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SUSASTRA: jurnal Ilmu Susastra dan Budaya diterbitkan oleh Himpunan Sarjana Kesusastraan Indonesia (HISKI), Grha STR, Jalan Ampera Raya nomor 11, Telepon (021) 7813708, Jakarta Selatan 12550
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Susastra : Jurnal Ilmu Sastra dan Budaya
Published by Himpunan Sarjana Kesusastraan Indonesia Malang Indonesia
ISSN : 2580636X     EISSN : 2580636X     DOI : https://doi.org/10.51817/susastra
Core Subject : Humanities, Education, Social,
Humanities Education Social Sciences
SUSASTRA: Jurnal Ilmu Susastra dan Budaya (2580-636X) is a journal aiming to publish articles about literature and culture. SUSASTRA: Jurnal Ilmu Susastra dan Budaya accepts articles from authors of national or international institutions, accepts submissions of original articles that have not been published elsewhere not being considered or processed for publication anywhere, and demonstrate no plagiarism whatsever. The prerequisites, standards, and format of the manuscript are listed in the author guidelines and templates. Any accepted manuscript will be reviewed by at least two referees. Authors are free of charge throughout the whole process, including article submission, review and editing process, and publication. Submissions are open year-around. Articles published in SUSASTRA: Jurnal Ilmu Susastra dan Budaya must be a requirement determined by the Editoria Board. Editorial the board has the right to change editorials and systematics without changing the substance of the recording from the author.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 107 Documents
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Nasionalisme dalam Sastra Indonesia Dad Murniah
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 5, No 1 (2009): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v5i1.24

Abstract

Nationalism in Indonesia is a reality that has become a fertile soil of inspiration for the creation of literary works. Even, the issue of national identity in various works of literature had been one determining factor that gave birth to the history of Indonesian literature. This means that nationalis is not only a source of inspiration, but it has also served as a sign of existence for the Indonesia-ness of a literary work. Ajib Rosidi stated that it was this awareness of the Indonesian nation that marked the existence of Indonesian literature. Considering that this awareness of nation is a matter of politics, it can be said that Indonesian literature can not be separated from political matters. Likewise, A. Teeuw said that a special characteristic of the development of Indonesian literature was partly in accordance with the nationalist movement, which could be seen from the etfective use of the Indonesian language in the movement. Thus, literature, as an art that uses language, had a very important cultural and political role.Nationalism as an important ideology for Indonesian writers had already appeared even before the concept of Indonesia was formulated. The dream to have a free nation had emerged long before the problem of territory was discussed. The works of Muhammad Yamin, Sutan Takdir Alisjahbana, Pramudya Ananta Toer, even Chairil Anwar and Amir Hamzah indicate this. This paper aims to show how nationalism as an ideology has always been an interesting source of idea for the creation of literary works. As long as nationalism becomes an open paradigm and offers possibilities to be interpreted and analyzed, writers will always be interested in mounting it in their works. Thus, the connection between the history of literature and the history of the nation can be seen How do writers work and give meanings to their roles in building the idea of nationalism? Can we see the difference between contemporary writers and their predecessors, who had their shares in the birth of the Indonesian nation? How do those differences appear, both in writing techniques and awareness of actions? For sure, writers differ from historians, statesmen or politicians in their ways of showing nationalism.
Model Pembalikan Mitos Rangda I Gusti Ayu Agung Mas Triadnyani
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 6, No 1 (2017): Susastra: Jurnal Ilmu Susastra dan Ilmu Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v6i1.40

Abstract

A myth of Rangda is just not a property of Balinese people. An image of Rangda as a destructive power has been long acknowledged through centuries.1 However, in the modern era there is a new image dealing with the powerful Rangda, and it provides a noble value to the myth. Rangda appears as a protector in the novel Janda dari Jirah. This article wants to show how the novel’s author creatively imposes the new image of Rangda. This phenomenon could hopefully stimulate many writers to suggest creative work in which the classical works would be themain resources. The conclusion is religious complexion of Buddhism which suggests a breakthrough against the old perspective which exclusively emphasized the concepts of Siwa. It can be said that novel Janda dari Jirah seems to offer a renewal by reversal as it is told by Riffaterre (1978).
Pendidikan Sastra Melayu di Singapura Renungan terhadap Sastera Kanak-kanak dan Remaja Kartini Anwar
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 4, No 2 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v4i2.58

