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All Journal Jurnal Biodjati Journal of Maritime Studies and National Integration Jurnal Seni Tari ULIN: Jurnal Hutan Tropis Varia Humanika COMMUNITY : Jurnal Pengabdian Kepada Masyarakat Jurnal Sylva Scienteae MAKILA: Jurnal Penelitian Kehutanan KNOWLEDGE: Jurnal Inovasi Hasil Penelitian dan Pengembangan Jurnal Sylva Lestari Indonesian Research Journal on Education Indonesian Journal of Multidisciplinary on Social and Technology Research Horizon CARE: Jurnal Pengabdian Multi Disiplin Jurnal Rimba Lestari Jurnal Hasil Penelitian dan Pengembangan (JHPP) JOURNAL OF PEOPLE, FOREST AND ENVIRONMENT Jurnal Pengabdian Fakultas Pertanian Universitas Lampung Basilius Eirene: Jurnal Agama dan Pendidikan Journal Pesona Indonesia Jurnal Pendidikan Tuntas
Indriyanto, Indriyanto
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Journal : Jurnal Seni Tari

 1 
Nilai Moral Pertunjukan Barongan Risang Guntur Seto Blora Ciptiningsih, Cardinalia; Indriyanto, Indriyanto
Jurnal Seni Tari Vol 6 No 1 (2017): Jurnal Seni Tari
Publisher : Department of Drama, Dance, and Music Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (379.507 KB) | DOI: 10.15294/jst.v6i1.14757

Abstract

Barongan Risang Guntur Seto in his show contains certain moral values. This study examines the moral values ??that are showed in Barongan Risang Guntur Seto perfomance. The method used a qualitative approach with normative ethics. Collecting data through observation, interviews and documentation. Data analysis uses dance analysis based on Adshead Theory. The research results of  the moral value Barongan Risang Guntur Seto is focussed on the theme, storyline, and accompaniment. Pattern sequence or structure of the performance is the opening, content/core and closing. The permance tell the responsibilities of soldiers on the king on the theme. Dramatic Geger Kediri storyline is about two knights who hold trust, namely Gembong Amijoyo and Jaka Lodra. Gembong Amijoyo has responsible to look after Alas Jati Wengker While Jaka Lodra gain the responsible of Panji Asmara Bangun to propose Dewi Sekartaji. Accompanying used in Barongan Risang Guntur Seto is Barongan Blora accompaniment depicting two knights of the character Gembong Amijoyo and Jaka Lodra in implementing Responsible. The moral values ??of the  Barongan Risang Guntur Seto performance is the kindness that is formed from religious, honest,  tolerant, friendly, and responsibility while the disadvantage is the dispute between the brothers, which resulted in a fierce battle.    
Estetika Gerak Tari Kuda Lumping di Desa Sumber Girang Kecamatan Lasem Kabupaten Rembang Jazilah, Febrina Sonia; Indriyanto, Indriyanto
Jurnal Seni Tari Vol 8 No 2 (2019): Kajian Tekstual dan Kontekstual Tari Nusantara
Publisher : Department of Drama, Dance, and Music Education

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (287.701 KB) | DOI: 10.15294/jst.v8i2.33090

Abstract

Tari Kuda Lumping adalah salah satu bentuk seni pertunjukan rakyat yang secara umum cirinya menggunakan properti kuda kepang. Tari Kuda Lumping di Desa Sumbergirang Kecamatan Lasem Kabupaten Rembang memiliki keindahan yang dapat dilihat melalui geraknya. Keindahan gerak tersebut dapat dilihat melalui pola ruang, waktu, dan tenaga. Tujuan dari penelitian ini yaitu untuk mengetahui dan mendeskripsikan estetika gerak Tari Kuda Lumping Desa Sumbergirang. Metode penelitian ini menggunakan pendekatan deskriptif kualitatif dengan pendekatan etik-emik dan estetis koreografis, dengan teknik pengumpulan data berupa observasi, wawancara dan dokumentasi. Teknik analisis data menggunakan teori Adshead, sedangkan pemeriksaan keabsahan data menggunakan teknik triangulasi sumber. Berdasarkan hasil penelitian yang telah dilakukan gerak sebagai media pokok Tari Kuda Lumping dapat mencerminkan nilai keindahan. Keindahan gerak terbentuk melalui pola ruang, waktu dan tenaga, sehingga Tari Kuda Lumping di Desa Sumbergirang mempunyai keindahan yang khas yang berbeda dengan Tari Kuda Lumping di daerah lain. Estetika gerak Tari Kuda Lumping muncul ketika penari menggerakkan seluruh elemen tubuh dari kepala, badan, tangan dan kaki. Keserasian antara elemen tubuh saat melakukan gerak tari menjadi suatu keindahan. Kesan gerak yang terdapat pada Tari Kuda Lumping yaitu energik, lincah, kuat terkadang gerakannya halus, dan juga lembut.
Co-Authors Afif Bintoro Aisah, Rohmi Aisah Ali Wafa Andriyani, Della Eka Bahrul Fawaid Bintang Hanggoro Putro Cahyono, Indrawan Nur Candra, Roni Ceng Asmarahman Ciptiningsih, Cardinalia Damayanti, Inggar Duryat, Duryat Eny Kusumastuti Fitaunnisa, Tsaniya Rifqi HUTASOIT, ERNI Indriyanto, Nurani Hardikananda Jazilah, Febrina Sonia Laspita, Romi Manan, Ahmad Fikal Mayangsari, Ayu Melya Riniarti Nasrul Nasrul Permana, Muhammad Agung Putri, Pascalina Yossy Rini, Mita Puspita Rudi Hilmanto Santoso, Trio Savira, Elza Novelia Setia Budi, Widia Arum Sukra, Paul Surnayanti Surnayanti Surnayanti, Surnayanti Trivia, Melly Dwi Tsani, Machya Kartika Yusra, Novrianti