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Contact Name
hastuti diah ikawati
Contact Email
jometjournal@gmail.com
Phone
+6282247622935
Journal Mail Official
jometjournal@gmail.com
Editorial Address
Jl. Lingkok Buak No. 1, Lingkok Berenga, Kec. Janapra, Kab. Lombok Tengah, Provinsi Nusa Tenggara Barat, 83554
Location
Kab. lombok tengah,
Nusa tenggara barat
INDONESIA
Journal of Media, Sciences and Education
ISSN : -     EISSN : 29862728     DOI : -
This journal is a means of scientific publication to develop knowledge and information. This journal specifically contains the results of research carried out in all scientific fields. Apart from publishing research results, this journal also accepts manuscripts from literature reviews and other reports for publication. This journal is published every month since December 2023
Articles 60 Documents
The Effect of 4-2 Training Using Two Touches on Passing Skills and Shooting Ability in Mandalika FC U-17 Football Maulana Husairi
Jurnal Pengetahuan dan Pendidikan Vol 3 No 2 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i2.85

Abstract

In football, one of the most dominant basic techniques used is passing. Passing in football aims to pass the ball to teammates in order to create space, so that players can score goals against the opponent's goal and can maintain the defense area for defenders. The purpose of this study was to determine the effect of the 4-2 training model using two touches on the passing and shooting skills of Mandalika FC U-17 football athletes. This study is a quasi experiment. The design used in this study is "Two Group Pretest Posttest Design" Experimental method with non-separate samples means that researchers only have one group. The results of the study showed that some children's lower passing abilities increased drastically, some even decreased their abilities. This is because this type of research is a quasi experiment, meaning that researchers cannot fully monitor children's activities outside the training/treatment schedule given by researchers. It is possible for children whose abilities have increased drastically because the child also continues to practice outside the training/treatment schedule given by researchers. While for children whose abilities have decreased, it is possible that the child did not take the training seriously, and there were also children who were sick at the time of posttest data collection so that their abilities were not optimal. that there is a significant effect of paired passing training on the ability of underhand passing of Mandalika fc. u-17 football school students, the t-value is 6.574> t-table 2.09, and the significance value is 0.000 <0.05, and the percentage increase is 37.69%.  
Analysis of the movement form of the five-pointed nyireh dance from Muara Enim, South Sumatra Tiara Wulandari
Jurnal Pengetahuan dan Pendidikan Vol 3 No 2 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i2.86

Abstract

The Muara Enim Welcome Dance is a dance that lives and develops in Muara Enim Regency, South Sumatra, before the welcoming dance was called the Sembah Dance which grew and developed in the hamlet community of Muara Enim Regency. No one knows who created this Sembah Dance because this Traditional Dance is the culture and art of the Kikim ethnic community around 400 years ago. The dance which is included in the elements of this art originates from oral stories passed down from generation to generation based on the experiences of previous ancestors. More or less around 1956, the Prayer Dance was initiated again by Mr. M. Natar. Research This study aims to analyze the Welcome Dance of Muara Enim in developing the Nyireh Lima Berintit Dance in the Muara Enim community. The Nyireh Lima Berintit dance is a dance that is performed at welcoming important guests and weddings, this dance is developed to be 10 minutes. This dance is always danced by 5 female dancers and accompanied by 3 male dancers holding umbrellas and spears standing behind the female dancers. In this study using Y. Sumandiyo Hadi's theory which contains an analysis of the forms of motion, the benefits of this research are to identify and study and analyze the problems that arise in the development of this dance. So this research uses a qualitative approach by focusing on data collection.
The Aesthetics of the Telu Muli Cindo Welcome Dance from South Ogan Komering Ulu Fitri; Deia Putri Anjani; Erika Ramadila
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.87

