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Zamrud Whidas Pratama
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Jl. Ki Hajar Dewantara, Gunung Kelua, Kec. Samarinda Ulu, Kota Samarinda, Kalimantan Timur, Indonesia, 75123
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INDONESIA
Jurnal Mebang
Published by Universitas Mulawarman
ISSN : 27763919     EISSN : 27762513     DOI : https://doi.org/10.30872/mebang
Core Subject : Humanities, Art,
Arts Humanities
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik is academic, open access, peer-reviewed journal founded and first published in 2021 by the Department of Ethnomusicology, Faculty of Cultural Studies, Mulawarman University. Issues are published two times a year in April and October. Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik contains the results of music research, such as ethnomusicology; music performance art; music creation and research; and music education.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 50 Documents
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Representasi Kesetaraan Gender dalam Kesenian Gong Waning Masyarakat Sikka Tanjung Labu Provinsi Kalimantan Timur Arafik, Abdul Rahman; Putra, Bayu Arsiadhi; Putra, Agus Kastama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.69

Abstract

In the Sikka community in Tanjung Labu Village, curently women have the same role as men in socio-cultural life. Inversely proportional to the social conditions in the area of origin which is closely related to patriarchal culture. This situation is even more confusing when the appointment of a woman as head of the Gong Waning art association illustrates the absence of inequality in the social life of the Sikka community in Tanjung Labu. This study uses qualitative methods with observation techniques, data collection techniques and data analysis. Observation techniques include the object of research and the determination of informants. Data collection techniques include literature study, interviews, and documentation. Lastly, the data analysis technique by utilizing field data. The results show that the form of adjustment in Gong Waning art and the social order of the Sikka people is due to adaptation and good communication between individuals in discussions that lead to the values of equality. Discussion of private issues of every individual in society is managed to become a public issue in order to find a solution. Finally, women and men are free to express their opinions explicitly without any pressure from any party. This situation ultimately forms a society that respects each other in social life.
Degradasi Musik Gambus Paser pada Sanggar Seni Sama Duwe di Desa Suatang Keteban Kabupaten Paser Ashar, Saufitria; Gunawan, Asril; Putra, Bayu Arsiadhi
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.89

Abstract

Gambus Paser music is one of the traditional art forms that is now experiencing degradation. The degradation of Gambus Paser's music occurs due to the influence of modernization, which affects the interest of the younger generation, who increasingly forget their traditional arts. In response to the degradation of Gambus Paser music, Sama Duwe Art Studio continues to make preservation efforts to maintain the values contained in Gambus Paser art. This preservation is not only carried out by the Sama Duwe Art Studio; the people of Suatang Keteban Village and the Paser Regency government must also help maintain and preserve the art of Gambus Paser music. This research uses qualitative methodology, including data collection, observation, and analysis techniques. Data collection has been done through literature studies, interviews, and documentation. The research theory used is the AGIL theory from Talcott Parson. The results showed that Paser Gambus music's degradation requires special attention from all parties. One form of community support and role can be observed from the role of the Sama Duwe Art Studio in preserving the art of Paser Gambus music in Suatang Keteban Village.
Tindakan Sosial Pelaku Kesenian Damarwulan di Desa Sebemban Novita, Winda; Vivian, Yofi Irvan; Setyoko, Aris
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.90

Abstract

Damarwulan art is a traditional art originating from Java and developed by the people of Sebemban Village, Kutai Kartanegara Regency. The lack of interest in Damarwulan by the people of Sebemban Village has resulted in social action by cultural actors to protect this art. The sustainability of Damarwulan art to date cannot be separated from the social actions of its artists. There is music and scripts that have not changed from the past until now. This research uses qualitative methodology by applying observation techniques, data collection and data analysis. The observation technique includes the research object, namely focusing on damarwulan art in Sembemban Village. Data collection techniques include literature study, determining informants, interviews, and documentation. The final step is to use analytical techniques to process field data. The results of this research will explain the facts found in the field by the author. The social actions of Damarwulan artists towards the sustainability of this art include traditional, instrumental rational and value rational actions. Traditional acts include aspects such as rituals, male performers, scripts, and musical forms that have been passed down through generations. Instrumental rational action includes the use of musical instruments and other equipment in performance. Meanwhile, value rational actions involve collaboration with village government, extracurricular activities at schools, and arts groups as an effort to ensure the sustainability of Damarwulan Arts.
Dominasi dan Perkembangan Musik Keroncong dalam Ibadah Kaum Muda-Mudi Gereja Injili di Tanah Jawa di Era Disrupsi Simatupang, Jhonnedy Kolang Nauli; Aritonang, Jhon Wesley Boiman Parasian; Lumban Tungkup, Hizkia
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.105

