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Eva Solina Gultom
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ELITE: Journal of English Language and Literature
Published by Universitas Halu Oleo
ISSN : -     EISSN : 25033271     DOI : https://doi.org/10.33772/elite.v4i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
ELITE: Journal of English Language and Literature is a periodic academic publication that serves as the appropriate link to exchange any worthwhile and marvelous ideas in the realm of English language and literature. ELITE was established for the purpose of reviving and perpetuating academic excellence for the sake of the common good. On the other hand, Elite, standing for English Language and Literature, is aimed at undertaking its primary mission to promote and advance English language and literature in the national and international scope. The managing editors and the editor-in-chief will gratefully receive any kinds of theoretical writings, ethnographic research findings, and any other kinds of publications with constructive ideas which are supposed to be able to rectify any socio-cultural problems in a broader sense and resolve any complicated problems in human and community development, as well as the textbook reviews and any other kinds of exploratory and explanatory research findings. The contents are not necessarily in conformity with the editors’ viewpoints. The texts are typed using the Microsoft Office Word application, selecting Times New Roman 12 font size with 1,5 line spacing. The whole documents are submitted in soft copy. The length of the article contains at least 3000 words or more, embodying the scientific principles. The abstract should be attached, containing no more than 250 words. The footnotes should be inserted at the bottom of the document with the appropriate cardinal numbers. The references are arranged in such a way that the authors are ordered alphabetically, in accordance with the sample references in this edition. ELITE is published biannually, in June and December.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 107 Documents
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Three Dimensional Frameworks on News Entitled Papuan Student on Java Face Increased Pressures on The Jakarta Post Friska Amalia
ELITE: Journal of English Language and Literature Vol. 4 No. 2 (2019): Vol. 4 No. 2 December 2019
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (169.867 KB)

Abstract

The news about Papuan students in Java that face increased pressure is a bad incident that once occurred in Indonesia. It is due to the students getting verbal attacks by mass organization and state apparatus. The research question of this study is “How did three dimensional frameworks reveal a case on news that entitled Papuan Students on Java Face Increased Pressures on The Jakarta Post ''. Therefore, this study is focused on revealing this case from the perspective of a critical discourse analysis by using Norman Fairclough’s approach (description, interpretation, and explanation). The method of this research is using a qualitative method in which the source data is the news text of The Jakarta Post. The results show description includes vocabulary and grammar. Those parts state that the majority group, namely FPI and Pemuda Pancasila and state apparatus perform unfair treatment by their vocabulary and grammar usage. Then, in the interpretation, it includes both production and consumption text. The Jakarta Post as the producer of the text news shows that it has pro-democracy value to point out that there are some indications of unfair treatment in Papuans student’s incident through the language written in the news text. Finally, the explanation includes situational, institutional, and social level. This stage shows that social, political, and cultural aspects of a society influences the production of the The Jakarta Post news text.
Mimicry of Chinese Identity in American Born Chinese Written By Gene Leun Yang Nur Iklima Dewi
ELITE: Journal of English Language and Literature Vol. 4 No. 2 (2019): Vol. 4 No. 2 December 2019
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1381.302 KB)

Abstract

America is a country of nations. Despite of issue of discrimination, the formation of immigrant also has colored America as multicultural society. This study aims at describing the mimicry of Chinese identity in the American Born Chinese graphic novel published in 2006 written by Gene Leun Yang. This research used a descriptive qualitative method, and Homi K. Bhabha's postcolonial theory is used as a tool analysis. The study found that the American Born Chinese graphic novel featuring Chinese immigrants from different social and ethnic backgrounds shows the process of forming a mimicry culture in the United States. It Shown through a Chinese boy named Jin Wang, who combines Chinese and American culture. This can be seen: mimicry in the Chinese racial identity and mimicry in Chinese ethnicity identity. From these two things, mimicry culture can be formed because of the process of ambivalence. These concepts are one of the formations of mimicry culture. In this study also, researchers analyzed the problem of the stereotype and hybridity process in the object.
Women Language in Mean Girls Movie Script by Tina Fey Darman
ELITE: Journal of English Language and Literature Vol. 4 No. 2 (2019): Vol. 4 No. 2 December 2019
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (162.049 KB)

