cover
Contact Name
Eva Solina Gultom
Contact Email
evasgultom@uho.ac.id
Phone
+6281314955035
Journal Mail Official
elite.sastrainggrisuho@gmail.com
Editorial Address
English Language and Literature Department, Faculty of Humanities, University of Halu Oleo Jln. H.E.A. Mokodompit, Kampus Hijau Bumi Tridharma Kendari
Location
Kota kendari,
Sulawesi tenggara
INDONESIA
ELITE: Journal of English Language and Literature
Published by Universitas Halu Oleo
ISSN : -     EISSN : 25033271     DOI : https://doi.org/10.33772/elite.v4i1
ELITE: Journal of English Language and Literature is a periodic academic publication that serves as the appropriate link to exchange any worthwhile and marvelous ideas in the realm of English language and literature. ELITE was established for the purpose of reviving and perpetuating academic excellence for the sake of the common good. On the other hand, Elite, standing for English Language and Literature, is aimed at undertaking its primary mission to promote and advance English language and literature in the national and international scope. The managing editors and the editor-in-chief will gratefully receive any kinds of theoretical writings, ethnographic research findings, and any other kinds of publications with constructive ideas which are supposed to be able to rectify any socio-cultural problems in a broader sense and resolve any complicated problems in human and community development, as well as the textbook reviews and any other kinds of exploratory and explanatory research findings. The contents are not necessarily in conformity with the editors’ viewpoints. The texts are typed using the Microsoft Office Word application, selecting Times New Roman 12 font size with 1,5 line spacing. The whole documents are submitted in soft copy. The length of the article contains at least 3000 words or more, embodying the scientific principles. The abstract should be attached, containing no more than 250 words. The footnotes should be inserted at the bottom of the document with the appropriate cardinal numbers. The references are arranged in such a way that the authors are ordered alphabetically, in accordance with the sample references in this edition. ELITE is published biannually, in June and December.
Articles 141 Documents
Register in The Good Doctor Movie Muhammad Fadli Hasan; Ansor Putra; Rasiah Rasiah
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2216

Abstract

This study aims to describe the types and functions of register used in The Good Doctor (season 5 episode 18). This research is qualitative and descriptive with The Good Doctor movie as the data source. The data were collected by watching, annotating, and coding. Analysis by presenting, describing, analyzing, and concluding the data. This research found there are 60 utterances of type of registers used in the movie such as Frozen, Formal, Consultative, Casual, and Intimate. Then, the researcher also found that there are sixty-six data on the function of the register including Emotive (13), Directive (21), Referential (26), Peotic (1), and Phatic (5). In this movie, the researcher found all types of registers used by characters. For the function of the register, the researcher only found five of six functions in the movie. The most used type of register is the casual register with twenty-eight data and referential is most used by characters in the movie with twenty-six data. The use of a casual register can reflect a more relaxed speaking style, not overly formal, and closer to everyday conversation. The metalinguistic function was not found because there are no situations where characters have a conversation that refers to the metalinguistic function in the movie.
Multiple Identities and Trauma Discourse in Shutter Island Movie Anggi Listiawati
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2261

Abstract

This study aims to describe multiple identities and trauma discourse in Shutter Island movies. To get answers to the research questions, this study uses two theories. First is the theory of multiple identities by Caldas Coulthard and Ladema (2008). Secondly theories of trauma discourse by Indradjaja and Zaumzeil (2014). This research uses the qualitative descriptive method. The source of data in this study was collected from the Shutter Island movie and audio and visual to support primary data. Procedures of this study collected data by downloading, watching, screenshooting, taking notes, selecting, and coding. Techniques of analyzing data by presenting, describing, interpreting, and concluding. The results show that the aspects of multiple identities and trauma discourse dominate each other because when the main character performs multiple identities then he will always experience strange dreams and hallucinations related to his past trauma and otherwise the main character performs multiple identities due to trauma. Second, the researcher found a relation between multiple identities and trauma discourse is something that affects each other because in each condition the main character performs multiple identities, and the trauma aspect will always appear and affect the main character's mental state, and otherwise the trauma aspect that makes the main character perform multiple identities.
Representation of Masculinity in the Hugo Boss Perfume Advertisement on Youtube.com La Ode Abdul Handoko Marzuki; Neil Amstrong; Arman Arman
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2318

