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INDONESIA
Jurnal Pendidikan dan Penciptaan Seni
Published by Mahesa Research Center
ISSN : -     EISSN : 27769801     DOI : 10.34007
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences Other
Jurnal Pendidikan dan Penciptaan Seni, is a source of scientific information and communication for academics, and educational reviewers, and art creators visuals, music, dance, and performance. The articles published are the results of research, and reports on the creative process of art creation that are critical, actual in the sphere of education and art creation. All articles are reviewed by two experts in their field on a system without identity (authors name). The scope of the Jurnal Pendidikan dan Penciptaan Seni, is based on pedagogical scholarship and artistic creation.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 87 Documents
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Lobat Pakpak: Kajian Organologi, Ritual, dan Teknik Permainan Pasaribu, Andika pranata; Fadlin, Fadlin; Ginting, Yoe Anto
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.991

Abstract

This study explores the ritual of making and the playing techniques of the Lobat Pakpak in Sukaramai Village, Kerajaan District, Pakpak Bharat Regency. The background of the research lies in the significance of the Lobat, which functions not only as a musical instrument but also as a medium of spirituality and cultural identity for the Pakpak community. The objectives are to describe the ritual process of crafting the Lobat, explain its playing techniques, and analyze the musical structure of its repertoire. The fieldwork was conducted over a one-week period starting on June 12 until completion, involving six key informants, including instrument makers, traditional players, and cultural leaders. The data were collected through participant observation, in-depth interviews, audio-visual recordings, and musical transcription. A qualitative method with an ethnographic approach was applied. Dhavamony’s theory was employed to examine ritual aspects, Kashima Susumu’s theory for organological study, and Malm and Prier’s theories for musical analysis. The findings reveal that the making of the Lobat combines technical craftsmanship with sacred rituals, while its performance emphasizes breath control, simple fingering, and pentatonic melodic patterns. Thus, the Lobat represents an intangible cultural heritage reflecting spirituality, local wisdom, and the identity of the Pakpak people.
Karakter Tokoh Candyland Sebagai Inspirasi Penciptaan Artwear Asyifa, Naila Ummu; Suharno, Suharno; Marlianti, Mira
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.880

Abstract

The creation of this artwear was inspired by the iconic characters in the board game Candyland, namely Princess Lolly, Gramma Nutt, and Princess Frostine. The goal is to present the novelty of an expressive and innovative form of artwear through an experimental and conceptual design approach. The creation methods used are exploration, design, and realization. The creation method used to realize this artwear collection is exploration, design, and realization. The results of this creation research are three artworks that visually and conceptually represent the interpretation of the three characters in Candyland above. These three artwear pieces were presented at the West Java TVRI studio on April 30, 2025, with the title Bandung Fashion Runway, and aired on May 3, 2025
Kasus Korupsi Sebagai Inspirasi Seni Stencil Graffiti di Media Akrilik Wanis, Risa Azahro; Prasetyo, Abdul Rahman
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.926

Abstract

In 2024, Indonesia was ranked 99th out of 180 countries with the highest level of corruption. It has become a serious, deeply rooted problem in the Indonesian system and has become a phenomenon that causes various concerns and anxieties among the public. One means of expressing criticism and anxiety about social issues is through graffiti art. This research project aims to describe the sources of ideas, the process of visualizing, and present the results of creating graffiti art. Using a method based on Alma M. Hawkins’ theory, this creation process involves three stages: 1) exploration of sources of ideas, 2) visual improvisation, and 3) formation/realization of the work. The result of this creation is six graffiti works on acrylic media using the stencil technique, representing six corruption cases in Indonesia. These works offer a new approach and innovation in the medium of graffiti art for expressing ideas. Additionally, these works can serve as an educational tool to raise public awareness about corrupt behavior and are hoped to provide criticism or perspective on corrupt behavior.
Eksplorasi Teknik Pengambilan Gambar dalam Film untuk Menghadirkan Aroma pada Visual Maharsidik, Beto
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.773

