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All Journal CaLLs : Journal of Culture, Arts, Literature, and Linguistics Jurnal Mebang Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat
Setyoko, Aris
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Musik Klentangan Kutai sebagai Media Sinkretisme dalam Upacara Bekenjong di Desa Bensamar Kabupaten Kutai Kartanegara Fajriannur, Arief; Gunawan, Asril; Setyoko, Aris
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 2 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i2.95

Abstract

Bekenjong is one of the ritual ceremonies that are owned by the people of Kutainese ethnic group in the regency of Kutai Kartanegara. Bekenjong ceremony is functions as a media of traditional medication to pay promises and to prevent disasters, usually accompanied by the Klentangan music ensemble, which is played with the musical instrument Klentangan, Babon Drum, and Gong. Bekenjong in its play cannot be implemented without Klentangan music. Music is an important aspect in Bekenjong, because Klentangan music is a media that connects between Pebelian with the realm of gods. This research uses descriptive qualitative method that covers data collection, observation, and data analysis technique. This research uses Weighted Scale technique by William P, and syncretism concept by Ralph Beals. The results of Bekenjong ceremony research shows that Klentangan music ensemble functioned as a media of syncretism. The process of Bekenjong ceremony then adjusted so that the traditions and customs of the ancestors were able to maintain without any conflicts with social norms or even current beliefs.
PROSES PENCIPTAAN KOMPOSISI MUSIK KYAI BADRANAYA DALAM KARYA MUSIK KIDUNG SEMAR Setyoko, Aris; Supanggah, Rahayu
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 4, No 2 (2018): December 2018
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (510.231 KB) | DOI: 10.30872/calls.v4i2.1305

Abstract

Kyai Badranaya is another name for figures in the purwa puppet show which is a symbolic figure for Javanese people. The special symbolic means to have variations, concepts of life, and beliefs in Javanese society. In the Javanese purwa puppet show, Semar figures are representations of good and wise qualities in human beings. Real Semar figures are also gods who transformed into commoners and became servants, protectors, and also knights of Pandawa namely Yudhistira, Bima, Arjuna, Nakula, and Sadewa in the Javanese version of the Mahabharata epics. The musical composition of Kyai Badranaya is part of the four musical compositions of Kidung Semar by the author, who presents musical performances with ideas from the values and semar phenomenon of Semar figures in the purwa puppet show in Java. The method is carried out through stages, namely the alignment process, and sound training. With this method, the music composition of Kyai Badranaya is compiled and presented in the form of a musical repertoire, which proposes reflection and thoughts about how one becomes a leader who applies the life concept of Semar, namely tepa selira, lembah manah, and andhap asor. The purpose of various organizations is the application used as a learning medium for the general public in the form of new music works. The result of the creation of this musical composition work is to contribute scientific thinking on how to create new music works by utilizing work from traditional sources of Javanese musical music in particular, as well as archipelago music.
Relasi kuasa dalam materi promosi pariwisata Dayak Setyoko, Aris; Putra, Bayu Arsiadhi; Yohana, Saferi
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22567

Abstract

Promosi pariwisata seharusnya menjadi sarana untuk menampilkan budaya masyarakat adat secara adil dan menghormati keberadaan mereka sebagai subjek aktif. Namun, praktik promosi pariwisata di Kalimantan Timur masih merepresentasikan masyarakat Dayak sebagai figur tradisional yang terikat pada ritual dan pakaian adat, sementara keberadaan mereka dalam konteks modern sering diabaikan. Penelitian ini bertujuan mengkaji secara kritis representasi budaya Dayak dalam promosi pariwisata Mahakam Ulu serta implikasinya terhadap relasi kuasa kolonial non-pribumi. Penelitian dilakukan dengan menggunakan analisis wacana kritis terhadap teks, gambar, dan video promosi pariwisata yang diproduksi lembaga non-Dayak, serta dilengkapi dengan wawancara semi-terstruktur bersama komunitas Dayak Bahau. Sebanyak 7 sampel dipilih secara purposif dari media daring dan arsip lembaga promosi berdasarkan relevansinya. Hasil penelitian menunjukkan bahwa promosi pariwisata cenderung membingkai identitas Dayak dalam bentuk eksotisme dan historisasi, yang pada akhirnya memperkuat legitimasi pihak non-Dayak sebagai pemegang otoritas atas narasi kebudayaan. Di sisi lain, masyarakat Dayak mulai membangun representasi tandingan melalui konten yang menampilkan peran, mata pencaharian, dan identitas kontemporer mereka. Kesimpulannya, promosi pariwisata bukanlah ruang yang netral, melainkan arena kuasa yang dapat memperkuat marginalisasi atau sebaliknya membuka peluang perlawanan masyarakat adat.
Co-Authors Anwar Ibrahim Triyoga Arozaq, Fikri Yassar Asril Gunawan, Asril Bayu Aji Nugroho, Bayu Aji Fajriannur, Arief Hanum, Irma Surayya Hilal, Hikmatul Fajar Syamsu Hilal, Hikmatul Fajar Syamsul Lenjau, Septiana M., Fatimah Muhammad Alim Akbar Nasir Musthofa, Dwi Nita Maya Valiantien Pratama, Zamrud Whidas Purwanti Rahayu Supanggah, Rahayu Rahayu, Famala Eka Sanhadi Saferi Yohana Syahputra, Yudi Wahyuni, Ian Winda Novita Yofi Irvan Vivian, Yofi Irvan Yulinanda, David Bagus Zenita, Rifkia