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INDONESIA
Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora
Published by Universitas Gadjah Mada
ISSN : 20885415     EISSN : 23555777     DOI : -
Core Subject : Education,
Education
Arjuna Subject : -
Articles 549 Documents
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MENYAMBUT ERA KEBANGKITAN AGAMA Ahnaf, Mohammad Iqbal
Jurnal Kawistara Vol 3, No 1 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Peran agama dalam kehidupan politik, baik di tingkat nasional atau internasional nampaknya semakin tak terbantahkan. Buku ini menyajikan argumen dan fakta yang menunjukkan  transformasi ini. Klaim ini sebenarnya bukanlah hal baru. Sebelumnya tidak sedikit karya ilmiah yang menunjukkan apa yang disebut dengan gejala era kebangkitan agama (the ressurgence of religon). Revisi terhadap teori sekalerisasi yang datang dari salah satu pendukung utama teori, yaitu Peter L. Berger. Pada tahun 1998 ia mengeluarkan buku berjudul The Desecularization of the World: A Global Overview (1999) yang dimaksudkan untuk merevisi teori dia sebelumnya bahwa seiring modernisasi agama akan semakin kehilangan relevansi. Keyakinan terhadap Tuhan akan digeser olah rasio yang dapat menjelaskan banyak hal yang selama ini dipahami melalui narasi keagamaan.
GAGASAN ACEH BARU: PEMBENTUKAN IDENTITAS ACEH DARI DALAM REAKTUALISASI RUANG PUBLIK BAGI AKSI PENGELOLAAN KEARIFAN LOKAL PASCA-KONFLIK DAN TSUNAMI Mujib, Ibnu
Jurnal Kawistara Vol 4, No 1 (2014)
Publisher : Sekolah Pascasarjana UGM

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Abstract

This paper quests the new Acehness identity that inspiring lokal revival in Aceh. Two important thingsthat would support the thesis how the ideas of new Aceh or Aceh revival are formulated from within?At least, the strengthening of public space as a local knowledge base management becomes an importantdiscourse in the course of the indicator measuring the local revival in Aceh. In addition, the process offormation of Acehnese identity is also one of the research questions of this paper, in which this practicehas marked the end of a local revival is being formulated in Aceh. Therefore, the questions about theprocess of dialogue and negotiation as what is growth in Aceh recently, will be discussed in this research.This research shows that the reactualization of public spaces that has been sunk by the conflict or thetsunami, now it is resurrected to turn the social bases that have been lost and even blurred. Whail,local wisdom and its discourse had reached the implementation of the policy through a qonun as aform of maintenance an intellectual heritage of Aceh to be kept alive and implemented. Communalconsciousness constructed by the fact that many of these actors have been integrated through variousforms of dialogue and long negotiation. So don’t be surprised if the recent in-meunasah, gampong orvillage activities turn on the mosque as a center of Islamic studies, and even coffee shops also determinethe direction of Acehnese identity is being created, especially as the idea of Aceh revival.
AKSIOLOGI TARI BEDHAYA KRATON YOGYAKARTA Sunaryadi, Sunaryadi
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Bedhaya at Palace dance was originally a sacred dance that is laden with symbols of life because it’snot just a dance movement, but an action that is displayed and that becomes the life reference. Bedhayais presented as a mirror of Javanese culture axiological which includes ethical and aesthetic values . Itis a reflection of manunggaling kawula-Gusti in terms of its ethical dimension and it has the aestheticvalues of the motion, fashion, and makeup. Bedhaya dance philosophy is summaried in the doctrineof ngelmu sangkan paran covering three things: the first it’s related to the human consciousness thatcomes from God (urip iki saka sapa); the second, it is irelated to the duties and obligations of humanbeings in the world (urip iki arep apa); and the third, it is related to man’s return to his Lord (urip ikipungkasane piye). Therefore, in the moral ethics context, Javanese life purpose is how to be a good manto reach the manunggaling kawula with Gusti as it is believed that goodness and beauty (mind) are themanifestation of the Essence of the Most Holy. The journey of human life portrayed in lampah bedhayaof majeng beksa , beksa to mundur beksa is a role model to determine the choice between good and bad .
PERAN KOORDINASI PADA KOMUNITAS INTELIJEN DAERAH MEMBANGUN KETAHANAN WILAYAH STUDI DI KABUPATEN DEMAK Armawi, Armaidy
Jurnal Kawistara Vol 4, No 1 (2014)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Permendagri No. 16 2011 on the Change on Permendagri No. 11 2006 on Regional IntelligenceCommunity shows the strategic value for the regional government to detect every regional potentialthreats. Therefore there is an anticipation to solve the developing problems.This research was done tofind out coordination role in regional intelligence community activities at Demak regency. This researchis qualitative descriptive. The data collecting in use is observation and interview. The Demak regionalintelligence community does its role due to the intelligence functions such as investigation, securityand support. Therefore coordination is a very important in every activity. Optimal coordination andcommunication in routineactivities and incidental meetings are needed to maximize intelligenceinformation meeting. Strategy to optimize Demak regional intelligence community role is needed toorganize it to face every potential threats in supporting regional government and its related elements toestablish regional resilience.
ISLAM AND THE ARAB AWAKENING Yoyo, Yoyo
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

The Arab awakening has clearly not been the work of Islamist movements.Neither in Tunisia or Egypt, nor in Jordan, Libya, or Syria were they theinisiators. The mass movements took to the streets without them, againtsthe will of their leadership, and, in any event, without their agreement
DINAMIKA INTEGRASI SOSIAL DI PAPUA FENOMENA MASYARAKAT FAKFAK DI PROVINSI PAPUA BARAT Ernas, Saidin
Jurnal Kawistara Vol 4, No 1 (2014)
Publisher : Sekolah Pascasarjana UGM

