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ETNOSIA : Jurnal Etnografi Indonesia
Published by Universitas Hasanuddin
ISSN : 25279313     EISSN : 25489747     DOI : https://doi.org/10.31947/etnosia.v9i1
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
ETNOSIA : Jurnal Etnografi Indonesia Jurnal Etnografi Indonesia (Etnosia) diterbitkan 2 kali setahun (Juni & Desember) dengan tujuan untuk mengembangkan ilmu antropologi sosial dan budaya di Indonesia. Redaksi mengandung para penulis untuk mengirimkan artikel yang termasuk dalam kriteria hasil penelitian etnografi pada kelimpok tertentu, hasil peneltiian terapan di bidang antropologi, teori/metodologi dalam ilmu antropologi atau ilmu-ilmu sosial lainnya, dan tinjuan buku terhadap buku teks antropologi atau ilmu sosial lainnya. Jurnal ini menggunakan system peer review dalam pemilihan naskah yang akan diterbitkan. Kriteria dari artikel yang dikirimkan mencakup jenis artikel berikut ini: Artikel ini menyajikan hasil penelitian etnografis / kualitatif dalam topik tertentu dan terkait dengan kelompok etnis / sosial di Indonesia; Artikel ini adalah diskusi yang terinci mengenai penelitian terapan dan kolaboratif dengan keterlibatan kuat antara penulis dan subjek kolaborator dalam menerapkan program intervensi atau inisiatif pembangunan lainnya yang menekankan pada isu-isu sosial, politik, dan budaya; Sebuah tulisan teoretis yang menguraikan teori sosial dan budaya yang terkait dengan wacana teoretis antropologi, terutama antropologi Indonesia; Terakhir, artikel tersebut merupakan tinjauan kritis terhadap referensi antropologi dan buku etnografi lainnya yang harus diterbitkan setidaknya dalam 3 tahun terakhir.
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Articles 7 Documents
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Search results for , issue "Vol. 9 No. 2 (2024)" : 7 Documents clear
Tradisi Gawe Mensajiq di Lombok, Indonesia: Identifikasi Nilai-Nilai Sosial-Keagamaan dan Eksistensinya di Era Digital Ningsih, Ayu Sadana Prihatin; Deviana Mayasari; Zedi Muttaqin; Malami Muhammad Garba; Ravindra Ashok Jadhav
ETNOSIA : Jurnal Etnografi Indonesia Vol. 9 No. 2 (2024)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v9i2.35162

Abstract

Socio-religious values in a tradition play an important role in people's lives providing insight into the impact of globalization on cultural values in society. Although the existing literature mostly discusses various socio-cultural values in Indonesia, this article specifically focuses on the socio-religious values embedded in the gawe mensajiq tradition which is celebrated in the bale beleq (traditional house) geding kedaton by the people of Sukadana Village, Terara District, East Lombok Regency, and how this tradition is preserved.   Using qualitative approach, this study was conducted in Sukadana Village, Terara District, East Lombok, West Nusa Tenggara. Data collection was carried out through observation, interviews and documentation. There are five informants involved in this study, consisting of two bale beleq traditional leaders, another two religious leaders, and a number of members of the local community. The results showed the identification of socio-religious values in the celebration of the gawe mensajiq tradition in the geding kedaton traditional house accompanied by an analysis of its development in the digital era and efforts to preserve this cultural heritage. Some of the socio-religious values inherent in the mensajiq tradition include piety, ethics and morality, purity, cooperation, material values, communal spirit, fostering relationships, tolerance, honor and responsibility. The tradition of gawe mensajiq in the Sukadana Village community has become a cultural practice that is rooted and embraced by residents. This tradition is considered a heritage that has been passed down from generation to generation thus fostering pride in the Sukadana community. The people of Sukadana consider gawe mensajiq to have positive values thus motivating them to continue to preserve this cultural tradition.
Orang NTT: Diaspora Communities and Multiculturalism in Bali Sunaryo, Fransiska Dewi Setiowati
ETNOSIA : Jurnal Etnografi Indonesia Vol. 9 No. 2 (2024)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v9i2.36198