Abstract

The purpose of this study is to understand how keroncong music is dominant in times of change in the musical world, how keroncong music is currently developing, and how they can help the youth of the Evangelical Church of Java were to find out how it is evident in the worship of the Lord. Research methods were used in writing the work. This scientific method is library research. This was carried out by the author. That is a search for articles, books, and encyclopedias on topics related to the dominance and development of Keroncong music. Javanese Evangelical Church Youth Worship in Turbulent Times. The findings of this study are as follows: First, in the middle of the inevitable turbulent times, the dominance of Keroncong music begins to weaken, especially among the youth. There is Java worships evangelical church people, so care must be taken to adapt to existing changes Java evangelicalism continues to evolve with new faces and appearances. Simply as a form of following the development of existing music and maintaining keroncong music in the youth liturgy. Third, the church must embrace existing changes without losing the identity and culture that has existed in the church for many years. But without an openness to existing change, especially during turbulent times, the church will fall behind over time.
Soliditas Nilai Karakter Pendidikan melalui Instrumen Gambus Melayu Riau di Universitas Islam Riau Fitriah, Laila; Ritawati, Tengku; Vivian, Yofi Irvan
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.116

Abstract

Riau Malay Gambus. This research utilizes a descriptive qualitative approach to observe the solidity of educational character values through the Riau Malay Gambus instrument at the Islamic University of Riau. The data collection techniques employed in this research include literature review, informant selection, interviews, and documentation. Three educational character values are embedded in the Riau Malay Gambus: religiosity, discipline, and environmental concern. The religious value inherent in the Riau Malay Gambus lies in the utilization of its lyrics, which are related to the Islamic religion, stories or messages conveyed relating to Allah, prophets, and other Islamic histories. The value of discipline is evident in the students' dedication to practice and presentational efforts to achieve maximum grades.
Reinterpretasi Sakralitas Sape’ Karaang pada Ritual Hudo’ Dayak Bahau di Kota Samarinda Syahputra, Yudi; Putra, Bayu Arsiadhi; Setyoko, Aris
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.94

Abstract

The Dayak Bahau community in Samarinda City has experienced changes in their cultural system, in this case their religious elements are no longer adherents of animist beliefs. However, they still believe in the legacy of their ancestors' animist beliefs, namely Sape' Karaang as a sacred musical instrument practiced in the Hudo' ritual. Thus, this research aims to analyze how the belief in the sacredness and practice of Sape' Karaang can survive amid changes in the religious system of the Dayak Bahau community in Samarinda City. This research uses qualitative methods with observation, data collection and data analysis techniques. Data collection techniques include literature study, interviews, and documentation. Data found in the field were collected and then analyzed. The results showed that the reason for the survival of the belief in the sacredness of Sape' Karaang in the Dayak Bahau community in Samarinda City is due to the reinterpretation by their traditional leaders of past animist sacred sources. Furthermore, the results of this interpretation form a new perception in the Dayak Bahau community of the sacredness of Sape' Karaang. For this reason, Sape' Karaang is still believed to be sacred and practiced by the Dayak Bahau community, which in turn has implications for their cultural identity in Samarinda City.
Musik Klentangan Kutai sebagai Media Sinkretisme dalam Upacara Bekenjong di Desa Bensamar Kabupaten Kutai Kartanegara Fajriannur, Arief; Gunawan, Asril; Setyoko, Aris
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.95

