Article Per Year (5 Year)
p-Index From 2020 - 2025
2.248
P-Index
This Author published in this journals
All Journal IJoLE: International Journal of Language Education Jurnal Penelitian Agama Hindu Metta : Jurnal Ilmu Multidisiplin Dharma Sastra Widya Sandhi: Jurnal Kajian Agama, Sosial dan Budaya ANUBHAVA: Jurnal Ilmu Komuniksi Hindu Sevanam: Jurnal Pengabdian Masyarakat International Journal of Multidisciplinary Sciences Pangkaja: Jurnal Agama Hindu
Nerawati, Ni Gusti Ayu Agung
Unknown Affiliation
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Astronomy Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Nursing Physics Public Health Social Sciences Other

Published : 14 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 14 Documents
Search

 1   2 
The Role of Pasraman Kilat in Raising Sradha and Bhakti of Teenagers Nerawati, Ni Gusti Ayu Agung; Sudarsana, I Ketut
Jurnal Penelitian Agama Hindu Vol 4 No 1 (2020)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (256.242 KB)

Abstract

Pasraman kilat is a social institution in the community to provide non-formal Hindu religious learning. Pasraman kilat aims to improve the knowledge of Hindu religion from a formal school. This study used a qualitative method and data collection used observation, interviews, and literature studies. Based on the results, the role of pasraman kilat was very useful. It can be seen not only from the series of activities but also from the results. Teenagers who followed the pasraman kilat, apply and practice the learning outcomes in everyday life, both in religious activities and in daily activities. This suggests that learning is effective and acceptable to teenagers.
Giat Nguopin Wanita Bali di Desa Tegal Tugu Gianyar Lini, Eka Setya; Nerawati, Ni Gusti Ayu Agung; Arini, Ni Wayan
Metta : Jurnal Ilmu Multidisiplin Vol. 3 No. 2 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/metta.v3i2.1762

Abstract

Ceremonial activities in Bali cannot be separated from one of the implementations of the three basic frameworks carried out by Hindus. This relates to preparing ceremonies or proper facilities that cannot be carried out alone but requires assistance or assistance from other people, neighbors, or krama banjar. This tradition of mutual assistance, often called nguopin, has been passed down from generation to generation and is still maintained today. This research aims to describe the Balinese women's nguopin activities in Tegal Tugu Village, Gianyar. The method used is a qualitative method. The data used are primary data and secondary data. Preliminary data were obtained through interviews with informants about the Balinese women's nguopin activity in Tegal Tugu Village, Gianyar. Secondary data is related to the documentation of the active nguopin implementation. The research results state that; 1) the functional performance of nguopin has been around for a long time and is still being preserved in the five yadnya activities, such as sanggah or merajan piodalan ceremonies, pawiwahan, cremation, mecaru, and others. 2) The active role of Balinese women is to create a sense of belonging, togetherness, mutual assistance among Balinese women or karma. 3) In the view of Hindus, nguopin is contained in the Bhagavad Gita; 4) The educational value of nguopin is the value of ethics education, harmony education, and value social education.
Nilai Pendidikan Agama Hindu Dalam Pementasan Tari Sang Hyang Dedari Sumertayasa, Kadek Yogi; Nerawati, Ni Gusti Ayu Agung; Ariasa Giri, I Made; Setyaningsih, Farida; Suarnaya, I Putu
Metta : Jurnal Ilmu Multidisiplin Vol. 3 No. 1 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/metta.v3i1.1806

Abstract

Balinese life cannot be separated from art, because it is attached to religion. This is evident in the performance of dance which has a function closely related to Hindu religious ceremonies. One of these sacred dances is the Sang Hyang Dedari dance. The purpose of this study is to describe the value of Hindu religious education through the Sang Hyang Dedari Dance Performance. The research method used is qualitative research. The results showed that the educational values of Hinduism contained in the staging of the Sang Hyang Dedari Dance were the values of tattwa/philosophical education, the values of ethics/sincere education of sincerity, the values of ceremonial or ceremonial education, the values of love, and the values of peace. The community believes that every performance of the Sang Hyang Dedari Dance is able to provide welfare and protect residents from danger.
Analisis Nilai Pendidikan Dalam Tradisi Mabuug-Buugan Masyarakat Desa Adat Kedonganan Sebagai Penerapan Ajaran Tri Hita Karana Chika Aristia Santi, Ni Putu; Nerawati, Ni Gusti Ayu Agung
Metta : Jurnal Ilmu Multidisiplin Vol. 4 No. 2 (2024)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/metta.v4i2.3408

