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All Journal KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA UNEJ e-Proceeding Lentera: Jurnal Ilmiah Kependidikan Warta Pengabdian Semiotika Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya JET (Journal of English Teaching) Adi Buana Jambura Journal of English Teaching and Literature Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Abdimasku : Jurnal Pengabdian Masyarakat Aptekmas : Jurnal Pengabdian Kepada Masyarakat Leksema: Jurnal Bahasa dan Sastra Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Dental Agromedis
Wardani SWW, L. Dyah Purwita
Universitas Jember
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Journal : kembara

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Women’s objectification in Charles Bukowski’s post office Wardani, L Dyah Purwita; Ardiansyah, Mohammad Ridho; Astutiningsih, Irana
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 1 (2023): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v9i1.23097

Abstract

This study aimed to evaluate the discourse of women's objectification as portrayed in Charles Bukowski's Post Office novel. Many problems occur in the story, especially problems that revolve around women. They receive adverse treatment from men, both physically and mentally, and are also sexualized. It is critical to consider how literary work contributes to resolving social problems such as women's objectification, male gaze, sexual harassment, and other forms of abuse. The portrayal of women's objectification is traced through Stuart Hall's theory of representation, notably Michel Foucault's discursive approach. The findings of this study demonstrate how the Post Office novel objectifies women as a type of sexual freedom. The Post Office solely shows the female body's external features, focusing specific attention on the sexual organs. These features of women's unfavorable behavior help to objectify them. Bukowski assumed that women are prepared to be mistreated, particularly as sexual objects, in the name of sexual freedom. The Post Office represents male characters, objectifying female characters. Furthermore, some female characters normalize the way they are sexualized, from self-objectification to condescendingly stigmatizing other women. Female characters in the story face sexual objectification, rape, and sexual abuse in the name of sexual freedom.
Patriarchy Depiction through the Female Main Character’s Relationship in Marie Lu’s The Kingdom of Back Wardani, Leoba Dyah Purwita; Nisrina, Nadia Meivitasari Putri; Salikin, Hairus; Basuki, Imam; Cahyawati, Erna; Murti, Ghanesya Hari
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 10 No. 1 (2024): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v10i1.27955

Abstract

Literary works are reflections of society’s nature in real life, and writers often emerge the issue regarding patriarchy in their literary works. Patriarchy is not a new topic and often depicted in literary works, especially in how women of patriarchy are portrayed. This study aims to determine how the practice of patriarchy is represented through the relationship between characters in The Kingdom of Back. In this qualitative research, Stuart Hall’s representation theory, particularly Michel Foucault’s discursive approach is employed to analyze the data. In addition, Sylvia Walby’s concept of patriarchy strengthens the basic assumption. The findings of this study show how The Kingdom of Back presented patriarchy that limits women's freedom and influences the relationship between the characters, which puts women to bear the damage and stand in an unequal position. The novel portrays a woman’s struggle through male domination, oppression, and exploitation in the relationship as a consequence of her desire to resist patriarchal culture, which barred her from achieving her dreams to leave a legacy through her music and composition. Nannerl finally succeeds to overcome the patriarchy barrier and struggling to live as an composer. Furthermore, as the author and diasporic subject, Marie Lu is still influenced by the deep-rooted value of patriarchy from her home country.
Co-Authors Agus Sariono Andang Subaharianto Aqlia Nur Fahma Ardiansyah, Mohammad Ridho Ayu Lestari, Vony Rizka Berlian Ayu Pangestu Didik Suharijadi Didin Erma Indahyani Dina D. Kusumayanti Edy Hariyadi Erna Cahyawati Erna Cahyawati Fina Rifqiyah Ganefo, Akhmad Ghanesya Hari Murti Hairus Salikin Heru S.P. Saputra Heru SP Saputra Imam Basuki Imam Basuki Imam Basuki Indah Dwi Lestari Irana Astutiningsih Kusnadi Kusumayanti, Dina D. Kusumayanti, Dina Dyah Muhammad Zamroni Naila Kumala Negoro, Abdul Haris Suryo Nisrina, Nadia Meivitasari Putri Nurul Islamiyah Pratiwi, Adinia Arum Puspita, Indria Dwi Putri Manarina Sabila Rahayu, Prehatin Tri Rifqiyah, Fina Rudianto Santoso, Distania Supiastutik Supiastutik Suwargono, Eko Titik Maslikatin Wazirotus Sakinah Yanuar Nurdiansyah, Yanuar Zahratul Umniyyah Zaindy Roby Hilaldo