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All Journal Harmonia: Journal of Research and Education Jurnal Antropologi: Isu-Isu Sosial budaya MUDRA Jurnal Seni Budaya Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Jantra Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences Jurnal Kajian Seni
Yasin Surya Wijaya
Unknown Affiliation
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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Commodification and authenticity: a paradoxical paradigm of older and younger generations on the preservation of mask art in Bobung Yogyakarta Subiyantoro, Slamet; Wijaya, Yasin Surya; Kristiani, Kristiani; Maryono, Dwi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6255

Abstract

This study aims to examine the paradigms of the younger and older generations regarding the commodification process of mask art in Bobung, Yogyakarta. The research was conducted through a descriptive qualitative approach with a multiple case study design. Data sources included informants, locations, events, and documents/archives collected through in-depth interviews, participatory observation, and content analysis. Data validity was tested using triangulation techniques and informant reviews. Interactive data analysis techniques were employed, involving data reduction, data display, and verification stages. The study findings indicate that the older and younger generations have different perspectives on the preservation and inheritance of mask art in Bobung, Yogyakarta. The older generation believes that the effective preservation of mask art should not alter the cultural order inherited from ancestors over generations. The younger generation, on the other hand, views successful preservation of mask art as needing to adapt to the developments and demands of the times, thus requiring a commodification process. The opposing paradigms, both in practice and theory, can serve as references and foundations for society, academics, practitioners, and the government on how to preserve cultural arts in an ideal and sustainable manner.
Urban Legend & Seni Tradisi Ceprotan: Warisan Budaya Sebagai Pendidikan Karakter Generasi Anak Wijaya, Yasin Surya
Jurnal Obsesi : Jurnal Pendidikan Anak Usia Dini Vol. 9 No. 5 (2025)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/obsesi.v9i5.7187

Abstract

Kajian ini menggali urban legend dalam seni tradisi Ceprotan dan mencari relevansinya dalam pendidikan karakter pada generasi anak. Penelitian dilakukan melalui pendekatan penelitian kualitatif dengan strategi kasus tunggal. Objek penelitian berupa seni tradisi Ceprotan di Desa Sekar, Kecamatan Donorojo, Kabupaten Pacitan, Provinsi Jawa Timur. Data bersumber dari informan, tempat & peristiwa, juga dokumen/arsip yang dikumpulkan dengan teknik wawancara mendalam, observasi partisipatif, dan analisis konten. Data diuji keabsahannya melalui teknik triangulasi sumber data dan review informan. Analisis data yang digunakan dalam penelitian ini menggunakan teknik analisis alir dengan prosedur reduksi data, display, dan verifikasi/penarikan kesimpulan. Hasil kajian menunjukkan bahwa seni tradisi Ceprotan di Desa Sekar merupakan seni budaya lokal yang muncul berdasar urban legend lokal. Ceprotan tidak hanya sekedar upacara tradisi namun didalamnya terkandung nilai filosofi yang secara turun-temurun diwariskan dari generasi ke generasi. Seni tradisi Ceprotan juga relevan apabila dikaitkan dengan pendidikan karakter bagi generasi anak. Nilai-nilai luhur yang terkandung dalam kisah, simbol, dan prosesi Ceprotan dapat digunakan sebagai sumber pendidikan karakter anak tentang kejujuran, keberanian, kerja keras, gotong royong, toleransi, spiritualitas, serta rasa cinta terhadap budaya bangsa.
Binary Gender in Yogyakarta Panji Masks: A Visual Semiotic Study Wijaya, Yasin Surya; Subiyantoro, Slamet; Mulyanto
Mudra Jurnal Seni Budaya Vol 40 No 4 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i4.3105

Abstract

This study aims to explore the aesthetic values of binary gender (femininity and masculinity) within the visual structure of Yogyakarta Panji masks through the lens of semiotics. The research employs a descriptive qualitative approach with a single case study. The object of the study is the Yogyakarta Panji mask, whose visual structure is analysed to uncover symbols that indicate femininity and masculinity values. Data sources include informants, places, events, and documents/archives collected through in-depth interviews, participatory observations, and content analysis. The validity of the data is tested using data source triangulation and informant review techniques. Data analysis is conducted using the flow model of analysis, which involves data reduction, data display, and verification. The results indicate that the visual structure of Yogyakarta Panji masks, when examined through a semiotic framework, contains signs/symbols and values of femininity and masculinity. These values of masculinity and femininity are also embedded in and have been transformed into various cultural artifacts within the context of Javanese culture. The findings highlight that Panji masks not only reflect aesthetic expressions but also serve as cultural signifiers that preserve, communicate, and reinforce traditional Javanese perspectives on gender.
Commodification and authenticity: a paradoxical paradigm of older and younger generations on the preservation of mask art in Bobung Yogyakarta Subiyantoro, Slamet; Wijaya, Yasin Surya; Kristiani, Kristiani; Maryono, Dwi
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 2 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i2.6255

Abstract

This study aims to examine the paradigms of the younger and older generations regarding the commodification process of mask art in Bobung, Yogyakarta. The research was conducted through a descriptive qualitative approach with a multiple case study design. Data sources included informants, locations, events, and documents/archives collected through in-depth interviews, participatory observation, and content analysis. Data validity was tested using triangulation techniques and informant reviews. Interactive data analysis techniques were employed, involving data reduction, data display, and verification stages. The study findings indicate that the older and younger generations have different perspectives on the preservation and inheritance of mask art in Bobung, Yogyakarta. The older generation believes that the effective preservation of mask art should not alter the cultural order inherited from ancestors over generations. The younger generation, on the other hand, views successful preservation of mask art as needing to adapt to the developments and demands of the times, thus requiring a commodification process. The opposing paradigms, both in practice and theory, can serve as references and foundations for society, academics, practitioners, and the government on how to preserve cultural arts in an ideal and sustainable manner.
Co-Authors Dimas Fahrudin Dimas Fahrudin Dwi Maryono Dwi Maryono Dwi Maryono Hartono, Lili Kristiani Kristiani Kristiani Kristiani Lili Hartono Mulyanto Mulyanto Mulyanto Pujiono Pujiono Pujiyono Pujiyono Samsul Maarif Samsul Maarif Sindung Tjahyadi Slamet Subiyantoro Slamet Subiyantoro Slamet Subiyantoro Susilaningsih Susilaningsih Yulianto, Vissia Ita