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All Journal Jurnal Bahasa dan Sastra Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora FRANCISOLA Lingua Cultura CaLLs : Journal of Culture, Arts, Literature, and Linguistics Semiotika k@ta Kandai Adabiyyat: Jurnal Bahasa dan Sastra Metahumaniora Mimesis Jurnal Wanita dan Keluarga Lembaran Antropologi SASDAYA: Gadjah Mada Journal of Humanities Southeast Asian Languages and Literature Studies
FIRMONASARI, Aprillia
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Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Peliyanan terhadap Difabel dalam Novel Des Aveugles, Karya Hervé Guibert (1985) Azmie, Alvia Marata; Udasmoro, Wening; Firmonasari, Aprillia
Jurnal Wanita dan Keluarga Vol 5 No 2 (2024): Desember 2024
Publisher : Pusat Studi Wanita dan Keluarga UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jwk.18572

Abstract

The process of “othering” in literary works has been widely researched. However, most the research on othering in literary works have focused more on group identities, such as race or religion. Othering process for people with disabilities are rarely discussed. The article written by Hervé Guibert entitled Des Aveugles (The Blind People) published in 1985, contains aspects about the life of people with visual disabilities. However, these people are positioned as actors who behave evilly in the novel. The author describes the characters with visual disabilities as people who are passionate and like to kill and finally they die at the end of the story. Female character also experiences a more tragic death than the male characters. This clarifies gender positions and hierarchies in the story. Therefore, this article attempts to examine the process of othering for people with disabilities related to gender hierarchies in the novel. The theory of subalternity is used as a lens to read the othering process. Meanwhile, the content analysis of the story is used as method of analysis.
KONSTRUKSI YAHUDI DI BARAT DAN TIMUR: ANALISIS MULTIMODAL HALLIDAY PADA NOVEL GRAFIS Nursani, Asyipa; Firmonasari, Aprillia
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 8 No 1 (2024)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/ajbs.2024.080104

Abstract

This research aims to analyze how Jewish identity is constructed in the West and the East, as represented in the graphic novels Fagin the Jew by Will Eisner and The Last Jew in Penang by Zayn Gregory and Arif Rafhan , using Halliday's multimodal approach. This approach focuses on various modes of communication, such as verbal, visual, gestural, and spatial, in constructing the narrative of Jewish identity in both novels. Fagin the Jew portrays Jewish identity in the Western context, specifically in 19th-century London, emphasizing antisemitic stereotypes and social marginalization. In contrast, The Last Jew in Penang depicts Jewish identity in the multicultural environment of Southeast Asia, where Jewish identity is more accepted and assimilated into the local community. The findings reveal that cultural differences significantly influence the representation of Jewish identity in these two novels. Through an analysis of verbal, visual, gestural, and spatial modes, it is found that Western graphic novels tend to depict Jewish identity in narratives of prejudice and alienation, while Eastern graphic novels highlight narratives of coexistence and adaptation. This research concludes that multimodality plays a crucial role in reflecting the complexity of Jewish identity shaped by differing historical, social, and cultural contexts in the West and the East.
Jejak Ideologi Western-Centrism pada Pidato Viktor Orban: Analisis Wacana Kritis Harmia, Citra Dewi; Baskoro, B.R. Suryo; Firmonasari, Aprillia
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 10, No 2 (2024): CaLLs, December 2024
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v10i2.13317

Abstract

Western-centrism merupakan fenomena yang mempengaruhi kebijakan serta perlakuan bangsa Barat terhadap berbagai isu sosial, politik dan kemanusiaan dewasa ini. Viktor Orban  sebagai perdana Menteri Hungaria, sekaligus pemimpin partai konservatif Fidesz, dikenal sebagai sosok politisi sayap kanan paling vokal dan berpengaruh dalam kontestasi politik Eropa. Pandangan Viktor Orban kerap menuai pro-kontra karena dianggap mengandung unsur rasisme terhadap etnis non-Eropa. Penelitian ini merupakan penelitian Analisis Wacana Kritis dengan metode deskriptif-kualitatif. Tujuan penelitian ini adalah mengungkap ideologi Viktor Orban terkait isu sosial, politik, dan kemanusiaan kaitannya dengan identitasnya sebagai politisi sayap kanan konservatif. Penelitian ini menggunakan kerangka analisis tiga dimensi Fairclough. Ketiga dimensi yang dianalisis adalah dimensi tekstual, praktik diskursif, serta praktik sosiokultural. Hasil penelitian menunjukkan bahwa dalam aspek tekstual, ditemukan nilai eksperential, relasional, ekspresif, serta konektif yang mengindikasikan ideologi western-centrism. Dimensi praktik diskursif menunjukkan adanya unsur institusional yang melibatkan pandangan pribadi Viktor Orban selaku pembuat wacana. Ideologi western centrism yang tampak dalam dimensi praktik sosiokultural menunjukkan adanya pelianan terhadap aktor sosial dari segi etnis, gender, dan kebangsaan yang memarjinalkan aktor tersebut.
ANALISIS SEMIOTIKA SOSIAL DALAM POSTER-POSTER RAMADAN Hardiyanti, Nurma; Firmonasari, Aprillia
Metahumaniora Vol 15, No 1 (2025): METAHUMANIORA, APRIL 2025
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v15i1.48253

