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INDONESIA
Jurnal Bahasa dan Sastra
ISSN : 23551623     EISSN : 27978621     DOI : https://doi.org/10.60155/jbs
Jurnal Bahasa dan Sastra mengajak para peneliti, mahasiswa dan dosen untuk menyumbangkan hasil kajian dan penelitiannya dalam bidang yang berkaitan dengan bahasa dan sastra. Objek kajian tekstual maupun faktual dengan berbagai prespektif, bahasa, sastra, budaya, sejarah, seni, sosiologi.
Articles 74 Documents
Makna dan Reduplikasi dalam Tembang Dolanan Jawa Hamidah, Latifah Winda
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.702

Abstract

One form of the culture is regional songs that are formed as a result of the social life of the local community. One of them is the tembang dolanan used to accompany certain games whose existence has diminished. This dolanan song consists of many lyrics that contain reduplication with a specific purpose such as affirming something. This study aims to describe the meaning and reduplication that found in the lyrics of the songs of Menthog-Menthog, Gajah-Gajah, Jaranan, Kancil, and Ula Sawah. This research method is qualitative using the method of collecting data by observing advanced note-taking techniques. The results of this study indicate that there are five reduplications in the five tembang dolanan, i.e., tembung dwilingga padha swara, tembung dwilingga salin swara, dwilingga semu, the dwipurwa tower, and tembung dwiwasana. Then the meaning of reduplication in the dolanan song found several meanings, i.e., many, repetitive activities, affirmations, and meaningless because it includes pseudo reduplication.
Karakter Psikopat dalam Film Ballerina Karya Lee Chung-Hyeon: Kajian Semiotik Gusti, Nur Adilla Atitah; Setiawan, Heru; Wahyudin, Sapta Arif Nur
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.748

Abstract

Literary works exist as a reflection of real life, drawing inspiration from the social environment of society. One of the results of literary works born from imagination and creativity is film. In this study, the researcher used the film Ballerina as their research object. The purpose of this study is to identify the characteristics of a psychopath in the character from the film. This research uses Charles Sanders Peirce's semiotic approach and descriptive qualitative methods. The data collection techniques in this study are listening, taking notes, and marking. As for data analysis, the researcher used data reduction, data presentation, and conclusion drawing techniques. It was therefore found that almost all the characters in the film Ballerina have psychopathic traits within them. This can be seen from the types 5 psychopathic characters found in the discussion of this study, including manipulative, sadistic behavior, lack of compassion, lack of guilt, and intelligence.
Onomatope Jajanan dari Tepung Tapioka (Aci) di Kabupaten Bandung (Kajian Fonestemik) Orin, Sherina
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.751

Abstract

Penelitian ini mengkaji unsur onomatope dalam penamaan jajanan berbahan tepung tapioka di Bandung, seperti cimol, cireng, cipak, dan cipuk. Penelitian bertujuan menjelaskan bagaimana bunyi yang muncul dalam proses pembuatan maupun saat mengonsumsi jajanan tersebut menjadi dasar pembentukan nama, serta menelaah keterkaitannya dengan kajian fonestemik dalam bahasa Sunda yang memandang adanya hubungan antara bunyi dan makna. Metode yang digunakan adalah deskriptif kualitatif dengan teknik wawancara untuk menggali persepsi dan pengalaman penutur terkait penamaan makanan yang bersumber dari bunyi. Hasil penelitian menunjukkan bahwa dari dua puluh nama jajanan dari tepung tapioka yang dianalisis, terdapat lima nama yang secara jelas mengandung unsur onomatope, seperti /-reng/, /-mol/, /-pak/, /kriuk/, dan /-lok/, yang menirukan bunyi alami saat memasak atau dimakan. Unsur bunyi tersebut tidak hanya berfungsi sebagai tiruan suara, tetapi juga membentuk identitas linguistik, menggambarkan tekstur dan rasa, serta mencerminkan cara masyarakat Sunda merepresentasikan budaya melalui kuliner. Dalam perkembangan budaya masa kini, penggunaan onomatope dalam penamaan jajanan terus berkembang seiring kreativitas pedagang dan pengaruh media sosial. Dengan demikian, onomatope memiliki peran penting dalam tradisi penamaan jajanan yang terbuat dari tepung tapioka sebagai wujud keterkaitan antara bahasa, budaya, dan pengalaman indrawi masyarakat Sunda.
Perbandingan Bunyi Fonem dalam Bahasa Sunda dan Bahasa Indonesia Destiani, Destiani; Restiana, Dina; Aqilah, Khansa Zahra; Abdhiya, Muhammad Shidqy; Jadie, Amjad Ali; Guna, Irga Wijaya
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.752

