Garuda - Garba Rujukan Digital

Commodification and authenticity: a paradoxical paradigm of older and younger generations on the preservation of mask art in Bobung Yogyakarta Subiyantoro, Slamet; Wijaya, Yasin Surya; Kristiani, Kristiani; Maryono, Dwi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6255

This study aims to examine the paradigms of the younger and older generations regarding the commodification process of mask art in Bobung, Yogyakarta. The research was conducted through a descriptive qualitative approach with a multiple case study design. Data sources included informants, locations, events, and documents/archives collected through in-depth interviews, participatory observation, and content analysis. Data validity was tested using triangulation techniques and informant reviews. Interactive data analysis techniques were employed, involving data reduction, data display, and verification stages. The study findings indicate that the older and younger generations have different perspectives on the preservation and inheritance of mask art in Bobung, Yogyakarta. The older generation believes that the effective preservation of mask art should not alter the cultural order inherited from ancestors over generations. The younger generation, on the other hand, views successful preservation of mask art as needing to adapt to the developments and demands of the times, thus requiring a commodification process. The opposing paradigms, both in practice and theory, can serve as references and foundations for society, academics, practitioners, and the government on how to preserve cultural arts in an ideal and sustainable manner.

Urban Legend & Seni Tradisi Ceprotan: Warisan Budaya Sebagai Pendidikan Karakter Generasi Anak Wijaya, Yasin Surya
Jurnal Obsesi : Jurnal Pendidikan Anak Usia Dini Vol. 9 No. 5 (2025)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/obsesi.v9i5.7187

Kajian ini menggali urban legend dalam seni tradisi Ceprotan dan mencari relevansinya dalam pendidikan karakter pada generasi anak. Penelitian dilakukan melalui pendekatan penelitian kualitatif dengan strategi kasus tunggal. Objek penelitian berupa seni tradisi Ceprotan di Desa Sekar, Kecamatan Donorojo, Kabupaten Pacitan, Provinsi Jawa Timur. Data bersumber dari informan, tempat & peristiwa, juga dokumen/arsip yang dikumpulkan dengan teknik wawancara mendalam, observasi partisipatif, dan analisis konten. Data diuji keabsahannya melalui teknik triangulasi sumber data dan review informan. Analisis data yang digunakan dalam penelitian ini menggunakan teknik analisis alir dengan prosedur reduksi data, display, dan verifikasi/penarikan kesimpulan. Hasil kajian menunjukkan bahwa seni tradisi Ceprotan di Desa Sekar merupakan seni budaya lokal yang muncul berdasar urban legend lokal. Ceprotan tidak hanya sekedar upacara tradisi namun didalamnya terkandung nilai filosofi yang secara turun-temurun diwariskan dari generasi ke generasi. Seni tradisi Ceprotan juga relevan apabila dikaitkan dengan pendidikan karakter bagi generasi anak. Nilai-nilai luhur yang terkandung dalam kisah, simbol, dan prosesi Ceprotan dapat digunakan sebagai sumber pendidikan karakter anak tentang kejujuran, keberanian, kerja keras, gotong royong, toleransi, spiritualitas, serta rasa cinta terhadap budaya bangsa.

Binary Gender in Yogyakarta Panji Masks: A Visual Semiotic Study Wijaya, Yasin Surya; Subiyantoro, Slamet; Mulyanto
Mudra Jurnal Seni Budaya Vol 40 No 4 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i4.3105

This study aims to explore the aesthetic values of binary gender (femininity and masculinity) within the visual structure of Yogyakarta Panji masks through the lens of semiotics. The research employs a descriptive qualitative approach with a single case study. The object of the study is the Yogyakarta Panji mask, whose visual structure is analysed to uncover symbols that indicate femininity and masculinity values. Data sources include informants, places, events, and documents/archives collected through in-depth interviews, participatory observations, and content analysis. The validity of the data is tested using data source triangulation and informant review techniques. Data analysis is conducted using the flow model of analysis, which involves data reduction, data display, and verification. The results indicate that the visual structure of Yogyakarta Panji masks, when examined through a semiotic framework, contains signs/symbols and values of femininity and masculinity. These values of masculinity and femininity are also embedded in and have been transformed into various cultural artifacts within the context of Javanese culture. The findings highlight that Panji masks not only reflect aesthetic expressions but also serve as cultural signifiers that preserve, communicate, and reinforce traditional Javanese perspectives on gender.

