Harmonia: Journal of Research and Education
Harmonia: Journal of Arts Research and Education is published by Departement of Drama, Dance, and Music, Faculty of Language and Arts, Universitas Negeri Semarang in cooperation with Asosiasi Profesi Pendidik Sendratasik Indonesia (AP2SENI)/The Association of Profession for Indonesian Sendratasik Educators, two times a years. The journal has focus: Research, comprises scholarly reports that enhance knowledge regarding art in general, performing art, and art education. This may include articles that report results of quantitative or qualitative research studies.
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Aesthetic Learning by Implementing Systemic Approach to Achieve Educationional Values in Performing Arts
Kusumawardani, Dwi
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.20472
This study is aiming at developing aesthetic learning design with a systemic approach to achieve educational value in performing arts. The study was conducted by employing research & development approach, consisting of stages, i.e. (1) identifying learning objectives, preceding by need assessments, (2) doing learning analysis, (3) analyzing students’ behavior and characteristics, (4) identifying specific learning objectives, (5) developing learning outcomes assessment tool, (6) developing learning strategy, (7) selecting and developing learning material, (8) designing and evaluating formative learning design, and (9) designing and conducting summative evaluations. The results of this study are a set of aesthetic learning implementation plan with a systemic approach that meets the development criteria. The aesthetic learning design has been tested and tried out; and is effectively able to achieve the learning objectives of the aesthetic course in university; namely, students are able to find the value of education in performing arts and foster aesthetic sensitivity.
Weak of Effects of Music Education in The Establishment of Characters
Wicaksono, Herwin Yogo
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.23623
This study discusses the absence of significant influence from music education in shaping an individual’s character. Character education itself is an education that discusses the mental and moral qualities that are unique to an individual. Ki Hajar Dewantara views music education as having the power to help Indonesian people realize a better inner and outer life, and the nature of the art of music itself is actually order and beauty. The purpose of this study is to reveal the weak influence of music education on the formation of an individual’s character. The behaviour of students and lecturers in the Department of Music Education FBS UNY was observed continuously for approximately six months. To strengthen the data, interviews were conducted face to face. The results showed that most students and lecturers who had long struggled and involved in the music field were weak in terms of discipline, social care and socializing order, and beauty. This can be seen from the behaviour of students and lecturers in carrying out daily activities, especially musical activities.
Positive Paradigm As The Barrier of Art Creativity Interpretation
Pradoko, Susilo
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.20667
In the modern era, during the end of 17 century, appears empiric paradigm in the philosophy field. This paradigm emerges due to the critic towards mythical social thought. The next step appears positivism thought by Auguste Comte in 1830, which stated that Sociology based on science analogy that can be learned in the form of empiric data with exact calculation; out of this is rated as not scientific. The education field also trails the modern thought tradition, along with Comte’s positivistic thought. This modern era eventually has been opposed by postmodern philosophers. The frailties in the modern era are criticized by the appearance of the postmodern paradigm. Positivistic thought, in reality, could not reveal study beyond human and society, because this study is strong, and can only reach the ontologic stage, in substance of the object. While this could not be revealed because its level involves human and society’s way of thinking, primordial, tradition, and historical aspects, this study focuses on the weaknesses of positivistic research. Then it will present post-positivistic-postmodern research through Hermeneutika and Foucauldian Genealogy research.
Conservation Strategy in Preserving The Local Image Existence of Wayang Topeng
Suprihatin, Endang Wara;
Pratamawati, Dyah
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.24005
This research studies the strategic conservation efforts to preserve the local image of wayang topeng or mask puppet as a traditional art performance. Ten years into the 21st century shows a great effort from the artists who joined the Wayang Topeng Malang dance studio, Asmorobangun led by Tri Handaya (43), in preserving its existence. This research studies the strategy carried out in preserving the association’s existence so it can continue, not only wayang topeng as traditional art performance but also as the professions of its artist. The efforts carried out shows an action which is systematic and modern. Therefore, the researcher is interested in exploring Tri Handaya’s effort in preserving wayang topeng communities to be able to hold monthly regular performances, establishing cooperation with the government and private sector, and serving various training for general public. Research method used was qualitative approach of single instrumental case study, which is Sanggar Wayang Topeng Asmorobangun. Data was collected with the use of interview, observation, and documentation. Data verification to establish validity was using source and method triangulation. Research results show that there are three strategic aspects in preserving local image: (1) following the tradition patterns of its predecessors, (2) conducting training for young generations, (3) designing an extensive promotional media and building relationships with stakeholders.
Leather Craft Industry and Tourism: A Symbiotic Relationship? (A Case Study of Magetan East Java Indonesia)
Sugiarti, Rara;
Margana, Margana;
Muthmainah, Muthmainah;
Fauzia, Laela Rizki
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.21124
This article examines how leather craft industry contributes to tourism development in Magetan East Java Indonesia and vice versa. This study applied a qualitative approach and is descriptive in nature. Techniques of collecting data include site observation, interview, document review, and focus group discussion. Data were analyzed using the interactive model and thematic analysis. Research results indicate four themes. First, leather craft industry in Magetan that is mostly home industry has been empowered in many ways. Several aspects, including a high number of tourist visits, local government policy, abundant human resources, and industrious businessmen have strengthened the industry. Some local government policies have been implemented in several programs to develop the industry. Second, quality products and new design innovation for leather crafts are limited. Most products that are dominated by shoes and sandals are created for lower-middle-income consumers. Third, leather craft industries in Magetan have contributed to the establishment of local entrepreneurship, small-medium enterprises, and tourism. They create job opportunities for the locals and boost the local economy. Fourth, the relationship between leather craft centers and tourism activities is dominated by tourists’ purchase of leather craft products for souvenirs. However, tourism activity in the area is not yet aimed at watching and involving tourists in the process of craft making for educational tourism purposes.
