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INDONESIA
Jurnal Pendidikan dan Penciptaan Seni
Published by Mahesa Research Center
ISSN : -     EISSN : 27769801     DOI : 10.34007
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences Other
Jurnal Pendidikan dan Penciptaan Seni, is a source of scientific information and communication for academics, and educational reviewers, and art creators visuals, music, dance, and performance. The articles published are the results of research, and reports on the creative process of art creation that are critical, actual in the sphere of education and art creation. All articles are reviewed by two experts in their field on a system without identity (authors name). The scope of the Jurnal Pendidikan dan Penciptaan Seni, is based on pedagogical scholarship and artistic creation.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 87 Documents
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Shibori Teknik Kacak Three Colors pada Penciptaan Ready to Wear Deluxe Kemala, Alya Bela; Suharno, Suharno; Marlianti, Mira
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.874

Abstract

The kacak technique is one of the techniques in making shibori. This technique is generally only used to produce shibori with one color. This is the basis for the creation of this work, namely, to produce three colors in shibori fabric with the kacak technique. Therefore, the purpose of creating this work is to find a new application of the kacak technique in shibori. The results of this finding are then used as the main material in the creation of ready-to-wear deluxe, which is combined with an angklung motif stamp batik as a complement. To realize this work, the creation method used is the three-stage design process, including problem definition and research, creative exploration, and implementation. The results of this creation are in the form of 4 (four) ready-to-wear deluxe looks presented at the Indonesia International Modest Fashion Festival (IN2MF) 2024 at the Jakarta Convention Center (JCC).
Analisis Fungsi dan Makna Nyanyian Rohani Batak Toba dalam Dua Konteks Ibadah Kristen di Medan Simamora, Samaria; Naiborhu, Torang; Fadlin, Fadlin
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.1008

Abstract

This research aims to describe and analyze the function of Batak Toba sacred songs in the Charismatic worship of GBI Mawar Saron, Simalingkar B, and in the worship of HKBP Pardomuan, Simalingkar B, Medan. It also seeks to identify and compare the meanings contained in Batak Toba sacred songs within Charismatic and HKBP traditional worship, as well as to examine how the functions and meanings of these songs transform when used in different worship contexts. The researcher employs a qualitative-descriptive approach using observation, interviews, and documentation conducted directly at the selected research sites. The theoretical framework applied in this study includes Alan P. Merriam’s theory of the functions of music and Jean-Jacques Nattiez’s musical meaning analysis. The findings indicate that there are significant changes in musical style, song presentation, and worship structure, revealing differences in the liturgical and expressive functions between the two churches. Nevertheless, Batak Toba sacred songs continue to serve as a medium of spiritual unity and cultural identity among the congregations. Through this study, the researcher hopes to contribute to the field of ethnomusicology and enhance cross-traditional understanding within the practice of Christianity in Indonesia.
Penerapan Convertible Fashion pada Ready to Wear Deluxe Aplikasi Embellishment Resin dan Fabric Painting Inspirasi Bunga Spider Lily Yulianti, Syifa; Suharno, Suharno; Marlianti, Mira
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.882

Abstract

The fashion industry innovates with the concept of convertible fashion to meet consumer needs for flexibility and sustainability. This creation research explores the application of this concept to a ready-to-wear deluxe collection through the application of resin embellishment and fabric painting inspired by the Spider Lily flower. The urgency of this research lies in the potential for increasing consumption efficiency, extending the life cycle of clothing, and offering higher functional and aesthetic values. The purpose of this research is to produce an innovative, versatile, and artistic fashion collection by combining convertible fashion with resin embellishment techniques and spider lily-inspired fabric painting. To achieve this goal, this research uses a design thinking approach consisting of five stages, namely: empathize, define, ideate, prototype, and test. This approach was then adapted into six stages by adding the embodiment stage, so it can be called design thinking plus. The result is three sets of clothing that can be combined into nine different looks that offer style flexibility for the wearer.
Pelestarian Seni Jaran Kepang oleh Sanggar Wahyu Satrio Putro di Kota Binjai Tarigan, Yohana Amerisa Br; Dewi, Heristina; Gulo, Hubari
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.938