Abstract

The cultural interaction of Orang NTT with local communities in Bali has implications for forming a multicultural society. Although there have been previous studies on migration and ethnicity, few have examined East Nusa Tenggara ethnicity in the Bali region. This research aims to understand the cultural interaction between Orang NTT and local communities in Bali and how they contribute to the social harmony and the formation of a multicultural society in Bali. This qualitative research was conducted in Denpasar City (the center of the government) and Badung Regency (the center of tourism) in Bali. I combined observation and in-depth interviews as my data collection methods. Ten informants were interviewed: seven Orang NTT, two Balinese, two Flobamora community leaders, a Christian religious leader, and an entrepreneur. The study shows that push and pull factors influence how Orang NTT migrate to Bali. While the push factors include the economic and educational conditions in NTT and the attractiveness offered by Bali as a destination for NTT migration; pull factors comprise better economic opportunities, better access to education, and better life opportunities. In addition, Orang NTT in Bali plays an important role in strengthening cultural diversity and social harmony in the local community. These findings have important implications for society's understanding of social integration and how minority groups contribute to forming a harmonious multicultural society. The study contributes to the understanding on how Orang NTT migrate from the eastern region to Bali, while providing new insights into how social and cultural interactions can shape multicultural identity in a region. This can serve as a basis for the development of local policies related to diversity and as a reference for studies on diaspora and the formation of multicultural communities in other regions.
TITIK BALIK SEKSUALITAS DI KALANGAN KAUM MUDA Efendi, Zakaria; Abdullah, Irwan
ETNOSIA : Jurnal Etnografi Indonesia Vol. 9 No. 2 (2024)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v9i2.36561

Abstract

This article explores the shifting meaning of sexuality among urban adolescents, particularly females, highlighting a trend towards the desacralization of intimate relationships. This issue is critical as it reflects the broader transformation of social values and cultural norms influenced by globalization, social media, and gender awareness. In addition, this study also responds to the lack of studies that address lifestyle and prostitution in a more reflective and anthropological manner. Using a qualitative approach, this research was conducted in Yogyakarta involving five female university students and who are also prostitutes. Data was collected by conducting observations and conducting in-depth interviews. The main findings show that social media and pop culture play an important role in accelerating the desacralization of sexuality, while traumatic experiences contribute to risky sexual behavior. This study concludes that the desacralization of sexuality among adolescents is influenced by bad sexual experiences, and that social media and pop culture encourage more permissive sexual expressions, shifting meanings of sexuality among adolescents have shaped more flexible perceptions of sexuality. The study recommends developing sexual education policies that are inclusive and responsive to changing social norms, as well as raising awareness of the long-term impact of sexual trauma on adolescents.
Strategi Kebudayaan Kesenian Jaranan di tengah Modernisasi: Potret Jaranan Okta Putri Kencono Kota Surabaya Oktavia, Nur Laili; Sudrajat, Arief
ETNOSIA : Jurnal Etnografi Indonesia Vol. 9 No. 2 (2024)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v9i2.37087

Abstract

Jaranan as the traditional heritage of the people of East Java, Surabaya faces great challenges due to urbanization and globalization. The Jaranan Okta Putri Kencono group, although new, managed to survive in the midst of social changes and competition with other art groups. This study examines the cultural strategies applied by this group to adapt to modernization. This research reveals how technological and social adaptations are applied in maintaining the existence of traditional arts amid declining interest in modern entertainment. This qualitative research examines Okta Putri Kencono cultural strategy in adapting to modernization in Surabaya. The study was conducted in Lakarsantri and Wiyung, Surabaya which were chosen because of their relevance to the group's origins and appearance. We triangulated between observation, interview, and documentation as our data collection methods. Interview was conducted with various members of the Okta Putri Kencono group, consisting of consists of the founder, leader, and bopo; bopo senior; and sound system administrator.The study show that three phases faced by Jaranan Okta Putri Kencono group are mythical phase, ontological phase, and functionalist phase. In the mystical phase, Jaranan still maintains spiritual rituals such as offerings as a tribute to ancestors. The ontological phase is characterized by the reinterpretation of traditional values to answer the challenges of modern society, including adaptation to performance elements without leaving traditional identities. Meanwhile, the functionalist phase adapts to modernization, Okta Putri Kencono integrates modern elements, such as audiovisual technology, updated story themes, and collaborations with young artists and creative communities. In essence, the Jaranan Okta Putri Kencono group has successfully navigated the challenges of modernity while preserving its rich cultural heritage. By adapting to changing times, the group ensures the continued vitality of the Jaranan tradition for future generations.
Development of Creative Industries as A Multiplier Effect of Shadow Puppet Performances Resists the Plague in Pandanan Village, Soropaten, Klaten District Murdowo, Drajat Agus; Satiyoko, Yohanes Adhi; Sumiyardana, Kustri; Basori, Basori; Wewengkang, Nontje Deisye; Yono, Sri
ETNOSIA : Jurnal Etnografi Indonesia Vol. 9 No. 2 (2024)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v9i2.37150

