PENAOQ: Jurnal Sastra, Budaya dan Pariwisata
PENAOQ : Jurnal Sastra, Budaya dan Pariwisata, dengan nomor terdaftar P-ISSN 2721-7140 dan E-ISSN 2721-8708, adalah jurnal peer-review, tersedia dalam bentuk cetak dan online yang diterbitkan dua kali dalam setahun (Mei dan Oktober) oleh Fakultas Sastra Universitas Nahdlatul Wathan Mataram. Jurnal ini menjadi media bagi para dosen, peneliti, akademisi, dan mahasiswa untuk menulis penelitian atau studi kasus yang berkaitan dengan kesusastraan Arab, kesusastraan Inggris, kesusastraan Indonesia, kebudayaan dan kepariwisataan.
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78 Documents
<![CDATA[Syi’r ‘Alā safḥi al-ahram Dalam Dīwān Aḥmad Syauqī: Kajian Semiotika Riffaterre ]]>
<![CDATA[M. Yusril Kholik]]>;
<![CDATA[Nofi Fitria Indasari]]>;
<![CDATA[Budi Ilham]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 5 No. 2 (2024): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v5i2.2243
<![CDATA[This poem consists of 31 stanzas, but the most popular of these stanzas are the last two stanzas. This poem is the work of Ahmad Syauqi. In this poem there are many expressions whose full meaning cannot be understood, because there are so many figurative forms of words. This research aims to describe the meaning contained in the syi'r 'Alā safḥi al-ahram with heuristic and hermeneutic reading as well as describing the matrices, models and hypograms in the syi'r 'Alā safḥi al-ahram. The research method used in this research is a descriptive qualitative research method. The approach used in this research is a semiotic approach, namely using Riffaterre's semiotic theory. The type of research used in this research is library research. The results of a heuristic and hermeneutic reading of the poem 'Alā safḥi al-ahram by Ahmad Syauqi are a description of 1. the beauty and majesty of the Egyptian pyramids, 2. Welcome and praise for Ameen Rihani, 3. Praise for the beauty of the Arabic language. The model in this poem, the first model is in the sentence لكِ كالمعابدِ روعةٌ قدسيَّةٌ وعليك روحانيَّةُ العُبَّاد, the second model states يا نجمَ سوريَّا ولستَ بأولٍ ماذا نمَت من نيِّرٍ وقَّادِ the last model إن الذي ملأ اللغاتِ مَحاسنًا جعلَ الجمالَ وسِرَّه في الضادِ. The matrix in this poem is a compliment. The hypogram in this poem is related to the verses of the Koran and the hadith of the Prophet Muhammad. narrated by Imam Thabrani and Baihaqi.]]>
<![CDATA[Moral Values in Haris J and Maher Zain’s Song: A Semiotic Analysis ]]>
<![CDATA[M. Afan]]>;
<![CDATA[Nurul Wahidah]]>;
<![CDATA[Nurmita Sari]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 6 No. 1 (2025): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v6i1.22567
<![CDATA[The aims of this research to accomplish three objects, the first is semiotic about sign or object, second is about the interpretant and the third is about Representamen. This thesis used semiotic theory by Charles Sunder Peairce which is analysis the sign. This research used a qualitative method. This research also focused with the signs in lyrics and Picture on video clips of both songs. The conclusions in this research are (1) Types of objects or sign there are Icon, Index and Symbol, (2) Types of Representments there are Dualizing, Sin sign and Leg sign, (3) Type of Interpretant there are Rheme, Deciding and Argument.]]>
<![CDATA[Analisis Nilai Personal Pada Cerita Anak Berjudul Chaditsu Baina As-Syajarah Wa Al-‘Ushfur Karya Ismail Abidin ]]>
<![CDATA[Fero Cahya Nagara]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 6 No. 1 (2025): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v6i1.2243
<![CDATA[The entitled of research is Moral Value in the novel Charlie and the Great Glass Elevator. The purposes of the research are to description of the moral values of human-human relations and to describe the form of delivery of moral values contained in the Novel. This research uses descriptive qualitative method according with pragmatic approach method. The data were colleted trough Baca and Catat techniques. The step to data analysis there is: data reduce, data presentation and conclusion. The results of the research, to describe the moral value of human relations with humans, there is: (1) value of caring for other, (2) love value, (3) honesty value, (4) value respect, (5) value responbility, (6) value reminding each other, (6) value of mutual trust. The form of delivery of moral values in this study has two specifications, namely the delivery of direct moral values and the delivery of indirect moral values. The delivery of moral values directly through the characters, and the delivery of indirect moral values have the form of delivery in the form of events and conflicts]]>