Abstract

The noble values ​​that guide Balinese people in carrying out religious activities reflect the philosophical richness contained in each tradition, which in turn makes a positive contribution to the harmonization of nature, society and belief in Ida Sang Hyang Widi Wasa. Religious traditions in Bali also reflect the religious, social and moral values ​​upheld by society. These values ​​are reflected in practices such as pilgrimages, traditional ceremonies and other religious rituals, which are not only part of cultural heritage, but also serve as a guide in living daily life. The aim of this research is to examine the existence of the mabuug-buugan tradition which has a unique form, function and educational value and is different from traditions in general so as to obtain a holistic understanding. Qualitative research method with an action approach and research results obtained based on the results of the study in the form of educational values ​​in the mabuung-buugan tradition, including the value of social education, the value of religious education, the value of aesthetic education as well as in the mabuug-buugan tradition as an application of the teachings of Tri Hita Karana and there is an environmental message traditional rituals, it can be concluded that the mabuug-buugan tradition is an implementation of human harmony with the environment and the ida sang hyang widhi wasa expressed in the mabuug-buugan tradition, besides that it is also to unite the local community and this tradition contains social values ​​both in terms of togetherness, control themselves who follow the tradition of mabuug-buugan.
Edol Dance at Galungan Nadi Ceremony in Belancan Traditional Village, Kintamani District, Bangli Regency Jaman, Ni Ketut; Nerawati, Ni Gusti Ayu Agung
International Journal of Multidisciplinary Sciences Vol. 1 No. 4 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v1i4.2359

Abstract

The development of science and technology influences people's mindset in various aspects of life including aspects of religious life as well as in understanding their religious teachings, both tattwa, morals and ceremonies. Temple is one of the symbols or symbols of the universe created by Ida Sang Hyang Widhi Wasa, Hindus view it as Stana Ida Sang Hyang Widhi Wasa and all of His manifestations. Bale Agung Temple in the Belancan Traditional Village is a Tri Kahyangan temple which has a special uniqueness that lies in the Piodalan ceremony which coincides with Galungan Nadi Day where the Edol dance tradition is being carried out. Edol Dance is a Sacred Dance in Belancan Village, Kintamani District, Bangli Regency. Edol dance is a sacred dance that is unique, one of which lies in its dance moves. The Edol dance has one movement that is performed repeatedly which is danced by young men or unmarried men. The movement in this dance has aesthetics because it includes three requirements, namely unity, balance and clarity. Unity can be seen from the movements in the dance supported by the dress, make-up, staging venue and dance accompaniment music according to the character of the dance and balance can be seen from the repetition of movements from front to back and from back to front due to the structure in the dance. This study aims to determine the performance of the Edol Dance at the Galungan Nadi ceremony in the Belancan Traditional Village, Kintamani District, Bangli Regency and to find out the ceremonial facilities needed for the Edol Dance performance and to find out the extent of the participation of the Edol Dance in the Galungan Nadi ceremony. The method used in this study is a qualitative method in which informants are determined using the sampling subject method, and the data collection method used is the method of interviewing and recording documents while processing the data using descriptive analysis methods. The result and discussion is the history of Belancan Village which started from the journey of I Gusti Wayahan who hid in the wilderness. The form of carrying out the Edol Dance tradition is Piodalan at Bale Agung Temple in Belancan Village which falls every Galungan Nadi Day. The facilities needed before the performance of the Edol Dance are a set of offerings of segehan agung complete with a black chicken to be slaughtered, bayuan, petas, 4 selnggi oujung rice supplemented with pork, a santun containing 775 kepeng coins. The Belancan Traditional Village plays a very important role, because apart from being a complement to the ceremony which is held every five years, namely the Galungan Nadi ceremony, especially at the end of the ceremony (nyineb) before the performance, the dancers are decorated with young palm leaves and all the village's male villagers. Men bring Prani offerings to Bale Agung Temple with the intention that the dancers are free from interference from other people or outside disturbances.
Parekan Buduh Dalam Pementasan Drama Gong Bali (Perspektif Estetika Humor) Pratama, I Gede Bagus Wira; Nerawati, Ni Gusti Ayu Agung; Piartha, I Nyoman
Widya Sandhi Vol 15 No 02 (2024)
Publisher : Institut Agama Hindu Negeri Gde Pudja Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53977/ws.v15i02.2149

