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Litera
Published by Universitas Negeri Yogyakarta
ISSN : 14122596     EISSN : 24608319     DOI : 10.21831
Core Subject : Education,
Languange, Linguistic, Communication & Media
LITERA is a high quality open access peer reviewed research journal that is published by Faculty of Languages and Arts, Universitas Negeri Yogyakarta. LITERA is providing a platform for the researchers, academicians, professionals, practitioners, and students to impart and share knowledge in the form of high quality empirical original research papers on linguistics, literature, and their teaching.
Arjuna Subject : Ilmu Sosial - Linguistik dan Bahasa
Articles 512 Documents
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THE PERILS OF JARGONS: HOW ILLUSION OF KNOWLEDGE OBSCURES TRUE TEACHER COMPETENCE Henry Wijaya
LITERA Vol 18, No 2: LITERA JULI 2019
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v18i2.20777

Abstract

Teacher competence is a crucial factor to the success of BIPA teaching and learning. In terms of pedagogy, a competent BIPA teacher naturally is not only proficient at theories, but also adept at materializing them into classroom instructions, to help students learn effectively. Nonetheless, trapped inside knowledge illusion of one’s own competence, a teacher might believe having grasped the latest development in language teaching, while in fact, although capable of reciting jargons smoothly, that teacher still teaches traditionally. This paper (re-)visits trends in modern language teaching, reflecting on which we have genuinely understood and fully implemented, and which still require our study. Ultimately, this paper expects to contribute to the larger discussion of how BIPA teacher competence should be defined and could be improved.           Keywords: teacher competence, language pedagogy, classroom practice, jargons, reflection
THE NARRATIVE DISCOURSE OF INTERETHNIC BEHAVIOURS AND RELATIONS: THE CONTESTATION OF ETHNIC IDENTITY Widyastuti, Susana
LITERA Vol 18, No 3: LITERA NOVEMBER 2019
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v18i3.27973

Abstract

Drawing from Discursive Social Psychology (DSP) (Potter, 1998; Potter Edwards, 2001), this study is concerned with how attitudes, behaviours, and identity can be observed through language in use or discourse. Focusing on the narratives of the marginalized Chinese Indonesians, it particularly aims at revealing behaviours in coping with the majority group, and how such behaviours may in turn shape intergroup relations and ethnic identity. The data were in the form of narratives of personal experience of Chinese Indonesians collected through interview which were then scrutinized through in-depth analysis within their socio-political context. It has been revealed that in dealing with unequal power relations, two behaviours are embraced – convergence and divergence – which are manifested in various discursive and social practices of adapting to the wider society and maintaining aspects of ethnic identity. Any choice of behaviours can have consequences for interethnic relations and ethnic identity. The ideological power exercised by different regimes has obviously constructed ethnic identity and thus made it historically and ideologically contested. The contestation is discursively articulated through the negotiation between ethnic and national identity, the labelling practice using the words Cina and Tionghoa, and the perpetuation of stereotypes associated with the ethnic group. Keywords:  ethnicity, discourse, identity, social-psychology
WARNA LOKAL JAWA DALAM NOVEL INDONESIA PERIODE 1980 – 1995 Hartono Hartono
LITERA Vol 14, No 2: LITERA OKTOBER 2015
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v14i2.7212

Abstract

AbstrakPenelitian ini bertujuan mendeskripsikan wujud dan fungsi warna lokal Jawa dalamnovel Indonesia periode 1980-1995. Secara purposif, diperoleh sumber data penelitian,yakni: novel Ronggeng Dukuh Paruk, Lintang Kemukus Dini Hari, Jantera Bianglala (AhmadTohari); Para Priyayi (Umar Kayam); Burung-Burung Manyar dan Durga Umayi (YB.Mangunwijaya); Canting (Arswendo Atmowiloto); Pasar (Kutowijoyo); dan Tirai Menurun(NH. Dini). Pengumpulan data dengan teknik baca dan catat. Analisis data dengan teknikdeskriptif kualitatif. Hasil penelitian sebagai berikut. Pertama, warna lokal Jawa, berupa:latar tempat (Surakarta, Yogyakarta, Semarang, Magelang, Madiun, Temanggung, danMuntilan); latar waktu (hari dan pasaran, Selasa Kliwon, Jumat Kliwon, sepasar, selapan,sewindu), kesenian (wayang, ketoprak, tayub, tembang); kepercayaan (Islam abangan,kepercayaan pada roh leluhur, mantra dan benda-benda pusaka); status sosial priyayidan wong cilik; penggunaan bahasa (bahasa Jawa, penamaan, pasemon); dan penamaantumbuhan dan hewan. Kedua, warna lokal Jawa berfungsi sebagai: (a) masalah pokok yangdiceritakan, (b) hipogram alur dan tokoh cerita, dan (c) penguat pelukisan latar cerita.Kata kunci: warna lokal, novel Indonesia, hipogram, Jawa
CULTURAL REPRESENTATION OF TORAJA ETHNIC ON THE USE OF VOCABULARY IN SINGGI’ SPEECH Anastasia Baan; Imam Suyitno
LITERA Vol 19, No 2: LITERA JULI 2020
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v19i2.32074

