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REPRESENTASI TRAUMA COPING DALAM DRAMA KOREA HOMETOWN CHA-CHA-CHA Fristiani, Annisa Nadira; Abdullah, Aceng; Rosfiantika, Evi
Sintesa Vol 3 No 02 (2024): Jurnal Sintesa Volume 3 No 02 Juli 2024
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/sintesa.v3i02.10598

Abstract

Trauma is an experience that has been experienced or felt by almost all individuals. Prolonged trauma then encourages the emergence of a trauma coping phase, which is the process of recovering an individual from a trauma. The number of traumatic experiences encourages drama films to raise the issue of trauma coping, one of which is the drama series Hometown Cha-Cha-Cha. This film first aired on the Total Variety Network and received great attention about trauma coping, resulting in 347,000 search results on the Google search engine since 2022. This research tells the story of the protagonist Hong-Du Sik, who is trying to confront his trauma after being in a relationship with Yoon Hye-Jin. However, the trauma-coping process carried out by the main character becomes complex because trauma coping is closely related to self-concept, relationships and interpersonal perceptions, which will be influenced by perception, memory and thinking. The more negative the self-concept, relationships and interpersonal perceptions, the less easy the trauma-coping process will be. Through a qualitative approach and the semiotic method of Charles Sanders Pierce, the researcher intends to look at the representation of trauma in the drama series. Through this research, it was found that the drama Hometowan Cha-Cha-Cha focuses on the traumatic experience of Hong Du-Sik, who has lost his family, forming a negative self-concept, which causes him to have difficulty establishing new relationships with others. After meeting Yoon Hye-Jin, Hong Du-Sik exhibits trauma coping strategies: confrontation, isolation, and compromise. The character's trauma coping strategies are visualised through clothing, verbal dialogue, actions and facial expressions. Not only that, this film also represents trauma coping that occurs in South Korea, which has experienced trauma, so this film really describes the actual situation.. keyword: representation; semiotic; film; trauma coping
Persepsi Remaja Akhir terkait Tayangan Tiga Bacapres Bicara Gagasan di Media Narasi Fathinah, Alya; Abdullah, Aceng; Bakry, Gema Nusantara
Journal of Digital Communication Science Vol. 2 No. 2 (2024): Journal of Digital Communication Science
Publisher : Universitas Indonesia Membangun

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56956/jdcs.v2i2.324

Abstract

3 Bacapres Bicara Gagasan menjadi acara yang mempertemukan Anies Baswedan, Ganjar Pranowo, dan Prabowo Subianto sebagai bakal calon presiden (bacapres) dari tiga koalisi Pemilu 2024. Dalam acara tersebut, ketiganya menyampaikan gagasan jika terpilih menjadi presiden dan menjawab pertanyaan dari audiens. Acara tersebut disiarkan secara langsung melalui Youtube sehingga menjadi tayangan yang bisa ditonton publik. Tujuan dari penelitian ini adalah untuk menganalisis persepsi berdasarkan indikator tanggapan, pendapat, dan penilaian remaja akhir (18-24 tahun) terkait tayangan 3 Bacapres Bicara Gagasan. Metode penelitian ini adalah kuantitatif deskriptif dengan memanfaatkan angket. Teknik analisa data menggunakan tabulasi data yang kemudian dideskripsikan. Hasil penelitian menunjukkan remaja akhir menyadari adanya reaksi fisik, emosional, dan kognitif. Remaja akhir berpendapat melalui tayangan 3 Bacapres Bicara Gagasan membantu mereka mengetahui visi, misi, gagasan serta perbedaan pandangan Anies, Ganjar, dan Prabowo. Remaja akhir menilai Anies Baswedan sebagai sosok paling unggul berdasarkan penampilan dalam tayangan tersebut.
Tantangan Profesi Jurnalis Perempuan dalam Liputan di Wilayah Konflik Widyaningtyas, Mia Dwianna; Abdullah, Aceng; Karlinah, Siti; Priyatna, Aquarini
Jurnal Ilmu Komunikasi Vol 21 No 2 (2023): Agustus 2023
Publisher : Univeritas Pembangunan Nasional "Veteran" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31315/jik.v21i2.7725

