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All Journal Dialektika BAHASA DAN SASTRA Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Indonesian EFL Journal: Journal of ELT, Linguistics, and Literature JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) GERAM (GERAKAN AKTIF MENULIS) SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Basataka (JBT) Pioneer: Journal of Language and Literature Jurnal Pengabdian dan Edukasi Sekolah (Jubaedah) Jurnal Edukasi Khatulistiwa : Pembelajaran Bahasa dan Sastra Indonesia DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Journal of Community Service Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) BAHASTRA Journal of Language and Literature Education (JoLaLE) Proceeding International Conference on Digital Education and Social Science
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Universitas PGRI Ronggolawe
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Gaya Pengontrasan di Kanal Youtube Caveine sebagai Tanggapan Keadaan Sosial-Politik Indonesia: Kajian Stilistika Dhida Meilando Cahyo Rio Utomo; Sri Yanuarsih; Suantoko Suantoko
DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Vol. 5 No. 4 (2025)
Publisher : Perkumpulan Dosen Muslim Indonesia - Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/deiktis.v5i4.2707

Abstract

Fakus penelitian ini adalah gaya pengontrasan menggunakan ilmu stilistika dengan lokusnya pada kanal Youtube Caveine. Data berdasarkan tanggapan Caveine terhadap keadaan sosial dan politik yang terjadi di Indonesia. Caveine di kenal dalam gaya sindirannya berupa satir terhadap isu keadaan yang dirasa miring sehingga gaya pengontrasan dinilai cocok untuk mengkaji hal tersebut. Menurut Burhan Nurgiyantoro gaya pengontrasan dibagi menjadi lima gaya yaitu (1). hiperbola, (2). litotes, (3). paradoks, (4). ironi, dan (5). sarkasme. Jenis penelitian menggunakan metode deskriptif kualitatf dengan menganalisis bukti-bukti yang telah dikumpulkan. mencatat dan mencari makna mendalam mengenai ucapan objek penelitian. Menggunakan analisis temantik data dikumpulkan kemudian di kelompokkan berdasarkan kategori tujuan penelitian yakni mencari gaya pengontrasan. Dengan observasi digital, bukti yang dikumpulkan berupa ucapan atau kalimat yang dituturkan oleh pemilik kanal Caveine. Hasil dari penelitian menunjukkan dari kelima gaya pengontrasan yang paling mendominasi adalah gaya ironi dan sarkasme. Caveine seringkali membahas dan menanggapi sesuatu yang bersifat sensitif sehingga bentuk ironi sindiran yang mengarah pada candaan-candaan internet dinilai lebih cocok untuk mencerna isu-isu berat tanpa merasa terbebani sekaligus menjadi wahana hiburan bagi penonton.
Ambiguitas Makna Kata Cinta dalam Novel Ayat-Ayat Cinta Karya Habiburrahman El Shirazy Kajian Semantik Mariatul Qiftiyah; Sri Yanuarsih; Suantoko Suantoko
DEIKTIS: Jurnal Pendidikan Bahasa dan Sastra Vol. 5 No. 4 (2025)
Publisher : Perkumpulan Dosen Muslim Indonesia - Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/deiktis.v5i4.2711

Abstract

Ambiguitas merupakan aspek bahasa yang menarik untuk dikaji, terutama dalam karya sastra yang sarat nilai makna. Kajian ini bertujuan untuk menelaah ambiguitas makna kata cinta dalam novel religius karya Habiburrahman El Shirazy yang berjudul Ayat-Ayat Cinta melalui kajian semantik, khususnya bagaimana kata cinta menghadirkan berbagai makna dalam konteks linguistik, sosial, dan religius. Teori semantik digunakan untuk memahami variasi makna yang muncul dari penggunaan kata cinta dalam dialog, narasi, dan interaksi tokoh. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik pengumpulan data berupa analisis dokumen, menganalisis kutipan-kutipan yang relevan dari novel. Analisis data dilakukan melalui identifikasi bentuk ambiguitas leksikal, gramatikal, dan kontekstual, serta interpretasi makna berdasarkan konteks penggunaannya. Hasil penelitian menunjukkan bahwa kata cinta memiliki makna ganda yang kompleks: sebagai dorongan emosional dan romantis, sebagai rasa empati dan solidaritas sosial, serta sebagai komitmen moral dan spiritual terhadap Tuhan dan sesama. Ambiguitas ini memperkaya pengalaman membaca, sekaligus menampilkan strategi estetik pengarang dalam menyampaikan nilai moral dan religius. Penelitian ini memberikan kontribusi bagi pemahaman tentang kompleksitas makna bahasa dalam karya sastra dan pentingnya konteks dalam interpretasi makna kata.
Lanjar Maibit Oral Literature and Environmental Education: Climate Change Mitigation Suantoko; Yunita Suryani
Proceeding International Conference on Digital Education and Social Science Vol. 2 No. 1 (2024): Proceeding International Conference on Digital Education and Social Science 202
Publisher : Asosiasi Pengelola Publikasi Ilmiah (APPI) PT PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55506/icdess.v2i1.92

