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VisArt: Jurnal Seni Rupa dan Design
Published by Penerbit dan Percetakan CV. Picmotiv
ISSN : 30262135     EISSN : 30262143     DOI : https://doi.org/10.61930/visart.v2i1.662
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Environmental Science Social Sciences
VisArt: Jurnal Seni Rupa dan Design focuses on the research of visual art studies through the experiences exchange among educators, artists, and researchers. Its primary goals is to promote quality research on conceptual ideas, studies, application of theories, and visual art reviews. Topics of special interest to Arty include scholarly reports that enhance knowledge regarding art in general, Fine Art, Art History, Visual Culture, Design Methodology, Design Process, Design Discourse, Design and Culture, Art Critism, Anthropology of Art, Artifact Design, Visual Communication Design, Creative Industry, and other historical, critical, cultural, psychological, educational and conceptual research in visual art and design
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 90 Documents
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Kajian Ornamen Batu Silindrik Kumun Mudik Kota Sungai Penuh Putra Ilham, Yogzan; Yulimarni
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1180

Abstract

The study entitled "Kumun Mudik Cylindrical Stone, Kumun Debai District, Sungai Penuh City" aims to determine the existence, shape and type of ornaments on the Kumun Mudik cylindrical stone. The study uses a qualitative method with data collection techniques in the field through observation, interviews, documentation, and literature studies. Using research tools such as cameras, books, and pens. The research data analysis technique is through data grouping, analyzing data, drawing conclusions about the ornaments on the Kumun Mudik cylindrical stone. Writing conclusions as the findings in this study. The results of the study show that the Kumun Mudik cylindrical stone is a stone that has a distinctive ornament, namely in the form of human figure ornaments; straddled humans, geometric ornaments; large circles, small circles, expanding curves and Gothic curves. The shape of the ornament on the cylindrical stone is a single pattern, repeating pattern, asymmetrical and symmetrical patterns can be seen from the composition of the shape and size. Ornaments are applied to the front, top, right and left of the Kumun Mudik cylindrical stone.
Deformasi Ayam Bangkok Sebagai Ide Penciptaan Karya Kayu Rendy Syah Putra; Wisnu Prastawa
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1181

Abstract

This work raises the Deformation of Bangkok Chicken as an Idea for Creating Wood Works. The specialty of Bangkok chicken has the potential to be used as an idea for creating wood works, the meaning and philosophy of Bangkok chicken as the basis for the concept that will be realized in the creation. The process of creating this work is carried out through three main stages, namely exploration, design, and embodiment. The exploration stage is carried out by directly observing the characteristics of Bangkok chicken as the main object in making this work, then at the design stage the ideas and concepts that have been obtained are poured into several alternative sketches. From the sketches that have been made, they will then be selected to be used as designs that will be realized into works of art. Furthermore, the embodiment stage will start from the selected design and use surian wood as the main medium, the technique that will be used is medium relief carving (mezzo relief). While the finishing process will be carried out by applying print ink which will then be coated using clear doft, this coating aims to protect the color of the work so that it remains durable and long lasting. The works that will be produced are seven pieces and have the main function as room decorations.
Visualisasi Motif Batu Berelief Pada Karya Kayu Dua Dimensi Rajum putra; Wisnu Prastawa
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1182

Abstract

This work raises the shape of the relief stone motif as an idea for creating woodwork, the object of the shape of the relief stone motif raised by the creator of the shape of the motif on the stone. where this relief stone is used as a cultural heritage and the stone has been protected by the local community from the past until now because of the shape of the relief stone motif and its interesting texture, to be used as an idea for creating woodwork, the meaning and philosophy of the relief stone as the basis for the concept that will be realized in the creation. The process of creating this work through a three-stage method consisting of exploration, design, and embodiment. Exploration is to observe the shape of the relief stone motif. The design stage is the stage of applying ideas or ideas that are poured into alternative sketches and then become selected designs which will then be realized into works. The last stage is the embodiment of the work starting from the design. The embodiment uses surian wood material, with a middle or medium relief carving technique (mezzo relief), and finishing is done using print ink, which is coated using Clear Doft as a color cover when finishing the work, so that the color on the work is more durable and long lasting. The work consists of seven works which function as wall decorations.
Upacara Mulo Cucu Ayae Sebagai Ide Penciptaan Karya Batik Dua Dimensi Nadia Plastika; Mega Kencana
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1187

