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Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies
Published by Universitas 17 Agustus 1945 Surabaya
ISSN : -     EISSN : 29859476     DOI : https://doi.org/10.30996/uncollcs.v2i1
Core Subject : Humanities, Education,
Humanities Education Languange, Linguistic, Communication & Media
Proceeding of Undergraduate Conference on Literature, Linguistic, and Cultural Studies is a peer-reviewed proceeding, open access, and annual academic proceeding dedicated to the publications of research in the areas of linguistics, literature, and culture studies that had been disseminated in the conference held by Fakultas Ilmu Budaya, Universitas 17 Agustus 1945.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 237 Documents
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Tato sebagai narasi kehidupan: simbolisme Hannya sebagai pembentuk identitas majima goro dalam Yakuza 0 (2015) Ivena Caroline; Zida Wahyuddin
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6934

Abstract

Tato (irezumi) dalam budaya Jepang tidak hanya berfungsi sebagai hiasan tubuh, tetapi juga mengandung makna simbolik yang merepresentasikan identitas, pengalaman hidup, dan nilai budaya. Dalam Yakuza 0 (2015), karakter Majima Goro memiliki irezumi bermotif Hannya yang hanya ditampilkan pada momen-momen penting sehingga mengindikasikan fungsi naratif yang melampaui atribut visual karakter. Penelitian ini bertujuan menganalisis bagaimana makna simbolik tato Hannya dikonstruksi melalui strategi visual cutscene, komposisi irezumi, dan perkembangan perjalanan hidup Majima Goro. Penelitian menggunakan metode deskriptif kualitatif dengan pendekatan semiotika multimodal Kress dan van Leeuwen untuk menganalisis strategi visual kemunculan tato, serta semiotika Roland Barthes untuk menginterpretasikan makna denotatif, konotatif, dan mitos pada setiap elemen irezumi. Data penelitian berupa dua sekuens utama yang menampilkan kemunculan tato Hannya secara signifikan, dengan perkembangan naratif Majima Goro sebagai konteks pemaknaan simbolik. Hasil penelitian menunjukkan bahwa kemunculan tato dibangun melalui strategi visual yang secara konsisten menempatkan irezumi sebagai pusat perhatian pemain. Komposisi Hannya, ular putih, bunga sakura, dan bokashi membentuk satu kesatuan simbolik yang maknanya berkembang mengikuti pengalaman hidup Majima. Temuan ini menunjukkan bahwa irezumi tidak hanya merepresentasikan simbol budaya Jepang, tetapi juga berfungsi sebagai narasi visual yang merekam transformasi identitas, konflik batin, dan pilihan moral karakter sepanjang alur cerita Yakuza 0 (2015).
Representasi faktor lingkungan dan trauma pada perilaku psikopat pada tokoh Yukio Murata dalam film Cold Fish Rendy Arianto; Novi Andari
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6935

Abstract

Film Cold Fish (2010) karya Sion Sono menggambarkan perilaku kekerasan Yukio Murata yang berkaitan dengan pengalaman buruk dalam lingkungan keluarganya pada masa kecil. Penelitian ini bertujuan mendeskripsikan faktor-faktor yang melatarbelakangi perilaku Yukio Murata dalam film Cold Fish. Penelitian ini menggunakan pendekatan psikologi sastra dengan metode deskriptif kualitatif. Analisis menggunakan klasifikasi faktor penyebab dari Aksan dalam Rozali et al. (2019), yang terdiri atas faktor biologis, genetik, lingkungan, dan trauma. Pandangan Kartono (2017) mengenai kurang atau tidak adanya kasih sayang yang diterima dari lingkungan, terutama keluarga, digunakan untuk menganalisis faktor lingkungan. Sementara itu, teori Kolk (2016) mengenai dampak jangka panjang dari peristiwa traumatis digunakan untuk menganalisis faktor trauma. Data penelitian berupa dialog, tindakan, dan visual yang berkaitan dengan latar belakang kehidupan Yukio Murata. Hasil penelitian menemukan dua data, yaitu satu data faktor lingkungan dan satu data faktor trauma. Faktor biologis dan genetik tidak ditemukan dalam film. Faktor lingkungan ditunjukkan melalui kurangnya kasih sayang, perlindungan, dan interaksi sosial yang sehat dalam kehidupan Murata sejak kecil. Faktor trauma ditunjukkan melalui pengalaman pengurungan dan perlakuan kasar yang dilakukan oleh ayahnya. Pengalaman tersebut terus membayangi Murata hingga dewasa. Hasil penelitian menunjukkan bahwa lingkungan keluarga yang tidak sehat dan trauma masa kecil merupakan faktor utama yang melatarbelakangi perilaku Yukio Murata dalam film Cold Fish.
Reversing the Gaze: Alicia Berenson’s Final Act of Resistance in The Silent Patient Alfira Amalia Latif; Muizzu Nurhadi; Erika Citra Sari Hartanto
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6936

