cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
-
Contact Email
-
Phone
-
Journal Mail Official
-
Editorial Address
-
Location
Kota semarang,
Jawa tengah
INDONESIA
IZUMI
Published by Universitas Diponegoro
ISSN : 2338249X     EISSN : 25023535     DOI : -
Core Subject : Education,
Languange, Linguistic, Communication & Media
IZUMI: Jurnal Bahasa, Sastra, dan Budaya Jepang (e-ISSN: 2502-3535, p-ISSN: 2338-249X) merupakan media yang diciptakan oleh Program Studi Bahasa dan Kebudayaan Jepang Universitas Diponegoro untuk menampung tulisan-tulisan ilmiah mengenai hasil-hasil penelitian, juga ide dan pemikiran tentang bahasa, sastra, dan budaya Jepang. IZUMI terbit reguler dua kali dalam satu tahun (bulan Juni dan Desember). IZUMI memuat artikel yang terkait dengan bidang ilmu Bahasa, Sastra, Sejarah, dan Budaya Jepang. Artikel yang diterima redaksi akan di review oleh peer reviewer dengan tujuan untuk menjaga kualitas artikel.
Arjuna Subject : -
Articles 10 Documents
 1 
Search results for , issue "Vol 14, No 1 (2025): June" : 10 Documents clear
The Stigma of the Yutori Generation in the Drama Series “Yutori desu ga nani ka” Unsriana, Linda; Saputra, Sandy
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.11-21

Abstract

Yutori education is an educational system designed to reduce student pressure. This relaxed approach has led to the emergence of a new generation known as the "Yutori Generation," which includes individuals born between 1987 and 1996. This generation is depicted in the television drama series "Yutori Desu Ga Nani Ka," directed by Nobuo Mizuta. The objective of this research is to analyze the characteristics of the show's three main characters and to evaluate whether the stigma associated with them is accurate. The writer employed a qualitative research methodology. For data gathering, a library research method was used, and the analysis was conducted using a descriptive-analytical approach. The theoretical framework for this study includes the Yutori education theory by Paivi Poukka, the characteristics of the Yutori generation as explained by Hironobu Fujiwara, and Erving Goffman's theory of stigma. The data analysis results indicated that the community's stigmatization of the three characters in the play was not entirely accurate.Keywords: Japanese; Drama, Yutori; Stigma; Generation
Ryōsai Kenbo: Domestikasi Perempuan dan Pembentukan Negara Bangsa dalam Era Meiji Jepang Agusta, Nisia Nur Dwi; Dewi, Tribuana Tungga
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.77-89

Abstract

During the Meiji era, Japan undertook rapid modernization to compete with Western powers. One of the cultural strategies employed by the government was the promotion of the ryōsai kenbo ideology—“good wife, wise mother”—to shape ideal women as domestic supporters of national progress. This study explores the development of ryōsai kenbo as a state policy in women's education, from the Charter Oath of 1868 and the Iwakura Mission to the Imperial Rescript on Education (1890) and the Girls' High School Order (1899). Using a qualitative historical approach, the research analyzes how ryōsai kenbo reflected Japan’s effort to establish a functional and harmonious society, as explained through Talcott Parsons’ structural-functional theory. Findings show that although the ideology confined women to domestic roles, it simultaneously legitimized women’s access to education and redefined their societal significance. Rather than viewing ryōsai kenbo solely as a tool of subjugation, this article argues it was a strategic effort to construct a cohesive national identity through clearly defined gender roles. Thus, the ideology served both as a means of female domestication and a pillar of Japan’s modernization agenda.
Perayaan Melalui Makanan: Studi Komparatif Nasi Tumpeng dan Osechi Ryōri Jepang Sari, Indah Puspita
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.22-32

Abstract

People who live in a place celebrate certain days in the life cycle. Javanese people celebrate birthdays or harvest days by serving tumpeng rice. Japanese people have osechi ryiro food during the New Year celebration. The purpose of this research is to compare Javanese tumpeng rice and Japanese osechi ryiro. Both of these dishes are served during the celebration of a particular day and have meanings contained in each food. The methodology used is qualitative with data collection techniques reviewing books, journals, and articles that are in accordance with the theme. The theory used is Julian Haynes Steward's cultural ecology theory.  The result is that cone-shaped tumpeng rice has a meaning as a symbol of the majesty of God the Almighty Creator while the side dishes served have the meaning of the natural contents of the universe and each side dish has a meaning such as salted fish (mutual cooperation), catfish (hard work), and kale vegetables (flexibility). While osechi ryori is served in a box called juuboku that is layered with the meaning of accumulating pleasure for the rest of the year and other dishes such as ebi (longevity), buri (success) and konbumaki (joy). In conclusion, the Javanese tumpeng rice and the Japanese osechi ryiro are served on a specific festive day with the intention of serving a variety of dishes with meaning.
METAFORA PADA LAGU BERTEMAKAN MUSIM PANAS KARYA MAFUMAFU Muryati, Sri; Astuti, Bekti Setio; Trismanto, Trismanto
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.90-98