Abstract

The exploration of shooting techniques in film has the potential to deliver a rich sensory experience, including triggering the sense of smell through visuals. This article aims to identify and analyze cinematic techniques that can create the illusion of scent in film, specifically through the application of sensory shots. This technique involves the use of close-up compositions to highlight subtle details such as steaming steam, the play of light to emphasize the texture and freshness of the object, and the slow movement of the camera and the movement of the camera closer towards the object to reinforce the impression of the presence of scent, as if the viewer is approaching to kiss directly. Using qualitative methods and textual analysis approaches, this study reviewed a number of culinary-themed films, including Tabula Rasa (2014) and Little Forest (2018), to observe certain visual ways of presenting the impression of aroma on the screen. In addition to the culinary genre, this technique also has great potential to be applied in the thriller or horror genre, for example, to build an atmosphere of tension or disgust through an emphasis on textures, liquids, and other visual details that provoke the audience's sensory reactions. This article explores cinematic strategies for communicating taste and scent through visual media, thereby creating a richer and more immersive cinematic experience. The results of this study are expected to expand the understanding of cinematic techniques as a medium of sensory communication across genres, especially in culinary films and other genres that rely on the intensity of sensory experiences.
Makna Lagu Populer Batak Toba Saat Penyerahaan Ulos Hela Pada Upacara Pernikahan Batak Toba di Kota Medan G. Siagian, Fibri; Fadlin, Fadlin; Sitopu, Sapna
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.997

Abstract

This Research is Entitled Analysis of the Meaning of Populer Batak Toba Songs During the Handover of Ulos Hela at Batak Toba Wedding Ceremonines in Medan City.” These three songs are always chosen to be sung before the Ulos Hela is presented to the bride and groom. To analyze the textual meaning in this study, the author uses Ferdinand de Saussure’s semiotic theory, focusing on denotative and connotative meanings. In addition, the songs Burju Marsimatua, Gabe Maho Boru, and Borhat Ma Dainang contain advice and prayers with connotative meanings that reflect the social values of the Batak Toba community. The research techniques used are fieldwork and desk work as introduced by Bruno Nettl. The author applies a qualitative method through observation, interviews, and audio-video recording. The findings of this study indicate that the Ulos Hela ceremony is a crucial highlight of the Batak Toba wedding tradition, symbolizing parental love, blessings, and the transfer of responsibility from the bride’s parents to the groom’s family.
Kombinasi Shibori dan Batik Serta Motif Bunga Tulip Dengan Teknik Embellishment Pada Ready to Wear Deluxe Seftiani, Selvia; Suharno, Suharno; Marlianti, Mira
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.881

Abstract

The creation of this ready-to-wear deluxe is based on empirical facts, that a ready-to-wear deluxe collection that harmoniously combines elements of Japanese culture (shibori), Indonesian cultural heritage (batik), and visual representation of iconic Dutch plants (tulips) does not yet exist. Therefore, this creative research aims to present innovation in ready to wear deluxe by exploring the synergistic potential of the three elements above through embellishment techniques. The urgency is that in addition to being a medium for cultural diplomacy through fashion, this research can enrich the treasury of fashion design with a unique global perspective, while preserving and applying traditional techniques in a contemporary context. The creative method used is the Double Diamond Model, which includes the stages of discover, define, develop, and deliver. The result of this creative research is the creation of four ready-to-wear deluxe collections that are innovative and relevant to the current luxury fashion market. This collection was presented at the 2024 Indonesia International Muslim Fashion Festival (IN2MF) event at the Jakarta Convention Center..
Representasi Iman dan Budaya dalam Jalan Salib dan Jumat Agung di GKPA Sibadoar Sinaga, Ester; Fadlin, Fadlin; Gulo, Hubari
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.933

Abstract

This study examines the representation of faith and culture in the celebration of the Stations of the Cross and Good Friday at GKPA Sibadoar, Sipirok District, South Tapanuli Regency. Good Friday is an important day for Christians to commemorate the crucifixion and death of Jesus Christ. This research aims to describe the manifestation of faith and culture in the Good Friday worship and the Stations of the Cross performance at GKPA Sibadoar. The study uses a qualitative approach with Koentjaraningrat’s Religious Ceremony Theory to analyze the worship, and Milton Singer’s Theory to describe the cultural performance. Data collection techniques were carried out through observation, interviews, and audio-video documentation. The results show that the Good Friday service at GKPA Sibadoar is conducted solemnly and simply, emphasizing Scripture readings, prayers, and reflections on Christ’s suffering, thus strengthening the congregation’s solidarity. The theatrical performance of the Stations of the Cross involving church youth serves as a medium for transmitting faith and expressing local culture. Furthermore, the hymns sung during worship feature strophic melodic patterns, predominantly stepwise intervals, and hanging contours that support the contemplative atmosphere. This study reveals a harmonious integration between religious and cultural values in the celebration of the Stations of the Cross and Good Friday at GKPA Sibadoar, which strengthens the congregation’s faith while preserving local culture
Deskripsi Kajian Organologi Teknik Pembuatan dan Teknik Permainan Alat Musik Uyup-uyup Manik, Yosia; Fadlin, Fadlin; Ginting, Yoe Anto
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei (In-Press)
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.998