Abstract

This study focuses on masculinity through power, image, ideal, and domination based on Connel’s masculinity theory displaying the symbol of masculinity in the Hugo Boss perfume advertisement. The Objective of the study in this research is to describe the representation of masculinity which is depicted in the Hugo Boss perfume advertisement on Youtube.com. The research method that the author uses is qualitative. The data source for this research is Hugo's perfume ad videos on YouTube. The data collection method used is proficient free listening and note-taking techniques. This method is used to remember that the data used is pausing and screenshotting the advertisement. As a result, there are 20 pieces of data found by a researcher from 5 advertisements that the researcher chose as the object. The researcher found that there is a unique new concept of masculinity or appearance in Hugo Boss perfume advertisements, the representation of masculinity in the Hugo Boss advertisement is divided into power, image, ideal, and dominance. Hugo Boss perfume advertisements continue to reinforce the ideology of masculinity where masculinity is the separation between men and women in terms of gender and masculinity represents the male gender. The strengthening of masculinity ideology in this advertisement is shown in the aspect of men who are macho and successful. This advertisement also dismantles the ideology of masculinity in the aspect of men having a nerd appearance and manipulative attitudes towards women, both of which are not stereotypical.
Analysis of Illocutionary Act in A Quite Place Movie Fitra Handayani; Ela Martisa
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2322

Abstract

This research aims to describe the use of illocutionary acts in the film A Quite Place. This study used a descriptive qualitative method. This research uses Searle's theory to find the verbal and nonverbal utterances of all the characters included in the illocutionary act theory. Data collection is carried out by downloading, reading, watching, and classifying. The data analysis technique is to present, describe, interpret, and conclude the results of the analysis. Based on the theories provided, the data is analyzed one by one to determine the context and type of illocutionary act used. The results of the research show that there are four types of illocutionary acts used by all the characters in the film A Quiet Place 2018. The instructions present the dominant frequencies of the five types of illocutionary acts. There are six that contain directive actions. The assertive one has four data. Expressive has four data, the lowest frequency of illocutionary acts is commissive, there are two data. This type of declaration was not found in this study. The data most often found in this film is directive with six data and the least is commissive with two data. Based on the explanation above, it can be concluded that the problems that occurred in this research have been answered so that the research objective has been found and explained clearly, namely how illocutionary acts are used in the film A Quite Place using Searle's theory.
The Portrait of Villain in Horror Movie Await Further Instructions Sarman Samarudin; Muarifuddin Muarifuddin
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2349

Abstract

This research aims to describe the portrait of the villain in the horror movie Await Further Instructions with a formulaic approach by J. G. Cawelti to provide an overview of movie development, especially the villain elements in horror movies. The descriptive-qualitative method was used in this research. The data for this research were collected by watching, pausing, identifying, classifying, and then analyzed by presenting, describing, and interpreting the data as well as concluding the analysis result. This research found four villain elements that are the same as horror villains in general (convention) and two different elements of villain (invention) that depict new sources of fear, such as motive antagonist (constructed by the media) and iconic symbol (mass media). The researcher concluded that in the horror movie Await Further Instructions, there is development in the elements of the villain that depict or represent people today being more afraid of mass media power than supernatural or unexplainable powers, such as ghosts, aliens, monsters, serial killers, and others.
The Process Individuation of the Main Character in I Tonya Movie : An Application of Jung's Psychoanalysis Rosalina Tumengga; Rahmawati Azi; Fina Amalia Masri
ELITE: Journal of English Language and Literature Vol. 8 No. 2 (2023): Vol. 8 No. 2, December 2023
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v8i2.2363

Abstract

I, Tonya movie tells the story of Tonya Harding, an American female figure skater, from a young age Tonya was faced with her mother's strict upbringing, which made Tonya grow up with a tomboyish and stubborn attitude. This study aims to show the process of individuation that occurs in Tonya so that Tonya can achieve the self-archetype. The objective of this study is to analyze the process of individuation of the main Character Tonya Harding in I, Tonya movie. This study applies the theory by Carl Gustaf Jung. This research uses descriptive qualitative research. Data collection was carried out through four steps: watching, screenshots, note-taking, data analysis, and identifying data. The results of this study indicate that the film I Tonya shows three personas, four shadows, four animus, and oneself, before reaching the self-archetype through the Individualization process, in the film it is shown that the process of individuation occurs by eliminating the causes for the emergence of various archetypes to achieve self-archetype. In this case, Tonya can be seen that she was able to go through the process of individuation with many obstacles leading to the self archetype where she was able to control the persona, animus, shadow, and self.
Discourse Analysis of Racism in Just Mercy Movie: Racism Muhammad Nazar; La Aso; Ela Martisa
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2423