Abstract

The Mulo Cucu Ayae ceremony is one of the traditions of the Kerinci community, especially in Sungai Liuk Hamlet, Pesisir Bukit District, Sungai Penuh City. The Mulo Cucu Ayae ceremony is a ceremony to inaugurate the marriage of the first daughter. The purpose is for the bride and groom to pray for blessings from traditional figures and ask for prayers for blessings and safety of life to God through custom so that the bride and groom are given easy sustenance and are given offspring. The basic theories used are form theory, function theory, color theory and aesthetic theory. Form theory is a special form because of the reciprocal relationship between symbolic values ​​and the visual form of the work. The method of creation is through the stages of exploration, direct observation, literature study, collection of photo and video documentation related to the Mulo Cucu Ayae ceremony. The form of this work is a two-dimensional wall decoration of seven works measuring 90 cm x 65 cm. Each work depicts the stages in the Mulo Cucu Ayae ceremony, from preparation to closing and is entitled: “Jamuan” and “Sumpah Sembah”
Rekonstruksi Imaji Masa Kecil: Representasi Kelereng dalam Karya "The Marble Strike United Us" Muhammad Abiyyu Army Fawwaz; Yuni Kurniawati, Dyah
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1195

Abstract

Abstract: The creation of a painting with the theme of the traditional game of marbles as a form of reconstruction of childhood imagery full of social, cultural and aesthetic values. The game of marbles is not only represented as a recreational activity, but also as a symbol of collective memory and local identity that has begun to be marginalized by modern visual culture. With an explorative and reflective approach, this work combines contemporary illustrative visual elements and popular culture elements to deliver a communicative and emotional visual narrative. This research examines how the traditional game of marbles, as part of childhood experiences and local culture, is visually represented in the form of paintings. Using a qualitative method with a descriptive approach that focuses on the process of creating paintings based on childhood memories, especially through the traditional game of marbles. Through the depiction of expressions, gestures, and supporting visual elements, it succeeds in conveying a complex narrative that evokes the collective memory of the community towards traditional games as an important part of the childhood socialization process, as well as the novelty of concepts and techniques in an effort to emphasize the position of traditional games as a source of ideas for contemporary painting art creation.
Busana Kontemporer Dengan Teknik Smock Jepang Salsabila Sephiani; Dini Yanuarmi
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1197

Abstract

Contemporary fashion is a style of dress that reflects the development of current or modern fashion, by combining various elements from the past, current trends, to global cultural influences. This clothing has characteristics that can combine traditional elements with modern, in this contemporary fashion makes experiments from forms, sewing techniques and leftover materials as a form of creativity and sustainability prioritizing comfort and practical function. In this work, Riau Malay Songket is used as a local element combined with modern materials. Creating an ethnic and relevant impression in today's fashion. Japanese Smock produces a raised texture from manual manipulation of the fabric applying a heart Smock motif that provides a visual dimension and high aesthetic value. The creation process is carried out through three stages of methods: exploration of ideas and references, design through sketches and moodboards and the embodiment of the work in physical form. The final result in the form of a ready to wear deluxe clothing entitled "Serasi" reflects the harmony between the elements of color and tradition in one design unit.
Batik Motif Saik Galamai Dalam Busana Kontemporer Siti Fatihul; Desi Trisnawati
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1198

Abstract

“Saik Galamai Motif Batik in Contemporary Fashion”, aims to create contemporary fashion using saik galamai motif batik. Galamai is a typical Minang food that is cut into a rhombus shape which has the meaning of caution of the Minang people in doing, behaving and in facing something. Contemporary fashion is clothing that reflects contemporary styles and trends with the ability to combine traditional fabrics with modern styles. The creation of this work uses an exotic dramatic style with a simple fashion style that can be seen in the form of clothing that is not excessively packaged in a unique and contemporary fashion trend with current trends. The creation of this work creates contemporary clothing using saik galamai motif batik. In addition, it also provides updates to existing clothing, the artist uses brown and cream materials as the main colors. With maxmara and tulle materials using saik galamai motif batik. Realizing clothing with sewing techniques, sequin embroidery techniques and corsage decoration techniques. This fashion creation embodies deluxe ready-to-wear clothing. The deluxe ready-to-wear clothing uses sequin embroidery and corsage techniques, while the haute couture clothing uses sequin embroidery and corsage techniques
Jamur Kayu Sebagai Inspirasi Gaun Pengantin Cindi Khairani; Desra Imelda
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1199