Abstract

This article aims to provide an alternative environmental education through oral literature. One of the oral literatures that is used as an alternative is the Lanjar Maibit oral literature in Tuban as an effort to mitigate climate change. Based on the dynamic nature of literature, oral literature is able to go beyond the limits of its perspective. Lanjar Maibit oral literature for climate change mitigation. In other words, Lanjar Maibit oral literature is able to discuss the environment as an effort to mitigate climate change in the local area as part of environmental wisdom. The approach used in this article is literary ecological. Data collection methods and techniques use library techniques and field observations based on the type and source of data. Data analysis methods and techniques use Miles and Huberman. The results of the study show that Lanjar Maibit oral literature has environmental education content as an effort to mitigate climate change in the local area. This shows that loving the environment as voiced by Lanjar Maibit oral literature is very important in order to build a harmonious and balanced relationship between the environment and climate change. This kind of relationship can ultimately be used as a breakthrough for climate change mitigation. Oral literature is able to enter into environmental wisdom spaces. Thus, Lanjar Maibit oral literature becomes important as a vehicle for climate change mitigation. Lanjar Maibit oral literature is able to convey messages and move its audience to care about the mitigation of climate change that has occurred recently.
Tindak Tutur Ekpresif Tokoh dalam Novel Aku Tak Membenci Hujan Karya Sri Puji Hartini Nurcahyo, Bahar Eka; Yanuarsih, Sri; Suantoko, Suantoko
GERAM Vol. 14 No. 1 (2026): GERAM (Gerakan Aktif Menulis)
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/geram.2026.27594

Abstract

Tindak tutur ekspresif dalam karya sastra sering kali menjadi cermin dari intensitas konflik psikologis dan dinamika kekuasaan antar-tokoh. Penelitian ini bertujuan untuk menganalisis manifestasi dan fungsi tindak tutur ekspresif negatif, khususnya menyalahkan, mengkritik, dan mengeluh, dalam novel Aku Tak Membenci Hujan karya Sri Puji Hartini. Menggunakan pendekatan kualitatif deskriptif dengan kerangka analisis pragmatik, data dikumpulkan melalui teknik studi dokumenter dan dikodifikasi berdasarkan fungsi ilokusinya. Hasil penelitian menunjukkan bahwa tindak tutur menyalahkan didominasi oleh strategi dehumanisasi melalui metafora peyoratif untuk menghancurkan harga diri lawan tutur. Tindak tutur mengkritik ditemukan beroperasi melalui mekanisme sarkasme dan eksklusi sosial yang bersifat pasif-agresif. Sementara itu, tindak tutur mengeluh berfungsi sebagai gugatan eksistensial yang menuntut validasi atas pengabaian emosional. Secara kolektif, ketiga tindak tutur ini membentuk pola komunikasi toksik yang secara radikal melanggar prinsip kesantunan demi mencapai tujuan retoris dalam narasi. Penelitian ini memberikan kontribusi signifikan terhadap studi linguistik sastra dengan mengungkap bagaimana struktur bahasa digunakan sebagai instrumen navigasi trauma dan konflik dalam prosa Indonesia modern.
DEKONSTRUKSI REPRESENTASI KEMATIAN DALAM LAGU “O, TUAN” KARYA FEAST: KAJIAN SEMIOTIK JACQUES DERRIDA Avita, Tira Mei Dwi Nur; Yanuarsih, Sri; Suantoko
Journal of Community Service Vol 8 No 1 (2026): JCS, June 2026
Publisher : Ikatan Dosen Menulis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56670/jcs.v8i1.411