Abstract

The power of the colonial government had brought about significant changes in Malay education system in Singapore Malay education was shaped in accordance with the needs and aspirations of the colonial, which placed its importance in the teaching of the Malay language. A bunch of texts translated fron Western literature had been used as reading materials in Malay vernacular schools. The teaching of Malay literature began to be given in Malay schools in Singapore in the 1960s. However, as these schools are closed down one by one, the teaching of Malay Iliterature will consequently be stopped. Literary works were only used in the teaching of the Malay language. In 2001, the Ministry of Education of Singapore introduced two special programs in lower and middle levels to conserve the teaching of Malay literature. These programs also serve as efforts to develop appreciation toward Malay language and culture among students. The efforts will have continuity if Elective Malay Literature is offered in high schools.This paper will discuss teaching materials in the education curriculum and the objective of the teaching of Malay literature in Singapore. Will certain selected materials in the teaching of literature bring targeted outcomes or not? The use of literary materials for children and teenagers will be discussed and several problems in selecting the materials will be diagnosed. Besides, the discourse of the literature for children and teenagers will be examined and valued in accordance with the context of present-day literature learning.The learning of Malay literature in middle level aims to give knowledge about the elements of literature and ideal values to students so that they can experience and develop respect for the Malay language, literature and social values. Through the literary materials and the teaching and learning activities, the students will be educated to think analytically, critically and creatively. Furthermore, it is expected that they can heighten their language ability and develop their sense of aesthetics if they read and analyze the Malay works of literature.
Citra Jepang Sebagaimana Tercermin pada Tiga Novel Selepas Perang Kemerdekaan Sunu Wasono
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 3, No 6 (2007): Susatra 6: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v3i6.69

Abstract

Even though the Japanese occupation of Indonesia only lasted for two and a half years, it has left a strong impression in the minds of Indonesians. This is visible in three Indonesian novels. This paper discusses the images of Japan as reflected in the three Indonesian novels published after the war for independence: Pulang, Kadarwati, dan Para Priyayi. In the analysis of the three novels, it becomes clear that the Japanese presence in Indonesia had caused terrible sufferings on all levels of the society.
SASTRA CETAK AWAL HINDIA BELANDA DI SEMARANG Handayani, Pipit Mugi; Arifin, Zainal
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 12, No 1 (2023): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2023)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v12i1.140

Abstract

This research was conducted to trace the development of printed literature at the beginning of the Dutch East Indies Government. This study aimed to identify  printed Malay language documents found in libraries throughout Central Java,especially in Semarang, which was printed before  World War II, focusing on the period 1820-1940 (the colonial era and the growth of print literacy in Malays). The categorization of literary publishers was attempted to characterize the development of printed literature in the Dutch East Indies. Qualitative research methods with descriptive qualitative analysis techniques were used to convey accurate data obtained from library studies and field data in the form of printing and publishing data in the form of lists of newspapers printed during the Early Dutch East Indies around 1880-1945.qualitative research methods with descriptive qualitative analysis techniques by conveying accurate data obtained from library studies and field data in the form of printing and publishing data in the form of lists of newspapers printed during the Early Dutch East Indies around 1880-1945.  To trace the development of early printed literature in the Dutch East Indies, data were obtained from several publications and printers that printed newspapers, brochures, and books on politics, health, and literature. Several sources obtained results related to data on the number of publications or printing presses in Semarang as well as the newspapers printed by these printing presses. The conclusion of this research is that the initial development of printed literature began with the presence of various printing and publishing houses. It was recorded that there were 16 publishing and printing companies operating over a period of 100 years from 1845-1945 to. Early printed literature in the Dutch East Indies usually took the form of newspapers or books.  There are approximately 19 newspapers which are daily or weekly which are published and used very well by the Dutch government as promotional, educational and even propaganda media. Of the many publications and printers that exist and thrive in Semarang, only a few print literary works in the form of books and newspapers.  It is known that there are only three printers or publishers that print literary books: G.C.T. van Dorp Co., Semarang Drukkerij en Boekhandel H. A. Benjamins and NV Boekahandelen, Drukkerij Masman and Stroink.AbstrakPenelitian ini dilakukan dalam upaya penelusuran perkembangan sastra cetak di awal Pemerintahan Hindia Belanda. Penelitian ini bertujuan mengetahui bagaimana dokumen cetakan berbahasa Melayu yang terdapat di perpustakaan di seluruh di Jawa Tengah, Terkhusus di  Semarang. yang dicetak pada masa sebelum Perang Dunia II. dalam kurun waktu 1820-1940 (zaman kolonial dan pertumbuhan keberaksaraan cetak di Melayu), dan bagaimanapengategorisasian penerbit-penerbit sastra diupayakan sebagai sumber pembabakan perkembangan sastra cetak masa Hindia Belanda. Penelitian ini menggunakan metode penelitian kualitatif dengan teknis analisis deskriptif kualitatif dengan menyampaikan data-data akurat yang didapatkan dari studi pustaka dan data lapangan berupa data percetakan dan penerbitan berupa daftar surat kabar yang dicetak pada masa Hindia Belanda awal sekitar tahun 1880-1945-an. Pada penelusuran perkembangan sastra cetak awal Hindia Belanda, didapatkan data beberapa penerbitan dan percetakan yang mencetak surat kabar, brosur dan buku baik politik, kesehatan, maupun sastra. Beberapa sumber diperoleh hasil terkait data jumlah penerbitan atau percetakan yang berada di Semarang serta surat kabar yang dicetak oleh percetakan-percetakan tersebut. Temuan penelitian ini adalah perkembangan awal sastra cetak dimulai dengan hadirnya berbagai percetakan dan penerbitan. Tercatat ada 16 perusahaan penerbitan dan percetakan yang beroperasi pada kisaran waktu 100 tahun dari 1845-1945. Sastra cetak awal Hindia Belanda biasanya berbentuk surat kabar atau buku sastra. Terdapat lebih kurang 19 surat kabar yang merupakan harian atau mingguan yang terbit dan dimanfaatkan dengan sangat baik oleh pemerinah Belanda sebagai media promosi, edukasi bahkan propaganda. Dari sekian banyak penerbitan dan percetakan yang ada dan tumbuh berkembang di Semarang tersebut, hanya sedikit yang mencetak karya sastra dalam bentuk buku atau surat kabar. Diketahui hanya ada tiga percetakan atau penerbit yang mencetak buku literatur di antaranya G.C.T. van Dorp Co., Semarang Drukkerij en Boekhandel H. A. Benjamins dan NV Boekahandelen Drukkerij Masman dan Stroink.
Novel Brunei Darussalam: Satu Pembicaraan tentang Pengutaraan Pemikiran Haji Morsidi
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 5, No 1 (2009): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v5i1.19

