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Virtuoso: Jurnal Pengkajian dan Penciptaan Musik
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 26220407     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
VIRTUOSO is a scholarly journal that presents music analysis and music composition articles. The expert editors receive articles on music and music studies from various groups of students, lecturers, musicians, teachers, and other elements of society. This journal encompasses original research articles, review articles, and performance analysis, including: Classic Music Traditional Music Contemporary Music Music Performance Musicology Music Education Musical Theatre Ethnomusicology Music Therapy World Music Film Music Digital Music Modern Music This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 175 Documents
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Perspectives on Music Pedagogy in Informal, Performance-Based Learning Riyan Hidayatullah
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 1 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n1.p57-67

Abstract

Music learning practices in formal settings, for example, in the classroom, generally apply structured and systematic curriculum-based learning strategies. The entire learning process has generally been organized and implemented with guidance and supervision by the teacher. In Indonesia, music learning in formal schools still applies the standardization of Western music theory. In fact, music learning practices that offer local pedagogical values provide a very diverse portrait. In higher education, music learning that applies local pedagogy has been going on for some time. The Music Education Study Program (PSPM) of Lampung University is one of the tertiary educational institutions that has implemented music learning practices based on local pedagogy. Learning practices that are also performance-based are carried out with "informal" stages and processes. This notion means that local pedagogy is based on informal music practices in Lampung society. Informal music learning practices have not been recognized as the curriculum of formal institutions. This article looks at the concept of Lampung local pedagogy applied in music performance-based learning practices in formal areas. The central theoretical perspective in this research uses Green's (2008) thoughts on informal learning in the classroom. Data were collected through observation and in-depth interviews with lecturers and students of levels 2 and 3. As a result, the concept of local music pedagogy that takes place in music performance-based learning at PSPM University of Lampung (1) provides opportunities for students to learn while creating; (2) provides space for collaboration and social participation; and (3) strengthens peer learning in groups.
System of Inheritance as a Preservation Effort of Kuriding In South Kalimantan Muhammad Najamudin; Wadiyo Wadiyo; Syahrul Syah Sinaga
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 1 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n1.p68-80

Abstract

This research generally aims to look at the inheritance system as an effort to preserve kuriding music in South Kalimantan. The method used is a qualitative method with an ethnomusicological approach, namely kuriding instrument craftsmen, academics, and the community in South Kalimantan. The main data collection tool in this study is the researcher himself as the key instrument. Based on the results of research on inheritance systems (1) History, (2) Concept of Inheritance, (3) Performance Presentation, (4) How to Play, and (5) Conservative Ideological Values. The research is expected to provide knowledge about South Kalimantan kuriding music to the community as the owner of the art.
A Prototype "Kendang Jaipong" Virtual Instrument as Music Creativity Tools Iwan Gunawan
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 1 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n1.p13-31

Abstract

Numerous organological discoveries in the form of virtual instruments have surfaced as a result of the impact of developing digital music technology. To conserve and promote music based on local culture, organological innovations in the form of virtual instruments, such as the kendang jaipong, must be implemented. The goal of this work is to describe the development of the kendang jaipong virtual instrument from organological investigations through the realization of a marketable prototype. By sampling from the Kendang Jaipong’s actual instrument and converting it into a virtual instrument based on the KONTAKT Library, the technique utilized is practice-led research, also known as practice-based research. Pre-production, production, and post-production are the three stages of the design process. This prototype makes use of 137 samples that are based on a variety of chosen kendang sounds. To enable each type of kendang sound to function as a virtual instrument in DAW and Digital Music Notation programs, the audio samples are organized in a placement system on the keyboard keys included in the KONTAKT feature. The Kendang Jaipong prototype has been successfully tested on several music productions using DAW-cast and video score. The usage of the multi-round robin's function to have a more diversified sample, as well as the addition of the midi files capability, are things that need to be developed on this prototype product so that it may be used as a machine learning by users.
Cultural Diversity and Worship: The Role of Ethnic Music in Eliezer Sentani Congregation Sahureka, Cosye Meilina; Parinussa, Nelinio
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p123-132