Abstract

This study examines how Alicia Berenson responds to the power relations exercised by Theo Faber in Alex Michaelides’s The Silent Patient (2019). The research problem arises from the tendency to view subordinate characters within clinical institutions as entirely passive, whereas Michel Foucault’s notion of power relations always leaves room for resistance. This study aims to identify the forms of Alicia’s responses to the institutional, epistemic, and disciplinary control exercised over her by Theo. Using a qualitative descriptive method, data in the form of narrative excerpts, dialogues, and diary entries were collected and analysed through Foucault’s concepts of institutional power, power-knowledge, discipline and surveillance, and resistance. The findings show that Alicia’s responses develop in four forms: her sustained silence as an active refusal to be extracted, her diary and painting as alternative spaces of expression that resist clinical classification, her direct confrontational acts that momentarily reverse the observing and observed positions, and her final disclosure of knowledge that reverses the informational asymmetry between her and Theo. The study concludes that although none of these responses fully dismantles the power structures confining her, their presence demonstrates that a dominated subject retains agency within power relations.
Discourse And Multimodal Analysis Of Musical Identity Construction On The Spout Podcast “LANY Breaks Down Their New Album, Paul Klein’s Car Accident, and What’s Next” Virginia Larasati Putri Bayu; Eka Fadilah
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6939

Abstract

This study investigates how musical identity is constructed through discourse and multimodal communication in a podcast interview featuring Paul Jason Klein, the lead vocalist of LANY. The study aims to examine how Paul Klein employs Gee’s (2014) Seven Building Tasks of Language and how verbal and multimodal resources jointly contribute to the construction of his musical identity. A descriptive qualitative design was employed using the podcast episode LANY Breaks Down Their New Album, Paul Klein’s Car Accident, And What’s Next published on the Spout Podcast YouTube channel as the primary data source. The verbal data were analyzed using Gee’s Seven Building Tasks of Language, while multimodal elements, including facial expressions, gestures, eye contact, tone of voice, posture, and visual composition, were examined using Kress and van Leeuwen’s (2006) Multimodal Discourse Analysis. The interpretation of musical identity was guided by the framework proposed by MacDonald and Saarikallio (2022), consisting of Musical Journey, Values and Beliefs, Creative Process, Fan Relationship, and Digital Self-Presentation. The findings reveal that Paul Klein employs all seven Building Tasks of Language to communicate meanings, establish relationships, express artistic values, and construct his identity as an authentic musician. Moreover, discourse and multimodal resources function complementarily in representing his resilience, creativity, emotional openness, and close relationship with audiences. The study demonstrates that musical identity in digital media is constructed through the integration of linguistic and multimodal resources rather than through language alone.
Uncovering the Self: Psychological Growth in Loulie al-Nazari’s Journey in The Stardust Thief Tito Mahesa Wijaya; Ambar Andayani
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6942