Abstract

The structural form of a gong drama performance is always associated with the musical accompaniment to the performance, namely percussion petegak, pepeson, pasiatan, and finally pamuput. Followed by the Prologue, which is a panyembrama or introductory words at the start of a drama play, then it starts with Pepeson which is a sign of the appearance of a person or several characters in starting scene by scene in each act. There are pepeson scenes for petangkilan, meseneng-senengan scenes, romance scenes, pasiatan scenes, and pamuput scenes. However, according to the sources who have explained above, the structure of the gong drama performance is uncertain depending on the story being told but still maintains the standard of Balinese gong drama. The characteristics of the punakawan buduh in the Balinese gong drama performance can be divided into two characters, where there is a tough character which characterizes the human nature of being arrogant, arrogant, self-righteous and fierce. There are also soft characters that are inversely proportional to hard characters, soft characters emphasize human traits that are kind, full of empathy, intelligent, and not arrogant. These two characters symbolize different dualities or what is called rwa bhineda, traits that cannot be separated in human traits in general. The aesthetic theory of humor contained in Punakawan Buduh is divided into three parts, the first is the theory of superiority, the second is the theory of incompatibility and the third is the theory of tension. However, during the performance, the Punakawan Buduh characters, without realizing it, were using this third theory when conveying the joke material. Because in general the Punakawan Buduh characters often practice on stage without knowing the theory of humor they are using, but each joke material already contains this theory of humor according to the situation that occurs during the performance of the Balinese gong drama
Filsafat Nilai dalam Tradisi Joged Nini di Desa Buruan Penebel Kabupaten Tabanan (Perspektif Max Scheler) Arya Putra, I Gusti Ngurah; Darmi Astuti, I Gusti Ayu Putu; Nerawati, Ni Gusti Ayu Agung
Dharma Sastra : Jurnal Penelitian Bahasa dan Sastra Daerah Vol 4 No 2 (2024): Oktober
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/ds.v4i2.4089

Abstract

The Joged Nini ritual is a form of gratitude to God for the sustenance from the agricultural side so that life can still continue today. How the message is conveyed through dance movements, the addition of musical pieces or accompanying songs which in their entirety can be heard as material for providing information about the implied meaning and the means or artifacts that reflect the meaning of the art of Joged Nini which is essentially a rite of meaning from Tri Hita Karana expressed through a tradition. Max Scheler's perspective which describes a hierarchy of values ​​to help explain the Joged Nini traditional rite by looking at the enjoyment values, vital values ​​and psychological values ​​contained therein. The research method is qualitative using a descriptive approach. The primary data source in the research came from direct interviews regarding the Nini Joged Tradition. As well as literature, journals, books and so on. Data collection was carried out using observation methods, direct interviews with proportional sampling, and literature study. The result, in terms of the enjoyment that can be found in the Nini Joged Tradition, is the dance movements, the tunes of the songs that are sung, the accompanying music, and the tools used by the dancers add to the impression of the beauty and sacredness of this tradition. Vital or Life Values ​​can be seen through community solidarity and togetherness, for example in creating young adults and psychological values ​​regarding efforts to obtain mental peace and a prosperous life based on Tri Hita Karana
Penguatan Peran Ayah dalam Keluarga dan Masyarakat: Strategi Meningkatkan Kesadaran melalui Literasi dan Apresiasi Sosial Paramitha, Ni Made Ayu Susanthi Pradnya; Dewi PF, Kadek Aria Prima; Mahardika, I Gusti Ngurah Agung Wijaya; Sentana, Gek Diah Desi; Suputra, I Kadek Darmo; Oktarina, Putu Santi; Krisdayanthi, Astrid; Perbowosari, Heny; Arini, Ni Wayan; Kristina, Ni Made Rai; Dewi, Putu Ayu Septiari; Dewi, Ni Luh PT. Putriyani; Wahyuni, Ni Nyoman Tri; Ariputra, I Putu Suyasa; Diaris, Ni Made; Dewi, Ni Made Umi Kartika; Sinarsih, Ni Ketut; Kantriani, Ni Ketut; Jaya, I Ketut Manik Asta; Mastini, Gusti Nyoman; Trisnadewi, Komang; Adnyani, Ni Wayan Satri; Lestari, Ni Gusti Ayu Made Yeni; Nerawati, Ni Gusti Ayu Agung; Premananda, Ni Luh Putu Uttari; Binawati, Ni Wayan Sariani; Kartika, Luh Gede Surya; Sukriani, Ni Luh; Permatasariid, I Gusti Agung Istri
Sevanam: Jurnal Pengabdian Masyarakat Vol 4 No 1 (2025): Maret
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sevanam.v4i1.4764

