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Ida Bagus Subrahmaniam Saitya
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Sphatika: Jurnal Teologi
Published by Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
ISSN : 27228576     EISSN : 27228576     DOI : https://doi.org/10.25078/sphatika.v13i1.1123
Core Subject : Religion,
Religion
Sphatika: Jurnal Teologi (ISSN Online 2722-8576 dan ISSN Cetak 1978-7014) diterbitkan oleh Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar dan dikelola oleh Program Studi Teologi Hindu Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar adalah jurnal ilmiah bertujuan untuk mewujudkan tipologi dan pengetahuan Hindu yang lebih konkret dan meyakinkan untuk ilmuwan dunia. Institut Hindu Dharma Negeri Denpasar sebagai salah satu lembaga pendidikan ilmiah, bertanggung jawab untuk mengungkap semua khazanah pengetahuan Hindu, mengeksplorasikan, dan mensosialisasikan pengetahuan Hindu sehingga dapat berkontribusi terhadap kemajuan sumber daya Hindu. Sphatika: Jurnal Teologi, berfokus pada bidang : 1) Teologi; 2) Studi Agama; 3) Sastra Agama; dan 4) Ilmu Budaya.
Arjuna Subject : Seni dan Humaniora - Studi Agama
Articles 111 Documents
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Tari Joged Pingit dalam Perspektif Teologi Hindu Putri, Desak Nyoman Sri Suyasning
Sphatika: Jurnal Teologi Vol 16 No 2 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sphatika.v16i2.5794

Abstract

Joged Pingit is a sacred dance categorized as tari wali, performed exclusively at Pura Taman Limut in Desa Pakraman Pengosekan, Ubud. The dance is deeply connected to the spiritual legacy of Dang Hyang Nirartha and Ida Pedanda Sakti Magelung, who bequeathed the sacred gelungan (headdress) as a medium of divine presence. This study examines the theological meaning of Joged Pingit through the framework of Hindu theology, specifically the dimensions of tattwa (philosophical understanding), susila (ethical values), and acara (ritual practices). Using a qualitative method with observation, interviews, and descriptive-analytical interpretation, the study reveals three core theological meanings: (1) the cosmological meaning, representing the harmony between the macrocosm and microcosm through symbolic movements and ritual space; (2) the soteriological meaning, in which the dance acts as moksa karma—a path of liberation through selfless offering; and (3) the ethical-spiritual meaning, teaching self-control, purity of mind, devotion, and reverence toward divine and ancestral energies. Thus, Joged Pingit functions not only as a sacred performance but also as a medium for spiritual cultivation and the preservation of cosmic balance in Balinese Hindu society.

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