Abstract

This research entitled Women Language in Mean Girls Movie Script, aims to classify the women language features and the functions based on Lakoff’s theory found in Women Language in Mean Girls Movie Script by Tina Fey based on Lakoff’s theory. The data is collected through downloading movie script and movie, reading the movie script, watching and checking movie script, screen shooting the movie, the last is coding and classifying the features and functions of women’s language. Technique of data analysis is done through presenting, describing, interpreting, and concluding the data. Based on the finding and discussion, the researcher concludes there are ten features of women language, the researcher found ten features used by the character in the Mean Girls movie script. They are lexical hedges or filler 7 data, tag questions 3 data, rising intonation on declaratives 2 data, empty adjectives 2 data, avoidance of strong swear words 2 data, empathic stress 1 data, super polite forms 1 data, precise color terms 1 data, hypercorrect grammar 1 data, and intensifiers 1 data. Then, there are five language functions, but the researcher only found four functions in the Mean Girls movie script. They are to express uncertainty 3 data, to get response 5 data, to soften utterance 4 data, and to express feelings 9 data.
Sign Description on “Sausage Party” Movie Directed by Greg Tiernan & Conrad Vernon Andika; Ansor Putra; Arman
ELITE: Journal of English Language and Literature Vol. 8 No. 1 (2023): Vol. 8 No. 1, June 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2265

Abstract

This study analyzes the signs that exist within the scope of cultural representation in the sausage party movie using Charles Sanders Peirce's semiotic theoretical approach. The purpose of this study is to analyze how culture is represented in the form of signs in the sausage party movie using Charles Sanders Peirce's Semiotic theory approach. The data source is taken from the film Sosis Party. This research uses descriptive qualitative method. Data collection is done by searching and downloading, watching movies, classifying and coding data. based on the analysis the researcher managed to find fifteen signs which were divided into several types of signs including, icon, index, symbol, qualisign, legsign, sinsign, rheme, dicent and argument. Every sign that appears on the characters in this film has a very precise placement and cannot be separated from the rules of the culture that is being represented.
Discourse and Racism in Hidden Figures Nur Rachmatiya Rosa Zahra; Rasiah
ELITE: Journal of English Language and Literature Vol. 8 No. 1 (2023): Vol. 8 No. 1, June 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2268

Abstract

Abstract This research aims to describe discourse and racism in the Hidden Figures movie using discourse and racism theory based on Dijk’s approach. The results showed that the ten aspects of Dijk's theory of discourse and racism could be found in several characters such as speech, expressions, and actions that refer to the use of discourse and racism in the Hidden Figures movie. There are two aspects of discourse and racism that are most dominantly depicted in this movie, namely aspects of nonverbal structure and aspects of syntax. In the nonverbal structure aspect, the visible form of racism is the depiction of facial expressions such as anger, annoyance and dislike as well as body movements refusing to interact for a long time with black people. Discourse and racism in the Hidden Figures movie also display racist behavior towards black people as a reflection of a system of prejudice, namely negative emotional reactions and stereotypes, namely judgments or assumptions based on groups and people's characteristics. This is illustrated by the experiences of Katherine, Dorothy and Mary regarding the separation of public facilities such as toilets, libraries and education. Keywords: discourse and racism, hidden figures, prejudice, stereotype
Feminist Consumerism Discourse in Dove Advertisements on Dove US YouTube Channel Hermilawanda; Ela Martisa
ELITE: Journal of English Language and Literature Vol. 8 No. 1 (2023): Vol. 8 No. 1, June 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2269

Abstract

The objective of this research is to find out how the feminist consumerism discourse described in “Dove” beauty in terms of gender identity, fashion, beauty standards and feminine beauty ideology by Talbot (2020). Feminist consumerism discourse is an ideology that forms a person or group carry out the process of using or consuming goods produced in a sustainable manner based only on desires, not needs. This research used descriptive qualitative method. The source of data in this research is Dove advertisements was taken from the Dove US YouTube channel. Data collection was done by downloading, watching, transcribing, selecting and coding based on Talbot’s theory. Data analysis cam carried out by presenting data, describing the context and situation, interpreting the data, concluding the results of data analysis. The data for this research are 11 feminist consumerism discourse data in Dove advertisements to support analytical process that the researcher is conducting. The researcher found that several elements of the feminist consumerism discourse that can be seen in the Dove advertisements video are in four aspects, such as gendered identity, fashion, beauty standards and feminine beauty ideology. From the several aspects above, the feminist consumerism discourse is found in Dove advertisements and there are also persuasive elements.
Deontic Modality in "The Invisible Man" Movie (A Systemic Functional Linguistics Perspective) Dian Arnhy Muhtar; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 8 No. 1 (2023): Vol. 8 No. 1, June 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2271