Abstract

This research aims to describe the racism utterances in the Just Mercy movie using racism theory based on Dijk's approach. Researcher used qualitative descriptive research as a method. The data source in this research was taken from the Just Mercy movie. Data collection was carried out through watching, Note-Taking, Screen shooting, Identifying and grouping the data based on the theory of racism based on Dijk's approach. Data analysis techniques are presenting the data, describing the data, interpreting and analyzing the data resulting from this research. The research results show that racist behavior in the Just Mercy movie is depicted based on Dijk's theory in the aspects of nonverbal structures, sounds, syntax, lexicon, local (sentence) meaning, global discourse meaning (topics), schema (conventional forms of global discourse organization), rhetorical devices, speech acts, and interaction. This aspect shows racist actions in the form of facial expressions, voice, speech, actions and use of language styles. Racism in this research then provides an accurate picture of racist behavior towards black people as a reflection of the existing system of prejudice and stereotypes. As a results of the analysis, the researcher found that the movie had elements of racism in which Bryan Stevenson became a victim of racism. The researchers found seven data. Therefore, racial discrimination can also be seen in language discourse. Language also plays an important role in forming and maintaining the ideology of racism.
Trauma Discourse in Christopher Robin Movie Fadilatul Nadia; Ansor Putra; Neil Amstrong
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2430

Abstract

This research is based on the trauma of someone in a movie, seen in the movie used trauma discourse theory. The objective of this research is to find out how the trauma discourse appeared in Christoper Robin's movie based on Zaumseil and Indradjaja's theory. This research used a descriptive qualitative method. The source of data in this research was taken from the Disney+ watch page. The researcher found that two elements of trauma discourse seen in two characters are Christoper Robin and Winnie the Pooh in the two aspects such as reasonable fear and worry and culturally specific suffering in terms of the inner and outer realm of trauma discourse. From the several aspects above, the creation of past trauma has an impact on finding out the characteristics of people who experience discourse trauma in their speech both for them and for those around them. This research concludes that someone who has experienced trauma is very influential when he speaks or conveys a message. This can be seen from the language used and the actions taken by the characters in the film Christopher Robin.
Analysis of Archetypes in Speak Graphic Novel by Laurie Halse Anderson Wiratman Wiratman; Fina Amalia Masri; Eva Solina Gultom
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2431

Abstract

This research aims to show the archetypes that occur in the Speak Graphic Novel. The purpose of this research is to analyze the archetypes of the main characters in the oral graphic novel by Laurie Halse. This research applies Carl Gustaf Jung's archetype theory. This research uses descriptive qualitative research. Data collection was carried out through four steps: reading, recording, analyzing data, and identifying data. The results of this research show that the Speak Graphic Novel shows the existence of two personas, five animus, one shadow, and one self archetype, before reaching the self archetype Melinda experiences an individualization process, in this graphic novel individualization appears when Melinda neutralizes this. things that cause him to use a persona and have to face the shadow that appears by providing real resistance to Andy who has been pressuring and threatening him. Another thing that helped the individualization process was Melinda's decision to accept the fact that she had made a mistake and forgive herself. Based on the results above, it can be concluded that in this novel the archetype is shown in full, starting from the details of the cause of the archetype's emergence to the start of the individualization process as a form of Melinda's effort to control or eliminate the cause of the archetype's emergence, which in the end causes the main character to achieve a self-archetype.
The Formula of Romance in the Redeeming Love (2022) Movie Jusrianti; Rasiah Rasiah; Arman Arman
ELITE: Journal of English Language and Literature Vol. 9 No. 1 (2024): Vol. 9 No. 1 June 2024
Publisher : Program Studi Sastra Inggris Fakultas Ilmu Budaya Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/elite.v9i1.2630

Abstract

This research aims to analyze the formula of romance in the Redeeming Love (2022) movie. The focus of the problem is the convention and invention formula of romance in the Redeeming Love (2022) movie. The theory of Formula from John G. Cawelti analyzes the problem. This research method is descriptive qualitative. The data in this research is collected by watching the movie, taking notes, identifying, describing, interpreting, and analyzing the data, and concluding the results of the analysis. From the results of the analysis, the researcher found convention and invention in the movie. In terms of convention, this movie still maintains the romance formula, such as; (1) The plot of romance still consists of their first meeting, the man winning the woman, the conflict, and the happy ending. (2) The figure of romance still the presence of the hero and heroine namely Michael and Angel. (3) The setting of romance consists of a place setting on a hill, a time setting such as in the morning, afternoon, and evening, and an atmosphere setting such as happy, regretful, angry, tense, sad, worried, and afraid. As for the invention of new romance elements found in the movie, such as;  (1) Romance narrative structure using a mixed pattern of Cinderella pattern, Pamela pattern, and contemporary pattern, (2) The character of romance, such as; the hero is described as an ordinary, popular and beautiful heroine, and heroine who has a stubborn nature, (3) The plot of romance, such as; Hero gives up on heroine.

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