Abstract

This study aims to determine the differences in phoneme sounds between Sundanese and Indonesian. Phonemes are the smallest units of sound. This study aims to explain and show examples of vocabulary in Sundanese and Indonesian that have the same meaning, but different phonemes. This study uses a qualitative descriptive method comparing Sundanese and Indonesian phonemes. The results show that there are 7 vowel phonemes in Sundanese, while in Indonesian there are 5. There are 18 consonant phonemes in Sundanese, while in Indonesian there are 21. This is due to the existence of several special phonemes in the way of writing, pronunciation, or how phonemes are used in Indonesian and Sundanese. With this study, it is hoped that it can provide data that shows the differences in phoneme sounds in Indonesian and Sundanese.
Bahasa Sunda Gen Millenial dan Gen Z di Aplikasi Tiktok Dzulfikar, Haidar Ali; Afriani, Annisa Dwi; Meilani, Nur; Sundari, Miranda; Mubarok, Acep Nurul; Wulandari, Eva
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.754

Abstract

This study aims to describe the use of the Sundanese language by the Millennial Generation and Generation Z on the TikTok application, particularly in the form of code-mixing in everyday conversations; to identify patterns of phonological changes that emerge in words adapted from Indonesian and English into Sundanese; and to distinguish the characteristic features of language use across generations. The research employs a qualitative method, with data collected from several sentences quoted from TikTok videos uploaded by selected accounts, namely @susylawaty_, @susybarokahkammal, and @anisasitiaisyah883 as representatives of the Millennial Generation, and @elsanuraisyah09, @indahcantiii01, and @astridjuwitaaa as representatives of Generation Z. The findings indicate that the Millennial Generation tends to use Sundanese while largely maintaining traditional sentence structures, despite the presence of some loanwords. In contrast, Generation Z demonstrates a more flexible and expressive use of Sundanese, characterized by dominant code-mixing, frequent use of global terms, and more liberal phonological adaptations. These findings suggest that the use of the Sundanese language among contemporary generations continues to evolve through speakers’ creativity and is strongly influenced by the digital culture that flourishes on social media platforms.
Tindak Tutur Ilokusi Pada Film Sujud Terakhir Bapak Karya Reka Wijaya Setyawati, Andien; Kasnadi, Kasnadi; Ismail, Ahmad Nur; Ristiana, Rita
Jurnal Bahasa dan Sastra Vol 13 No 1 (2026): Januari
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i1.764

Abstract

This study analyzes illocutionary speech acts in the film Sujud Terakhir Bapak by Reka Wijaya, which are utterances with specific purposes and meanings. This study aims to describe the forms and impacts of these illocutionary speech acts. Using a qualitative descriptive method and a pragmatic approach, primary data were taken directly from the film, while secondary data came from relevant books and journals. The data collection techniques used were free listening and note-taking techniques, then analyzed through data reduction, data presentation, and drawing conclusions. John Searle’s speech act theory was used as a basis. Of the total 95 speech data, 92 data were found to be forms of illocutionary speech acts, consisting of 30 assertive data, 28 directive data, 18 expressive data, 5 commissive data, and 7 declarative data. Meanwhile, 3 speech data showed illocutionary impacts in the form of conflict, emotional shock, and spontaneous and surprised reactions. This study concluded that the film is rich in all five forms of illocutionary speech acts that cause various impacts. It is hoped that future researchers will be more careful in understanding the theory when analyzing illocutionary speech acts.
Gaya Bahasa dalam Cerpen Sepasang Sepatu Tua Karya Sapardi Djoko Damono: Kajian Stilistika Evin Rohmahaldo Purba; Tresya Indriani Purba; Nais Patresia Girsang; Esra Polanda Simamora
Jurnal Bahasa dan Sastra Vol 13 No 2 (2026): Juli
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i2.745