Abstract

Caring for the congregation through the presence of ethnic music in weekly worship and religious festivals brings a new atmosphere to the Eliezer congregation in Sentani. The purpose of this study is to provide an overview of the forms, impacts, and meanings of ethnic music in the Eliezer Sentani congregation. The ethnic music and singing are a collaboration of six different ethnic groups: Papua, Maluku, NTT, Sulawesi (Toraja-Minahasa), Java, and North Sumatra (Batak). The method used is a qualitative descriptive method that employs data triangulation through document analysis, observation, and two types of interviews: focused interviews and free interviews. Data is analyzed by combining these three data sources and then providing a description and conclusions about the observed phenomenon. The results of this research reveal that the worship with ethnic nuances in GPI Eliezer Sentani can be seen in terms of its form, meaning, and impact. The form of worship with ethnic elements involves traditional music components in various combinations, serving the purpose of adding aesthetics and color to worship and devotion. In terms of meaning, the use of ethnic music in worship acts as a means of promoting culture and as a tool for unity and togetherness. Regarding its impact, the use of ethnic music in worship has led to an improvement in the quality and quantity of congregation members participating in the worship.
Innovation in Environmentally Friendly Materials: Making Paralon Soprano Alto Tenor Bass (SATB) Musical Instruments Phetorant, Dimas; Kusnawan, Uus
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p133-142

Abstract

This study seeks to explore the paralon's ability to make musical instruments. Paralon is a material that is strong against weather changes. The novelty of this research is in the form of the soprano, alto, tenor, and bass (SATB) paralon musical instrument. For this reason, researchers describe and explore the tool step by step until its presentation. The purpose of this study was to find innovations in making musical instruments from paralon. This study uses a qualitative method along with exploration. Data were collected through observation, interviews, and literature studies as reference materials related to this research. Observations were carried out by researchers by observing the making of the SATB paralon musical instrument, measuring the parts of the paralon, and taking notes. Exploration of the internet for literature to add insight about the object to be studied. The stages of making the SATB paralon musical instrument begin with finding the raw materials to be used. After all the raw materials are obtained, the paralon pipe is cut and shaped according to the design that the researcher made. Followed by installing a knife at the end of the paralon. After gluing, the process of finding the tone (tuning) of the paralon pipe begins. The table is needed to place the SATB paralon musical instrument, which is made and shaped according to the SATB paralon musical instrument.
An Analysis of The Impact of Remixed Songs on Tik Tok Social Media on Children's Language Development In Elementary School Gutama, Andika; Andriansyah, Ella Nur
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p143-158

Abstract

Tik Tok is an application containing short videos accompanied by music. Many songs on Tik Tok are not suitable for elementary school students to listen to, such as Mangku Purel, Abang Evil, and No Comment, so these songs have an impact on children's language development. This research aims to determine the impact of songs on Tik Tok social media on children's language development in elementary school. This type of research is qualitative descriptive research. The objects of this research are teachers and students. The data collection procedures used were observation, interviews and documentation. From the research carried out, the following results were obtained: there are many negative impacts, such as students playing with cellphones more, the songs consumed by students are not suitable for elementary school-age children, the videos on Tik Tok are not all positive, Tik Tok affects language development and environment, students follow language like adults and students cannot differentiate between positive and negative. Based on the results of research that has been carried out, there are many negative impacts, (1) Playing with cellphones more. (2) The songs consumed are not suitable for elementary school-age children. (3) Not all of the videos on Tik Tok are positive, (4) Tik Tok influences language development and the environment, (5) Students follow the language like adults from the Tik Tok application, (6) Students cannot yet differentiate between what is good and what is not good. This has a big impact on children's language development, apart from being used as a means of entertainment, a lot of content is accompanied by songs that are not suitable for elementary school-age children. Therefore, parents need to play a role in using social media, so that children's language does not influence Tik Tok language.
Musical Analysis Structure and Violin Playing Technique in Suzuki Violin Book Riyadi, Lanang; Yensharti, Yensharti
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p170-178

Abstract

This article aims to describe and provide an overview of the analysis of the musical structure and violin playing techniques contained in the works in Suzuki Violin Book Volume 1. The research contained in this article uses a qualitative method with a systematic content analysis approach, objectivity, and generalization. The works analyzed in this research are "Twinkle, Twinkle, Little Star", "Lightly Row", and "Song of the Wind". The results show that the three works are simple works that are appropriate as teaching materials for educators in teaching students who are just learning violin instruments. This is evidenced by violin playing that only uses the A string and E string with 1, 2, 3, and 0 (open string). The works are composed of intervals that make the melody movement dominated by stepping movements rather than jumping. In addition, the techniques that appear in these works are simple techniques such as up-bow, down-bow, tenuto, and staccato, and a little complicated for beginners is syncopation. So, the three works are the right works to learn for beginners.
Minimalist Sape: The Use of Digital Sound Effects For a Musical Hybrid Concept Between Dayak Sape Music and Minimalist Music Darlene, Esther
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 6 No. 2 (2023)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v6n2.p159-169

