are in fact often under-appreciated. This research proposal presents a study-based violin learning strategy that emphasizes right hand skills through bowing variation treatment, which is applied to Rodolphe Kreutzer's Etudes Ou Caprices No. 2. The focus of this research is the music education study program, ISI Yogyakarta. This study uses a qualitative method with a musicological approach. The stages that were passed in this research were through the process of literature study, observation, interviews, and analysis. The results of this study are: the emergence of eight variations of bowing which was applied to Etudes Ou Caprices no.2 Rodolphe Kreutzer; the treatment applied is useful in improving the right hand technique and the differentiating specifications between each bowing technique; through continuous practice of bowing variation techniques can make students responsive in reading notation symbols, especially on the diversity of right-handed techniques; treatment of variations of bowing detache, staccato, spiccato, legato, and their variations can be easily applied to the repertoire/songs being studied to support interpretation.
The Presentation Form of Sholawat Ya-lail to The Serang City People, Banten Province Syamsul Rizal; Farhan Fahreza
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 1 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n1.p32-43

Abstract

The problem discussed in this study is about the presentation of the art of sholawat Ya-lail in the community of Babakan Gelam Village, Cipocok Jaya District, Serang City, Banten Province. The purpose of this study was to describe the presentation of the art of sholawat Ya-lail in the Babakan Gelam Village, Cipocok Jaya District, Serang City community. The approach used in this research is descriptive qualitative. The object of research is the presentation of the art of sholawat Ya-lail, which includes the form of presentation and the meaning of the art. Collecting data by observation, interview, and documentation. The data analysis stages are data reduction, (2) data presentation, and conclusion.The results showed that the presentation of the art of sholawat Ya-lail in the community of Babakan Gelam Village, Cipocok Jaya District, Serang City, is the art of sound, because it uses seven games, namely (1) Balam Bayati, (2) Lalam Hijaz, (3) Lalam Ros, (4) Lagam Nahawand, (5) Lagam Shoba, (6) Lagamjiharkah, (7) Lagam Sikah.
Development of Interactive Video Media Solfeggio Learning in Performing Arts Education Study Program, FKIP UNTAN Zakarias Aria Widyatama Putra; Imam Ghozali; Mastri Dihita Sagala; Egi Putri Grandena
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 1 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n1.p1-12

Abstract

This research is development of interactive video-based  solfeggio learning media in the Performing Arts Education Study Program, FKIP, UNTAN. The purpose of the study is to produce products in the form of interactive video solfeggio learning media, test the feasibility of interactive video-based solfeggio learning media, and describe the response of educators and students to interactive video-based solfeggio learning media. The research method used 4D Thiagarajan research and development with stages of define, design, development, and dissemination. The subjects and research time of students in semesters 3-5 and will be held from July to September 2022. Data collection techniques use questionnaires and interviews. Research instruments are addressed to media and material validators and users by providing instrument questionnaires as well as criticism, input, and suggestions. Data analysis uses a Likerts scale. The results of research that interactive videos are very worthy of being used as a learning medium for solfeggio. Based on the results of media validation by students that solfeggio material can improve the ability to read block notation.
Subject of Main Instruments (Violin) Madya Level Course In Music Study Program, Faculty of Languages and Arts, Universitas Negeri Surabaya Moh Sarjoko
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 1 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n1.p44-56

Abstract

Soprano violin is part of a stringed instrument. Today, the violin is one of the most popular musical instruments in the community. Many people learn this violin instrument in studios, music courses, schools and other educational institutions. Therefore, the need for the availability of this violin instrument is quite a lot. This also has an impact on the needs of teachers/tutors, the need for books/tools to support the ability to play the violin, and so on. Music Study Program, Faculty of Languages ​​and Arts, Universitas Negeri Surabaya is one of the educational institutions where many students choose the violin major specialization. This research is a class action research at the intermediate level elective principal instrument subject using the case study method through direct observation of the level of difficulty and suitability of the material, so that it can produce a book output. This book is a guide in learning the violin musical instrument which is equipped with techniques, scales, etudes, and repertoire for students of the Music Study Program, Faculty of Languages ​​and Arts, Universitas Negeri Surabaya who are taking the subject matter of violin at the intermediate level.

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