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INDONESIA
Sujud: Jurnal Agama, Sosial dan Budaya
Published by Indo Publishing
ISSN : 3090644X     EISSN : 30906431     DOI : https://doi.org/10.63822/sujud
Core Subject : Religion, Humanities, Science, Social,
Religion Humanities Decision Sciences, Operations Research & Management Law, Crime, Criminology & Criminal Justice Social Sciences
Sujud dimaknai sebagai tindakan menundukkan diri dengan meletakkan dahi ke tanah sebagai bentuk penghormatan, kepatuhan, atau kerendahan hati kepada Yang Maha Esa. Sujud menjadi simbol spiritualitas, kesetaraan sosial, dan nilai budaya yang luhur, menyatukan aspek religius dengan nilai-nilai kemanusiaan dan kebudayaan dalam kehidupan sehari-hari. Sujud: Jurnal Agama, Sosial dan Budaya, berfokus ada scope agama, sosial dan budaya berkaitan dengan isu-isu keislaman dan isu-isu sosial seperti kajian Alquran dan Hadits, Filsafat Islam, Pendidikan, Sosial, Kearifan Lokal, Politik, Ekonomi, Antropologi, Urbanisme, Multikulturalisme, dan lain-lain. Semua artikel yang diserahkan pada jurnal ini harus ditulis dalam bahasa Indonesia atau bahasa Inggris yang baik dan benar
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 223 Documents
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Representations of Moral Values in the Stories of Kalilah wa Dimnah by Ibn al-Muqaffa’ Qirsa Arifa Fitriyani; Myrna Nur Sakinah
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/qzana027

Abstract

This study aims to analyze the moral values, social functions, social criticism, and legitimacy of power in Kalilah wa Dimnah by Ibn al-Muqaffa’. This research employs a library research method using a qualitative descriptive approach. The primary data source is Kalilah wa Dimnah, while secondary data are obtained from books, scholarly journals, and previous relevant studies. Data were collected through documentation techniques by reading, identifying, classifying, and recording textual data related to the research objectives. The data were analyzedthrough the stages of data condensation, data display, and conclusion drawing. The findings reveal that Kalilah waDimnah contains various moral values, such as honesty, wisdom, responsibility, hard work, and friendship, which contribute to character building. Moreover, the work functions as a medium of social and political criticism through the use of animal characters as symbolic representations of human behavior. The criticism addresses issues such as abuse of power, injustice, corruption, and the importance of wise leadership. The study also finds that the legitimacy of power in Kalilah wa Dimnah is based on sociological, elitist, and ethical dimensions. Therefore, Kalilah wa Dimnah not only possesses literary significance but also contributes to the development of moral, social, and political thought within the Islamic intellectual tradition.  
Analisis Makna Denotatif dan Konotatif Simbolisme Alam dalam Puisi Nūniyyah dan Qāfiyyah Karya Ibnu Zaydūn Suci Rahmanda; Myrna Nur Sakinah
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/snh3dk64

Abstract

This study aims to analyze the textual operations and sign systems within the Nūniyyah and Qāfiyyah poems by Ibn Zaydun, a prominent neoclassical poet of the Muluk al-Thawaif era in Al-Andalus. Utilizing Roland Barthes’ two-order semiotic approach, this research dissects how natural symbols within the poems transform from literal descriptions into complex emotional and sociopolitical representations. A descriptive qualitative method is employed to identify how Andalusian vegetation elements—such as the dawn breeze and flower blossoms—are personified to express personal grief (chronic heartbreak) as well as a critique of the political instability in Madinat al-Zahra. The results indicate that Ibn Zaydun does not merely use nature as a background decoration, but as a sign system that constructs collective memory and the trauma of exile. This aesthetic transformation underscores the radical innovation of Andalusian literature, distinguishing it from the drier traditions of Eastern (Mashriq) literature. These findings confirm that the use of elaborate, metaphorical language in Ibn Zaydun's poetry functions as both a psychological defense mechanism and a profound tool of political rhetoric.    
A Stylistic Analysis of Selected Poem by Saib Tabrizi: Foregrounding, Diction, Figurative Language and Symbolism Erina Aulia Zahra; R. Myrna Nur Sakinah
Sujud: Jurnal Agama, Sosial dan Budaya Vol. 2 No. 3 (2026): JUNI-SEPTEMBER
Publisher : Indo Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/z80xfj59

Abstract

Safavid Dynasty (1501–1736) marked a vibrant era for Persian poetry, most notably through the rise of Sabk-e Hindi (the Indian Style)—a movement celebrated for its complex symbolism, fresh imagery, and philosophical depth. At the forefront of this shift was Saib Tabrizi, whose unique voice left a lasting mark on Persian literature. While existing scholarship frequently centers on the romantic and mystical dimensions of his work, his specific stylistic techniques remain relatively understudied. To bridge this gap, this study applies Geoffrey Leech’s stylistic framework to analyze two of Tabrizi's poems, translated by Rebecca Ruth Gould and Kayvan Tahmasebian. Employing a qualitative, descriptive approach rooted in textual analysis, this paper examines how Tabrizi utilizes diction, figurative language, and symbolism to shape thematic meaning. Supplemented by an array of scholarly literature on Persian stylistics, this research aims to enrich the broader field of Persian poetic analysis while offering fresh insights into Tabrizi's literary craftsmanship.  

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