Abstract

Sape Minimalist music composition is the result of a musical dialogue between Sape (Dayak) music and Minimalist music through a hybrid approach. Minimalist music itself is a backlash mainly against the chaos and complexity of serialism and aleatoric music. In minimalist music, short melodic patterns with clear tonality and constant repetition are the main focus. In this Minimalist Sape composition, the Sape instrument is usually played for specific functions such as accompanying ritual ceremonies/customs, as well as entertainment, in this composition Sape collaborates with minimalist music elements and produces a repertoire that can be classified in the "absolute" music category. The hybrid musical dialogue approach, which combines two different types of music, has the ability to increase the variety and uniqueness of Sape music. Hybrids in Minimalist Sape compositions produce unique new musical variations with an experiment using a touch of digital sound effect technology that the tempo development of sape music assisted by other music can affect the hybrid concept realized by combining musical elements from Dayak Sape music with Minimalist music. The method used in this research was conducted through a literature review, previous repertoire review, and using an artistic-based research approach. The results of the composition found that Sape - Minimalist music using digital sound effect applications can bring breakthroughs with the concept of musical hybrids from Sape music and Minimalist music with a touch of sound design effects that produce music with new creativity.
PAPATEAN: Representational Musical Composition of the Story of the Murder of Missionary A. A. van De Loodstrecht in Bori', Toraja Saputra, Julian; Picanussa, Branckly; Tika Lestari, Dewi
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p1-16

Abstract

The musical composition "Papatean" is based on the story of the murder of the first missionary in Toraja, namely A. A. van de Loodstrech (called Anton) in 1917. Studying history is certainly important because it is full of values??for a better future. After Anton's death, the growth of the congregation in the Toraja Church continued to improve, until it spread internationally. Apart from that, the creation of this musical work aims to remember and appreciate the struggle and dedication of Anton and his wife, who have given their entire lives to God and the Toraja people. Their arrival brought the Gospel as well as the beginning of education in Toraja. The theory used in producing this work is about musical composition, musical harmony, instruments, and program music including narratives, vocals, and scales. The musical instruments used are the Lembang Flute, Piano, Violin, Viola, Violoncello, Contrabass, Floor, Cymbals, Chimes, and Vocals. The method used is the creation method, with several stages, namely (1) Data collection stage (2) Idea stage (3) Exploration stage (4) Implementation stage (5) Formation stage. The work "Papatean" was worked on in three parts, namely part I: Petamba (A, B), part II: Sitiro Lindo (A, B), and part III: Papatean (A, B, C, D).
The Role of Sekar Gending "Kawitan" in Wayang Golek Purwa Performance Maulana, Marsel Ridky; Gunawan, Iwan
Virtuoso: Jurnal Pengkajian dan Penciptaan Musik Vol. 7 No. 1 (2024)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/vt.v7n1.p77-90

Abstract

Gending "Kawitan" is a musical repertoire in the form of sekar- gending that must be presented in Wayang Golek Purwa performances. In its presentation, sekar-gending "Kawitan" has a very important role in the unity of Wayang Golek's performance as a whole. The purpose of writing this article is to reveal the role of sekar-gending "Kawitan" in Wayang Golek's performance based on its musical communication aspects. The method used is descriptive qualitative by conducting interviews with puppet artists and analyzing documents from several video recordings that have been broadcast online. Based on this method, the sekar-gending "Kawitan" has four parts: Kawitan Gancang, Kawitan Kendor, Bata Rubuh, and Gending Badaya. In terms of its role, gending "Kawitan" at least has a role as an instrumental music presentation, as a song presentation (vocals and instruments), as an illustration, and accompaniment for the puppeteer during Murwa, and as an accentuation in the ibing maktal scene. From the results of a section-by-section study, sekar-gending "Kawitan” has a tight structure and high musical communication complexity, due to the many interactions between musicians.

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