Abstract

A wedding gown inspired by wood fungus using a ball gown cut is designed with a luxurious and elegant shape. The wedding gown is included in the haute couture fashion group or exclusive fashion, namely high-level fashion. Wood mushrooms is visualized on wedding dresses by realizing wave shapes and gradient colors. The choice of colors is directly inspired by the wood mushrooms, namely brown, coffee, cedar, khaki, beige. The materials used t create this work are bridal satin fabric, thousand-payet squins fabric, organza, and Riau Malay songket woven fabric as a combination fabric. The creation method begins with preparation, namely searching for literature or references related to the idea of creating the embodiment of the work to be created. This work uses the 2024/2025 tend forecasting theme of ergo tech which applies designs using new materials, namely using slippery and glossy materials. The techniques used in this work are flounce and squins applications with a haute couture approach.
Pembelajaran Seni Budaya Di SMP Zion Makassar: Studi Kasus Kompetensi Guru Non-Seni Budaya Di Kelas IX Lesta Mega; Andi Ihsan; Heriyati Yatim
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1200

Abstract

The results of this study indicate that JS teachers have succeeded in developing pedagogical competence significantly, which is reflected in the integration of learning in the cognitive, affective, and psychomotor domains. The arts and culture learning that is implemented is not only oriented towards fulfilling the curriculum, but also functions as a means of strengthening character, developing creativity, and instilling an appreciative attitude towards cultural diversity. Despite having a non-art background, JS teachers are able to overcome the limitations of mastery of the material through a learning ethos, critical reflection, and continuous adaptation. This success is also supported by social competence in building humanistic interactions and creating a fair and communicative learning ecosystem. Thus, JS teachers become representatives of professional educators who are able to transform challenges into meaningful and transformative learning opportunities.
Exotic Dramatic Style Pada Busana Ready To Wear Dengan Aplikasi Ornamen Jagar-Jagar Mandailing Sumatera Utara Dinda Atthia Maharani Lubis; Dini Yanuarmi
VisArt: Jurnal Seni Rupa dan Design Vol. 3 No. 1 (2025): VisART : Jurnal Seni Rupa & Desain
Publisher : Penerbit dan Percetakan, CV. Picmotiv

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61930/visart.v3i1.1209

Abstract

The work titled 'Exotic Dramatic Style with the Application of Jagar-jagar Ornaments from Mandailing, North Sumatra' is a creation of fashion that carries an exotic dramatic style. Exotic dramatic style is known for its unique, ethnic, and dramatic characteristics that highlight visual strength through contrasting colors such as red, black, and white. The jagar-jagar ornament is located on the peak of the traditional house (bagas godang). The jagar-jagar ornament from Mandailing has a shape resembling a cross or the letter X, arranged repeatedly. In this creation, a ready-to-wear type of clothing is presented. This clothing is realized through a combination of high-quality materials such as bridal satin, linen, and clara fabric. To showcase the raised jagar-jagar ornaments, a modification of the surface cording technique is used. The surface cording technique is a manipulation of fabric or material engineering technique that applies cords or edges on the surface of the fabric to create decorative patterns. The design process begins with field exploration and the creation of designs that refer to heritage trends in trend forecasting 2024/2025. The creation of this fashion is not only an art piece but also a medium for cultural preservation, enhancement of appreciation for traditional fabrics, and an effort to introduce cultural heritage to the modern realm. This work is expected to foster a sense of pride in cultural identity, broaden perspectives in the world of fashion, and inspire the younger generation to develop clothing based on local culture. The final result of the ready-to-wear collection is titled Saroha. This clothing represents the harmony between Mandailing culture and modern style, blended into a single fashion piece.

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