Abstract

The Toraja ethnic has an oral tradition of Singgi' which is passed down orally from generation to generation. This tradition is carried out at rituals, which are spoken by tradition holders or groups of people. The study outlined in this article aimed to describe the Toraja ethnic culture represented in the vocabulary in Singgi’ speech. The focus of this study was to describe the cultural dynamic and the cultural attitude of Toraja ethnic represented in vocabulary in Singgi' speech. The study was conducted through a qualitative approach using hermeneutic analysis tools. The data of this research were speech in Singgi 'and the daily context and activities of the people of Tana Toraja. The data was collected through document studies, interviews, and observations. Through qualitative analysis and hermeneutic interpretation, it was found that in Singgi’ speech, there was an absorption of vocabulary from Indonesian and old vocabulary in Toraja. The diversity of vocabulary represented that in Tana Toraja society there was a cultural dynamic that requires the Toraja language to absorb vocabulary from other languages to convey the cultural messages. Singgi' speech used old words of Toraja language that were rarely used in daily communication to convey the cultural attitudes of the Tana Toraja people. The findings showed that the vocabulary used in Singgi' speech represented the Toraja ethnic culture. This finding has important benefits in preserving the culture of the Tana Toraja community, for teaching material in the development of character education, and as a reference in developing further studies.Keywords: cultural representation, Toraja ethnic, vocabulary, Singgi’ speechREPRESENTASI BUDAYA ETNIK TORAJA PADA PENGGUNAAN KOSAKATA DALA TUTURAN SINGGI’AbstrakEtnik Toraja memiliki tradisi lisan Singgi 'yang diturunkan secara lisan dari generasi ke generasi. Tradisi ini dilakukan pada ritual, yang dituturkan oleh pemegang tradisi atau kelompok orang. Hasil kajian yang diuraikan dalam artikel ini bertujuan untuk menggambarkan representasi budaya etnik Toraja dalam penggunaan kosakata dalam tuturan Singgi’. Kajian ini memfokuskan pada pemahaman dinamika budaya dan sikap budaya etnis Toraja yang terepresentasikan pada kosakata dalam tuturan Singgi’. Penelitian dilakukan melalui pendekatan kualitatif dengan menggunakan piranti analisis hermeneutik. Data penelitian ini berupa tuturan Singgi' dan konteks perilaku kesehrian masyarakat Tana Toraja. Data dikumpulkan melalui studi dokumen, wawancara, dan observasi. Melalui analisis kualitatif dan interpretasi secara hermeneutik, ditemukan bahwa dalam tuturan Singgi’, terdapat sejumlah kosakata serapan dari bahasa Indonesia dan kosakata lama dalam bahasa Toraja. Munculnya kosakata serapan tersebut merepresentasikan bahwa dalam masyarakat Tana Toraja ada dinamika budaya sehingga mengharuskan bahasa Toraja untuk menyerap kosakata dari bahasa lain untuk menyampaikan pesan budaya. Dalam menyampaikan sikap budayanya, etnik Toraja menggunakan kosakata lama yang tidak pernah digunakan lagi dalam komunikasi keseharian masyarakat Tana Toraja. Temuan ini memiliki manfaat penting dalam melestarikan budaya masyarakat Tana Toraja, untuk bahan ajar dalam pengembangan pendidikan karakter, dan sebagai referensi dalam mengembangkan studi lebih lanjut.Kata kunci: representasi budaya, etnik Toraja, kosakata, tuturan Singgi’
FENOMENA KEKERASAN GENDER DALAM NOVEL-NOVEL KARYA DANIELLE STEEL Sylvie Meiliana
LITERA Vol 15, No 1: LITERA APRIL 2016
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v15i1.9775