<![CDATA[Pemertahanan Leksikon Alat Dapur Suku Sasak di Desa Pringgajurang Lombok Timur: Kajian Ekolinguistik ]]>
<![CDATA[Muhammad Dedad Bisaraguna Akastangga]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 6 No. 2 (2025): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v6i2.22678
<![CDATA[Penelitian ini bertujuan untuk mendeskripsikan pemertahanan leksikon peralatan dapur suku sasak di Desa Pringgajurang Lombok Timur. Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif dengan pendekatan Ekolinguistik dan Sosiolinguistik karena mengkaji pemertahanan bahasa pada leksikon peralatan tradisional dapur suku Sasak Lombok. Data dan sumber data dalam penelitian ini adalah leksikon peralatan tradisional dapur suku sasak Lombok yang ada di Desa Pringgajurang, Kec. Montong Gading, Kabupaten Lombok Timur, NTB. Metode pengumpulan data yang digunakan dalam penelitian ini adalah observasi, wawancara, dan dokumentasi dengan teknik fotografi. Teknik analisis data dalam penelitian ini mengacu kepada konsep Halliday tentang ekolinguistik. Hasil penelitian ini menunjukkan bahwa leksikon alat dapur suku Sasak di Desa Pringgajurang Lombok Timur tidak mengalami pergeseran istilah. Leksikon-leksikon tersebut tetap sama dan eksis digunakan oleh penuturnya meskipun terdapat perubahan bentuk dari yang berbahan klasik ke bahan modern.]]>
<![CDATA[The Value of Character Education In Bird's Of Prey Films ]]>
<![CDATA[Zulpahmi]]>;
<![CDATA[Rapi Renda]]>;
<![CDATA[Taufik Mawardi]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 6 No. 2 (2025): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v6i2.2269
<![CDATA[The purpose of this study is to find out the results of the semiotic analysis of the message of women's emancipation contained in the film Birds of Prey using Roland Barthes' semiotics approach. The data collection technique in this study uses documentation sourced from primary data in the movie Birds of Prey. The analysis technique uses Roland Barthes' qualitative descriptive theory and semiotics, and the use of post-feminist theory. Taking the subject refers to the figure of Harley Quinn by looking through denotative terms that explain the relationship between the marker and the marker in reality, resulting in an explicit meaning. Connotations explain the relationship of markers and markers with non-reality, generating implicit meanings and myths explaining the customs and beliefs that prevail in society. The analysis shows that there are signs and markers of the message in this film that are portrayed with humiliation, gender injustice, and unyielding attitudes by women who fight for their rights. There are also elements of women's emancipation, that women must be equal to men in any way, such as acting, behavior, speech, and mindset. Reject the notion that women are weak people who need protection from a man. Fil Bird's of Prey is a call for women's equality through film. ]]>
<![CDATA[Guru Wen Dalam Menyempurnakan Islam di Narmada Lombok Barat NTB: Suatu Pendekatan Sosial Budaya ]]>
<![CDATA[Muhammad Dedad Bisaraguna Akastangga]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 6 No. 1 (2025): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v6i1.22778
<![CDATA[Penelitian ini bertujuan untuk mendeskripsikan seorang yang memiliki nama panggilan Guru Wen yang menyempurnakan agama Islam di Kabupaten Lombok Barat, Nusa Tenggara Barat yang masih menganut Islam Wetu Telu. Hasil penelitian ini menunjukkan bahwa terdapat hal-hal yang aktual dihadapi oleh TGH. M. Djuaini Mukhtar ketika menyebarkan syariat Islam yang sempurna di Narmada Lombok Barat, NTB yaitu : (1) dari segi Theologis kepercayaan dan keimanan yang belum sempurna sesuai dengan akidah Islamiyyah sebagaimana dipraktekkan oleh masyarakat penganut varian Islam Wetu Telu (waktu tiga), (2) Syariat yang masih minim pengalamannya, (3) Kosmologi orang Sasak yang masih takut kepada makhluk halus yang dipercaya sebagai penghuni Bumi bersama-sama dengan manusia, (4) Kultur budaya yang sistemnya masih bercampur dan melekat, meskipun Islam sebagai identitas Ke-Sasak-an sangat kuat.]]>
<![CDATA[Rekonstruksi Bahasa Arab dalam Perspektif Linguistik Modern: Tinjauan Filosofis ]]>
<![CDATA[Ahmad Sirojul Hakiki]]>;
<![CDATA[Masdani]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 6 No. 1 (2025): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v6i1.2273