Abstract

Uyup-uyup merupakan alat musik tradisional warisan budaya masyarakat Mandailing yang dibuat dari batang padi (batang ni eme) dengan lilitan daun kelapa muda berbentuk kerucut sebagai resonator. Instrumen ini berfungsi sebagai hiburan bagi para petani saat beristirahat di sawah pada masa panen. Penelitian ini bertujuan untuk mendeskripsikan proses pembuatan serta teknik permainan uyup-uyup. Metode yang digunakan adalah deskriptif kualitatif melalui observasi, kerja lapangan, wawancara, dokumentasi, dan kerja laboratorium. Landasan teori mengacu pada pendekatan struktural dan fungsional Khasima Susumu, serta klasifikasi alat musik berdasarkan sumber bunyi menurut Curt Sach dan Horn Bostel. Proses pembuatan meliputi pemilihan bahan, penggunaan alat, pengukuran komponen, pembentukan, hingga tahap penyelesaian (finishing) untuk menghasilkan instrumen yang presisi. Teknik dasar permainannya mencakup tiupan mulut untuk menghasilkan bunyi serta teknik penjarian dengan membuka dan menutup lubang resonator guna mengatur nada. 
Pembentukan Identitas Budaya Remaja Melalui Komunitas Dance Cover DreamWalker di Medan Ramadhani, Cahyani Indah; Dewi, Heristina; Gulo, Hubari
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei (In-Press)
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.939

Abstract

Budaya populer Korea (K-Pop) telah membentuk berbagai praktik budaya remaja di Indonesia, salah satunya melalui komunitas dance cover. DreamWalker adalah komunitas dance cover K-Pop di Kota Medan yang menjadi ruang ekspresi dan interaksi sosial bagi remaja. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan teknik observasi partisipatif, wawancara mendalam, dan dokumentasi. Analisis dilakukan dengan reduksi data, penyajikan data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa DreamWalker menjadi medium pembentukan identitas budaya remaja melalui representasi tubuh, ekspresi emosional, serta negosiasi nilai global dan lokal. Identitas terbentuk melalui unsur wiraga (teknik), wirama (keselarasan), dan wirasa (emosi) dalam praktik tari, serta diperkuat melalui pengalaman kolektif fan performa budaya. DreamWalker berperan sebagai agen budaya yang memfasilitasi pembentukan identitas hibrida remaja dalam konteks globalisasi, dengan menggabungkan simbol K-Pop dan nilai lokal Kota Medan melalui praktik pertunjukan yang reflektif. 
Eksistensi Musik Tiup Pada Masyarakat Batak Toba di Kecamatan Dolok Sanggul, Kabupaten Humbang Hasundutan Situmorang, Ervandi Noel; Naiborhu, Torang; Sitopu, Sapna
Jurnal Pendidikan dan Penciptaan Seni Vol 6, No 1 (2026): Jurnal Pendidikan dan Penciptaan Seni - Mei (In-Press)
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v6i1.1006

Abstract

Penelitian ini mengkaji tentang eksistensi musik tiup pada masyarakat Batak Toba di Kecamatan Dolok Sanggul pada konteks upacara adat. Tujuan penelitian ini adalah untuk mendeskripsikan perkembangan dan eksistensi musik tiup pada upacara adat. Dengan pendekatan kualitatif, yang melibatkan observasi, wawancara dan dokumentasi dan studi kepustakaan, penelitian menunjukkan bahwa musik tiup saat ini menjadi bagian tidak terpisahkan dalam upacara adat di Dolok Sanggul dan selain mempengaruhi gaya musik sebelumnya, kehadirannya juga memberikan pandangan baru masyarakat terhadap budaya musik sebagai pengiring upacara adat.

Page 8 of 9 | Total Record : 87

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