Abstract

The phenomenon of fatherlessness in Indonesia is an issue that cannot be ignored, considering the importance of the role of fathers in character formation, emotional well-being, and family economic stability. The figure of the father not only functions as a breadwinner, but also as an educator, role model, and the main supporter in the development of children. Active father involvement contributes to the child's psychological balance, preventing negative impacts such as low self-confidence, difficulties in building social relationships, and an increased risk of mental problems. In addition, the role of men in society also contributes to community strengthening and inclusive social development. This service activity aims to increase public awareness of the importance of the presence and involvement of fathers and men in family and social life. One form of implementation of this program is the organization of a letter writing competition for fathers as a medium of reflection and appreciation. This activity is expected to be able to build collective awareness about the importance of the father figure, strengthen emotional relationships in the family, and encourage the community to appreciate the role of men in various aspects of life. Thus, this activity contributes to building a culture of appreciation for the role of fathers and encourages the active participation of men in forming a more harmonious family and community.
Ethics And Social Procedures In Lontara Pappaseng As A Guideline And Philosophy Of Life Of Buginese Society In South Sulawesi : (An Exploration of Buginese Philosophy in Expressions) B, Soefarto; Nerawati, Ni Gusti Ayu Agung
International Journal of Multidisciplinary Sciences Vol. 1 No. 3 (2023)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v1i3.2405

Abstract

Today's people seem to lost their direction and guidelines in life as a result from the demands of life which are getting heavier day by day so that a tendency for character emerges individualistic and less concerned about others. Apart from having six major religions, Indonesia is also very rich in values of local wisdom that is noble and very relevant to the sacred teachings of religion in life of the people of South Sulawesi, especially the Bugis people, have local wisdom in the form of literature works both in the form of speeches and Lontars. One of the works of Lontara literature which contains values ​​of Ethics and Decency is Lontara Pappaseng. Lontara Pappaseng contains many ethical and decency values we need to explore and develop so that it becomes a guideline for mankind, especially for the future of our young generation’s life in the society and the nation. In Lontara Pappaseng contains of advices in the form of human values, justice, courage, truth, honesty, loyalty, assertiveness and others that can be used as guidance and guidelines in everyday life in order to create a harmonious life both in household life, society and in the life of the nation and state. The research method used is a qualitative research approach with  phenomenological method that is collecting data with participant observation to know the essential phenomena of participants in their life experiences because of this research focus on peeling study issues related to Ethical Values ​​(Tata Susila) contained in Lontara Pappaseng Toriolo and its meaning, in addition to this research as well using a qualitative approach with data collection techniques through literature study by tracing pappaseng lontara manuscripts and documentation studies. The data source used is the Lontara script in Buginese language with the Lontara script, however in this article the lontara script used is the manuscript that has been collected by the Buginese writer and humanist (translated into Indonesian). The existence of local wisdom values ​​in the form of Pappaseng is expected to be able to provide reinforcement of the functions of religion as a regulator of social obligation’s traffic through orders and prohibitions that are expected to materialize a peaceful social life.
RITUAL PANYAMBLEH KUCIT BUTUAN DALAM UPACARA MECARU SASIH KAWULU DI JABA PURA DALEM DESA ADAT SANDING KECAMATAN TAMPAKSIRING KABUPATEN GIANYAR I Made Restu Artama; Nerawati, Ni Gusti Ayu Agung
Pangkaja: Jurnal Agama Hindu Vol 28 No 1 (2025)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