<![CDATA[Penelitian ini bertujuan mengkaji rekonstruksi bahasa Arab dalam perspektif linguistik modern melalui pendekatan filosofis. Metode yang digunakan adalah penelitian kualitatif jenis library research dengan sumber data berupa buku dan artikel ilmiah, khususnya terkait pemikiran Ferdinand de Saussure. Analisis data dilakukan dengan pendekatan deskriptif-analitik dan content analysis. Hasil penelitian menunjukkan bahwa linguistik modern memberikan kontribusi signifikan dalam memahami struktur bahasa Arab melalui kajian fonologi, morfologi, sintaksis, dan semantik secara sistematis. Konsep-konsep utama seperti langue dan parole, signifiant dan signifie, serta hubungan sintagmatik dan paradigmatik memperkuat analisis kebahasaan secara ilmiah. Secara filosofis, bahasa Arab dapat dikaji melalui aspek ontologis, epistemologis, dan aksiologis, yang menunjukkan bahwa bahasa tidak hanya sebagai sistem simbol, tetapi juga memiliki makna dan nilai dalam kehidupan manusia. Integrasi linguistik modern berdampak pada pengembangan pembelajaran bahasa Arab yang lebih efektif dan komunikatif.]]>
<![CDATA[Latar Tempat dalam Novel The Time Machine Karya H.G. Wells ]]>
<![CDATA[Nadilla Milianda Syafira]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 7 No. 1 (2026): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v7i1.2250
<![CDATA[This research is entitled Setting of Place in the Novel The Time Machine by H.G Wells. This novel tells about a time traveler who creates a time machine to be used to go to the future, and finally he goes to the year 802,701. This study aims to analyze the setting of the place in the novel. The method used is descriptive qualitative method. In this study, the author uses a sociological approach to literature. The results of this study describe the setting of the place in the novel The Time Machine.]]>
<![CDATA[Klasifikasi Penamaan Obat Tradisional Masyarakat Bima: Kajian Antropolinguistik terhadap Leksikon Etnomedisin ]]>
<![CDATA[Nurul Maulidan]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 7 No. 1 (2026): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v7i1.22577
<![CDATA[Penelitian ini bertujuan untuk mendeskripsikan klasifikasi penamaan obat tradisional masyarakat Bima di Desa Sondosia, Kabupaten Bima. Analisis menggunakan metode deskriptif kualitatif dengan pendekatan antropolingistik karena mengkaji leksikon etnomedisin terhadap penamaan obat tradisional yang dipengaruhi oleh budaya lokal. Data dalam penelitian adalah leskikon obat tradisional dengan sumber data yaitu masyarakat di Desa Sondosia. Metode pengumpulan data yang digunakan adalah observasi dan wawancara, dengan bantuan dokumentasi berupa foto objek. Data dianalisis dengan teknik pilah unsur penentu (PUP) untuk mengidentifikasi dasar penamaan leksikon obat tradisional. Hasil penelitian menunjukkan bahwa klasifikasi penamaan obat tradisional masyarakat Bima di Desa Sondosia terdiri dari lima kategori, yaitu penamaan berdasarkan cara penggunaan obat, wujud obat, fungsi obat, rasa obat, dan kandungan obat.]]>
<![CDATA[Surah At-Taariq dalam Al-Qur'an: Tinjauan Stilistika ]]>
<![CDATA[Ahmad]]>
<![CDATA[ Penaoq: Jurnal Sastra, Budaya dan Pariwisata Vol. 7 No. 1 (2026): Penaoq: Jurnal Sastra, Budaya dan Pariwisata ]]>
Publisher : <![CDATA[Fakultas Sastra Universitas Nahdlatul Wathan Mataram ]]>
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DOI: 10.51673/penaoq.v7i1.2256
<![CDATA[This article presents a stylistic (uslūbiyyah) analysis of Surah At-Tariq using the five-level framework commonly applied in Quranic stylistics: phonology (al-mustawā al-ṣautī), morphology (al-mustawā al-ṣarfī), syntax (al-mustawā al-naḥwī), semantics (al-mustawā al-dalālī), and imagery (al-mustawā al-taṣwīrī). This is a qualitative library research using a descriptive-analytical method. The findings show that: 1) the phonological texture of the surah is dominated by the lateral consonant lām and the nasal consonants nūn and mīm, which reinforce the surah's tone of solemn certainty; 2) the alternation between the passive verb khuliqa and the active-implied oath structures foregrounds divine agency in creation; 3) the surah is built on syntactic parallelism and repetition, particularly the doubled root k-y-d in verses 15–16 and the repeated root r-j-ʿ linking human resurrection with the water cycle; 4) semantically, key words such as at-ṭāriq, ar-rajʿ, and as-sarāʾir carry layered meanings that connect the cosmic oath to the eschatological message; 5) the imagery of the piercing star (an-najmu aṭ-ṭāqib) and the gushing fluid (māʾin dāfiq) functions as majāz that mirrors the surah's central argument: what appears small or hidden nonetheless carries decisive power, just as the Creator who made the first creation is certainly able to bring about the resurrection.]]>