Abstract

The aesthetics of the welcome telu muli cindo dance in south Ogan Komering Ulu district, this study aims to express: 1) The integrity of the sambut telu muli cindo dance in south Ogan Komering ulu district, namely (a) The movements are graceful and the dancers are graceful. (b) The floor pattern used is one line, then a triangle, then an oblique line.(c) Musical accompaniment used is more dominant to a single guitar musical instruments (d) the costumes used by the dancers are woven fabrics typical of the south Ogan Komering Ulu region, namely kawai towels and red velvet clothes typical of palembang (e) The makeup used is tools (Foundation, Eye shadow, lip cream, loose powder, pressed powder, counter, concealer, blush on, mascara, eyebrow pencil, and false eyelashes) (f) accessories used are banyan heads, swings, gandik,cempako flowers, crowns, and buns.
Deskripsi Tari Munai Serumpun Mata Kuliah Koreografi Tari Program Studi Pendidikan Seni Pertujukan Universitas PGRI Palembang Dwi Afriani; Suci Rahmadini
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.88

Abstract

This study aims to describe the Munai Serumpun Dance with dance choreography courses in the Performing Arts Education Study Program, PGRI Palembang University. This study uses qualitative methods and observations with various data collection techniques. This work was made to find out the development of the motions of the Munai Serumpun Dance which is based on the Setudung Sedulang dance. The research results show that there are several main issues, including: 1) spatial design, 2) timing and dance accompaniment design, 3) dynamics, 4) dramatic design and 5) group composition.
Principles of the Form of the Welcome and Serasan Sekentenan Dance in Musi Rawas Regency Lusiana Dewi; Desi Puspita Sari; Niken Clarisa
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.89

Abstract

This study aims to describe the principles of the Sambut Lan Serasan Sekentenan Dance by using a choreographic approach according to Y. Sumandiyo Hadi's theory in the principles of dance form, in one of the courses in semester 6 (six) in the Performing Arts Education Study Program, Faculty of Teaching and PGRI Palembang University of Education. What will be discussed is the principle of the form of motion in Sesentenan's Sambut Lan Serasan Dance, which includes wholeness, variation, repetition, transition, series, comparison, and climax. The Serasan Sekentenan Sambut Lan Dance is a development of the Musi Rawas Welcome Silampari Dance. The word Lan Serasan Sekentenan means a peaceful earth, mutual cooperation, tolerance and hand in hand. The Sambut Lan for special guests. Where the Sambut Lan Serasan Sekentenan Dance uses a tepak property Serasan Sekentenan dance is included in the type of traditional dance as a welcoming dance containing a betel leaf as a symbol of respect for certain guests. This welcoming dance is performed by 8 dancers, consisting of 5 female dancers and 3 male dancers. The make-up in this dance uses corrective make-up. Clothing in this dance uses a bracketed shirt. The use of identical colors, namely red in the sambut lan serasan sekentenan dance.
Faktor-Faktor yang Mempengaruhi Penerapan Pendokumentasian Rekam Medis Elektronik (EMR) di Ruang internal RSUD Dr. R. Soedjono Selong Indah Jamihaq Chaniago; Yessi Anggraini R; Erinna Rahmalia
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.90

Abstract

The implementation of Electronic Medical Records (EMR) is a strategic step in modernizing healthcare services, aiming to improve documentation quality and service efficiency. This study aims to analyze the factors influencing the implementation of EMR documentation in the Internal Medicine Ward of Dr. R. Soedjono Selong Regional General Hospital. This study used a quantitative approach with a cross-sectional design and involved 33 respondents consisting of healthcare workers in the internal medicine ward. The research instrument was a questionnaire measuring demographic characteristics, computer literacy, computer facilities, knowledge, and attitudes toward EMR. The results showed that age, length of service, knowledge, and attitudes were significantly associated with EMR implementation, while gender, education, profession, computer literacy, and computer facilities showed no significant association. The most dominant factor influencing EMR implementation was healthcare workers' attitudes. These findings emphasize the importance of educational interventions and behavioral change in supporting the implementation of health information technology.
Analysis of Keje Rami Lubuklinggau Dance Movement Forms Suci Anita Rahman; Neha Aprilia; Marcella Zalianty
Jurnal Pengetahuan dan Pendidikan Vol 3 No 3 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i3.91