Abstract

This research investigates the psychological transformation of Loulie al-Nazari, protagonist of Chelsea Abdullah’s The Stardust Thief, by combining Christopher Vogler’s twelve-stage adaptation of Joseph Campbell’s monomyth with Carl Jung’s theory of archetypes. Three aims guide the study: identifying how Vogler’s twelve stages manifest in Loulie’s narrative arc, determining which internal and external factors drive her psychological development, and evaluating the resulting shift in her identity and self-perception. A qualitative descriptive design, supported by close reading and content analysis of the novel as primary data, is used to reach these aims. Results indicate that Loulie’s arc realizes all twelve of Vogler’s stages, opening with a forced call to adventure and advancing through mounting trials before reaching a decisive reckoning with her hidden past inside the ruins of the Queen of Dunes. Jung’s archetypes account for the internal dimension of this development: the Shadow surfaces as the grief she buries after her tribe’s destruction, the Persona takes shape as the Midnight Merchant guise she uses for self-protection, and the Animus emerges in the resilience and nerve she calls upon across the quest. Externally, the surrounding cast enacts Vogler’s archetypal roles, Qadir as Mentor, Omar as Shadow, Mazen as Ally, and Aisha as Shapeshifter. As the narrative closes, Loulie edges toward individuation, reclaiming a name and history she once suppressed and arriving at a more unified sense of self. The research concludes that Abdullah’s novel illustrates the continued cross-cultural relevance of the Campbell–Vogler model.
Cultural differences of apology strategies employed by Western and Eastern influencers on Social Media Yeni Marlia wardani; Pariyanto Pariyanto; Sharmini Abdullah
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6945

Abstract

This study examines the apology strategies used by social media influencers in written public apologies following incidents of public criticism and cancel culture. The phenomenon of the online ‘apology clarification’ has become a recognizable communicative genre, yet not all such statements meet the criteria for a sincere apologetic speech act. Grounded in Speech Act Theory (Searle, 1969) and the apology strategy taxonomy of Cohen and Olshtain (1981) as further developed by Trosborg (1995), this research adopts a descriptive qualitative, case-study design to analyze written apology statements posted on X (Twitter) and Facebook by five influencers, two representing an Eastern (Indonesian) cultural background and three representing a Western (American) cultural background. The data were interpreted through the lens of Brown and Levinson’s (1987) Politeness Theory to explain how each strategy functions to protect the speaker’s face. The findings show that all six apology strategies appeared across the data, with influencers consistently combining at least three strategies within a single statement rather than relying on one. Acknowledgement of Responsibility and Expression of Apology (IFID) emerged as the most frequently used strategies overall, while Minimization of the Offense appeared more selectively and was associated with lower perceived sincerity. Cultural patterning was also evident: Indonesian influencers favored repeated, polite expressions of regret oriented toward preserving social harmony, whereas American influencers favored explicit acknowledgment of responsibility paired with detailed, self-protective explanation. These findings contribute to pragmatic research on digital discourse by demonstrating how apology strategies function simultaneously as face-saving devices and as culturally shaped communicative practices in the era of cancel culture.
Language Style in Sabrina Carpenter’s Interview on the Apple Music Youtube Channel : A sociolinguistic study Ananta Imelda Saputri Dewi; Dona Rahayu Sugiharti
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6946

Abstract

This study investigates the language styles used by Sabrina Carpenter in her interview with Zane Lowe on the Apple Music YouTube channel and examines how those styles reflect her identity. The study applies a descriptive qualitative approach. Sabrina Carpenter’s utterances in the 53-minute-and-5-second interview were transcribed, identified, coded, and classified using William Labov’s (1972) language-style framework, while Janet Holmes’s (2013) sociolinguistic perspective was used to interpret the relationship between language and identity. The findings show 100 relevant data consisting of 92 casual-style utterances and 8 careful-style utterances. Reading style, word-list style, and minimal-pairs style were not found because the interview did not involve controlled reading or elicitation tasks. Casual style was characterized by spontaneous responses, short utterances, interjections, discourse markers, humor, contractions, emotional expressions, and incomplete structures. Careful style appeared when Carpenter gave more deliberate, coherent, reflective, and interactionally managed responses. The dominance of casual style indicates that Carpenter generally communicates in a relaxed and natural manner. Her linguistic choices construct an identity that is relatable, authentic, expressive, friendly, and socially engaging, while careful style additionally presents her as reflective and attentive to interaction. The study demonstrates that language style functions not only as linguistic variation but also as a resource for identity construction in digital media interviews.
Female existentialist freedom and self-becoming in Maybe in Another Life Sanca Odigitria Manesanulu; Linusia Marsih
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6947

