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All Journal Sabda: Jurnal Kajian Kebudayaan JRK (Jurnal Riset Komunikasi) Ranah: Jurnal Kajian Bahasa Culturalistics: Journal of Cultural, Literary, and Linguistic Studies RESEARCH : Computer, Information System & Technology Management EDUKATIF : JURNAL ILMU PENDIDIKAN Al-Qalam DIALEKTIKA Kumawula: Jurnal Pengabdian Kepada Masyarakat Jurnal Politikom Indonesiana Jurnal Pengabdian kepada Masyarakat Nusantara Akrab Juara : Jurnal Ilmu-ilmu Sosial Journal of Pragmatics and Discourse Research Jurnal Bastra (Bahasa dan Sastra) Jurnal Ilmu Sosial dan Humaniora Amal Ilmiah: Jurnal Pengabdian Kepada Masyarakat Ranah: Jurnal Kajian Bahasa
Istiningdias, Dini Sri
Universitas Diponegoro
Religion Humanities Biochemistry, Genetics & Molecular Biology Chemistry Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Social Sciences

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TINDAK TUTUR DALAM PIDATO SAMBUTAN MENTERI KEUANGAN ‘SRI MULYANI’ (KONVENSI SAINS-TEKNOLOGI 2025) : KAJIAN PRAGMATIK Misyi Gusthini; Risa Fitriyani; Dini Sri Istiningdias
Jurnal Bastra (Bahasa dan Sastra) Vol. 11 No. 2 (2026): JURNAL BASTRA EDISI APRIL 2026
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia, FKIP, Universitas Halu Oleo Kampus Bumi Tridharma Andounohu Kendari, Provinsi Sulawesi Tenggara – Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36709/bastra.v11i2.2090

Abstract

Penelitian ini bertujuan untuk menganalisis fungsi dan makna tuturan yang disampaikan oleh Menteri Keuangan Indonesia, Sri Mulyani Indrawati, yang memberikan sambutan pada Konvensi Sains-Teknologi 2025 di kampus Institut Teknologi Bandung pada 7 Agustus 2025. Dalam pidatonya, terdapat pernyataan yang membuat para pendidik di seluruh Indonesia memberikan perhatian khusus terhadap momen tersebut, “Banyak yang di media sosial selalu mengatakan, oh menjadi dosen atau guru tidak dihargai karena gajinya tidak besar, apakah semuanya harus keuangan negara? Ataukah ada partisipasi masyarakat?” Tuturan tersebut menimbulkan berbagai interpretasi dari kalangan pendidik maupun non-pendidik sehingga penulis merasa perlu untuk menganalisis secara mendalam makna dari tuturan tersebut. Dengan menggunakan metode kualitatif deskriptif, penulis menganalisis teks transkripsi pidato Menteri Keuangan dalam Konvensi Sains-Teknologi 2025. Penelitian ini memberikan kontribusi terhadap pemahaman pola tindak tutur dalam konteks pidato politik formal. Hasil penelitian menunjukkan bahwa terdapat 12 data, yang terdiri dari 9 data representatif termasuk representatif-direktif, serta 3 data ekspresif termasuk ekspresif-representatif-direktif. Tindak tutur representatif digunakan untuk menyampaikan pernyataan, serta menginformasikan asal dana pendidikan dari APBN, jumlahnya, dan bagaimana dana tersebut didistribusikan dalam klaster 1, 2, dan 3 beserta tujuan masing-masing. Sementara itu, tindak tutur ekspresif digunakan untuk mengungkapkan sudut pandang pribadi Menteri Keuangan terkait keluhan para pendidik di Indonesia mengenai dana tunjangan kinerja.
Deconstructing Aestheticism in Oscar Wilde’s The Picture of Dorian Gray: Beauty and Moral Corruption Nabila Yuliandini; Dini Sri Istiningdias; Misyi Gusthini
Jurnal Ilmu Sosial dan Humaniora Vol. 4 No. 3 (2026): Jurnal Ilmu Sosial dan Humaniora (Maret)
Publisher : CV Insan Kreasi Media

