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All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Ekspresi: Indonesian Art Journal MUDRA Jurnal Seni Budaya Batoboh : Jurnal Pengabdian Pada Masyarakat Creativity And Research Theatre Journal Prosiding Seminar Nasional Humaniora Jurnal Prabung Seni: Pengkajian dan Penciptaan Seni Pertunjukan
Gustyawan, Tofan
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Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Journal : Creativity And Research Theatre Journal

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Irama Tragika dalam Naskah Raja Lear karya William Shakespeare Handayani, Lusi; Irianto, Ikhsan Satria; Gustyawan, Tofan
Creativity And Research Theatre Journal Vol 5, No 1 (2023): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v5i1.3736

Abstract

This tragic rhythm research aims to explore the strategic tragedy and the characteristic Shakespearean Tragedy in William Shakespeare's King Lear. The material object in this study is the King Lear by William Shakespeare translated by Trisno Sumardjo, while the formal object used is Fergusson's Tragic Rhythm theory. The research method used is a qualitative method with data collection techniques, text studies and literature studies. The results achieved in this study are the characteristics of Shakespearean Tragedy in King Lear's consisting of the fall of the king, the omnipotence of destiny and characters who have tragic defects. Meanwhile, the tragic rhythm is found in three stages, the stage of King Lear's obsession, the stage where King Lear encounters obstacles and the stage when King Lear realizes his mistake.AbstrakPenelitian irama tragika ini bertujuan untuk menelusuri strategi tragedi dan karakteristik shakespearean tragedy dalam naskah Raja Lear karya William Shakespeare. Objek material dalam penelitian ini adalah naskah Raja Lear karya William Shakespeare terjemahan Trisno Sumardjo, sedangkan objek formal yang digunakan adalah teori Irama Tragika Fergusson. Metode penelitian yang digunakan adalah metode kualitatif dengan teknik pengumpulan data, yaitu studi teks dan studi pustaka. Hasil yang dicapai dalam penelitian ini adalah karakteristik Shakespearean Tragedy dalam naskah Raja Lear terdiri dari kejatuhan raja, kemahakuasaan takdir dan tokoh yang memiliki cacat tragis. Sedangkan irama tragika ditemukan dalam tiga tahapan, yaitu tahap obsesi Raja Lear, tahap Raja Lear mendapatkan hambatan dan tahap Raja Lear menyadari kesalahannya.
Semiotic Community Perspectives on Offerings in Traditional Jathilan Performances in Yogyakarta: A Semiotic Study Piri, Tirza Benedicta; Avero Pramasheilla, Dinda Assalia; Gustyawan, Tofan; Irianto, Ikhsan Satria
Creativity And Research Theatre Journal Vol 6, No 2 (2024): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v6i2.4941

Abstract

In Javanese terms, Jathilan stands for "Jarane jan thil-thilan" which means "The horse moves irregularly". People in the city of Yogyakarta know jathilan as part of a certain ritual procession that uses the properties of an artificial horse or commonly called jaran kepang. Jathilan traditional art itself cannot be separated from rituals and sesaji used as a form of expression of prayer and hope. The formulation of the problem in this journal is: How do people view the belief that sesaji are a "culture" that will continue to live side by side with humans?. Using qualitative data analysis, this study examined the symbolic meaning of offerings in Yogyakarta's traditional art ceremony of jathilan. Offerings are a manifestation of moral values, reverence for ancestors, and the existence of a healthy interaction between humans and nature, according to the study's findings from the community perspective.
Co-Authors Habillah, Ari Handayani, lusi IKHSAN SATRIA IRIANTO Indra Gunawan Indra Gunawan M, Hartati M., Hartati Mahdi Bahar Nabila, Nabila Piri, Tirza Benedicta Pramasheilla, Dinda Assalia Avero Rahmayani, Wahdania Nur Rifandi, Ilham Riswani Riswani Riswani Riswani Simanjorang, Susanthi Utami, Yhovy Hendricasri Wiratsih, Woro