Abstract

Penelitian ini bertujuan untuk menganalisis representasi makna kematian dalam lirik lagu “O, Tuan” karya Feast melalui pendekatan semiotik dekonstruksi Jacques Derrida. Fokus kajian terletak pada bagaimana makna kematian dibangun, dinegosiasikan, dan terus bergeser melalui permainan tanda dalam teks lirik. Metode penelitian yang digunakan adalah kualitatif deskriptif dengan teknik analisis teks, di mana lirik lagu diperlakukan sebagai objek semiotik yang mengandung jaringan penanda dan petanda yang tidak stabil. Analisis dilakukan dengan mengidentifikasi diksi, struktur repetitif, serta oposisi biner yang muncul dalam lirik. Hasil penelitian menunjukkan bahwa makna kematian dalam lirik “O, Tuan” direpresentasikan sebagai pengalaman yang dekat, menekan, dan mengancam secara psikologis. Struktur emosional lirik bersifat ambivalen, ditandai oleh ketegangan antara penerimaan dan ketakutan yang terus berulang. Oposisi biner seperti hidup–mati, ikhlas–takut, serta menerima–menolak tidak hadir secara stabil, melainkan saling melemahkan dan meruntuhkan satu sama lain. Melalui mekanisme différance, makna kematian tidak pernah mencapai finalitas, melainkan terus bergeser dengan jejak ketakutan sebagai unsur dominan yang mengikat keseluruhan makna. Dengan demikian, kematian dalam lirik ini tampil sebagai realitas yang tidak tunggal dan senantiasa dinegosiasikan secara emosional oleh subjek.
JARGON TEKNIS DALAM KOMUNITAS GAME VIOLENCE DISTRICT DI ROBLOX Nisya’, Risky Arifatun; Suryani, Yunita; Suantoko, Suantoko
Jurnal Basataka (JBT) Vol. 9 No. 1 (2026): Juni 2026
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/basataka.v9i1.1372

Abstract

Perkembangan platform game online seperti Roblox telah melahirkan komunitas virtual dengan sistem komunikasi adaptif, di mana penggunaan jargon teknis telah menjadi bagian penting dari koordinasi permainan. Jargon ini tidak hanya berfungsi sebagai terminologi tetapi juga menunjukkan pergeseran makna dari tingkat leksikal ke fungsi pragmatis yang lebih kompleks, namun fenomena ini sebagian besar masih belum dieksplorasi. Penelitian ini bertujuan untuk memetakan dan menganalisis fungsi semantik dan pragmatik jargon teknis dalam komunitas Violence District di Roblox. Penelitian menggunakan pendekatan kualitatif deskriptif dengan teknik pengumpulan data simak bebas libat cakap dan teknik catat terhadap interaksi pemain melalui fitur chat permainan. Data dianalisis menggunakan analisis isi dengan mengkaji makna leksikal dan fungsi kontekstual tuturan. Perkembangan platform permainan seperti Roblox telah melahirkan komunitas virtual dengan sistem komunikasi melalui penggunaan jargon teknis. Hasil penelitian menunjukkan bahwa jargon teknis dalam komunitas Violence District dapat diklasifikasikan ke dalam beberapa kelompok, yaitu jargon peran, jargon mekanik permainan, jargon perlengkapan, jargon item, dan jargon strategi.
ALIH KODE DAN CAMPUR KODE DALAM NOVEL ABOUT YOU KARYA VISYA NABILA : KAJIAN SOSIOLINGUISTIK Cicik Dwi Nur Atiqoh; Yunita Suryani; Suantoko
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.33956

Abstract

This study aims to describe the basic concepts of sociolinguistics with a focus on the phenomenon of code switching and code mixing, as well as its causative factors in the novel About You by Visya Nabila. The approach used is a qualitative descriptive method with samples in the form of dialogue excerpts between characters. The data collection technique is carried out through document analysis or content analysis. The results of the study show that code switching appears in two types, namely internal and external code switching, with the switch from Indonesian to English. Meanwhile, code mixing occurs through the insertion of English elements in the form of words, phrases, and clauses in the character's speech. Factors that cause code switching include speakers, counter-speakers, changes in the situation due to the presence of a third person, change of topics, desire to look modern, and the creation of humor. The factors that cause code mixing are related to the attitude of the speaker and the linguistic background they have. In addition, the results of this study show that the study of code transfer and code mixing in literary works can contribute to the development of sociolinguistic science, especially in understanding the dynamics of language use in multilingual societies, and can be used as a reference in learning Indonesian language and literature to understand the social function of language, cultural identity, and the development of bilingual communication in modern literary works.
Literature as counter discourse in the construction of history in Laila S. Chudori’s novels Agus Wardhono; Kumaidi Kumaidi; Suantoko Suantoko
BAHASTRA Vol. 46 No. 2 (2026): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines how linguistic and narrative choices in three novels by Laila S. Chudori, Pulang, Laut Bercerita, and Namaku Alam, ideologically construct history, using Teun A. Van Dijk's Critical Discourse Analysis (CDA) approach. Rather than treating the three novels as isolated case studies, this study reads them as a continuous, cross-generational discourse on Indonesia's unresolved historical trauma. The analysis moves beyond identifying which marginalized historical events are represented, such as state violence and forced disappearances, to examine the textual mechanisms, namely macrostructural topic selection, narrative schema, lexical choice, agentless syntax, and metaphor, through which these events are constructed ideologically at the levels of text structure, social cognition, and social context. The findings indicate that a fragmentary, multiperspectival narrative schema, combined with emotionally charged diction and agent-deleting passive constructions, works systematically to foreground victims' experiences while implicitly contesting the state's evasion of accountability. The author's social cognition, shaped by her position as a journalist and witness to Indonesian political history, is realized through an ideology of humanity and justice; at the level of social context, the novels function as a counter discourse to the state's official narrative. These findings suggest that literature not only represents history but also actively participates in shaping historical awareness and public discourse. The findings contribute to the field of literary criticism and CDA in Indonesia, as well as to an understanding of the ideological, rather than merely thematic, function of literature in the context of post-state violence.
Fenomena Perilaku Psikopat dalam Novel Badan Intelijen Sekolah 2 Siapa Dalangnya? Karya Intanzs: Kajian Psikologi Sastra Atiqoh, Cicik Dwi Nur; Suantoko, Suantoko; Yanuarsih, Sri
GERAM Vol. 14 No. 3 (2026): GERAM (Gerakan Aktif Menulis)
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/geram.2026.29352