In carrying out rituals carried out by Hindus, of course they cannot be separated from the five basic beliefs called five yadnya. Such as the ritual of slaughtering needed kucit which is carried out by the people of the Sanding Traditional Village, which is one of the parts of the panca yadnya, especially the bhuta yadnya which is held once a year on Tilem Kawulu day, where this ritual is carried out at the Pura Dalem jaba of the Sanding Traditional Village as a form of treat or food given to the bhuta-bhuti and rarencang Ida Bhatara at Pura Dalem for the sake of safety and secrecy and protection of the universe. Based on the phenomena found in the implementation of panyambleh kucit butuan, it is very important to carry out research with the title "ritual of panyambleh kucit butuan in the mecaru sasih kawulu ceremony at Jaba Dalem Temple, Sanding Traditional Village, Tampaksiring District, Gianyar Regency". This research raises three main problems, namely: (1) What is the process of the panyambleh kucit butuan ritual in the mecaru sasih kawulu ceremony at Jaba Pura Dalem, Sanding Traditional Village, Tampaksiring District, Gianyar Regency?, (2) What is the function of the panyambleh kucit butuan ritual in the mecaru ceremony? sasih kawulu in Jaba Pura Dalem, Sanding Traditional Village, Tampaksiring District, Gianyar Regency?, (3) Positive and negative impacts of the panyambleh kucit butuan ritual in the mecaru sasih kawulu ceremony in Jaba Dalem Temple which is carried out by the people of Sanding Traditional Village, Tampaksiring District, Gianyar Regency?.
Co-Authors Adnyani, Ni Wayan Satri Ariasa Giri, I Made Ariputra, I Putu Suyasa Arya Putra, I Gusti Ngurah Astawa, Nyoman Temon B, Soefarto Binawati, Ni Wayan Sariani Budiastuti, Ni Kadek Chika Aristia Santi, Ni Putu Darmaputri, Putu Aricha Darmi Astuti, I Gusti Ayu Putu Deng, Jianbang Dewi PF, Kadek Aria Prima Dewi, Ni Luh PT. Putriyani Dewi, Ni Made Umi Kartika Dewi, Putu Ayu Septiari Diaris, Ni Made Farida Setyaningsih I Kadek Darmo Suputra, I Kadek Darmo I Ketut Sudarsana I Made Restu Artama I Putu Suarnaya Jaman, Ni Ketut Jaya, I Ketut Manik Asta Komang Trisnadewi Krisdayanthi, Astrid Kristina, Ni Made Rai Lestawi, I Nengah Lini, Eka Setya Luh Gede Surya Kartika, Luh Gede Surya Mahardika, I Gusti Ngurah Agung Wijaya Mastini, Gusti Nyoman NI GUSTI AYU MADE YENI LESTARI, NI GUSTI AYU MADE YENI Ni Ketut Kantriani Ni Wayan Arini Oktarina, Putu Santi Paramitha, Ni Made Ayu Susanthi Pradnya Perbowosari, Heny Permatasariid, I Gusti Agung Istri Piartha, I Nyoman Pratama, I Gede Bagus Wira Premananda, Ni Luh Putu Uttari Putri, Putu Intan Adelia Ananda Sentana, Gek Diah Desi Sinarsih, Ni Ketut Sueca, Nyoman Sukriani, Ni Luh Sumertayasa, Kadek Yogi Wahyuni, Ni Nyoman Tri