Abstract

Bekenjong is one of the ritual ceremonies that are owned by the people of Kutainese ethnic group in the regency of Kutai Kartanegara. Bekenjong ceremony is functions as a media of traditional medication to pay promises and to prevent disasters, usually accompanied by the Klentangan music ensemble, which is played with the musical instrument Klentangan, Babon Drum, and Gong. Bekenjong in its play cannot be implemented without Klentangan music. Music is an important aspect in Bekenjong, because Klentangan music is a media that connects between Pebelian with the realm of gods. This research uses descriptive qualitative method that covers data collection, observation, and data analysis technique. This research uses Weighted Scale technique by William P, and syncretism concept by Ralph Beals. The results of Bekenjong ceremony research shows that Klentangan music ensemble functioned as a media of syncretism. The process of Bekenjong ceremony then adjusted so that the traditions and customs of the ancestors were able to maintain without any conflicts with social norms or even current beliefs.
Bentuk Penyajian dan Fungsi Kidungan Malam Midodareni di Dukuh Biru Kecamatan Wonosari Kabupaten Klaten Sasongko, Mohammad Brian; Manggala, Bondan Aji
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.118

Abstract

Kidungan malam midodareni is a song or tembang macapat that is presented in a series of events on the eve of the marriage contract and panggih manten wedding ceremony in Dukuh Biru, Wonosari District, Klaten Regency, Central Java. Kidungan midodareni night is still preserved because people still consider it important and has social values. This article's writing is motivated by the younger generation's lack of interest in the midodareni night song tradition. The aim is to provide knowledge to the younger generation and the wider community about the general understanding of Kidungan Malam Midodareni, presentation procedures, functions, and how the midodareni night song tradition plays a role as a guardian of social stability in society. Qualitative research is used in this article using data observation, interviews, literature study, documentation, and interpretative descriptive analysis techniques. Richard Schechner's theoretical perspective is used to describe the form of presentation, while Alan P. Merriam's music function theory perspective is used to analyze the function of the midodareni night song. This research found that the presentation form of midodareni night song has three structures, namely (1) Preparation, (2) Performance, and 3) After the performance. The function of Kidungan Malam Midodareni is correlated in two parts, namely the function for the bride and groom and the function for the community; there are four elements of the position, namely: (1) as a means of communication, (2) as a means of community integrity, (3) as a means of entertainment, and (4) as a means of validating social institutions.
Faktor yang Mempengaruhi Mood Belajar Piano Siswa Christina Music Course Tarutung Sitorus, Christina Harianti; Purba, Mauly
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.134

Abstract

This study aims to analyze the factors that influence the piano learning mood of Christina Music Course Tarutung students. This research is a type of qualitative research by observing artistic phenomena, especially regarding the factors that influence the Piano Learning Mood of Christina Music Course Tarutung Students. Data collection techniques using interviews and observation. Data analysis techniques use data reduction, data presentation and drawing conclusions. This research was carried out at Christina Music Course Tarutung. To be able to play the piano, a person must understand basic music theory and understand the basic techniques of playing music. However, this is not only related to the theory of playing the piano, but the student's piano learning mood also greatly determines success in learning the piano. Mood has a positive and negative influence on student learning depending on how students respond to factors that influence mood. Students at CMC Tarutung feel that there are many factors that determine their mood, one of which is activities outside of the course which are quite tiring which has an impact on their mood.
Aktivitas Fundamental Matematika dalam Bentuk Gending Ladrang Gaya Surakarta Lestariningsih, Sri
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.150

Abstract

This research aims to carry out an analysis related to fundamental mathematical activities through reading the structure of the Surakarta style gending ladrang form. The main focus is to examine the implementation of mathematical principles and concepts in the rhythmic structure of the gending ladrang form. Ladrang has a drum pattern that forms a rhythmic structure consisting of kethuk, kenong, kempul, and gong with a distinctive repetition. The distinctive nature of the repeatability of the rhythmic structure shows the identity of ladrang-shaped gending which differentiates it from other forms of gending. This research was conducted using qualitative methods using data collection techniques based on literacy studies related to musical and ethnomathematics texts. The research stages carried out include collecting literature; data reduction and triangulation; analysis of the rhythmic structure of the ladrang gending form; interpretation and generalization related to the implementation of principles and concepts of fundamental mathematical activities in the form of gending ladrang; as well as compiling analysis results. This research shows that the gending ladrang form has a rhythmic structure that implements fundamental mathematical activities in a complex manner. Implementation of mathematical principles is demonstrated through repetition and cycles. Meanwhile, the implementation of mathematical concepts is demonstrated through grouping, division, multiplication, sets, forward counting and skip counting. The results of this research enrich the analysis of musical instruments, namely through an ethnomathematics perspective which shows the appearance, implementation and correlation of mathematics in Surakarta style Javanese musical culture.

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