Abstract

This research is motivated by the importance of figurative language as an aesthetic element that not only beautifies literary works, but also deepens the meaning and emotional experience of the reader. The purpose of this research is to describe the form and function of figurative language in the short story "A Pair of Old Shoes" by Sapardi Djoko Damono through a stylistic study. The method used is a qualitative approach with a descriptive method. The research data in the form of language units in the short story containing figurative language, which are analyzed using Geoffrey Leech's stylistic theory through careful and repeated reading techniques. Data validity is obtained through theoretical triangulation so that interpretation is more objective and consistent. The results of the study show that this short story utilizes various figurative language, such as personification, metaphor, hyperbole, irony, satire, simile, paradox, and allegory. This style of language is used narratively to bring inanimate objects to life, express the characters' emotions, and convey criticism and reflections on life implicitly. Personification becomes the dominant style of language because it plays an important role in building the story's perspective through shoes as a symbol of loyalty, struggle, and human relationships. In conclusion, the use of a simple yet meaningful style of language in this short story strengthens the aesthetic and humanitarian values, while also demonstrating Sapardi Djoko Damono's authorial characteristics in presenting reflections on life through symbolic and suggestive language.
Unsur Intrinsik dan Ekstrinsik dalam Syair Lagu Tanö Niha Omasi’ö Niar Syam Zebua; Lestari Waruwu; Noibe Halawa
Jurnal Bahasa dan Sastra Vol 13 No 2 (2026): Juli
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i2.767

Abstract

This study aims to analyze the intrinsic and extrinsic elements contained in the lyrics of the Nias traditional song Tanö Niha Omasi’ö. Traditional songs, as a form of oral literature, play an important role in reflecting cultural identity, social values, and the worldview of the supporting community. This research employs a descriptive qualitative method with the song lyrics as the main object of study. Data were collected through reading, note-taking, and classifying lyric segments related to intrinsic and extrinsic elements. The findings reveal that the intrinsic elements include the theme of love for the homeland, messages about preserving unity and tradition, poetic diction in the Nias language, metaphorical language style, an atmosphere of pride and emotional attachment, visual imagery, the setting of Nias land, and a collective point of view representing the community. Meanwhile, the extrinsic elements encompass the cultural and social background of the Nias people, who highly value tradition, solidarity, and kinship, as well as the geographical condition of Nias as an archipelagic region influencing their perspective on land as a source of life. Therefore, the song Tanö Niha Omasi’ö serves not only as entertainment but also as a medium for cultural transmission and the reinforcement of Nias cultural identity.
Makna Leksikal dalam Ucapan Perpisahan Publik terhadap Valentino Rossi: Kajian Semantik Leksikal Daffa Nabil Mubarak; Mukhamad Miftakhudin Wildani
Jurnal Bahasa dan Sastra Vol 13 No 2 (2026): Juli
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i2.771

Abstract

Language plays an essential role in shaping meaning and public perception, particularly in major events such as Valentino Rossi’s retirement from MotoGP. The responses of global public figures to this event reveal the use of lexically meaningful and emotionally charged expressions. This study aims to analyze the lexical meanings in farewell statements addressed to Valentino Rossi and to explain how these lexical choices construct his image as a sports legend. This research employs a qualitative descriptive approach. The data were obtained from a farewell compilation video uploaded on the official MotoGP Instagram account on November 15, 2021. Data were collected through observation, transcription, and note-taking, and analyzed using a lexical semantic approach. The findings indicate that dominant lexical meanings include appreciation, affection, symbolic legitimacy, and identity transition from a professional athlete to an inspirational figure. These results highlight the importance of lexical semantic studies in understanding public discourse and the formation of collective memory toward global figures.
Mengungkap Krisis Ekologi dalam Jejak Balak Karya Ayu Werilang: Kajian Ekokritik Garrard Iswan Afandi; Juanda Juanda
Jurnal Bahasa dan Sastra Vol 13 No 2 (2026): Juli
Publisher : STKIP PGRI Ponorogo Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60155/jbs.v13i2.791

Abstract

This study aims to analyze the impact of nature exploitation in Ayu Werilang's Jejak Balak novel through the perspective of Greg Garrard's ecocritical theory. The background of this study focuses on environmental issues caused by the palm oil industry in Sumatra, such as deforestation, pollution, and loss of biodiversity, which have significant impacts on the ecosystem and people's lives. The purpose of this study is to explore how the novel depicts the relationship between humans and nature, as well as the ecological impacts of environmental exploitation. Using Garrard's ecocritical theory, which includes six main concepts: pollution, forest/wilderness, disaster, settlement, animals, and earth, this study applies a qualitative analysis method with a reading and note-taking approach to the novel text. The results show that the novel depicts in depth the tension between economic development and nature conservation and shows how ecological crises, such as deforestation and climate change, affect the social and cultural lives of indigenous peoples. This study also reveals the important role of indigenous peoples in preserving forests and ecosystems. The contribution of this study is to provide new insights into the study of Indonesian literary ecocriticism, especially in the context of the social and ecological impacts of nature exploitation