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All Journal Diglosia Aqlam: Journal of Islam and Plurality Pena Literasi SULUK: Jurnal Bahasa, Sastra, dan Budaya Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Mimesis Journal of Feminism and Gender Studies Tasamuh: Jurnal Komunikasi dan Pengembangan Masyarakat Islam Al Khawarizmi: Jurnal Pendidikan Matematika Euclid Jurnal Ilmu Sosial, Humaniora dan Seni Journal of Feminism and Gender Studies (JFGS)
Atikurrahman, Moh
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Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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Anasir-Anasir Kisah Perjalanan dalam Helen dan Sukanta: Travel Writing Carl Thompson Hidayah, Ahmad Taqiyuddin; Abdullah, Asep Abbas; Atikurrahman, Moh
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 4 No. 1 (2022): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2022.4.1.47-56

Abstract

Tulisan ini menempatkan Helen dan Sukanta sebagai teks bergenre perjalanan. Sepintas lalu narasi novel Pidi Baiq ini seperti memusat pada kisah sejoli dari senjakala kolonialisme Hindia Belanda. Helen, seorang perempuan keturunan Belanda yang lahir dan tumbuh di sebuah kawasan perkebunan di pedalaman Ciwidey, Bogor jatuh hati pada Sukanta. Kisah asmara mereka kandas lantaran perbedaan rasial. Tragedi itu sendiri diceritakan oleh protagonis kepada narator utama novel yang kebetulan tengah melawat ke Belanda. Oleh sebab itu, kisah Helen tersebut sangat bergantung pada bagaimana sikap dan posisi narator novel untuk merespon dan merepresentasikan kenangan protagonis. Dalam penelitian ini novel Baiq dikaji sebagai representasi sastra perjalanan. Sebuah catatan yang bersumber pada aktivitas perjalanan bagi Carl Thompson mengemukakan beberapa pokok penting, yakni informasi atau keadaan riil belahan dunia lain (reporting the world), sikap pribadi seorang (revealing the self), dan respon terhadap orang asing (respresenting the other) yang notabene berbeda budaya. Secara umum penggambaran novel menempatkan narator sebagai pelancong merupakan diri (self) yang secara aktif bersikap sehingga menentukan jalan cerita dalam Helen dan Sukanta.
Belenggu Maskulinitas dalam Kultur Matrilineal Minangkabau: Ambivalensi Sitti Nurbaya dan Beberapa Citra Kolosal Gender pada Roman Marah Roesli Atikurrahman, Moh; Siregar, Wahidah Zein Br; An Adzhani, Shabrina
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 4 No. 2 (2022): September
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2022.4.2.94-104

Abstract

Meskipun Marah Roesli menempatkan perempuan sebagai sorot utama karya gubahannya, namun tampilan judul roman belum cukup sugestif untuk memuaskan horison harapan pembaca berlensa feminis mengenai kode-kode gender dalam Sitti Nurbaya (1920). Sebaliknya, keberadaan protagonis perempuan dalam roman justru tampak problematis. Pertama, Sitti Nurbaya tidak dilihat dari kacamata seorang perempuan (pengarangnya laki-laki). Kedua, protagonis perempuan justru ditempatkan sebagai gravitasi konflik maskulin yang menyebabkan Samsulbahri dan Datuk Meringgih berseteru. Tulisan ini mengetengahkan pelbagai citra feminitas yang dinarasikan melalui tokoh-tokoh feminin dalam roman Marah Roesli. Tidak hanya berfokus pada sosok Sitti Nurbaya, sosok seperti Putri Rabiah, Sitti Fatimah, dan Sitti Alimah justru menawarkan citra keperempuanan yang lebih menarik dan mengesankan. Putri Rabiah mewakili gambaran perempuan Minangkabau yang diberkati kultur matrilinel yang menempatkan perempuan sebagai poros sosial, ekonomi, budaya Minangkabau. Sedangkan Sitti Fatimah dan Sitti Alimah merepresentasikan citra kosmopolit dan radikal dari lingkungan keluarga saudagar Melayu di awal kemodernan Melayu.
Pelatihan Soal Matematika Untuk Calon Guru Berbasis Literasi Numerasi Bernuansa Nilai Keislaman Di Universitas Ibrahimy Atikurrahman, Moh.; Rizki Pradita, Diyah Ayu; Anam, Ahmad Choirul
Euclid Vol 10 No 2 (2023)
Publisher : Universitas Swadaya Gunung Jati.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33603/e.v10i2.8571