Abstract

This study examines the preservation of the Jaran Kepang art form by Sanggar Wahyu Satrio Putro in Binjai City using a qualitative approach. The objectives of the research include: (1) adaptation and innovation without compromising traditional values, and (2) passing down Jaran Kepang to younger generations. Jaran Kepang is a traditional Javanese art that portrays the skills of horseback warriors through dynamic and captivating dance movements, accompanied by gamelan music. Although this art form has existed since the Majapahit Kingdom, its development outside Java, including in Binjai City, North Sumatra, reflects a cultural transformation. The study applies a qualitative method through non-participant observation, interviews, video recordings, and audio documentation. The findings reveal that the preservation of Jaran Kepang by Sanggar Wahyu Satrio Putro is not merely an act of safeguarding cultural heritage, but also a strategic effort to maintain the relevance of traditional arts in the era of globalization.
Gangguan Mental Pada Remaja Era Gen Z Sebagai Ide Penciptaan Karya Seni Lukis Digital Prasetyo, Venessa Rahma; Prasetyo, Abdul Rahman
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.875

Abstract

Gen Z teens are prone to mental disorders such as anxiety and depression due to social pressure and digital exposure. The lack of mental health awareness exacerbates their emotional state. This research aims to realize the issue into digital painting artworks. This study tries to define the concept, method, and depict the notion idea of digital painting with the theme of mental disorders in Gen Z teenagers.  The method used is the creation of works based on the Alma M. Hawkins model which consists of three stages: exploration, improvisation, and realization. Visualization was done using Clip Studio Paint and Adobe Illustrator software to produce six digital paintings. These works depict various mental disorders such as depression, bipolar, trauma, insomnia, anxiety, and eating disorders, which are applied in the form of stickers on laptop covers. This media was selected since it is related to our everyday life of Gen Z teenagers and effective as a means of self-expression. Practically, this creation can be utilized in art-based education and therapy for teenagers. Theoretically, this work enriches the study of digital art that is contextual to the psychological issues of Gen Z.
Peran Lagu Populer Simalungun dalam Upacara Adat Perkawinan: Analis Tekstual dan Musikal di Kelurahan Pematang Raya, Kecamatan Raya, Kabupaten Simalungun Purba, Zulkifli; Dewi, Heristina; Sitopu, Sapna
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.1015

Abstract

This study analyzes the role of Simalungun popular songs in traditional wedding ceremonies in Pematang Raya Village through textual and musical approaches. The research focuses on three main songs: Sitalasari, Etah Mangalop Boru, and Horas Sayur Matua. A qualitative descriptive method was applied using observation, interviews, and documentation techniques. The findings reveal that Simalungun popular songs function as a medium of cultural communication, a form of prayer and blessing, and a symbol of respect toward social structures and customary values. Musically, the songs use diatonic major scales, moderate tempos (85–100 bpm), and simple rhythmic patterns that reflect the sacred and harmonious atmosphere of the ceremony. The transformation from traditional instruments such as gondrang bolon to modern ones like keyboards and guitars does not diminish their cultural meaning. Instead, these songs embody a creative adaptation that preserves traditional values while embracing modern influences. They play a vital role in maintaining Simalungun cultural identity, strengthening social cohesion, and ensuring the continuity of local traditions amid modernization.
Penciptaan Evening Gown Inspirasi Bunga Tunjung Dengan Teknik Applique Dan Digital Printing Ayunia, Khairunnisa; Suharno, Suharno; Marlianti, Mira
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.883