Abstract

The motivation behind this study was to decide the type of development for the improvement of the Keje Rami dance, which was concentrated on in light of the idea of examination of the type of movement Y. Sumandoyo Hadi comprising of (1) Solidarity, (2) Variety, (3) Reiteration, (4) Progress (improvement), (5) Series, (6) Correlation, (7) Peak  The exploration strategy utilized in this examination is unmistakable subjective strategy with Perception, Interview, and Documentation Information Assortment Methods.   In light of the consequences of this review, specialists can reason that the Keje Rami dance is a conventional dance that has a set of experiences that created in the Lubuklinggau region. Throughout the entire existence of the Keje Rami dance as a welcome dance in the city of Lubuklinggau, this dance utilizes a tepak containing a betel leaf as a worthy gesture for visitors who come. This dance is generally performed at true occasions and as an indication of inviting authority visitors like visitors from the city organization, celebrations, Lubuklinggau City birthday celebrations. This dance is performed at the kickoff of the occasion and is typically moved by young ladies, however the entertainer of the tepak sirih is Bujang Dere. Research on the specialty of dance, particularly on the Keje Rami Dance which prompts a contribution or welcome dance, is critical to do.
The choreography process for the Badah Unda' dance Salma Ismahiro; Frisca Monicasari
Jurnal Pengetahuan dan Pendidikan Vol 3 No 4 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i4.92

Abstract

The Badah Unda’ dance is a dance resulting from the development of the Sangkan Siheh dance originating from Lahat, South Sumatera. This study aims to explain the choreographic process which consists of the exploration, improvisation, and formation stages. The research method used is a qualitative descriptive method by collecting data in the form of books, journals, articles and other sources. This dance was created from the results of the development of the Sangkan Siheh dance movement, where the exploration of the movement was expanded again by paying attention to the activities and work of the Lahat area community. The goal is that this dance can continue to be preserved and better know by the wider community.
Makeup and Costumes in the Welcome Dance of Sri Maharaja Ligor Ayu Wanda Sari
Jurnal Pengetahuan dan Pendidikan Vol 3 No 4 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i4.93

Abstract

This research examines the makeup and costumes in the dance "Sambut Sri Maharaja Ligor," a traditional dance originating from Indonesia. The aim of this study is to analyze the role of makeup and costumes in shaping the characteristics and meaning of the dance. The research method employed is qualitative research with data collection through direct observation and literature review. The findings reveal that makeup and costumes in the dance "Sambut Sri Maharaja Ligor" play a crucial role in creating the identity of the characters, conveying the story, and reinforcing the expression of movements. Makeup includes the use of facial makeup, masks, and other accessories that visually depict the characters' traits and social status within the narrative. Meanwhile, costumes encompass the choice of colors, designs, and materials that reflect the cultural aspects and aesthetic values of the dance's place of origin. This study provides a deeper understanding of the cultural and artistic values inherent in the makeup and costumes of "Sambut Sri Maharaja Ligor" dance, and offers insights for dancers, costume designers, and art researchers to comprehend and appreciate Indonesia's cultural richness.
Implementation of corporate social responsibility (CSR) and its impact on the economy, society, environment after the Covid-19 pandemic at PT Angkasa Pura I I Gusti Ngurah Rai International Airport, Bali Made Riska Kusumadewi; Kadek Dwi Cahaya Putra; Putu Adriani Prayustika
Jurnal Pengetahuan dan Pendidikan Vol 3 No 4 (2024): Journal of Media, Sciences and Education
Publisher : Yayasan Baru Haji Samsudin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/jomet.v3i4.94

Abstract

This study aimed to determine the implementation of Corporate Social Responsibility (CSR) at PT Angkasa Pura I I Gusti Ngurah Rai International Airport Bali and its economic, social and environmental impacts on society after the Covid-19 pandemic. Data analysis techniques include data collection, condensation, presentation, and conclusion. The analytical method uses descriptive qualitative. The results of this study show that the implementation of CSR after the Covid-19 pandemic is still the same in the planning process, and differences occur in the amount and target of assistance. The impact of the program uses the Theory of Change (ToC) using inputs (money, labor, time), then outcomes in the form of economic, social and environmental impacts, as well as impacts felt by the community, namely the economic impact of increasing income, the social impact of increasing school education facilities, and the environmental impact that has not been fully felt from the results of the assistance that has been mutually agreed upon. To receive a positive impact from the community in the long term, it is necessary to have program impact management and transparency of distribution data every year of distribution.