Abstract

The study aims to describe gender violence phenomena in Danielle Steel’s novels. The data sources were his three novels entitled Malice, The Ghost, and Journey. The dataanalysis was content analysis using the interactive model consisting of data reduction,data display, and conclusion drawing. The findings are as follows. First, gender violenceincludes physical, psychological, and sexual violence. Second, the causes of violenceagainst women are: (a) gender discrimination, (b) weak law enforcement, and (c)dominance of patriarchal values.
EKSISTENSI DIRI TIGA PEREMPUAN DALAM TROIS FEMMES PUISSANTES KARYA MARIE NDIAYE Yeni Artanti; Diajeng Sofyanti; Muhammad Deni Reza P.; Wiwin Hartanti
LITERA Vol 19, No 3: LITERA NOVEMBER 2020
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v19i3.36011

Abstract

Manusia sepanjang hidupnya secara terus-menerus melakukan tindakan-tindakan untuk menunjukkan keberadaan dirinya. Tujuan penelitian ini adalah untuk mendeskripsikan eksistensi diri ketiga perempuan yang  terepresentasi dalam Trois Femmes Puissantes karya Marie Ndiaye.  Penelitian ini adalah penelitian deskriptif kualitatif dengan teknik analisis interpretatif dengan menggunakan pendekatan eksistensialisme sebagai acuan analisis.  Data-data berupa kata, frasa, kalimat atau paragraf terkait eksistensi ketiga tokoh perempuan, yaitu Norah, Fanta, dan Khady Demba yang terkumpul melalui pembacaan secara berulang, pencatatan, pengelompokan  atau pengklasifikasian kemudian dianalisis dan diinterpretasikan untuk disajikan.  Hasil penelitian menunjukkan bahwa ketiga perempuan yaitu Norah, Fanta, dan Khady Demba merepresentasikan tokoh-tokoh yang mencoba melakukan perlawanan terhadap dominasi kulit putih, dunia patriarki, dan kapital dengan mencoba menjadikan diri mereka ‘ada.’  Ketiganya meng’ada’ dengan menjadi pribadi yang bertindak terhadap hidup mereka. Kecemasan, ketakutan, kepedihan, penderitaan, pengalaman traumatis, emosi dan juga keputusasaan yang seringkali mengungkung perempuan, dijadikan sebagai pengalaman eksistensi untuk meng‘ada’ sebagai perempuan dan pribadi. Kegetiran hidup Norah karena trauma kehilangan sosok ayah, ikatan cinta suami Fanta yang memenjarakan, dan jeratan kebutuhan ekonomi yang melilit Khady Demba tidak membuat tiga perempuan ini putus asa, tetapi justru menjadikan mereka sebagai individu yang konkret dan unik dalam memilih eksistensi mereka sendiri, yaitu sebagai pengacara, ibu rumah tangga, atau pekerja seks, setidaknya mereka memilih untuk bertindak dengan sadar. Ketiganya menyadari keberadaannya sebagai manusia. Kata Kunci: eksistensi, perempuan, Ndiaye, kedirian, pergumulan batin  THE SELF-EXISTENCE OF THREE WOMEN IN MARIE NDIAYE'S TROIS FEMME PUISSANTES AbstractHumans throughout their life continuously take actions to show their existence. The purpose of this research is to describe the existence of the three women represented in Marie Ndiaye's “Trois Femmes Puissantes.” This research is a qualitative descriptive study by using interpretive analysis techniques and an existentialism approach as a reference for analysis. Data in the form of words, phrases, sentences or paragraphs related to the existence of the three female characters, namely Norah, Fanta, and Khady Demba which were collected through repeated reading, note taking, grouping or classifying, and analysing or interpreting.  The results showed that the three women stated represented figures who tried to fight against white domination, patriarchy and capital domination. The three of them are becoming individuals who act and own their life to show their existence. Anxiety, fear, pain, suffering, traumatic experiences, emotions, and despair that often confine women, are interpreted as their experiences as a woman and as a person. Norah's life bitterness due to the traumatic feeling  of losing a father’s figure, the love bond of Fanta's imprisoned husband, and the bondage of economic necessity that surrounds Khady Demba did not make these three women despair, but instead made them concrete and unique individuals in choosing their own existence, explicitly as lawyer, housewife, or sex worker. They choose to act and show their existence consciously.  Keywords: existence, women, Ndiaye, self, inner struggle
KEARIFAN LOKAL DAN CIRI KEBAHASAAN TEKS NARATIF MASYARAKAT IBAN Dedy Ari Asfar
LITERA Vol 15, No 2: LITERA OKTOBER 2016
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v15i2.11835