Abstract

This study investigates the types and meanings of metaphors found in summer-themed songs by the Japanese musician Mafumafu. The use of metaphor in song lyrics serves to enhance aesthetic value without diminishing the intended message. This research employs a descriptive qualitative method. The classification of metaphors is based on the theory of Stephen Ullman (2007), while the metaphor analysis refers to the framework proposed by Knowles and Moon (2006). The data were collected from six summer-themed songs by Mafumafu using observation and note-taking techniques, and analyzed using the Immediate Constituent Analysis (BUL) technique. The results reveal a total of 29 metaphorical expressions in the lyrics. Among these, abstraction metaphors are the most frequently used, totaling 15 instances. These are followed by anthropomorphic metaphors (6 instances), synesthetic metaphors (5 instances), and animal metaphors (3 instances). The findings indicate that Mafumafu tends to use abstraction metaphors dominantly, suggesting a stylistic preference for expressing complex emotions and imagery in a poetic and imaginative way. These metaphors contribute significantly to the linguistic beauty and depth of the song lyrics.
The Subtextual Hope of Possibility in Keiichi Okabe's Weight of the World (Kowareta Sekai No Uta) Pasopati, Rommel Utungga; Michelle, Michelle; Ramadhani, Riska Dewi; Riza, Dwi Ainur; Mohammed, Khaled Ahmed
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.33-46

Abstract

This paper explores the idea of hope of possibility in Keiichi Okabe’s song entitled Weight of the World or translated as Kowareta Sekai No Uta. In the game called NieR: Automata, the song is a cry of a girl who wants to save everyone from anything bad that happened to them. She wanted to redeem her past mistakes by praying the God to help her through dark times, even though the opportunity that she got is unknown. Then, how is the hope of possibility asserted in Keiichi Okabe’s Weight of the World? Through qualitative method and explorative approach, this writing explains the possibility of hope retaining the girl to achieve her dream through the unknown probability. Supported by the theory of Adrienne M. Martin, the concept extended the orthodox view of hope with the girl’s incorporation elements in this song. This is also interrelated with the human condition, highlighting how individual aspirations contribute to collective resilience and transformation. By understanding hope as a multifaceted concept, this paper underscores the complexity of human existence and the potential for renewal within shared struggles. In conclusion, the hope exists in her journey as any unknown possibility to save everyone is answered.
Pemaknaan Representasi Laut dalam Anime Shiroi Suna no Akuatōpu Yusup, Restu Maulana; Sutanto, Marisa Rianti; Lewerissa, Ethel Deborah; Nangoi, Jessica Priscilla
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.99-110

Abstract

In Japan, which is an island nation, the sea is important. The sea is also considered an element rich in meaning and full of mystery. This can be reflected in works of fiction, including anime. This study aims to analyse how the anime Shiroi Suna no Akuatōpu presents the sea through Japanese cultural beliefs and values that are closely related to the existence of kami (nature spirits in Japanese belief) using Roland Barthes' semiotics method. In Barthes' analysis, anime, like movies, are treated as texts that can be read and interpreted. Text or images are a system of signs that serve to shape meaning. The representation of the sea is examined through story elements and characterizations based on semiotic analysis involving signifier, signified, denotation, connotation. The sea in the anime Shiroi Suna no Akuatōpu functions as an important signifier that symbolizes the emotional journey of the two main characters, Kukuru and Fūka. Ultimately, the sea represents a myth realized through the spiritual experiences of the characters and the story. This research emphasizes the importance of the sea reflected through Japanese popular culture as a symbol of change and the relationship between humans and nature.
Bentuk Perundungan Siber dalam Drama Jepang Followers 2020 (Kajian Sosiopragmatik) Evionika, Indria Sari; Puspitosari, Dwi
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.47-58

Abstract

Drama Jepang “Followers” (2020) mengangkat isu cyberbullying dengan menampilkan berbagai bentuknya dalam kehidupan para karakter. Penelitian ini bertujuan untuk menganalisis jenis-jenis cyberbullying dan bentuk kalimat cyberbullying dalam bahasa Jepang yang digunakan dalam drama tersebut. Metode penelitian yang digunakan adalah analisis kualitatif dengan pendekatan sosiologi sastra dan sosiopragmatik. Data dikumpulkan dari seluruh episode drama “Followers” (2020) dan dikategorikan berdasarkan bentuk-bentuk cyberbullying yang diidentifikasi. Teori yang digunakan yaitu teori cyberbullying menurut Willard. Hasil penelitian menunjukkan bahwa terdapat total 31 bentuk cyberbullying dalam drama “Followers” (2020). Bentuk cyberbullying yang paling dominan adalah flaming (27 data), diikuti oleh denigration (2 data), harassment (1 data), dan outing and trickery (1 data). Bentuk tindakan cyberbullying yang paling sering ditemukan yaitu, penggunaan kata-kata kasar, idiom, ネットスラング (netto surangu), kata yang mengandung unsur sarkas dan gerakan tubuh yang merujuk kepada pelecahan seksual.
The Level of Politeness by Using Personal Pronouns on Campus Harisal, Harisal -; Dyah, Wahyuning; Darlina, Lien; Kanah, Kanah
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.59-66

