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ANALISIS KESALAHAN FONOLOGIS ARAB DALAM SERIAL DRAMA KOREA 'GENIE, MAKE A WISH' Muhimmatul Ulumia; Setia Gumilar; Asep Supianudin; Akmaliyah Akmaliyah
Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab Vol 12, No 1 (2026)
Publisher : Universitas Islam Negeri Sumatera Utara Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30821/ihya.v12i1.28829

Abstract

This study aims to analyze the forms and factors causing Arabic phonological errors in the Korean drama series Genie, Make a Wish. The research employs a descriptive qualitative approach with an analytical method using the distributional method and the immediate constituent technique. The data consist of Arabic dialogue utterances obtained from the Netflix platform. The results reveal phonological error categorized into four forms: consonant phoneme changes, vowel phoneme changes, phoneme omission, and phoneme addition. Consonant phoneme changes are the most dominant form of error, with the most frequent being the change of the phoneme /ق/ to /ك/ and the vowel phoneme /o/ to /a/. The main factor causing these errors is the interference of the Korean phonological system (L1) with Arabic (L2), particularly due to the absence of uvular, pharyngeal, and emphatic sounds in Korean. In addition, the limited learning process of Arabic in the context of filming production contributes to the actors’ insufficient phonological mastery when pronouncing Arabic dialogue.
Representasi Budaya Patriarki dalam Film Basma Karya Fatima Al- Banawi: Kajian Semiotika Roland Barthes Ramadhani, Naila Zakia; Supianudin, Asep; Solihin, Ihin
JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 11, No 1 (2026): VOLUME 11 NUMBER 1 MARCH 2026
Publisher : STKIP Singkawang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26737/jp-bsi.v11i1.8811

Abstract

This study aims to analyze the representation of patriarchal culture in the film Basma by Fatima Al-Banawi using Roland Barthes' semiotic approach. Barthes' semiotic analysis divides meaning into three levels: denotation, connotation, and myth. The scope of this research covers Sylvia Walby's form of patriarchal culture and Roland Barthes' semiotic analysis of six main scenes that depict patriarchal cultural practices, both in the private and public spheres, experienced by the female characters in the film. The method used is descriptive qualitative. The data analyzed consists of visual scenes and dialogues in the film Basma that show male domination and female subordination. The results of the study show that patriarchal culture in the film Basma is represented through various forms, including control over women's bodies and choices, the objectification of women as guardians of family honor, an emphasis on domestic roles, and the authority of male dominated institutions and social status. An interesting finding from this study is that patriarchal culture is not only explicitly present through the dialogue or actions of the characters, but is also symbolically constructed through the cinematography, setting, and the way the story is constructed, which reflects the gender ideology that is still deeply rooted in Saudi Arabian society