Abstract

This paper will discuss several Brunei novels which contain the spelling out of thoughts and culture. There are novels which spell out new thoughts, yet inside also contain elements of Brunei culture leading to the concept or philosophy of Melayu Islam Beraja (M.I.B), For example, some novels speak about the problem of development, which has to be in accordance with Islam, nation's identity, country and culture This can be seen in the novels Sumbangsih Seni (1997) written by Ampuan Brahim Ampuan Haji Tengah and Hadiah Sebuah Impian (1983) by Muslim Burmat. Some other novels mark the importance of defending the nation's dignity and identity, this can be seen in Pahlawan Pengiran Sakam (1993) written by Mohd. Salleh Abdul Latiff and Urth Pesisir (2005) by Muslim Burmat. Another novel, Menyerah (1985) by Leman Ahmad, mounts the spirit of loving the country and the responsibility owed to one's family, society, nation and country. Thus, it can be said that even though some Brunei novels produced by several authors contain new thoughts, they stil also consider defending the nation's identity, religion and culture as something important.
Dengan Sastra Menjadi Manusia Riris K. Toha Sarumpaet
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 3, No 5 (2007): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v3i5.35

Abstract

This paper looks into the nooks and crannies of the teaching of literature in relation to the implementation of the Kurikulum Berbasis Kompetensi (KBK) and Kurikulum Tingkat Satuan Pendidikan (KTSP). There are three elements that should be used as a guideline in implementing the KBK and KTSP: students as human beings with a capacity to grow up, literary works, and the teaching of literature.
Peta Politik Sastra Indonesia (1908-2008) Asep Sambodja
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 4, No 2 (2008): Susastra: Jurnal Ilmu Susastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v4i2.51

Abstract

How is the political map of the Indonesian literature in the last 100 years (1908-2008)? This paper will provide a descriptive political map of the Indonesian llterature in one century of the National Awakening We know that politics plays a very important role in the development of Indonesian literary history. The 20-year cycle of political changes, for example, can clearly be seen in the categorization of generations made by the critic HB Jassin.In the colonial era, the influence of politics was shown in the works of literature, either in  those which contained the spirit of anti-colonialism during the Dutch occupation or those which, due to the very repressivesituation, employed symbolism during the Japanese occupation. In Sockarno's time, the sharp differences of ideologies nationalisim, religion and communism had directly influenced the development of Indonesian literature, both in the ideology embraced by writers and in the works they produced. This can clearly be seen in the literary polemics between writers who belonged to the Lekra (Institute of Pcople' s Cuiture), who believed in social realism, and those of Manikebu (Cultural Manifesto), who believed in universal humanism.In the time of Soeharto, the polemics between the Manikebu and Lekra writers had ceased the first half of his governance, nevertheless, in the second half it appeared again. This was indicated by the polemics about the 1995 Magsaysay Award which was given to Pramudya Ananta Toer, a Lekranovelist. The polemics was started by Taufik Ismail, a Manikebu poet.The centralistic tendency done by Soeharto's regime also invited reactions among writers, among which was the issue of revitalizing local literature, refusing Jakarta as center. Apart from that, the apolitical tendency applied by Soeharto's regim was also responded by the idea of contextual literature voiced by Arief Budiman and Ariel Heryanto.Today, in the era of reformation, Indonesian writers have enjoyed the freedom of speech, fredom of expression, and the spirit of multiculturalism. The soul of Bhinneka tunggal ika contained in the classic work of the 14th century, Empu Tantular’s kakawin Sutasoma, has been resurrected in the cultural and national life in Indonesia. 
Tantangan Penelitian Teks Sastra-Interpretasi dan Kritik Teks Dami N Toda
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 2, No 4 (2006): Susastra 4: Jurnal Ilmu Sastra dan Budaya
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v2i4.64