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Abstract

This paper aims to explain that the social dynamics in Papua does not always present the story ofconflict and disintegration, but also about the social integration, harmony, and peace as can be observedin the Fakfak community in West Papua Province. By using the methods of descriptive analysis of thequalitative data collected from field observations, interviews and documentation studies, the authorsmanaged to formulate several important findings. First, the results of acculturation between religiousvalues and culture are important elements that make the social norms of harmonious and tolerant inFakfak, as described in the local knowledge of “the three furnaces stone”. Second, the institutionalizationof values and social integration processes in the community can work well, if the support of local forcesand civil society groups work together to promote peace. At the same time, this paper also reminds thatthe conflict issues, such as religious radicalism and separatism, if not handled carefully can potentiallydamage the social integration that has been well maintained.
DISTRO SEBAGAI PROVIDER GAYA HIDUP “ALTERNATIF”: MENENGOK STRATEGI DISTRO DALAM USAHANYA MEMPERTAHANKAN EKSISTENSI Derajat, Zakiyah
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Distro (distribution outlet/distribution store), with its DIY (Do-It-Yourself) and independent ethos, hasever been so popular in Yogyakarta as youth’s field to express their self. Decade passed, youth changed,distro still exists, but now it is merely the “alternative” of the big (ie. mall). Descriptive qualitative researchbased on field ethnography within May and June 2013, I would discuss the strategy of Demangan distroarea (Jl. Cendrawasih, Yogyakarta), in forming their nowadays identity in order to remain exist. Thediscussion shows that there are some of their stratregies: by converging in one area and structuringdistro region, by interior design, and by not-that-indie (at all) identity. The lower number of distro andits attempt of forming its DIY-ethos-ed youth indicate that the youth are now, to a certain extent, notinterested in producing and distributing. Hence, most of them are no more than the object of capitalism,which is by consuming.
PARADOKS DESENTRALISASI PERUMAHAN DI INDONESIA STUDI KASUS KOTA PALEMBANG DAN KOTA PEKALONGAN Paramita, Mahditia
Jurnal Kawistara Vol 4, No 1 (2014)
Publisher : Sekolah Pascasarjana UGM

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Abstract

Housing decentralization not only positions housing sector as regional obligatory, but also triggerspublic expectations upon the improvement of housing conditions. Various weaknesses of centralizedsystem that full of generalization in housing policy makes decentralized system is interpreted as aninnovative renewal process. However, the central government still does a lot of intervention towardhousing program. Limitation happens to local government such as limitation in housing finance,weakness in coordination ability, and less established of local bureaucracy makes intervention fromcentral government in housing program financed by APBN always dominates. The least contributionfrom local government on public housing sector in decentralization era creates paradox. It is caused bythe Ministry of Public Housing (Kemenpera) that cannot perform fully as substitutional institution rolein managing housing in local area. Kemenpera position as ministerial cluster 3 makes them does nothave representative office in local area. Thus, there will be potential of a repeat experience in the past, inform of generalization in housing policy, that complicates the housing problems itself.
SENI DOLALAK PURWOREJO JAWA TENGAH: PERAN PEREMPUAN DAN PENGARUH ISLAM DALAM SENI PERTUNJUKAN Santosa, Djarot Heru
Jurnal Kawistara Vol 3, No 3 (2013)
Publisher : Sekolah Pascasarjana UGM

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Abstract

The role of women artists in the performing arts, also within the arts as well as the other broader life, inIndonesia, seems to be strengthening in recent years. It doesn’t mean that it is a new issue, of course. Butperhaps it happened since Indonesia experiencing and witnessing a great change of mainstream withinit self since 1998; this issue, as well as the other critical issues gaining a more free momentum and spaceof expression. Of course, this still needs further scrutinization. The superiority of women is not limitedto the mith in which giving special space for them, but indeed women have strong key role as the escortof performing arts. Women have the central key in promoting traditional arts; however, there is womenrole shift in the stage of performing arts. Women artists in the culture posseses inevitable duality ofposition. They are praised as high as the sky, in the other hand they are also insulted, abused, and usedas a profit-making commodity. Besides their beautiful manner and behaviour, women are also capableof breaking through the boundary of culture. Women as the mother earth who’s also identical withthe symbol of fertility, paragon, and the parameter of values and norms that is expected by the socialcommunity, are also capable of fulfilling the promises attached into the miths that praise and adorethem. Therefore, it is their nature that they have the central role in the success of a performing art bothtraditional and modern. Serious problems in the world of performing arts occur when women artists tryto promote tradition. Inner conflict uccur between their basic nature and their environemntal condition.In this case, pressures are not only coming from the social environment but also from within. In fact,the soul of tradition survives and sustain from their very hands. When the stage experiences shift, therole of women as the escort of the tradition is also fading. Performance industry does properly placestage women as a subject but only as a commodity to attarct the market for the capitalists. Together, weshould be able to solve this problem if we still want women to attend in the world of performing artsand change the world into a more colorful one.
KONSEP APIK DALAM KOREOGRAFI WAYANG BABAR Hadi, Sri
Jurnal Kawistara Vol 4, No 1 (2014)
Publisher : Sekolah Pascasarjana UGM

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Abstract

This article is titled “KONSEP APIK DALAM KOREOGRAFI WAYANG BABAR”. It aims to explainchoregraphic concept of wayang babar. In order to make it possible the article needs the medium of cocontinuity and development of traditional wayang orang. The concept of APIK is Artistic, performance,inovatif, and communicative. The APIK concept is arts workers of wayang babar’s choregraphicfor the future of wayang wong show. Furthermore, the play is shown by wayang babar of inovatifperformance of wayang babar from the modification of wayang wong, using the story, dance, and stageto choregraphy concept.

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