Abstract

KEARIFAN LOKAL DAN CIRI KEBAHASAAN TEKS NARATIFMASYARAKAT IBANDedy Ari AsfarBalai Bahasa Provinsi Kalimantan Baratemail: dedyprim@yahoo.comAbstrakPenelitian ini bertujuan mendeskripsikan kearifan lokal dan ciri kebahasaan teksnaratif masyarakat Iban. Sumber data penelitian adalah tiga cerita Iban dari LembahSungai Rimbas, Sarawak, Malaysia, yaitu Kumang Nupi’ Sawa’, Entimu Nupi’ Keli’, danTekura’. Proses pentranskripsian teks menggunakan pencatatansecara fonetik dengansistem International Phonetic Alphabet (IPA). Hasil transkripsi dan terjemahan kemudiandiolah dengan komputer menggunakan program shoebox untuk menghasilkan database daninterlinear text. Hasil penlitian sebagai berikut. Pertama, kearifan lokal teknologi tangkapikan tradisional (acar, paca”, ginte”, mukat, jala, tubay, dan bubu). Kedua, kearifan lokaladat berladang dan bergotong royong (nunuw, kemaraw, tugal, nugal, bantun, mantun, dangutung-ruyung). Ketiga, kearifan lokal menyabung ayam dan bermain gasing (rabuYK danpaKkT”). Keempat, teks naratif lokal ini mengandung ciri-ciri bahasa Iban secara fonologidan morfologi serta ciri-ciri puitiknya.Kata kunci: kearifan lokal, ciri bahasa, teks naratif, etnoputikaLOCAL WISDOM AND LANGUAGE FEATURESOF IBAN PEOPLE’S NARRATIVE TEXTSAbstractThis study aims to describe local wisdom and language features of Iban people’snarrative texts. The data sources were three Iban stories from Rimbas Basin, Sarawak,Malaysia, namely Kumang Nupi’ Sawa’, Entimu Nupi’ Keli’, and Tekura’. The text transcribingprocess used the phonetic transcription with the International Phonetic Alphabet (IPA)system. The transcription and translation results were computerized using the shoeboxprogram to generate the data base and interlinear text. The results of the study are asfollows. The first is the local wisdom in the traditional fishing technology (acar, paca”,ginte”, mukat, jala, tubay, and bubu). The second is the local wisdom in the farming traditionandmutual cooperation (nunuw, kemaraw, tugal, nugal, bantun, mantun, and gutungruyung).The third is the local wisdom in the cockfighting and spinning top playing (rabuYKand paKkT”). The fourth is that the local narrative texts phonologically and morphologicallycontain the Iban language features and their poetic characteristics.Keywords: local wisdom, language features, narrative texts, ethnopoetics
BUDAYA LITERASI DI KALANGAN MAHASISWA FBS UNY Sari, Esti Swatika; Pujiono, Setyawan
LITERA Vol 16, No 1: LITERA APRIL 2017
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v16i1.14254

Abstract

AbstractThis study aims to describe forms of literacy culture and constraints faced by students in carrying out activities in literacy culture. The research subjects were students of Facultyof Languages and Arts, Yogyakarta State University. The data were collected throughobservations, questionnaires, interviews, and documentation. Theye were analyzed bythe qualitative descriptive technique. The results of the study are as follows. First, thestudents’ literacy culture is manifested in their reading and writing activities. Readingactivities are done because there are assignments related to the courses (60%) and becausethey like reading (11%). Writing activities done because they like them are in a range of17%-40% and those done because there are demands from the courses are 25-42%. Studentswho link reading and writing activities reach 53%. Second, constraints in literacy culturecome from the students and the environment. The former are in general due to laziness,lack of motivation, not being focused, fatigue and boredom, no writing ideas, difficulty incomposing words and sentences, and confusion, while the latter include, among others,lack of reference in the library and references in foreign languages.Keywords: literacy culture, reading and writing activities
GANGGUAN KOMUNIKATIF DALAM TUTURAN LISAN ANAK AUTIS Endang Sumarti
LITERA Vol 16, No 2: LITERA OKTOBER 2017
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v16i2.17454

