cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Wirna Rindang Putri Larosa
Contact Email
admin@sihojurnal.com
Phone
+6282290663210
Journal Mail Official
admin@sihojurnal.com
Editorial Address
Jln. Dusun I No. 72 Desa Tetehosi Kecamatan Idanogawo Kabupaten Nias
Location
Kab. nias,
Sumatera utara
INDONESIA
Jurnal Ilmu Bahasa, Sastra, dan Budaya (BASADYA)
Published by CV. Sinar Howuhowu
ISSN : -     EISSN : 31232426     DOI : https://doi.org/10.70134/basadya
Core Subject : Humanities, Education, Social,
Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other
Jurnal Ilmu Bahasa, Sastra, dan Budaya (BASADYA) merupakan media publikasi ilmiah yang memfokuskan kajiannya pada penelitian, pemikiran kritis, dan analisis dalam bidang linguistik, kesusastraan, serta kebudayaan. Jurnal ini bertujuan untuk menjadi wadah akademik yang memfasilitasi pertukaran gagasan, temuan riset, dan pengembangan teori antara para peneliti, dosen, mahasiswa, dan praktisi yang memiliki perhatian pada bahasa, karya sastra, serta dinamika budaya. Bidang kajian jurnal ini meliputi linguistik teoretis dan terapan, termasuk analisis bahasa, pembelajaran bahasa, dan kajian wacana; sastra klasik, modern, dan kontemporer, baik dari perspektif struktural, intertekstual, maupun kontekstual; serta studi budaya yang mencakup identitas, tradisi, media, komunikasi, dan interaksi lintas budaya. Selain itu, jurnal ini juga menerima tulisan dalam ranah kritik sastra, penerjemahan, filologi, dan kajian interdisipliner antara bahasa, sastra, dan budaya. Artikel yang diterbitkan dalam jurnal ini diharapkan mampu memberikan kontribusi ilmiah, memperluas wawasan akademik, serta memperkaya khazanah pengetahuan dalam bidang bahasa, sastra, dan budaya, baik dalam lingkup nasional maupun internasional.
Arjuna Subject : Ilmu Sosial - Kajian Budaya
Articles 55 Documents
 2   3   4   5   6 
Problematika Dakwah Humor: Antara Daya Tarik Dan Dangkalnya Substansi (Tinjauan Epistimologis Terhadap Teologi Transformatif Dan Retorika Populer) Ayu Trysnawati; Suf Kasman; Ramsiah Tasruddin
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2026): BASADYA - Juli
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i2.1911

Abstract

This The phenomenon of humorous da’wah (religious outreach) in a contemporary context reveals a significant shift in religious communication practices, particularly amidst the dominance of popular culture and digital media. This article aims to analyze the issues surrounding humorous da’wah from an epistemological perspective, highlighting the tension between popular rhetorical appeal and the depth of theological substance within the framework of transformative theology. Employing a qualitative approach and descriptive-analytical library research, the study examines scholarly literature on contemporary da’wah, humor, and religious communication published over the last five years. The finding indicate that humor in da’wah has transformed from a mere rhetorical technique into a communication paradigm that shapes the construction of religious knowledge. Humor serves as an effective mechanism for cognitive and affective simplification, bridging the gap between complex theological teachings and the audience's reality. However, the dominance of humor also triggers an epistemological shift, wherein the validity of the message is determined more by audience response than by substantive depth. Furthermore, humorous da’wah has become integrated into the logic of the digital cultural industry, leading to commodification that threatens to shift the orientation of da’wah from education to entertainment. This phenomenon implies a trend of theological de-substantiation, where religious messages become superficial due to the dominance of popular rhetoric. Consequently, this study emphasizes the importance of formulating ethical communication guidelines for the use of humor in da’wah. Humor must be positioned as an instrument rather than a primary goal, while remaining grounded in prophetic values ​​that foster liberation and critical awareness. Thus, a synthesis between transformative theology and popular rhetoric can be achieved by balancing communicative appeal with theological depth.  
Peran Karang Taruna “Tunas Harapan” Dalam Melestarikan Tradisi Tari “Singo Mengkok Dan Leang-Leong” Di Desa Drajat, Kecamatan Paciran, Kabupaten Lamongan Moh. Syarif Hidayat
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2026): BASADYA - Juli
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i2.1753

Abstract

The preservation of traditional art has become an important challenge amid the wave of modernization that affects the mindset and interest of the younger generation toward local culture. This condition requires the involvement of various elements of society, including youth organizations, in maintaining the sustainability of cultural heritage. This study aims to analyze the role of the Karang Taruna “Tunas Harapan” of Drajat Village in preserving the Singo Mengkok and Leang-Leong dance traditions as part of the cultural identity of the Drajat Village community, Paciran District, Lamongan Regency. This study uses a qualitative method with a descriptive approach. Data were obtained through observation, interviews, and documentation, then analyzed using data reduction, data display, and conclusion drawing. The results show that Karang Taruna “Tunas Harapan” acts as the main driver of art preservation through performer regeneration, routine rehearsals, involvement in village cultural activities, digital media promotion, and collaboration with the village government and community leaders. However, preservation still faces obstacles such as limited funding, low interest among some youths, and minimal historical documentation.
Representing Women's Empowerment Through Key Visual Elements In Wicked (2024): A Barthesian Semiotic Analysis Siti Nursaida
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2026): BASADYA - Juli
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i2.1980

