IZUMI
IZUMI: Jurnal Bahasa, Sastra, dan Budaya Jepang (e-ISSN: 2502-3535, p-ISSN: 2338-249X) merupakan media yang diciptakan oleh Program Studi Bahasa dan Kebudayaan Jepang Universitas Diponegoro untuk menampung tulisan-tulisan ilmiah mengenai hasil-hasil penelitian, juga ide dan pemikiran tentang bahasa, sastra, dan budaya Jepang.
IZUMI terbit reguler dua kali dalam satu tahun (bulan Juni dan Desember).
IZUMI memuat artikel yang terkait dengan bidang ilmu Bahasa, Sastra, Sejarah, dan Budaya Jepang. Artikel yang diterima redaksi akan di review oleh peer reviewer dengan tujuan untuk menjaga kualitas artikel.
Articles
265 Documents
<![CDATA[Ilusi Kedamaian: Analisis Multidisiplin tentang Ideologi dan Dinamika Konflik Madara Uchiha dalam Naruto ]]>
<![CDATA[Ahmad Rosikhul Fahmi]]>;
<![CDATA[M. Luthfi Luqman Al Mustofa]]>
<![CDATA[ IZUMI Vol 14, No 2 (2025): December ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.14.2.127-136
<![CDATA[<p>Madara Uchiha, the principal antagonist in Masashi Kishimoto’s Naruto series, embodies the paradox of seeking peace through authoritarian control. His character integrates psychological trauma, political philosophy, and narrative symbolism, reflecting real-world tensions between idealism and power. This study analyzes Madara’s internal-external conflicts, philosophy of peace, and narrative impact through an interdisciplinary lens (psychoanalytic, Marxist, and Machiavellian theories). Qualitative critical-scene analysis of manga volumes 55–72 (Naruto), focusing on 26 purposively sampled scenes (Vol. 65–67) depicting Madara’s trauma, ideology, and pivotal conflicts. Madara’s trauma (e.g., loss of his brother Izuna) fuels a pathological id-superego conflict, distorting his initial idealism into a Nietzschean will to power and Machiavellian realism. His "Tsukuyomi Infinite" project peace via mass illusion parallels modern authoritarianism (e.g., surveillance states). As a Hegelian antithesis to protagonist Naruto, Madara’s downfall exposes the ethical failure of power detached from empathy. Madara epitomizes how unhealed trauma and systemic injustice mutate into totalitarian ideology. His narrative serves as an allegory for the dangers of absolutist solutions to human suffering, affirming that true peace requires reconciliation not erasure of freedom and vulnerability.<em> </em></p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Penggunaan uchi ni, aida ni, saichuu ni, tochuu de, dalam Kalimat Bahasa Jepang: Kajian Morfosintaksis dan Semantik ]]>
<![CDATA[Puspita Sari]]>;
<![CDATA[Sri Iriantini]]>
<![CDATA[ IZUMI Vol 14, No 2 (2025): December ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.14.2.210-223
<![CDATA[<p><em>This research discusses the use of uchi ni, aida ni, saichuu ni, and tochuu de in Japanese sentences: a morphosyntactic and semantic study. These four structures have similar usage which makes it difficult for foreign learners to understand and apply them, resulting in frequent errors. However, if they are well understood, errors can be minimized. This study will discuss the use of these four structures morphologically, syntactically, and semantically. After that, the similarities and differences will be described. The method used is descriptive qualitative method with library study technique. For the study method, the distributional method is used, and the study technique uses the substitution technique. These four structures have similar meanings but different nuances, in some sentences some can be substituted for each other and some cannot, depending on the use of sentences and conditions.</em></p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Representasi Gaya Hidup Wanita dalam Iklan Fibe Mini di Jepang dan Indonesia: Kajian Analisis Wacana Kritis ]]>
<![CDATA[Salma Mahira Dewi]]>
<![CDATA[ IZUMI Vol 14, No 2 (2025): December ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.14.2.137-153