Abstract

Poster-poster Ramadan di Kampung Kuningan terdiri atas tulisan dan gambar yang memiliki maksud tertentu dan berkaitan dengan kehidupan sosial masyarakat sehingga proses pemaknaan terhadap poster tersebut perlu dikaitkan dengan konteks sosial yang ada dalam masyarakat. Penelitian ini bertujuan untuk mendeskripsikan makna dan pesan yang terdapat dalam poster-poster Ramadan di Kampung Kuningan dengan perspektif semiotika sosial M.A.K. Halliday (1978). Metode penelitian yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Data berupa tulisan dan gambar yang ada dalam poster-poster Ramadan. Pengumpulan data dilakukan dengan cara menyimak, memotret poster-poster Ramadan, lalu mencatat data. Data yang telah dikumpulkan kemudian dianalisis menggunakan teori Semiotika Sosial dari M. A. K. Halliday (1978). Metode penyajian hasil analisis data dilakukan dengan metode informal. Hasil penelitian menunjukkan bahwa tulisan-tulisan dan gambar yang terdapat dalam poster-poster Ramadan tersebut berhasil merepresentasikan bulan Ramadan sebagai bulan istimewa yang penuh dengan keberkahan dan kebaikan. Hal ini terbukti dengan penggunaan berbagai kalimat di dalam poster Ramadan yang mengingatkan masyarakat agar selalu melakukan kebaikan selama bulan Ramadan. Selain itu, poster-poster Ramadan juga memuat gambar-gambar yang dapat membantu masyarakat untuk dapat memaknai pesan atau hal yang dimaksud oleh pembuat poster secara lebih detail.
Transformasi Makna Ritus Manten Tebu dalam Program Pemajuan Kebudayaan Nasional Abdila, Abdila; Rahman, Ilham Nur; Setiawan, Andhika Wira; Firmonasari, Aprillia
Lembaran Antropologi Vol 3 No 2 (2024)
Publisher : Department of Anthropology, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/la.16424

Abstract

Upacara perkawinan dua batang tebu yang dilaksanakan saat memasuki musim giling pada pabrik gula di Jawa yang dikenal dengan ritus Manten Tebu merupakan tradisi yang dianggap sebagai kearifan lokal yang berpotensi dapat dipromosikan sebagai bagian dari pemajuan kebudayaan nasional. Namun, statusnya sebagai kearifan lokal masih perlu dipertanyakan. Hal ini disebabkan oleh latar belakang sejarah ritus yang memungkinkan membatalkan persepsi positif terhadap ritus ini sebagaimana yang berkembang di masyarakat. Penelitian ini bertujuan untuk mengetahui sejarah dan transformasi ritus Manten Tebu di wilayah luar Vorstenlanden di Jawa yang merupakan wilayah kekuasaan kolonial Hindia Belanda. Penelitian ini menggunakan metode sejarah dan dengan bantuan perspektif wacana media. Teknik pengumpulan data dilakukan melalui studi arsip, literatur, berita media massa dan wawancara. Analisis data dilakukan melalui proses kritik sumber, triangulasi, dan interpretasi. Hasil penelitian ini menunjukkan bahwa (1) Ritus Manten Tebu di wilayah luar Vorstenlanden memiliki akar sejarah yang tidak sesuai dengan persepsi yang berkembang di masyarakat; (2) Ritus Manten Tebu di wilayah luar Vorstenlanden yang eksis saat ini telah mengalami transformasi dalam hal bentuk, fungsi, serta makna yang dipengaruhi kuat oleh faktor nasionalisme dan ekonomi kreatif (pariwisata).
Investigating Representation Ethos Émotif in 2007 French Presidential Election Firmonasari, Aprillia; Syabana, Rosidin Ali
k@ta: A Biannual Publication on the Study of Language and Literature Vol. 22 No. 1 (2020): JUNE 2020
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (428.934 KB) | DOI: 10.9744/kata.22.1.17-27