Abstract

Leather puppets performances have been carried out for generations in Pandanan Village, Klaten Regency as a ritual to repel disease outbreaks. Regular performances are held every month of Sura, but leather puppet performance ia also held every Friday Pon night. Local people are involved as ritual performers, spectators, and traders in the leather puppet performance. Along with suggestion of UNESCO to develop economy based on local culture, the leather puppets performance is developed in any creative industries. This study aims to explore leather puppet performance and the strategies for vitalizing the potential of leather puppets into the creative industry. Using qualitative approach, this study was conducted in Padanan village, Kabupaten Klaten, Central Java, Indonesia. Data collection methods include observation and interview. Those who participated in this study consists of village head, local figures, dalang (puppeter), pengrawit (gamelan players), souvenir sellers, and spectators. The result shows that leather puppets performance that has changed their function from ritual tradition to repel disease outbreaks into tradition to “asking blessed” by the puppeters (dalang), and finally it turns to traditional performance that brings not only culture entertainment but also creating market economy. This situation is potential to develop creative economy based on local culture by developing creative industries as stated by UNESCO in order to enhance local economy.
The Role of Art Conservation in Preserving the Cultural Value of Seven Busts in the Plaza of the Faculty of Fine Arts, ISI Yogyakarta Ratnaningtyas, Yohana Ari; Purwanto, Tambak Sihno
ETNOSIA : Jurnal Etnografi Indonesia Vol. 9 No. 2 (2024)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v9i2.40230

Abstract

The seven busts in the plaza of the Faculty of Fine Arts ISI Yogyakarta are monuments honoring the contributions of the predecessors. The seven statues hold significant cultural value within the ISI Yogyakarta community and its surroundings. However, the condition of the seven statues is currently concerning because their existence is threatened by various destructive agents. If they do not receive immediate conservation treatment, it is feared that physical damage will affect the decline in the cultural value of the statues. This research aims to explore the role of art conservation in preserving the cultural value of seven busts in the Plaza of the Faculty of Fine Arts at ISI Yogyakarta. This study focuses on the seven busts in the Plaza of the Faculty of Fine Arts at ISI Yogyakarta, with considerations of relevance, cultural significance, and accessibility as the basis for object selection. Qualitative research methods were used to understand the role of art conservation in preserving the cultural value of the seven busts, with data collection through structured interviews, field observations, and literature studies. Data analysis was conducted systematically to uncover findings related to the cultural significance and the meaning of art conservation of the research objects. The results of the observation show that the physical damage occurring not only threatens the visual beauty of the statue but also has the potential to diminish the symbolic meaning possessed by each statue. The findings of this research highlight the importance of immediate conservation actions to preserve the physical form of the statues. Conservation is not only necessary to maintain the physical condition but also to preserve the cultural significance contained in the seven busts. Based on the findings of this research, strategic steps are needed regarding the preservation of the seven busts.
The Connection of Klenteng Talang with Tan Eng Hoat and Tan Sam Tjai and Its Role in the History of the Cirebon Kingdom in Chinese Records Nugrahanto, Widyo; Sofianto, Kunto; Koeshandoyo, Eko Wahyu; Septiani, Ayu
ETNOSIA : Jurnal Etnografi Indonesia Vol. 9 No. 2 (2024)
Publisher : Department of Anthropology, Faculty of Social and Political Sciences, Hasanuddin University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31947/etnosia.v9i2.40423

Abstract

Many people's ignore two Chinese Muslim figures (Tan Eng Hoat and Tan Sam Tjai) and their relationship with the Klenteng Talang is because there are not many local ancient texts that contain them or tell about them. The only text that contains the existence of these two figures and their relationship with the Klenteng Talang is the Klenteng Talang China News. To be able to reveal again the two figures mentioned above and the Klenteng Talang, we need to look again at the Chinese news about the Klenteng Talang, Cirebon. This research aims to re-reveal the role of Tan Eng Hoat and Tan Sam Tjai in the history of the Cirebon Kingdom based on the Chinese news of Klenteng Talang and its current relationship with the Chinese temple in Cirebon. Using intertextual approach with historical method was used in four stages of work, namely heuristic, criticism, interpretation, and historiography to the writings of the Chinese News text of Klenteng Talang. Our informants consists of care takers of Klenteng Talang and official of Harbourmaster and Port Authority Office in Muara Jati. The findings indicate that there is an influence of Chinese Muslims in the history of Cirebon, one of the archaeological remains of which is the Klenteng Talang building in Cirebon.   Klenteng Talang, Tan Eng Hoat, and Tan Sam Tjai had a very close relationship in the history of the Cirebon Kingdom in the Chinese news about the Chinese Temple. Although Tan Eng Hoat and Tan Sam Tjai were Muslims who converted to Confucianism, their relationship with Klenteng Talang cannot be ignored. Tan Eng Hoat played a significant role in the early establishment of the Cirebon Kingdom. Even the idea of establishing the Cirebon Kingdom came from Tan Eng Hoat, who conveyed it to Sunan Gunung Jati. Tan Sam Tjai, who was younger than Tan Eng Hoat, also played a significant role in helping to finance the Islamic kingdom of Cirebon until the end of his life, in spite of the fact he left Islam.

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