Kajian Linguistik dan Sastra
Kalistra: Kajian Linguistik dan Sastra merupakan jurnal ilmiah kebahasaan dan kesastraan yang diterbitkan oleh Prodi Sastra Indonesia, FKIP Universitas Jambi. Kalistra terbit tiga kali setahun setiap Mei, September, dan Januari. Jurnal Kalistra menerbitkan hasil penelitian ilmiah dalam kajian bahasa dan sastra yang meliputi linguistik teoretis, linguistik terapan, linguistik interdisipliner, tradisi lisan, filologi, semiotika, sastra murni, sastra terapan, sastra interdisipliner, serta sastra dan politik identitas. Setiap artikel yang dimuat di Kalistra akan melalui proses penilaian oleh peer reviewer.
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<![CDATA[Revealing Metaphors of Bahasa Indonesia Used in Hate Speech in Facebook Group Comments ]]>
<![CDATA[Irawan, Bambang]]>;
<![CDATA[Perlina, Mia]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.38029
<![CDATA[This study aims to analyze conceptual metaphors used in hate speech in Facebook Group comments. To achieve that objective, qualitative descriptive approach was implemented. The data of this study were taken from the Facebook users’ comments on three Facebook group supporting Indonesian presidential candidates who will compete in the 2024 election. The Facebook group was Debat Capres dan Cawapres 2024 which has thousands of members who regularly and actively participate in the forum. To analyze types of conceptual metaphors used in hate speech, the theory conceptual metaphor proposed by Lakoff & Johnson (1980) was used. According to the theory, conceptual metaphor is classified into three which are structural metaphors, orientational metaphors, and ontological metaphors. The hate speech discussed in this article is based on the Indonesian Police Circular Letter Number SE/06/X/2015 on the handling of hate speech. The results showed 16 data were classified as structural metaphors and 1 datum was ontological metaphor. None of the data found in this study was classified as orientational metaphor. Of 17 data, 13 of them were classified as insult. 1 datum was spreading hoaxes and 2 data were defamation. The results concluded that the use of conceptual metaphors to express hate speech on Facebook group comments were not significant. Abstrak Penelitian ini bertujuan untuk menganalisis metafora konseptual yang digunakan dalam ujaran kebencian pada komentar Grup Facebook. Untuk mencapai tujuan tersebut, pendekatan deskriptif kualitatif diterapkan. Data penelitian ini diambil dari komentar pengguna Facebook pada tiga grup Facebook pendukung calon presiden Indonesia yang akan bertarung di pemilihan umum 2024. Grup Facebook tersebut adalah Debat Capres dan Cawapres 2024 yang memiliki ribuan anggota yang secara rutin dan aktif berpartisipasi dalam forum tersebut. Untuk menganalisis jenis metafora konseptual yang digunakan dalam ujaran kebencian, digunakan teori metafora konseptual yang dikemukakan oleh Lakoff & Johnson (1980). Menurut teori tersebut, metafora konseptual diklasifikasikan menjadi tiga yaitu metafora struktural, metafora orientasional, dan metafora ontologis. Ujaran kebencian yang dibahas dalam artikel ini didasarkan pada Surat Edaran Kepolisian Republik Indonesia Nomor SE/06/X/2015 tentang penanganan ujaran kebencian. Hasil penelitian menunjukkan 16 data diklasifikasikan sebagai metafora struktural dan 1 data merupakan metafora ontologis. Tidak ada satu pun data yang ditemukan dalam penelitian ini yang diklasifikasikan sebagai metafora orientasional. Dari 17 data, 13 di antaranya diklasifikasikan sebagai penghinaan. 1 data adalah penyebaran berita bohong dan 2 data adalah pencemaran nama baik. Hasil penelitian menyimpulkan bahwa penggunaan metafora konseptual untuk mengekspresikan ujaran kebencian pada komentar grup Facebook tidak signifikan.]]>
<![CDATA[Racism in Nella Larsen’s “Passing” ]]>
<![CDATA[Siti Fitriani]]>;
<![CDATA[Wati, Refina]]>;
<![CDATA[Inayati , Rif’ah]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.38401
