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Gede Arimbawa, I Made
Institut Seni Indonesia Denpasar
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Journal : ARSNET

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Transformasi gebyok Kudus dengan pendekatan hermeneutika dan intertekstualitas Titihan Sarihati; I Made Gede Arimbawa; Rexha Septine Faril Nanda
ARSNET Vol. 3 No. 2 (2023)
Publisher : Department of Architecture Faculty of Engineering Universitas Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.7454/arsnet.v3i2.83

Abstract

Artikel ini membahas tentang proses transformasi gebyok Kudus sebagai elemen tradisi dan penerapannya pada berbagai konteks. Gebyok Kudus merupakan elemen tradisi Indonesia yang kerap dijumpai pada hunian maupun ruang publik dan telah mengalami penyesuaian dari masa ke masa. Penelitian terdahulu terkait gebyok membahas mengenai ragam hias dan makna, namun kajian mengenai proses transformasi gebyok pada masa lalu dan masa kini belum banyak dibahas. Studi ini menggunakan pendekatan hermeneutika dan intertekstualitas untuk memersepsikan objek kajian dan mengkaji transformasi yang terjadi. Telaah lebih lanjut dilakukan terhadap data objek gebyok Kudus lama maupun baru melalui observasi, dokumentasi, dan wawancara terhadap pemilik rumah, tokoh budaya setempat, dan pelaku industri ukir kayu untuk mengetahui latar belakang sosial budaya perubahan gebyok. Penelitian ini mengidentifikasi proses transformasi dan transposisi gebyok Kudus yang ditunjukkan dengan adanya perubahan wujud, fungsi, makna, dan penempatan. Gebyok Kudus sebagai elemen tradisi yang sarat dengan simbolisme menjadi objek dengan makna yang berbeda secara estetika dan fungsi. Pemahaman ini memperlihatkan evolusi elemen tradisi arsitektur berdasarkan perubahan kebutuhan perancangan dari masa ke masa.   This article explores the transformation process of Kudus gebyok as a traditional element based on hermeneutic and intertextuality. Kudus gebyok is an Indonesian traditional element that commonly found in domestic or public space which have adapted from time to time. Previous studies about gebyok have discussed about the various aesthetic and meanings of gebyok, but there is limited discussion on the transformation of gebyok from the past to the present. This study employs hermeneutics and an intertextual approach to explore gebyok as the object of study and its transformation process. Further exploration is done to new and older gebyok through observation, documentation, and interviews with house owners, local cultural figures, and local wood carving craftsmen to understand about the socio-cultural background of gebyok and its changes. This study identifies the transformation and transposition of Kudus gebyok that is demonstrated through changes in its form, function, meaning, and placements. Kudus gebyok as a traditional element is imbued with symbolism into objects with different meanings in terms of aesthetics and usage. Such understanding demonstrates the evolution of traditional architecture based on changes in design needs from time to time.
Co-Authors Abdul Manan Anak Agung Gde Bagus Udayana Andreas James Darmawan Anita Heptariza Benny Muhdaliha, Benny Hardy Adiluhung Hosea Brayen I Gede Adi Sudi Anggara I Gusti Agung Ayu Diva Dinata I Gusti Ngurah Diva Ismayana Tjahjadi I Komang Try Adi Stanaya, I Komang Try Adi I Made Adi Dharmawan I Made Saryana I Made Sumantra I Nyoman Dana I Nyoman Dana, I Nyoman I Nyoman Putra Pramana I Wayan Suardana I Wayan Sujana I Wayan Wijaya Kusuma Ida Ayu Dyah Maharani, Ida Ayu Dyah Ida Ayu Gede Artayani Ida Ayu Wimba Ruspawati, Ida Ayu Made Marajaya Mercu Mahadi Putu Surya Drana Thanaya Rai Gede Wahyudi Putra Rexha Septine Faril Nanda Sunardy Kasim Titihan Sarihati Tri Ratih Aryaputri, Nyoman Yogi Artana, I Putu