Abstract

The fashion industry continues to grow with the demand for design innovation that combines cultural heritage and modern technology. This creation aims to present an evening gown inspired by the beauty and symbolism of the nymphaea flower through a combination of appliqué and digital printing techniques. The urgency of this research lies in the efforts to diversify sources of inspiration for fashion design, the use of technology to improve efficiency and visual detail, and the preservation of cultural values through contemporary interpretations. The novelty of this research lies in the integration of distinctive local floral inspiration with appliqué techniques enriched by digital printing details, which have not been widely explored in the context of evening gowns. This research method adapts the double diamond model, which includes the stages of discover, define, develop, and deliver. The results of this work are 3 evening gowns with nymphaea flower appliqué details enriched with texture and color through digital printing. This work was presented at Bandung Fashion Runway 2025 on TVRI West Java.
Organologi dan Teknik Permainan Taratoa oleh Mardi Boangmanalu di Pakpak Bharat Pasaribu, Kevin Leonardo; Dewi, Heristina; Sebayang, Vanesia Amelia
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.940

Abstract

Taratoa is one of the traditional wind instruments owned by the Pakpak people in North Sumatra. This instrument has high cultural value and is classified as an aerophone, precisely the type of end-blown flute. Its existence reflects the rich musical tradition of the Pakpak people that needs to be studied and preserved. This research aims to examine the organological aspects of Taratoa, including the manufacturing process, materials, construction, and playing techniques. The main focus is on the practice of Mardi Boangmanalu, a traditional craft and performance art form practiced by Taratoa craftsman and player from Aornakan II Village, Pargetteng-Getteng Sengkut District, Pakpak Bharat Regency. The approach used in this research is a descriptive qualitative one, employing data collection techniques that include observation, interviews, and documentation. To identify the process of making and playing techniques, this research refers to the structural and functional theory of Susumu Khasima (1978: 174). In classifying Taratoa, the Hornbostel-Sachs (1961) theory was used.
Representasi Kuntilanak dalam Film Kuntilanak Universe pada Artwear Darsita, Dede Yogi; Marlianti, Mira; Suharno, Suharno
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.877

Abstract

In general, Kuntilanak is known as the vengeful spirit of a woman who died during pregnancy or childbirth. In Indonesian horror films, Kuntilanak is typically portrayed as a terrifying female ghost seeking revenge after experiencing an unnatural death. However, the Kuntilanak Universe films produced by MVP Pictures offer a different representation. Here, Kuntilanak is depicted as a dual-natured female entity, both frightening and humanized, who can be summoned through the ancient Javanese chant Sekar Durma, titled Lingsir Wengi, and used as a medium for the Mangkujiwo cult's wealth rituals—inspired by the Kuntilanak Universe films, including Kuntilanak (2006), Kuntilanak 3 (2008), Kuntilanak (2018), Kuntilanak 2 (2019), Kuntilanak 3 (2022), Mangkujiwo (2020), and Mangkujiwo 2 (2023), the artist aimed to represent this duality through artwear design. This creative work is significant as no designer has previously explored the Kuntilanak phenomenon from the Kuntilanak Universe films as a concept for artwear. Therefore, the objective of this project is to present a novel form of artwear inspired by these films. The creative process follows four stages: exploration to understand the character and visuals from the films, experimentation with materials and techniques, realization of the designs into an artwear collection, and evaluation to ensure conceptual relevance. The outcome is a series of three artwear looks presented through a fashion cinematic
Analisis Motif Batik Kembang Turi Sebagai Identitas Budaya Lokal Di Kampung Wisata Batik Turi Kota Blitar Ni’amah, Ulva; Ratnawati, Ike
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.892

Abstract

Batik is one of Indonesia’s cultural heritages that serves not only as a work of art but also as a regional identity symbol, representing values, history, and local wisdom. This study explores in depth the Kembang Turi batik motif as a symbol of the local culture of the community in Kelurahan Turi, Blitar City. The research aims to analyze the origin and development of the motif and to describe the form, meaning, and uniqueness of the Kembang Turi Batik motif. This research employs a descriptive qualitative method. Data collection techniques include observation, interviews, and documentation as supporting data. The results show that the Kembang Turi Batik motif, inspired by the natural shape of the turi flower, is enriched with supporting motifs that highlight the cultural potential of Blitar City. Since 2018, this motif has developed into a recognized symbol of local cultural identity, reflecting philosophical values such as simplicity, vitality, and the preservation of traditional arts. The motif also serves educational, aesthetic, and economic functions, supporting the strengthening of local identity and the promotion of regional culture.

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