Abstract

Patriarchal structures have long confined women to subordinate roles, and literature offers a space to examine such structures and women's responses to them. This study uses feminist literary criticism, guided by Simone de Beauvoir's feminist existentialist framework, to examine Hannah Martin's position as a woman and how her choices across two parallel life paths reflect her movement within that position, in Taylor Jenkins Reid's Maybe in Another Life (2015), a narrative built around a single decision that splits Hannah's life into two trajectories. The research addresses two questions, the conditions that shape Hannah's position as a woman, and how her choices reflect her movement within that position. The study applies four concepts from Beauvoir's framework, woman as the Other, freedom and choice, transcendence and immanence, and the social construction of feminine identity. The method is descriptive qualitative, with the novel as the primary data source and the researcher as the main instrument for collecting and interpreting narrations, dialogues, and character actions. The results show that before the novel's split, Hannah exists within conditions that position her as the Other, marked by relational dependence, economic instability, and surrendering decisions to fate. Across both paths, she moves toward self-direction and the claiming of her own subjecthood, though neither path concludes with complete freedom.
Identifikasi pola intonasi pada ujaran gojo satoru dalam anime jujutsu kaisen season 1: kajian fonetik akustik Evalyn Suryanti Sarindat; Umul Khasanah
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6948

Abstract

Intonasi merupakan salah satu unsur prosodi bahasa Jepang yang berperan dalam membedakan makna ujaran melalui perubahan pitch. Penelitian ini bertujuan mengidentifikasi pola intonasi akhir ujaran Gojo Satoru dalam anime Jujutsu Kaisen Season 1 berdasarkan klasifikasi matsubi no intonēshon (Kōri, 2020). Penelitian menggunakan metode deskriptif kualitatif dengan pendekatan fonetik akustik. Data berupa ujaran Gojo Satoru dianalisis menggunakan perangkat lunak Praat untuk memperoleh visualisasi pitch contour melalui pengukuran fundamental frequency (), kemudian diidentifikasi berdasarkan karakteristik setiap pola intonasi menurut (Kōri, 2020). Hasil penelitian menunjukkan bahwa ujaran Gojo Satoru merepresentasikan lima pola intonasi, yaitu 平坦調 heitanchō, 急下降調 kyū kakōchō, 強調型上昇調 kyōchō-gata jōshōchō, 疑問型上昇調 gimon-gata jōshōchō, dan 上昇下降調 jōshō-kakōchō. Setiap pola diidentifikasi berdasarkan karakteristik pitch contour yang tampak pada visualisasi fundamental frequency (). Temuan ini menunjukkan bahwa klasifikasi (Kōri, 2020) dapat diterapkan untuk mengidentifikasi pola intonasi bahasa Jepang secara sistematis melalui pendekatan fonetik akustik.
Georgia Warr's journey toward aromantic asexual identity in Alice Oseman's Loveless Archylia Putri Harahap; Anik Cahyaning Rahayu
Proceeding of Conference on Literature, Linguistic, and Cultural Studies Vol. 6 No. 1 (2026): Vol. 6 No. 1 (2026): UNCOLLCS: PROCEEDING RESEARCH ON LITERARY, LINGUISTIC, AND
Publisher : Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/pcllcs.v6i1.6949

Abstract

This study examines Georgia Warr's journey toward understanding and accepting her aromantic asexual identity in Alice Oseman's Loveless. The research aims to analyze the stages of Georgia's identity formation and to reveal how heteronormative expectations influence her experiences throughout the process of self-discovery. This study employs a qualitative descriptive method using a literary psychological approach combined with queer theory. The primary data are collected from the novel Loveless, while secondary data are obtained from books, scholarly journals, and previous studies related to asexuality, aromanticism, identity development, and heteronormativity. The data are analyzed through close reading, data classification, interpretation, and contextual analysis. The findings demonstrate that Georgia's identity development occurs through several interconnected stages: identity confusion, self-questioning, denial, realization, coming out, and self-acceptance. Throughout these stages, Georgia struggles with social expectations that equate happiness with romantic and sexual relationships. Her interactions with members of the LGBTQIA+ community gradually help her understand that romantic and sexual attraction are not universal experiences. Ultimately, Georgia recognizes that her identity as an aromantic asexual individual is valid and does not diminish her ability to build meaningful relationships. This study contributes to literary criticism by highlighting the importance of aromantic and asexual representation in contemporary young adult fiction and demonstrating how literature challenges dominant heteronormative assumptions regarding love, intimacy, and personal fulfillment.

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