<![CDATA[This study purposes to analyze the types of racism level and the effect of the racism level that portray in the characters in novel of Passing by Nella Larsen using racism as a theoretical approach. This study conducted using qualitative approach. The data were collected by close reading of the character’s utterances or the narrator’s text in the novel “Passing”. There are 11 data of racism level that classified based on Jones’s theory (2013) into three types: individual bias, institutional bias and cultural bias. The result showed that the utterances were categorized as individual bias are 10 data, one data as institutional bias and cultural bias does not find in this novel. The effect of racism level such as discomfort in community, always be careful and try to fulfill other groups prejudice to them. Abstrak Penelitian ini bertujuan untuk menganalisis jenis-jenis tingkat rasisme dan pengaruh tingkat rasisme yang digambarkan pada tokoh dalam novel Passing oleh Nella Larsen dengan menggunakan rasisme sebagai pendekatan teoritis. Penelitian ini dilakukan dengan menggunakan pendekatan kualitatif. Data dikumpulkan dengan membaca lebih dekat ucapan karakter atau teks narator dalam novel "Passing". Ada 11 data tingkat rasisme yang diklasifikasikan berdasarkan teori Jones (2013) menjadi tiga jenis: bias individu, bias institusional, dan bias budaya. Hasil penelitian menunjukkan bahwa ucapan yang dikategorikan sebagai bias individu adalah 10 data, satu data sebagai bias institusional dan data sebagai bias budaya tidak di temukan di dalam novel ini. Efek dari tingkat rasisme seperti ketidaknyamanan di masyarakat, mereka selalu berhati-hati dan berusaha untuk memenuhi asumsi kelompok lain terhadap mereka.]]>
<![CDATA[Ideology and Power in Presidential Speech: A Critical Analysis of Jokowi’s International Speeches ]]>
<![CDATA[Waluyo, Gatot Hadi]]>;
<![CDATA[Failasofah, Failasofah]]>;
<![CDATA[Delita Sartika]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.38479
<![CDATA[The relationship between language, ideology, and power has garnered the interest of numerous academics in the discipline of linguistics. Persuasive speech is a potent instrument employed by the government to govern and firmly establish its ideology. The objective of this study was to analyze Joko Widodo's international speeches in 2015 and 2022 to identify the Indonesian ideology values conveyed in his speeches and examine the expressions of these values that could serve as representations of the Indonesian ideology. The researcher employed qualitative research as the chosen research design, specifically emphasising critical discourse analysis. This investigation employed Van Dijk's textual methodology, which specifically examined the macrostructure and microstructure of the text. The research revealed that in both addresses, Joko Widodo articulated 8 principles that signified four concepts of Pancasila. The ideological ideals encompass care, unity, diligence, egalitarianism, justice, resourcefulness, courage, self-assurance, attention, thoughtfulness, sincerity, kindness, and politeness. President Joko Widodo effectively communicated the attributes of the four concepts of Pancasila in his speeches presented in both English and Indonesian. These speeches successfully conveyed the virtues of the four principles of Pancasila.]]>
<![CDATA[An Analysis of Illocutionary Act in “Frozen II” Movie ]]>
<![CDATA[Wati, Refina]]>;
<![CDATA[Siti Fitriani]]>;
<![CDATA[Al Rosyidah, Afiifah]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.38527
<![CDATA[This study aims to analyze the types of illocutionary acts found in the main characters utterances in the "Frozen II" movie. This study employs a descriptive qualitative approach as the research design. The data are collected through watching and transcribing the utterances of the main characters’ (Anna and Elsa) which contain illocutionary act. There are 103 data of illocutionary acts that identify and classify based on Yule’s theory (1996) into five types: representative, commissive, directive, expressive and declarative. The results show that the utterances are classified as representative with 46 data, directive with 41 data, expressive with 14 data and commissive with 2 data. From the total 