Revitalization of Jatidhuwur Jombang Mask Dance as An Effort To Reintroduce Local Cultural Values
Yanuartuti, Setyo;
Winarko, Joko
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.20437
Millennial era is an era where this generation is generally characterized by increasing the use and familiarity of communication, media and digital technology. This era will bring even further gaps in the attitude of this generation from the values of Indonesian life. The value of this nation’s life has long been stored under the arts and culture. In the midst of the downfall of the traditional art life, like the Jatid masked dance, we need the strategy for the young generation to value the local culture for filtering the exposure of foreign culture. This becomes the ground of current Jombang society which directing their art revitalization to the present cultural forms. That becomes the reason behind this study to be conducted. The purpose of this study is to realize the Jatidhuwur mask dance as a medium to introduce Jombang local cultural values to the current generation. The method used for revitalization is dance reconstruction. Reconstruction was carried out with the stages of excavation, setting the structure, developing elements of motion and accompaniment, and packaging, and introducing it to young people in Jombang. Data analysis uses an interactive model in the stages of data collection, data reduction, data presentation and conclusions. The results show that in the Jatidhuwur Mask dance performance there are local cultural values such as religious values, discipline values, life values, and the value of struggle. These local cultural values are revitalized and visualized through art elements such as themes (stories), plot, performance structure, and accompaniment in the touch of new cultivation. The dance is presented in the form of a single dance and a short dance drama (fragmentary), with a touch of technology.
Arts Education Within The Mayong Pottery Artisan Families: A Local Art Conservation Strategy
Triyanto, Triyanto;
Syakir, Syakir;
Mujiyono, Mujiyono
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.19629
This study aims to examine the problem of applying the pattern of traditional arts education in the Mayong ceramic artisan family seen as a strategy in conserving local art. This research used a qualitative-ethnographic approach. The research objectives cover aspects of cultural values of dance, human resources, and the environment and their changes that are systemically related functionally in the art education process in the family sphere. Research data were collected through participatory observation techniques, in-depth interviews, and documentationâ€â€validation of data through source triangulation and thick description. Data analysis techniques were carried out in an interactive cycle that moves between the processes of reduction, presentation, and verification of data. The results of the study show the following. First, there are cultural values in the culture of the Mayong ceramic artisan family community, which are oriented to the view of the importance of the obligation to inherit their local arts. Second, human resources, cultural values, and the natural environment show the interrelationships in the formation of art education patterns in the family. Third, as a conservation strategy, the pattern of art education that takes place within the family has succeeded in preserving and developing local ceramic arts. Other local art artisan communities can adopt suggestions that can be put forward in this informal art education pattern in efforts to conserve regional cultural heritage.
Entrepreneurship and Art Education Tourism: A Study on Results of Management Skills Training Program for Students
Nugraheni, Trianti;
Budiman, Agus;
Sukmayadi, Yudi
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.22674
Entrepreneurship, in the context of the development of art education tourism programs in higher education, is regarded as a serious concern in reflecting the role of universities in developing the tourism industry. This is considered as the universities’ efforts of innovation and creativity to improve the competitiveness of higher education goals through the development of entrepreneurship in the field of educational tourism. This paper discusses the role of tertiary institutions in developing educational tourism entrepreneurship, which in its implementation empowers potential students by providing entrepreneurship training for them to be able to manage art education tourism program events. The data were obtained by test and questionnaire were given to 30 students at Universitas Pendidikan Indonesia who were involved in the activities of entrepreneurial training programs in the management of tourism education through the art business. The program was established by cooperating with universities, the local government, as well as non-governmental institutions.
Kroncong Orchestration of Millennial Generation
Ganap, Victor
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.16893
Kroncong is the urban popular music of Indonesia, which some scholars suggest was brought by Portuguese in the early sixteenth century. Kroncong becomes popular across the archipelago as accompaniment in its musical genre, theatre and film. Although popular music has long been an integral part of Indonesian cultural domain, genres such as kroncong have been overlooked by music scholars. This article aims to introduce kroncong orchestration that could be performed in an updated style for incorporating repertoire from any other genres into idiomatic kroncong, that will be adopted by the millennial generation. Therefore, the reinvention of kroncong will not only be a significant contribution to scholarship on Indonesian popular music, but it will also contribute to a wider understanding of the complexities of indigenous ethnicity, political power, social class, and gender. The orchestration that will retain its rhythm pattern and vocal ornamentation, while reinforcing the strings and winds as melodic carriers.
Wayang Tengul Art Performance: A Study of People’s Appreciation of Wayang Tengul Art
Nurdiyana, Tutung
Harmonia: Journal of Arts Research and Education Vol 19, No 2 (2019): December 2019
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang
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DOI: 10.15294/harmonia.v19i2.23636
Wayang tengul is one type of wayang (puppet) belonging to Indonesia existing in Sidobandung Village, Balen Subdistrict, Bojonegoro Regency. This wayang is still preserved and found attractive by society until now. This wayang preservation depends on society’s appreciation as the audience of wayang tengul and is one of the most important factors for the success of a performance. Therefore, this research attempts to describe how people in Sidobandung Village appreciate wayang tengul. This qualitative research was conducted in Sidobandung Village. It shows how the people highly appreciate wayang tengul art since this wayang art is unique, not strictly bound by wayang common practice, performed interactively between dalang (puppeteer), gending (Javanese music) and audience and laden with guidance presented in fresh jokes.