<![CDATA[<p align="center"> </p><p>This study aims to find out about differences in the representation of women in Fibe Mini commercial ads in Japan and Indonesia. The research method used is a descriptive method with critical discourse analysis by Van Dijk (1981). The object of research are Japan and Indonesia Fibe Mini commercial ads uploaded on Youtube Fibe Mini official channel by each country. The result of analysis showed significant differences in the way Fibe Mini advertisements are packaged in Japan and Indonesia regarding digestive health. Japanese ads emphasize the importance of staying healthy for women office workers. Meanwhile, Indonesian ads emphasize maintaining health to get results in one’s appearances, results of a healthy body can affect one’s body that is charming and a face that is radiantly beautiful. Based on findings, it is concluded that there are striking differences is in the portrayal of women’s lifestyles in Japanese and Indonesian ads.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Representasi Budaya Sehat dalam Cerita Pendek “Nemuri Usagi” Karya Hoshi Shinichi ]]>
<![CDATA[Hendrike Priventa]]>;
<![CDATA[Ricky Darmawan]]>;
<![CDATA[teguh Santoso]]>;
<![CDATA[Difa Aufar Hakim]]>;
<![CDATA[Renovan Zeta Firmansyah]]>
<![CDATA[ IZUMI Vol 15, No 1 (2026): Current ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.15.1.1-10
<![CDATA[<p>This study explores the representation of healthy culture in Hoshi Shinichi’s short story <em>“Nemuri Usagi”</em> (<em>The Sleeping Rabbit</em>), focusing on how the narrative reflects Japanese values related to physical, mental, and social well-being. Using a qualitative descriptive approach and literary anthropology framework, the analysis identifies cultural elements that construct a holistic concept of health in Japanese society. The findings reveal that <em>“Nemuri Usagi”</em> portrays health not merely as the absence of illness, but as an integration of discipline, harmony, and mindfulness in daily life. Through symbolic characters and minimalist storytelling, Hoshi Shinichi emphasizes the balance between rest and productivity, individual awareness and collective responsibility. This study highlights how modern Japanese literature can serve as a medium for promoting cultural perspectives on health that combine tradition, ethics, and humanism.</p><p> </p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Stigmatisasi dalam Novel Izana karya Daruma Matsuura ]]>
<![CDATA[Muhammad Ihsan Afandi]]>;
<![CDATA[Fithyani Anwar]]>
<![CDATA[ IZUMI Vol 14, No 2 (2025): December ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.14.2.154-167
<![CDATA[<p>This study analyzes the phenomenon of stigma experienced by the main character in Daruma Matsuura’s novel <em>Izana</em> <em>(</em><em>誘</em><em>)</em> using Erving Goffman's stigma theory. Goffman categorizes stigma into three types: abominations of the body, blemishes of individual character, and tribal stigma. The research aims to identify the forms of stigma experienced by Izana, her process of internalizing that stigma, and the strategies of stigma management presented in the novel. Employing a qualitative descriptive method and narrative analysis, the data were gathered through document analysis and literature study, focusing on the primary text of the novel and secondary sources such as Goffman's theoretical framework. The findings reveal that Izana is stigmatized as a “cursed child” due to her unattractive appearance (abomination of the body) and her birth in the year of the Fire Horse (tribal stigma), both of which are culturally associated with misfortune. These factors lead to her internalizing a negative self-image and developing feelings of alienation. The study also finds that stigma management is initially performed by Chigusa, who conceals Izana’s identity through passing, and later by Izana herself, who uses covering to downplay her differences. These strategies reflect complex efforts to resist and adapt to societal rejection. The analysis highlights how literature reflects the social construction of stigma and reveals the psychological and relational consequences of exclusion. This study contributes to literary sociology by showing how fictional narratives can critique real-world practices of marginalization and offer insights into the dynamics of social labeling and resistance.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Cerminan Era Taisho pada Cerpen Yabu no Naka Karya Akutagawa Ryunosuke : Kajian New Historisicm ]]>