Abstract

AbstrakPenelitian ini bertujuan mendeskripsikan gangguan komunikatif dalam tuturan lisan anak autis. Data penelitian berupa rekaman dialog tuturan anak autis di Kota Malang. Pengumpulan data menggunakan teknik perekaman dan pengamatan. Hasil penelitian sebagai berikut. Pertama, ekolalia merupakan bentuk pengulangan kata, frasa, atau kalimat dalam tuturan dari orang lain. Kedua, abnormalitas pengucapan meliputi ketidaknormalan dalam proses, cara, dan perbuatan mengucapkan. Suara anak autis cenderung tersendat-sendat, dengan volume yang rendah, dan menunjukkan pola intonasi yang “aneh”. Ketiga, gangguan produksi bahasa yaitu kesulitan dalam menghasilkan kata-kata dari sistem simpanan auditorisnya untuk menyampaikan keinginannya.Kata kunci: gangguan komunikatif, tuturan lisan, anak autis COMMUNICATIVE DISORDERS IN ORAL SPEECH OF AUTISTIC CHILDRENAbstractThis study aims to describe communicative disorders in oral speech of autistic children. The research data were in the form of the recording of dialogues of autistic children in Malang. The data collection used recording and observation techniques. The results of the study are as follows. First, ecolalia is a form of repetition of words, phrases, or sentences in others’ speech. Second, abnormalities of pronunciation include abnormalities in the process, manner, and act of utterance. The voice of an autistic child tends to be halting with a low volume, and shows a “strange” intonation pattern. Third, the language production disorder is the difficulty in generating the words from the auditory deposit system to express ideas.Keywords: communicative disorders, oral speech, autistic children
THE AESTHETICS OF SENAPATI PINILIH, A KETOPRAK STORY BY BONDAN NUSANTARA Sumaryadi, Sumaryadi
LITERA Vol 17, No 2: LITERA JULI 2018
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v17i2.21020

Abstract

This study aims to describe the aesthetics of Senapati Pinilih, a ketoprak (Javanese play) story by Bondan Nusantara. The material object of the study is the story and the formal object is its philosophy of beauty or aesthetics. The ketoprak story is an integral part of the ketoprak art. The aesthetics of Senapati Pinilih is approached by Monroe Beardsley’s theory in his book Aesthetics: Problems in the Philosophy of Criticism that explains that there are three characteristics of the good or beautiful nature of aesthetic objects, namely unity, complexity, and intensity. The data were collected through observations, in-depth interviews, and documentation study. They were analyzed through the stages of data reduction, data classification, and data display, and by the methods of verstehen, interpretation, language analysis, and heuristics. The findings are as follows. Aesthetics has integrated patterns and forms, especially for the characters in Senapati Pinilih, and serves as markers of the story atmosphere. In this story, Bondan Nusantara wraps the theme, dialog media, directions of motion and behavior into a unified whole. With an unconventional plot Bondan Nusantara makes this story complex, rich in contents and mutually contrary elements. In this story, Bondan Nusantara structures the story dynamically, not monotonously, so that the concentration or attention of the readers (or viewers) can be maintained throughout the progress of the story. Serious nuances are proportionately and effectively combined with humorous ones. Keywords: ketoprak story, aesthetics, character education ESTETIKA SENAPATI PINILIH, SEBUAH CERITA KETOPRAK OLEH BONDAN NUSANTARA Abstrak Penelitian ini bertujuan mendeskripsikan estetika Senapati Pinilih, sebuah cerita ketoprak (Jawa) oleh Bondan Nusantara. Objek material penelitian adalah cerita dan objek formal adalah filosofinya tentang keindahan atau estetika. Cerita ketoprak merupakan bagian integral dari seni ketoprak. Estetika Senapati Pinilih diteliti dengan pendekatan teori Monroe Beardsley dalam bukunya Aesthetics: Problems in the Philosophy of Criticism yang menjelaskan bahwa ada tiga karakteristik dari sifat baik atau keindahan objek estetika, yaitu kesatuan, kompleksitas, dan intensitas. Data dikumpulkan melalui observasi, wawancara mendalam, dan studi dokumentasi. Data dianalisis melalui tahap-tahap pengurangan data, klasifikasi data, dan tampilan data, dan dengan metode verstehen, interpretasi, analisis bahasa, dan heuristik. Temuan penelitan sebagai berikut. Estetika memiliki pola dan bentuk yang terintegrasi, terutama untuk karakter dalam Senapati Pinilih dan berfungsi sebagai penanda suasana cerita. Dalam cerita ini, Bondan Nusantara membungkus tema, media dialog, arah gerak, dan perilaku menjadi satu kesatuan yang utuh. Dengan plot yang tidak konvensional, Bondan Nusantara membuat cerita ini kompleks, kaya isi, dan unsur-unsur yang saling bertentangan. Dalam cerita ini, Bondan Nusantara menyusun cerita secara dinamis, tidak monoton, sehingga konsentrasi atau perhatian para pembaca (atau pemirsa) dapat dipertahankan sepanjang perkembangan cerita. Suasana serius dikombinasikan dengan humor secara proporsional dan efektif.Kata kunci: cerita ketoprak, estetika, pendidikan karakter

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