Abstract

This study aims to describe the forms and factors related to psychopathic behavior in the novel School Intelligence Agency 2 Who is the Mastermind? by IntanZS. This study uses a literary psychology approach with the characteristics of Robert D. Hare's psychopathy as the basis for analysis. The source of the research is the novel, while the data is in the form of novel quotes that show the psychopathic behavior of the characters. The results of the study show that there are several forms of psychopathic behavior in the characters, namely antisocial, manipulative, aggressive, sadistic behavior, and lack of remorse and guilt. Antisocial behavior is shown through the tendency to violate norms and threaten the safety of others. Manipulative behavior is seen through the use of beliefs, lies, and the act of trapping others to achieve certain goals. Aggressive behavior is shown through physical violence and verbal threats. Sadistic behavior is represented through acts of violence and a series of deaths that cause suffering to the victim. Meanwhile, the behavior of not being remorseful and not feeling guilty can be seen from the attitude of the character who remains calm after committing an act that is detrimental or causes the death of others. Factors related to the emergence of these behaviors are mainly seen through the environment and social experiences filled with conflict, pressure, intrigue, betrayal, and violence. Based on these results, it is hoped that this research can be a reference for readers to produce new works, especially those that use literary psychology theories and psychopathic behavior phenomena, as well as encourage further research with more in-depth studies in the fields of literature and psychology.
Historisasi Kriminalitas dalam Novel Lampuki Karya Arafat Nur: Perspektif Kriminologi Sastra Hasiliana Hasiliana; Suantoko Suantoko
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 3 (2025): Desember : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i3.7075

Abstract

The form of historicization in literary criminology views criminality as the result of power relations, unequal social structures, and history. Criminal acts in historicization are always placed in a specific time and place context, tracing how a behavior is considered “criminal” or “against the law” depending on the historical construction formed by the legal system, the state, and the rulers. Historicization also reveals that what is referred to as crime is not absolute, but can change according to historical developments and power struggles. The purpose of this study is to describe the form of criminalization in the novel Lampuki, which is not merely an individual deviant act, but a reflection of historical trauma and a flawed social structure. The approach used is literary sociology. This study uses a descriptive-qualitative method with reading and note-taking techniques obtained from the novel Lampuki by Arafat Nur in the form of sentences and paragraphs. The results of the study show that there are seven data points that fall under the form of criminalization of history. From the seven data points, three findings were generalized and discovered in Arafat Nur novel Lampuki, namely: (1) transgenerational trauma of violence, (2) the destruction of the socio-cultural structure, and (3) dark figure of crime.
Co-Authors Agus Wardhono Arif Unwanullah Atiqoh, Cicik Dwi Nur Avita, Tira Mei Dwi Nur Cicik Dwi Nur Atiqoh Dhida Meilando Cahyo Rio Utomo Djoko Apriono Hasiliana Hasiliana Heny Sulistyaningrum Kumaidi Kumaidi Mansur Mansur Mariatul Qiftiyah Mu'jizatin Fadiana Nisya’, Risky Arifatun Nurcahyo, Bahar Eka Sinta Ariska Sri Yanuarsih Syehfani Alif Akbar Yanuarsih, Sri YUNITA SURYANI Yunita Suryani Yunita Suryani