Abstract

Films do more than entertain; they also shape public understanding of social issues, including gender equality and women's empowerment. As a contemporary fantasy musical, Wicked (2024) offers a compelling portrayal of two female protagonists whose contrasting experiences of discrimination, identity, and friendship gradually evolve into a shared journey of empowerment. This study aims to explore how women's empowerment is represented through the film's key visual elements and narrative development. Using a qualitative descriptive design with a semiotic approach, the study examines selected scenes, dialogues, songs, and cinematic techniques through the concepts of denotation, connotation, and myth. The findings indicate that women's empowerment is portrayed not as an immediate achievement but as a continuous process shaped by marginalization, self-acceptance, resistance to social prejudice, and mutual support. Cinematic elements, including costume, lighting, camera angles, movement, and visual symbolism, reinforce the transformation of the protagonists from social exclusion to confidence and agency. The study concludes that Wicked reconstructs the meaning of women's empowerment by presenting resilience, authentic identity, and female solidarity as forces that challenge conventional expectations of femininity and authority. These findings demonstrate how semiotic analysis can uncover the ideological meanings embedded in contemporary cinematic representations of women while contributing to broader discussions in film, media, and cultural studies.  
Analisis Teknik Penerjemahan Kategori Budaya Yang Diterapkan Dalam Novel The Dragon Republic (2019) Karya R.F. Kuang Murni Meiwati Waruwu; Wahyu Budi
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2026): BASADYA - Juli
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i2.2014

Abstract

The analysis focuses on identifying the categories of cultural words in the source text, classifying the translation techniques applied by the translator, and determining the dominant translation technique used throughout the novel. This study aims: 1) To identify the translation techniques of cultural categories applied in the novel The Dragon Republic (2019) By R.F. Kuang into Indonesian, and 2) To determine the most frequently used translation techniques of cultural categories applied in the novel. This study employs a descriptive qualitative research design. The data consist of culture-specific items identified in the English version of The Dragon Republic (2019) and their Indonesian translations. The data are analyzed using the theory of translation techniques proposed by Molina and Albir (2002) and the classification of cultural categories proposed by Newmark (1988).  This research examined 100 cultural terms found in The Dragon Republic, classifying them according to Newmark’s (1988) five cultural categories. Material Culture appeared most frequently (35%), succeeded by Social Organizations (29%), Ecology (24%), and both Social Culture and Gestures and Habits (6% each). Furthermore, the study identified six translation techniques proposed by Molina and Albir (2002). Established Equivalent was the dominant technique (44%), followed by Literal Translation (37%), Borrowing (14%), Adaptation (2%), Amplification (2%), and Description (1%). Ultimately, the translator's choice of technique depended on the specific cultural element and the target audience's familiarity with it, striving to maintain the original cultural significance while ensuring the Indonesian translation remained natural and readable.  
Human–Nature Relationship In Mary Oliver'S The Summer Day And The Sun: An Ecocritical Analysis Gabriella Angelica
Jurnal Ilmu Bahasa, Sastra, dan Budaya Vol. 2 No. 2 (2026): BASADYA - Juli
Publisher : CV. SINAR HOWUHOWU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70134/basadya.v2i2.2056

Abstract

Poetry often depicts nature as a key element reflecting the relationship between humans and the environment. This study identifies the meanings of natural symbols in Mary Oliver's poems The Summer Day and The Sun, and explains how the two poems construct the relationship between humans and nature. Using Cheryll Glotfelty's ecocritical perspective as an interpretive lens and a descriptive qualitative method, the data consist of words, phrases, and lines containing natural symbols, analyzed through close reading and textual interpretation. The findings show that these symbols carry ecological and existential meanings rather than merely decorative ones. In The Summer Day, the grasshopper, swan, black bear, and grass symbolize vigilance, the value of non-human life, and humanity's closeness to nature, while in The Sun, the sun, sea, horizon, clouds, and blackness symbolize survival, generosity, and the natural cycle of existence. Four dimensions of the human–nature relationship emerge from the analysis: nature as a space for self-discovery, nature as a teacher of moral values, interdependence and mutual belonging, and ecological awareness through everyday experience. The study concludes that both poems depict nature as an active presence that shapes human understanding of life and invites readers to develop a deeper awareness of their relationship with nature through daily interaction.  

Page 6 of 6 | Total Record : 55

 2   3   4   5   6 

Filter by Year

2025 2026


Reset
Filter By Issues
All Issue Vol. 2 No. 2 (2026): BASADYA - Juli Vol. 2 No. 1 (2026): BASADYA - Januari Vol. 1 No. 1 (2025): BASADYA - Juli