Abstract

The issue of immigration became prominent in French political discourse in 2005 that leads to debate about France and nationalism. During the lead-up to the 2007 French Presidential election, various concepts of a French national identity were promoted by candidates: Nicolas Sarkozy, Ségolene Royal, François Bayrou, and Jean-Marie Le Pen. Candidates gave particular attention to ethos, specifically ethos émotif. In this article, the researcher will characterize the ethos émotif presented by the four candidates mentioned above. The ethos will be then examined whether it were successfully embodied in these candidates' speeches by investigating the public reaction they received based on articles published in the French media. This research will apply a critical discourse analysis and interactional sociolinguistics approach using elements of interaction formulated by Stébe (2008) and Kerbrat-Orecchioni (1990). Data will be classified using the software LEXICO 3.
An Anthropolinguistic Analysis of Language Use in Anti-Female Genital Mutilation Campaign on @puan_amalhayati Instagram Account A'yunin, Qurrota; Sajarwa, Sajarwa; Firmonasari, Aprillia
Humanus Vol 24, No 2 (2025)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v24i2.134872

Abstract

The Practice of Pemotongan dan/atau Pelukaan Genitalia Perempuan (P2GP) or Female Genital Mutilation/Cutting (FGM/C) remains a serious problem in Indonesia because it is rooted in traditions, religious views, and cultural constructs that have been passed down through generations. The urgency of addressing this topic lies in the medical and social impacts that harm women, as well as the debate over terminology that influences public perception of the practice. This research data was obtained from the Instagram account @puan_amalhayati, which consistently campaigns against FGM/C using alternative terms to replace the term "sunat perempuan." The research focused on analyzing the content of posts, choice of terms, narratives, and netizen responses in the comments section. The method employed was content analysis, utilizing a descriptive-qualitative approach. As an analytical tool, this research refers to anthropolinguistic theory by emphasizing three main indicators: context, language ideology, and indexicality. This theory allows for the disclosure of how language becomes a means of communication as well as an instrument for shaping meaning, identity, and power relations. The research findings indicate that the use of the term P2GP is a linguistic strategy that serves to reposition the meaning of this practice from the realm of religious tradition to the realm of violations against human rights. The narrative constructed by Puan Amal Hayati emphasizes medical, gender, and progressive religious aspects to challenge the legitimacy of tradition. Meanwhile, netizen responses demonstrate an ideological contestation between references to the Kitab Kuning and arguments based on medical and human rights grounds.
Representation of Ethnic Symbol as an Emergency Status in the Movie “Tunanganku Mautku”: Semiotics Analysis Wali, Abdul; Ibtisam; Sulistyowati; Firmonasari, Aprillia
 Southeast Asian Language and Literature Studies Vol. 1 No. 1 (2024): Southeast Asian Languages and Literature Studies
Publisher : BRIN Publishing (Penerbit BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/salls.2024.4120

Abstract

A movie that portrays the traditions of its own region is more effective in conveying moral messages based on events that have occurred. Therefore, this research examines the representation of a short movie originating from the Madurese community titled "Tunanganku Mautku," which represents the occurrence of the "carok" tradition with a woman as the main cause. Madura has been known for its strong tradition of arranged marriages since ancient times. Just like in this movie, the character Anshori binds his ring finger with Ulfa's through the arranged marriage arranged by their parents. However, behind this, there is a figure named Supri who first captured Ulfa's heart and told her to wait. Supri felt his dignity was being trampled on by Ulfa's family because Ulfa and Anshori were matched by Ulfa's parents on the grounds of greater wealth and family ties. Based on the results of the reading and analysis conducted by the researcher, the Madurese community has applied a normalization of emergency status with an ethnic symbol, namely "carok." Therefore, in this context, Supri is not blamed; instead, customary law holds Anshori responsible for taking a woman who is already under Supri's authority. Roland Barthes introduced the terms "signifier" and "signified," which were developed into a theory of metalanguage with two levels: denotation and connotation, and myths. This is in line with research related to the transcript text in the movie to explain the aspects or realities depicted in the movie "Tunanganku Mautku".
Co-Authors A'yunin, Qurrota Abdila, Abdila Anjani, Albertine Darasita Azmie, Alvia Marata B.R. Suryo Baskoro Hardiyanti, Nurma Harmia, Citra Dewi Ibtisam Nur Abidah, Amelia Nurhandini, Hilmi Nursani, Asyipa Rahman, Ilham Nur Risky, Ayu Setiawan, Andhika Wira Siah, Fenny Tri Siti Zulaikha Sulistiyawati, Rahmalia Intan Sulistyowati Sulistyowati, NFN Susetyo, Jarwo SYABANA, Rosidin ALI Wali, Abdul Wening Udasmoro