Commodification and authenticity: a paradoxical paradigm of older and younger generations on the preservation of mask art in Bobung Yogyakarta Subiyantoro, Slamet; Wijaya, Yasin Surya; Kristiani, Kristiani; Maryono, Dwi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6255

This study aims to examine the paradigms of the younger and older generations regarding the commodification process of mask art in Bobung, Yogyakarta. The research was conducted through a descriptive qualitative approach with a multiple case study design. Data sources included informants, locations, events, and documents/archives collected through in-depth interviews, participatory observation, and content analysis. Data validity was tested using triangulation techniques and informant reviews. Interactive data analysis techniques were employed, involving data reduction, data display, and verification stages. The study findings indicate that the older and younger generations have different perspectives on the preservation and inheritance of mask art in Bobung, Yogyakarta. The older generation believes that the effective preservation of mask art should not alter the cultural order inherited from ancestors over generations. The younger generation, on the other hand, views successful preservation of mask art as needing to adapt to the developments and demands of the times, thus requiring a commodification process. The opposing paradigms, both in practice and theory, can serve as references and foundations for society, academics, practitioners, and the government on how to preserve cultural arts in an ideal and sustainable manner.

Makna Pendidikan dalam Struktur Simbolis Kayon Ganesha: Sebuah Penelusuran Epistemologis dalam Konstruksi Semiotika Visual Wijaya, Yasin Surya
PANGGUNG Vol 35 No 4 (2025): Transformasi, Simbolisme, dan Kreativitas dalam Ekspresi Budaya Nusantara: Studi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i4.3826

This study aims to explore the educational values embodied in the visual symbolic structure of Kayon Ganesha, a creation by Enthus Susmono. The academic values represented in Kayon Ganesha are essential to be examined and utilized as a source of moral and character development for future generations. The research employs a descriptive, qualitative approach with a single-case study design. Data were collected from informants, settings, and documents through in-depth interviews, participatory observation, and content analysis. Data validity was tested using two techniques: data source triangulation and informant review. Data analysis followed a flow model consisting of data reduction, data display, and verification. The findings reveal that Kayon Ganesha consists of three structural parts, namely lower (palemahan), middle (lengkeh), and upper (pucuk), each containing symbols that represent the human journey toward ultimate truth through education. The figure of Lord Ganesha in Kayon Ganesha also comprises three parts, namely head, body, and feet, symbolizing the ideal qualities of a knowledgeable person. The implication of this study emphasizes that the educational values within Kayon Ganesha can serve as a source for character education based on local wisdom in the field of art and cultural creativity.

Transformation of the Yogyakarta Panji mask style and its relevance in gender identity reconstruction Subiyantoro, Slamet; Wijaya, Yasin Surya; Mulyanto, Mulyanto
Gelar: Jurnal Seni Budaya Vol. 23 No. 2 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i2.7438

This study explores the transformation of the form, function, and meaning of the Yogyakarta Panji mask style and its relevance to gender identity reconstruction. The research employs a qualitative single-case study strategy. Data were collected through in-depth interviews, participatory observation, and content analysis of informants, settings, events, and archival documents. Data validity was ensured through source triangulation and informant review, while analysis followed a flow model consisting of data reduction, data display, and conclusion drawing. The findings show that the Panji mask has undergone transformations in three concrete dimensions. Visually, it has shifted from classical pakem conventions to contemporary designs influenced by wood-batik and tourism aesthetics. Functionally, it has changed from a sacred ritual object into a commodity within the creative economy and cultural tourism. Symbolically, its meaning has expanded from traditional Javanese moral-philosophical values to more contextual interpretations linked to social identity and cultural promotion. These shifts contribute to gender identity reconstruction by enabling more inclusive representations of masculinity and femininity. The evolving visual forms, broader social roles, including the increasing involvement of women in mask making and renewed interpretations of Panji and Sekartaji, demonstrate how traditional arts can promote more egalitarian gender narratives today.

Title

Found 16 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 16 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 16 Documents
Search