Abstract

The dominance of the Western literary theory in Indonesia hasl resulted in growing wilderness of literary theories. It has even resulted in the glorification of certain literary theory as if there is no other literary theory worth studying. This reality has caused Subagio Sastrowardoyo to develop a concept: “If we are honest with ourselves, we have to admit that the deeper we go into the jungle of crisscrossing thoughts in modern Western literary theory, the more difficult it is for us to have a firm hold of the truth in literary criticism.” In other words, Subagio Sastrowardoyo is reminding Indonesia literary critics not to be trapped in a theoretical crisis that will distance themselves from the practice od literary criticism.The basic question of this article is whetger literary theory is considered literary criticisim or literary interpretation. To answer this question two factors will be oserverd, namely 1) literary truth or textual theory truth; 2) literary truth should be the source for literary theory deductions. Comprehending these two factors basically challenge academicians, specifically literary researchers, to closely observe the basics when performing literary criticism while applying literary theories with its own differing perspective.
NILAI KEARIFAN LOKAL DALAM ANTOLOGI CERPEN RUMAH TEPI KALI KARYA DEDY VANSOPHI (TINJAUAN ANTROPOLOGI SASTRA) Jayanti Nofiana Nur; Elen Inderasari
SUSASTRA: Jurnal Ilmu Susastra dan Budaya Vol 11, No 1 (2022): Susastra: Jurnal Ilmu Susastra dan Budaya (Juni 2022)
Publisher : HISKI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51817/susastra.v11i1.71

Abstract

This study aims to describe the intrinsic elements, the form of local wisdom values, and the relevance of learning in the short story anthology Rumah Tepi Kali by Dedy Vanshopi. The theory used belongs to Koentjaraningrat in his book Ratna. The method used is qualitative description and the primary data source is the short story anthology Rumah Tapi Kali. Data collection techniques are repeated reading, note taking and listening. Purposive sampling technique and Milles and Huberman's data analysis. The results of the study (1) intrinsic elements in the form of themes, characters and characterizations, pestle and plot setting, point of view and mandate, (2) local wisdom contains 7 aspects, namely human life equipment of 25 data, livelihood 8 data, community system 9 data, language and literature system 5 data, arts with various types of 6 data, knowledge system 8 data, and religious system of 28 data, (3) relevance to learning in MA Equivalent with KD 3.8 curriculum 2013 character education.  AbstrakPenelitian ini bertujuan untuk medeskripsikan unsur intrinsik, bentuk nilai kearifan lokal, serta relevansi pembelajaran pada antologi cerpen Rumah Tepi Kali karya Dedy Vanshopi. Teori yang dipakai milik Koentjaraningrat dalam bukunya Ratna. Metode yang dipakai adalah deskripsi kualitatif serta sumber data primer yaitu buku antologi cerpen Rumah Tapi Kali. Teknik pengumpulan data baca berulang, catat dan simak. Teknik cuplikan data purposive sampling serta analisis data milik Milles dan Huberman. Hasil penelitian (1) unsur intrinsik berupa tema, tokoh dan penokohan, alu dan plot latar atau setting, sudut pandang serta amanat, (2) kearifan lokal memuat 7 aspek yaitu peralatan kehidupan manusia sejumlah 25 data, mata pencaharian 8 data, sistem kemasyrakatan 9 data, sistem bahasa dan sastra 5 data, kesenian dengan berbagai jenisnya 6 data, sistem pengetahuan 8 data, serta sistem religi sejumlah 28 data, (3) relevansi terhadap pembelajaran di MA Sederajat dengan KD 3.8 kurikulum 2013 pendidikan karakter.

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