<![CDATA[Ade Saikhu Sya'Ban]]>;
<![CDATA[Antonius Rahmat Pujo Purnomo]]>;
<![CDATA[Nadya Afdholy]]>
<![CDATA[ IZUMI Vol 15, No 1 (2026): Current ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.15.1.11-23
<![CDATA[<em>This article examines Akutagawa Ryūnosuke's short story Yabu no Naka (1922) as a critical reflection of the socio-political transformations during Japan's Taishō era (1912-1926). Using a New Historicism approach, the study reveals how the story's multiperspective narrative technique not only challenges the notion of absolute truth but also represents the paradoxes of Japan's modernization, including class tensions, gender dynamics, and legal authority. Through characters such as the woodcutter, the priest, the bandit Tajōmaru, and the samurai's wife Masago, Akutagawa portrays a society caught between traditional values and Western modernity. The article concludes that Yabu no Naka is a brilliant sociological portrait of truth's relativity and the complexities of social change in the Taishō era</em>. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Studi Onomastik Terhadap Nama Diri yang Mengandung Unsur Bahasa Jepang di Indonesia ]]>
<![CDATA[Haura Dwiffa Ramdhani]]>;
<![CDATA[Ningrum Tresnasari]]>
<![CDATA[ IZUMI Vol 14, No 2 (2025): December ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.14.2.168-180
<![CDATA[<p>Penelitian ini membahas fenomena pemberian nama diri di Indonesia yang mengandung unsur bahasa Jepang sebagai bagian dari kajian onomastik dalam ranah sosiolinguistik. Fenomena tersebut muncul seiring meningkatnya pengaruh budaya populer Jepang, terutama <em>anime</em> dan <em>manga</em>, yang mendorong sebagian orang tua memilih nama dengan nuansa Jepang bagi anak mereka. Tujuan penelitian ini adalah menganalisis pola penamaan, klasifikasi jenis kata, serta makna yang terkandung dalam nama diri tersebut. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan teknik pengumpulan data melalui metode cakap dengan teknik cakap semuka dan cakap tansemuka. Teori yang digunakan dalam analisis ini adalah teori yang diusung oleh Wierzbicka (1997). Jumlah data yang dianalisis sebanyak lima belas nama yang mengandung unsur bahasa Jepang. Berdasarkan analisis yang telah dilakukan, nama diri yang mengandung unsur bahasa Jepang di Indonesia didominasi oleh nama yang tersusun atas tiga kata dengan jumlah sembilan data, di mana pada setiap nama hanya terdapat satu kata yang mengandung unsur bahasa Jepang. Kata yang menunjukkan unsur bahasa Jepang umumnya berasal dari jenis kata benda (N). Adapun makna yang dimunculkan pada nama-nama tersebut memiliki keterkaitan dengan makna leksikalnya.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Implementasi Lesson Study pada Mata Kuliah Pemahaman Lintas Budaya antara Universitas Negeri Semarang dan Universitas Pendidikan Ganesha ]]>
<![CDATA[Andy Moorad Oesman]]>;
<![CDATA[Yanuar Lutfi Rohman]]>;
<![CDATA[Ai Sumirah Setiawati]]>
<![CDATA[ IZUMI Vol 15, No 1 (2026): Current ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.15.1.24-31
<![CDATA[<p>This study aims to evaluate the perceived effectiveness and implementation dynamics of <em>Lesson Study</em> in the Cross-Cultural Understanding course (<em>Ibunka Rikai</em>) conducted through the <em>Merdeka Belajar Kampus Merdeka</em> (MBKM) program. This descriptive qualitative research involved students and lecturers from Semarang State University and Ganesha University of Education. Data were collected through observations, in-depth interviews, and documentation, and analyzed using thematic analysis. The results highlight three main themes: (1) Improved quality of instructional design collaboration, (2) Dynamics of cross-cultural interaction in virtual spaces, and (3) Technical challenges and pedagogical adaptation. Findings indicate that while conventional methods often limit active interaction, the <em>Lesson Study</em> approach successfully facilitated deeper student engagement and understanding of Japanese cultural nuances. This study recommends integrating more stable infrastructure to support the sustainability of online <em>Lesson Study</em>.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Interpretasi Makna Waka Berunsur Kata Naniwa dalam Hyakunin Isshu: Kajian Semiotik ]]>