Abstract

This research discusses the aspects of action and speech that contain in The Invisible Man movie based on the theory of Jespersen and Palmer (2007) in the sub-categories commissive, directive, and volitive. The objective of this research is to describe deontic modality in three sub-categories commissive, directive and volitive in The Invisible Man movie. This research used the descriptive qualitative method. The sources of data of this research are audio visual as primary data and written utterances from screenshotting and transcribing as secondary data. The data is The Invisible Man movie. Data collection was carried out by searching and downloading movie, watching movie, screenshotting, classifying and coding. Data were analyzed by presenting, describing, interpreting and concluding data to answer research questions from this research. The results show that there are 18 data that are included in the sub-categories commissive, directive, and volitive. Deontic modality appears because it is made by several characters in the movie that make promises and threats (commissive), make requests, order others to do something, give suggestions, carry out obligations (directive), and hope for something (volitive). The researcher found that the characters in The Invisible Man movie adopt deontic modality aspects that focus on the sub-categories commissive, directive, and volitive modality because many scenes show how aspects of the three sub-categories are used by characters in an effort to overcome existing problems. These three sub-categories are related to each other, the existence of a commissive that will lead to the directive to volitive.
Account in "Death on the Nile" Movie (A Discourse Analysis) Sri Wulandari; Fina Amalia
ELITE: Journal of English Language and Literature Vol. 8 No. 1 (2023): Vol. 8 No. 1, June 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2272

Abstract

This research discusses the aspects of action that contain accounts in Death on the Nile movie, based on the theory of Scott and Lyman (1968) on the aspect of excuses and justification. The objective of this research is to describe the types of accounts in Death on the Nile movie. The researcher used a descriptive qualitative research method. The data sources in this research are divided into two categories, namely movies as primary data and audiovisual as secondary data. Data collection was carried out by downloading movies, watching movies, reading intensively, and selecting data based on the communicative action model. The data was analyzed by presenting, describing, interpreting, and concluding data to answer the research question from this research. The result of the research shows that there are 14 data accounts in Death on the Nile movie. This account occurs because it was created by several characters in the movie who provide excuses and justifications to avoid being accused of the murder incident of a wealthy woman named Linnet. Findings, the researcher found that all justifications are excuses, but not all excuses are justifications. In addition, the justification aspect is more dominant used to justify bad behavior, in the excuses aspect the type of appeal to defeasibility can be used to kill the victim, the appeal to accident aspect is used to make unexpected events, and the appeal to biological aspect is the last aspect that causes behavior. There is no scapegoating aspect in this movie.
The Language of Trust in "Raya and The Last Dragon" Movie (A Discourse Analysis) Alim
ELITE: Journal of English Language and Literature Vol. 8 No. 1 (2023): Vol. 8 No. 1, June 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i1.2273

Abstract

This research discusses the language of trust in Raya and the Last Dragon movie based on the trust-repair discourse model established by Fuoli and Paradis. The aim of this research is to describe trust-repair discourse in Raya and the Last Dragon movie. This research used a descriptive qualitative method. The sources of data in this research are divided into two categories namely movies as primary data and audiovisual sources as secondary data. The data was collected through downloading the movie, watching the movie, reading intensively, and selecting the data, based on communicative action models of Fuoli and Paradis. The data was analyzed by presenting, describing, interpreting, and concluding the data to answer the research question of this research. The result shows that there were 10  data Raya and Sisu in the movie suffers from trust-repair. There are two reasons to trigger Raya's broken trust. Her friend betrays her. Her friend and her people try to steal her village’s gem. In this Raya makes her start hard to trust anyone else. She fears something terrible that can happen to Sisu. Therefore, she never trusts other people around her. Sisu sees this. Sisu thinks that such a broken trust will make Raya in trouble. Finally, Sisu tries hard to teach Raya to trust other people. Sisu uses restore neutralizing the negative and emphasizing the positive. They eventually succeed in building Raya’s trust in others.
The Opposition Bourgeoisie Ideology in Titanic Movie Waode Nurhandi; Nur Israfyan Sofian
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2189

Abstract

This study aims to analyze the opposition as reflected in the Titanic movie. The research used the descriptive qualitative method. The source of data in this research was taken from Titanic movie by James Cameron as data as primary data and a journal, literature, books, and some articles as secondary data. This research uses the theory of Marxism from Karl Marx which is used as a tool to analyzing the finding the opposition against bourgeoisie ideology in Titanic movie. The result of the research shows that there are two types of social class in the Titanic movies. Based on the findings and discussion, the research found 14 data on the relations between the bourgeoisie and the proletariat, 9 data on the class consciousness, 10 data on the opposition, and 8 data on The Paradox of Jack and Rose. The researcher concluded based on the result of the research that has been done, the researcher found 41 data that included the opposition against bourgeoisie ideology in Titanic movie.

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