103 data of illocutionary acts, representative is the most dominant used by the main characters. This occurs because this movie focusses about journey or adventure of the characters, which is more need to convey facts or statement of the characters. On the contrary, declarative type is not found in this study because declarative speech act tends to be used in formal or institutional context and does not used in adventure or fantasy movie. Abstrak Penelitian ini bertujuan untuk menganalisis jenis-jenis tindak ilokusi yang ditemukan dalam tuturan tokoh utama dalam film "Frozen II". Penelitian ini menggunakan pendekatan kualitatif deskriptif sebagai desain penelitian. Data dikumpulkan melalui pengamatan dan transkripsi tuturan tokoh utama (Anna dan Elsa) yang mengandung tindak ilokusi. Ada 103 data tindak ilokusi yang diidentifikasi dan diklasifikasikan berdasarkan teori Yule (1996) menjadi lima jenis: representatif, komisif, direktif, ekspresif dan deklaratif. Hasil penelitian menunjukkan bahwa tuturan tersebut diklasifikasikan sebagai representatif dengan 46 data, direktif dengan 41 data, ekspresif dengan 14 data dan komisif dengan 2 data. Dari total 103 data tindak ilokusi, representatif adalah yang paling dominan digunakan oleh tokoh utama. Hal ini terjadi karena film ini berfokus pada perjalanan atau petualangan tokoh, yang lebih perlu menyampaikan fakta atau pernyataan tokoh. Sebaliknya, jenis tuturan deklaratif tidak ditemukan dalam penelitian ini karena tindak tutur delaratif cenderung digunakan pada konteks formal atau institusional dan tidak digunakan pada film petualangan atau film fantasi]]>
<![CDATA[Analisis Oposisi Makna “Catatan Buat Emak” dalam Trilogi Novel Ronggeng Dukuh Paruk Karya Ahmad Tohari ]]>
<![CDATA[Mahbub, Moh. Tarojjil]]>;
<![CDATA[Sumarlam, Sumarlam]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.38637
<![CDATA[This research is a type of qualitative descriptive study that uses the "listening" method with the "note-taking" technique to collect data. The aim of this study is to describe the lexical aspects of antonymy in the first part of the trilogy novel Ronggeng Dukuh Paruk “Catatan Buat Emak” by Ahmad Tohari, which was published in 1982. The object of this research is antonymy (opposition of meaning). The data in this research consists of utterances or dialogues between characters in the Ronggeng Dukuh Paruk novel, which contain oppositions of meaning along with their context. The source of the data for this study is the Ronggeng Dukuh Paruk novel by Ahmad Tohari. The data is then analyzed using the "distribution method" with the "direct element division" (BUL) technique, followed by the binary opposition technique. The results of the data analysis generally show that the types of meaning opposition that appear in the text of the first novel of the Ronggeng Dukuh Paruk trilogy include absolute opposition, polar opposition, relational opposition, hierarchical opposition, and compound opposition. Polar opposition is the most frequently used type of meaning opposition by the author, as the author often portrays the complexity of the characters' lives in a gradational manner. Abstrak Penelitian ini merupakan jenis penelitian deskriptif kualitatif yang menggunakan metode simak dengan teknik catat dalam mengumpulkan datanya. Penelitian ini bertujuan mendeskripsikan aspek leksikal antonimi dalam novel trilogi bagian pertama Ronggeng Dukuh Paruk “ Catatan Buat Emak” karya Ahmad Tohari yang diterbitkan pada tahun 1982. Objek penelitian ini adalah antonimi (oposisi makna). Data penenlitian ini berupa tuturan atau dialog antartokoh dalam novel ronggeng dukuh paruk yang didalamnya terdapat oposisi makna beserta konteksnya. Sumber data penelitian ini adalah novel ronggeng dukuh paruk karya ahmad tohari. Data penelitian kemudian dianalisis menggunakan metode agih dengan teknik bagi unsur langsung (BUL) dengan teknik lanjutan oposisi dua-dua (binary oposition). Adapaun hasil analisis data secara umum menunjukkan bahwa oposisi makna yang muncul pada teks novel trilogi pertama Ronggeng Dukuh Paruk berupa oposisi mutlak, oposisi kutub, oposisi hubungan, oposisi hirarkial, dan oposisi majemuk. Oposisi kutub merupakan oposisi makna yang paling sering digunakan oleh pengarang karena pengarang sering menggambarkan kompleksitas kehidupan tokoh yang bersifat gradasi]]>