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.57248/jishum.v4i3.779

Abstract

This analysis of Oscar Wilde's The Picture of Dorian Gray using an aestheticism approach and decadence theory. This study aims to analyze the representation of aestheticism influenced by the thoughts of Walter Pater and the concept of decadence rooted in the ideas of Charles Baudelaire through the main character Dorian Gray. The method used is a descriptive qualitative analysis of the elements of characterization and symbolism in the novel. The analysis shows that Dorian Gray represents the extreme application of aestheticism, placing beauty, youth, and pleasure as the main goals of life without considering the moral consequences. The separation between Dorian's body, which remains beautiful, and the portrait that bears the inner decay becomes the main symbol of the paradox of aestheticism. From the perspective of decadence, Dorian's life reflects the decline of moral values, the excessive pursuit of pleasure, and the state of "spleen" in the form of boredom and existential emptiness. This study concludes that The Picture of Dorian Gray not only celebrates beauty but also critiques aesthetic life detached from ethical values.
FLUID ISLAMIC IDENTITIES AND POSTHUMAN ASSEMBLAGES IN BANU MUSHTAQ’S HEART LAMP Fitrilya Anjarsari; Dini Sri Istiningdias; Zietha Arlamanda Asri; Maulana Rifai
Al-Qalam Vol. 31 No. 2 (2025): Jurnal Al Qalam
Publisher : Balai Penelitian dan Pengembangan Agama Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31969/alq.v31i2.1734

Abstract

This article reframes debates on Muslim women’s piety by moving from essences to practices that materialize at thresholds. Taking the short-story collection Heart Lamp as an analytic site, it proposes an “interface ethics” that reads piety as embodied coordination across veil–gate–movement. A diffractive close reading aligns posthuman feminism with Islamic feminist hermeneutics to map domestic ecologies, school-gate encounters, bus rides, humor as de-escalation, and multilingual drift as instances where agency is distributed across bodies, garments, objects, and spaces. This study identifies three significant findings: first, domestic scenes disclose micropolitics of piety that recalibrate authority through care work, timing, and spatial tact rather than doctrinal dispute. Second, material thresholds—corridors, ticket lines, doorways—assemble pious comportment as relational, iterative, and auditable in the text, shifting analysis from moral judgment to situated coordination. Third, accented translation sustains a polyvocal, posthuman voice: local Islamic registers remain audible while critique travels, preventing flattening into secular feminist or pietist monologues. These insights offer a portable heuristic for literary criticism and policy discourse: attend to interfaces, not identities. The study clarifies hijab controversies beyond binary moral panics, and suggests design implications for school-gate protocols, uniform guidelines, and queue management that minimize coercion while supporting dignity. It also outlines methodological audit trails—scene matrices linking indicators, quotations, and claims—that render hermeneutic reasoning transparent. The contribution is conceptual (interface ethics), empirical (text-grounded mappings), and practical (design heuristics). Centered on Heart Lamp’s South Asian Muslim milieux, the framework generalizes to comparable literatures and arenas, offering prompts for gate design, translation pedagogy, and dignity-forward regulation.
Co-Authors Agus Triana, Eva Aisyah Nur Hida Argenti, Gili Asri, Zietha Arlamanda Dewi Noor Azijah Duane Masaji Raharja Efa Lusiana Eva Agus Triana Eva Tuckyta Sari Sujatna Evi Priyanti Fajar Hariyanto Fajar Harry Akbar Fajar Harry Akbar Fitrilya Anjarsari Fitrilya Anjarsari, Fitrilya Gili Argenti Gili Argenti Gusthini, Misyi Hannie, Hannie Kusmawan, Mudita Lia Maulia Indrayani Maulana Rifai Muhammad Viki Nisfani Al Azis Nabila Yuliandini Rania Kalila Delisha Razaq, Fahrur Risa Fitriyani Sulistya Ningtyas Ultach Enri Wagiati Wagiati Zietha Arlamanda Asri