Abstract

Pengabdian Kepada Masyarakat ini bertujuan untuk memberikan pengetahuan baru bagi calon guru serta melatih keterampilan calon guru dalam menyelesaikan soal berbasis literasi numerasi bernuansa nilai keislaman. Metode yang digunakan adalah PAR (Participatory Action Research) dengan 3 tahapan: Persiapan, Pelaksanaan, dan Evaluasi. Data diperoleh dari Pre-test dan Post-test. Data diperoleh dari hasil pre-test dan post-test kemudian diuji perbedaan dua rata-ratanya dengan menggunakan SPSS. Diperoleh nilai rata-rata pre-test 65,05 sedangkan rata-rata post-test 81,05. Hasil kegiatan pengabdian kepada masyarakat ini menunjukkan bahwa ada peningkatan yang signifikan dari calon guru dalam membuat soal literasi-numerasi serta pelaksanaan pelatihan pembuatan soal berbasis literasi numerasi bernuansa islami terlaksana dengan baik dan mendapatkan respon yang positif.Kata kunci: Pelatihan, Literasi, Numerasi, Nilai Keislaman
Un-tying Patriarchal Legacy: Polygamy in the Indonesian Novel 'Entrok' Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Atikurrahman, Moh
Journal of Feminism and Gender Studies Vol. 6 No. 1 (2026): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v6i1.53761

Abstract

This article examines how Entrok, a novel by Okky Madasari, portrays the oppressive realities of polygamy and patriarchal domination within Indonesia’s socio-political landscape, especially during the New Order regime. Using feminist literary criticism as the main theoretical framework, supported by a Marxist view on economic power, this study explores how literature critically reflects women’s lived experiences under systemic gender inequality. While previous studies have discussed gender bias and resistance in Entrok, few have examined polygamy as a tool of patriarchy or analysed how resistance strategies vary across women’s social and educational positions. The analysis reveals a clear contrast in how female characters respond to polygamy and patriarchal structures. Yu Yem, Yu Parti, Endang Sulastri, and Marni, who represent uneducated women, not only reject and do not tolerate polygamy but also actively resist it by building economic independence, thus asserting their agency and autonomy. Their refusal becomes a form of open defiance against patriarchal expectations. Conversely, Rahayu, an educated woman, accepts her position as a second wife under religious justification, internalising patriarchal norms despite experiencing profound psychological distress. These representations demonstrate how both class and ideology influence women's capacity and methods of resistance to gendered oppression. Framing Entrok within broader feminist and socio-political discourse, this study affirms the novel’s role as a critique of patriarchal injustice. It underscores how fiction can challenge ideological violence and support Sustainable Development Goal 5 on Gender Equality by imagining alternative possibilities for empowerment and resistance.
Un-tying Patriarchal Legacy: Polygamy in the Indonesian Novel 'Entrok' Shofah, Novia Adibatus; Indriyani, Jiphie Gilia; Atikurrahman, Moh
Journal of Feminism and Gender Studies Vol. 6 No. 1 (2026): Journal of Feminism and Gender Studies
Publisher : Pusat Studi Gender Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/jfgs.v6i1.53761

Abstract

This article examines how Entrok, a novel by Okky Madasari, portrays the oppressive realities of polygamy and patriarchal domination within Indonesia’s socio-political landscape, especially during the New Order regime. Using feminist literary criticism as the main theoretical framework, supported by a Marxist view on economic power, this study explores how literature critically reflects women’s lived experiences under systemic gender inequality. While previous studies have discussed gender bias and resistance in Entrok, few have examined polygamy as a tool of patriarchy or analysed how resistance strategies vary across women’s social and educational positions. The analysis reveals a clear contrast in how female characters respond to polygamy and patriarchal structures. Yu Yem, Yu Parti, Endang Sulastri, and Marni, who represent uneducated women, not only reject and do not tolerate polygamy but also actively resist it by building economic independence, thus asserting their agency and autonomy. Their refusal becomes a form of open defiance against patriarchal expectations. Conversely, Rahayu, an educated woman, accepts her position as a second wife under religious justification, internalising patriarchal norms despite experiencing profound psychological distress. These representations demonstrate how both class and ideology influence women's capacity and methods of resistance to gendered oppression. Framing Entrok within broader feminist and socio-political discourse, this study affirms the novel’s role as a critique of patriarchal injustice. It underscores how fiction can challenge ideological violence and support Sustainable Development Goal 5 on Gender Equality by imagining alternative possibilities for empowerment and resistance.
Co-Authors Abdullah, Asep Abbas An Adzhani, Shabrina Anam, Ahmad Choirul Candra, Putri Berliana Candra, Putri Berliana Gilia Indriyani, Jiphie Hanifah, Wanda Hidayah, Ahmad Taqiyuddin Indriyani, Jiphie Gilia Jauharoti Alfin Mufid, Nur Nasaruddin Nasaruddin Novia Adibatus Shofah Rahayu, Titin Puji Rizki Pradita, Diyah Ayu Safitri, Tika Sari Sholihah, Alvia Mustafidatus Wahidah Zein Br. Siregar Yazid, Muhammad Hikmal