<![CDATA[Ragam Bentuk Hegemoni dalam Karya Sastra di Semenanjung Persia dan Asia Tengah: The Kite Runner dan the Thief of Baghdad ]]>
<![CDATA[Fakhruddin, Rifki Muhamad]]>;
<![CDATA[Subawati, Salsabila Zahran Galuh Putri]]>;
<![CDATA[Nurholis, Nurholis]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.39218
<![CDATA[This article discusses the forms of hegemony that appear in literary works in the Persian Peninsula and Central Asia. The method used is descriptive qualitative. Factors such as geographical, social, and educational environments can give rise to social issues and hegemony. Literature, as social criticism as well as a reflection of society, often becomes a tool to promote or challenge hegemony. This approach uses the sociology of literature and Antonio Gramsci's theory of hegemony. The research data sources are the novels The Kite Runner by Khaled Hosseini and The Thief of Baghdad by Alexander Romanoff. The data were obtained using reading and note-taking techniques. The results of the research in the form of various forms of hegemony that appear in the two novels are five forms, namely: (1) racial hegemony, (2) educational hegemony, (3) socio-cultural hegemony, (4) gender role hegemony, and (5) political hegemony Abstrak Artikel ini membahas tentang bentuk-bentuk hegemoni yang muncul di dalam karya sastra di Semenanjung Persia dan Asia Tengah. Metode yang digunakan adalah deskriptif kualitatif. Faktor-faktor seperti lingkungan geografis, sosial, dan pendidikan dapat memunculkan isu sosial dan hegemoni. Sastra, sebagai kritik sosial serta cerminan masyarakat, seringkali menjadi alat untuk mempromosikan atau menantang hegemoni. Pendekatan ini menggunakan sosiologi sastra dan teori hegemoni Antonio Gramsci. Sumber data penelitian adalah novel The Kite Runner karya Khaled Hosseini dan The Thief of Baghdad karya Alexander Romanoff. Data diperoleh dengan teknik membaca dan mencatat. Hasil penelitian berupa ragam bentuk hegemoni yang muncul di dalam kedua novel adalah lima bentuk, yaitu: (1) hegemoni ras, (2) hegemoni pendidikan, (3) hegemoni sosial-kultural, (4) hegemoni peran gender, dan (5) hegemoni politik]]>
<![CDATA[The Effect of Thriller Movie Content on Anxiety Levels and Interpersonal Relationship Patterns of Gen Z Students ]]>
<![CDATA[Sandrila, Widya]]>;
<![CDATA[Noviyanti, Pitri]]>;
<![CDATA[Zahrah, Erlita]]>;
<![CDATA[Ridho, Kholis]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.39369
<![CDATA[This study examines the influence of thriller movies on anxiety and interpersonal relationship patterns of Gen Z students in Indonesia. The method used was quantitative with a survey approach, involving 123 respondents. Data was obtained through a questionnaire containing 12 multiple choice questions and 3 essay questions, using a Likert scale to measure respondents' attitudes and opinions. The results showed that most respondents felt anxiety when watching intense scenes in thriller movies and thought of bad scenarios more often. However, the impact on sleep difficulties and unreasonable anxiety was not significant. In addition, thriller movies affected the pattern of interpersonal relationships with respondents becoming more cautious in trusting others and more empathic to other people's emotional situations. Based on the Uses and Gratification theory, thriller movies are chosen to fulfill emotional and entertainment needs. The findings reveal how media, particularly thriller movies, can affect young people's psychological well-being and social relationships.]]>
<![CDATA[Semiotics Study: A Meaning Analiysis Of The Lyrics Of The Song “Tablo Kasmaran” By Eutik Muchtar ]]>
<![CDATA[Maulana, Marsel Ridky]]>;
<![CDATA[Mugiyat , Arellya]]>;
<![CDATA[Budiman , Nandang]]>;
<![CDATA[Taswadi, Taswadi]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.40140