Abstract

 Personal pronouns are a part of language. The use of the speaker’s pronouns to interlocutors is called first-person pronouns; The use of interlocutor’s pronouns to speakers is called second-person pronouns. Meanwhile, the use of personal pronouns to the object of conversation is called third-person pronouns. This research aimed to disclose the level of politeness by using personal pronouns on campus. It was located in the Tourism Department, State Polytechnic of Bali, and the object of the research is people with academic backgrounds who performed conversations by using personal pronouns. The research was descriptive-qualitative methodology and implemented the research techniques, including observation, documentation, literature, and triangulation. The research results reveal that several levels of politeness occur in the use of personal pronouns on campus. This is usually expressed when the speaker pays attention to the person he is talking to and the object of the conversation. Apart from that, the use of personal pronouns pays attention to several things so that there are no deviations in their use. The elements that must be considered include age, social status, and feelings.
The Beauty of Japanese Ceramics in Indonesia: from VOC to Edo Shogunate's Falconry (Takagari) Pamugari, Alpina
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.1-10

Abstract

The Dutch East India Company (VOC), founded in 1602 (Keicho 7), exported Chinese porcelain to Europe and Southeast Asia. However, a civil war broke out in China with the transition from the Ming Dynasty to the Qing Dynasty, making it impossible to export porcelain. In trouble, VOC turned its attention to Arita, where production was increasing at the time, and concluded an export contract with Japan. At that time, Japan was closed off to the rest of the world, and its only point of contact with other countries was Dejima in Nagasaki. In 1659 (Manji 2), pottery was shipped from Imari Port and headed for Dejima, where it was transferred to a Dutch ship and set off overseas. After this, Imari ware continued to be exported for about 100 years, attracting European royalty and aristocrats. Looking at the Imari Road, a sea route for the ceramic trade that took place in the 17th century, it be found that Old Imari was distributed as far as Indonesia, and when I look at the characteristics of the Japanese ceramics that remain in Indonesia, I can see the 83 example was thought to be Old Imari, and the other porcelain was also thought to be Japanese ceramics. Among them, I picked up the Imari Large Dish with Colored Sakura and Eagle Paintings in Kinrande Style and inferred that this work was intended for export. In the Edo shogunate, the falconry system (takagari) was practiced frequently, and it is thought that the patterns were selected for Edo art works, especially Ko-Imari, which were exported overseas. 
Analisis Jenis dan Bentuk Onomatope dalam Anime Saiki Kusou no Psi-Nan Rohman, Yanuar Lutfi
IZUMI Vol 14, No 1 (2025): June
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.14.1.67-76

Abstract

This research aims to provide deeper insights into the role of onomatopoeia in anime and its application in Japanese language learning. This study analyzes the types, forms, and meanings of onomatopoeia in the second season of the anime Saiki Kusuo no Psi-nan. Onomatopoeia are linguistic elements that imitate sounds or describe certain states and play an important role in japanese language, especially in media such as anime. This study employs a qualitative descriptive method to identify and classify onomatopoeia into four categories: giongo (sound effects), giseigo (human sounds), gitaigo (descriptive expressions), and gijougo (emotional expressions). Analyzing all 24 episodes of the second season, the study found 400 instances of onomatopoeia, each contributing to the depiction of atmosphere, character expression, and comedic elements in the anime. The findings reveal that onomatopoeia is as expressive tool in visual and auditory communication. 

Page 1 of 1 | Total Record : 10

 1 

Filter by Year

2025 2025


Reset
Filter By Issues
All Issue Vol 15, No 1 (2026): Article in Press Vol 14, No 2 (2025): December Vol 14, No 1 (2025): June Vol 13, No 2 (2024): December Vol 13, No 1 (2024): June Vol 12, No 2 (2023) Vol 12, No 1 (2023) Vol 11, No 2 (2022) Vol 11, No 1 (2022) Vol 10, No 2 (2021) Vol 10, No 1 (2021) Vol 9, No 2 (2020) Vol 9, No 1 (2020) Vol 8, No 2 (2019) Vol 8, No 1 (2019) Vol 7, No 2 (2018) Vol 7, No 1 (2018) Vol 6, No 2 (2017) Vol 6, No 1 (2017) Vol 5, No 2 (2016) Vol 5, No 1 (2016) VOLUME 4, NOMOR 1, TAHUN 2015 JANUARI - JUNI 2015 Vol 4, No 2 (2015) Vol 4, No 1 (2015) Vol 3, No 2 (2014) Vol 3, No 1 (2014) Vol 2, No 2 (2013) Vol 1, No 1 (2013) More Issue