<![CDATA[Muhammad Sulthon Hernanda]]>;
<![CDATA[Raden Novitasari]]>
<![CDATA[ IZUMI Vol 15, No 1 (2026): Current ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.15.1.44-58
<![CDATA[<p>This article took the field of semiotic research and focuses on interpretation of meanings of three Japanese poems/<em>waka</em> (和歌), that include the word <em>‘Naniwa’</em> (難波) from the famous Japanese poetry compilation, named <em>Hyakunin Isshu</em> (百人一首). The research conformed Michael Riffaterre's theory of semiotic readings, with procedure of: (1) heuristic reading, (2) hermeneutic reading, (3) matrix, model, variant, and (4) hypogram. This research used qualitative descriptive method, a research method that describes and illustrates linguistic phenomena. Heuristic reading produced referential meanings, while hermeneutic reading produced persuative meanings and indirect expressions due to the use of <em>kakekotoba</em> (掛詞), a pivotal vocabulary that is usually written only using hiragana letters, however its meaning refers to more than one vocabulary. The matrix on the 19th waka is "anxiety", then the matrix on the 20th waka is "sacrifice", and the matrix on the 88th waka is "love". Thus, the three matrices are realized into models, which took form of words or phrases written in the waka. Lastly, the models are shaped into variants that refers directly to the lines in the waka. The hypogram (intertextual relation) of the three waka referred to the word <em>Naniwa</em> which is clearly written using the same kanji: 難 (<em>nan</em>) and 波 (<em>wa</em>). Ultimately, <em>kakekotoba</em> had a significant role on increasing the persuasive element of those three <em>waka</em>, as well as influencing the interpretation of their meanings.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
<![CDATA[Pembentukan Wakamono Kotoba dalam Dialog Anime Haikyu!! Gomi Suteba no Kessen ]]>
<![CDATA[Nathania Mariany Vancelin]]>;
<![CDATA[Nisrina Jannah Karimah]]>;
<![CDATA[Isnin Ainie]]>
<![CDATA[ IZUMI Vol 15, No 1 (2026): Current ]]>
Publisher : <![CDATA[Universitas Diponegoro ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.14710/izumi.15.1.59-70
<![CDATA[<p align="center"><strong>Abstract </strong></p><p>Within variety of society, sociolingustic became a study which further opens understanding of how language is used within society. Japanese is one of unique language that being used accordingly depends on context as well as the speaker and listener’s age, social standing, and other aspect within society. As a part of society, young people aged from 10 to 30 often use a variety of casual language which is often known as slang or <em>wakamono kotoba</em>. Depending on their creativity and motivation, Yonekawa describes 14 types of how young people form <em>wakamono kotoba</em> and became popular within their circle, both in written or spoken communication in daily life. This study has a purpose to deepen understanding of how <em>wakamono kotoba</em> formed in a sport background of young people in a manga then adapted to anime <em>Haikyu!!</em>. This study’s data is based on the latest <em>Haikyu!!</em> anime in a movie format to see <em>wakamono kotoba</em> used in high school volleyball club. As a descriptive qualitative study, methods of data collecting and analyzing used a triangulation method to note needed data and analyze the variety of forming words. Within overall collected data, 5 variation of forming words has been deemed to be how the words are formed by analyzing meaning of each word. By shortening of the original word, absorbing foreign words, changing the pronounciation and how to read the word as well as combining words into one. This study can be further be approached by other theories or point of view of other linguistic scope of study.</p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor]]>