<![CDATA[TThis study aims to explore the deep meaning of the lyrics of the song “Tablo Kasmaran” by Eutik Muchtar, which is popular in Kliningan and Wayang Golek arts. Using a qualitative approach, this study utilizes Riffaterre's semiotic theory to explore the layers of meaning contained in the lyrics. The song “Tablo Kasmaran” is known for its outstanding musicality and evocative lyrics, making it an interesting object of research. Through this analysis, the author uncovers a hidden message, the song conveys a feeling of the heart that reminds one of waiting in solitude, of the emptiness that can only be filled by the one who is missed. Each stanza takes us on a deep emotional journey from longing, heartache, to the point of accepting that a loved one may not return. The findings of this research are expected to provide a deeper insight into the meaning and cultural values in Sundanese music, as well as a contribution to the study of local music semiotics.]]>
<![CDATA[A Genre Analysis of Car Brochure Advertisements: Exploring Move and Step Approach ]]>
<![CDATA[Artika, Mutiara Romi]]>;
<![CDATA[Sofilla, Devi]]>;
<![CDATA[Sembiring, Teresia Anjelina]]>;
<![CDATA[Nisa, Khairun]]>;
<![CDATA[Zein, T. Thyrhaya]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.40144
<![CDATA[The aims of this article is to understand the move and step of car brochures and explore how these elements vary across different examples. This article analyzed four car brochure from different brand using Bathia’s framework of move and steps with qualitative method. The result of this paper is that the car brochures from Nissan, Chery, Toyota, and KIA showcase distinct strategies tailored to their audiences. Nissan emphasizes simplicity and reliability, Chery appeals to modern, urban buyers with stylish designs, Toyota balances detailed information with innovation, and KIA highlights sustainability and luxury with electric and premium models. Each reflects its brand’s unique identity and audience focus. Abstrak Tujuan dari artikel ini adalah untuk memahami move dan step dalam brosur mobil serta mengeksplorasi bagaimana elemen-elemen ini berbeda pada berbagai contoh. Artikel ini menganalisis empat brosur mobil dari merek yang berbeda menggunakan kerangka move dan steps dari Bathia dengan metode kualitatif. Hasil penelitian menunjukkan bahwa brosur mobil dari Nissan, Chery, Toyota, dan KIA menampilkan strategi yang berbeda sesuai dengan target audiens masing-masing. Nissan menekankan kesederhanaan dan keandalan, Chery menarik minat pembeli modern dan urban dengan desain yang stylish, Toyota menggabungkan informasi detail dengan inovasi, dan KIA menonjolkan keberlanjutan serta kemewahan melalui model listrik dan premium. Setiap brosur mencerminkan identitas unik mereknya dan fokus pada audiensnya.]]>
<![CDATA[Dynamics and Shifting Meanings of Balinese Greeting Forms ]]>
<![CDATA[Adnyana, I Ketut Suar]]>
<![CDATA[ Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025 ]]>
Publisher : <![CDATA[Prodi Sastra Indonesia, FKIP Universitas Jambi ]]>
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DOI: 10.22437/kalistra.v4i1.40349
<![CDATA[This research is a descriptive and qualitative study focusing on the dynamics and transformations in the importance of Balinese greeting forms. The study examined the intricate dynamics and transformations in the significance of Balinese greeting forms. The data were garnered from Balinese greeting forms found on YouTube video, TikTok, WhatsApp discussions, Balinese songs, and interviews conducted with students from Dwijendra Junior and Senior High Schools, as well as novice lecturers from Dwijendra University. Additional data sources included observations of greeting forms utilized in public venues, such as restaurants and small markets. Interactions between diners and waiters in eateries, as well as exchanges between customers and saleswomen in convenience stores were also documented. The research revealed two categories that exemplified the evolving dynamics of Balinese greeting forms: 1) BS_KK, consisting of mbok, bli/wi/kak, and adik or dek. 2) BS_KGP, comprising ci, aku, and kamu, and 3) BS_KBL, consisting of cong, cuk, and bro/brader.]]>