Abstract

Penelitian ini membahas profesi jurnalis perempuan Indonesia dalam meliput di wilayah konflik. Pemberitaan konflik merupakan tantangan berat bagi jurnalis, khususnya jurnalis perempuan. Kajian tentang perempuan menjadi perhatian utama banyak peneliti karena pengalaman hidup perempuan merupakan bentuk pengetahuan yang penting. Artikel ini bertujuan mengungkap pengalaman jurnalis perempuan dalam meliput konflik, perandan keberadaan Perempuan di dunia jurnalistik. Pendekatan yang digunakan adalah pendekatan kualitatif dengan jenis penelitian fenomenologi. Pemilihan jenis penelitian ini secara khusus dapat mengungkap pengalaman jurnalis perempuan dalam melaporkan konflik. Subjek penelitian ini adalah lima (5) jurnalis perempuan Indonesia yang berpengalaman dalam meliput konflik. Kajian ini menghasilkan konsep terkaitpengalaman jurnalis perempuan dan tantangan selama meliput di wilayah konflik, posisi jurnalis Perempuan di zona konflik, pengalaman terkait strategi jurnalis perempuan dalam menghadapi tantangan dalam peliputan konflik. Hasil penelitian menunjukkan bahwa jurnalis perempuan mampu meliput konflik meskipun berstatus minoritas dan fakta bahwa kemampuannya dipertanyakan karena identitasnya sebagai perempuan. Agar berhasil meliput konflik, jurnalis perempuan harus bekerja lebih keras daripada jurnalis laki-laki. Perempuan dapat meliput dari perspektif yang berbeda yakni perspektif perempuan yang tidak dimiliki oleh jurnalis laki-laki. Penelitian ini memberi kontribusi kepada jurnalis untuk memahami dan menghargai pekerjaan jurnalis perempuan di wilayah konflik.
Mobilizing the Digital Opinion Movement #OraSudiSumbangIKN on Twitter Anbarini, Ratih; Adi Wibowo, S. Kunto; Asri Sjarifah, Nuryah; Abdullah, Aceng
Jurnal Komunikasi Vol. 15 No. 1 (2023): Jurnal Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Tarumanagara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24912/jk.v15i1.19187

Abstract

This study examines the role of #OraSudiSumbangIKN in shaping digital opinion support mobilization movements, measuring the effectiveness of digital networks, actors, and opinions on social media. The hashtag #OraSudiSumbangIKN emerged after the government's plan to form a crowdfunding scheme from the community to construct the National Capital City (Ibu Kota Negara/IKN) Nusantara. Using social media network (SMNA) analysis and Digital Opinion Movement theory, this study examines how these hashtags mobilize the digital opinion support of social media users. The study included 10,000 tweets on Twitter that were taken and analyzed using the Netlytic and Gephi web. The study found that conversations on #OraSudiSumbangIKN hashtags were not dominated by dominant actors. This finding confirms that the hashtag meets the Digital Movement of Opinion (DMO) characteristics, which are spontaneous and not organized by social media users. This hashtag also has other DMO characteristics, which are short-lived, and comments are homogeneous. In addition, the high number of tweets on hashtags can also be explained because they have a strong narrative and emotional side. This research has implications for the selection of interesting narratives and hashtags that need to be considered by social media activists or individuals to be able to create opinion mobilization on social media. In addition, the findings can be an illustration for the government and academics or experts in the field of public policy in determining the next policy so as not to provoke negative public opinion. 
STUDI KASUS IKLAN POLITIK PASANGAN AHER-DEDDY PADA MASA PEMILU GUBERNUR DAN WAKIL GUBERNUR JAWA BARAT TAHUN 2013 DI TELEVISI NASIONAL INDONESIA: STUDI KASUS IKLAN POLITIK PASANGAN AHER-DEDDY PADA MASA PEMILU GUBERNUR DAN WAKIL GUBERNUR JAWA BARAT TAHUN 2013 DI TELEVISI NASIONAL INDONESIA Mohamad Permana, Rangga Saptya; Abdullah, Aceng; Mahameruaji, Jimi Narotama
KABUYUTAN Vol 1 No 2 (2022): Kabuyutan, Juli 2022
Publisher : PT. RANESS MEDIA RANCAGE

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61296/kabuyutan.v1i2.35

Abstract

Dalam konteks komunikasi politik, iklan merupakan salah satu upaya untuk “memasarkan” diri dan pesan-pesan politik dari para calon pemegang kekuasaan atau bahkan pihak yang berkuasa untuk mendapatkan dan/atau mempertahankan kekuasaan. Sebagai seorang incumbent pada saat itu, Ahmad Heryawan (Aher) beriklan kembali dengan tujuan untuk melanggengkan kekuasaannya di Jawa Barat. Untuk mempertahankan kekuasaannya, ia juga menggaet Deddy Mizwar (Deddy)—yang notabene seorang aktor kawakan Indonesia—untuk mendampinginya sebagai wakil gubernur pada saat itu. Tujuan dari kajian dalam artikel ini adalah untuk menjelaskan bagaimana iklan-iklan politik pasangan Aher-Deddy yang ditayangkan di televisi-televisi nasional Indonesia pada masa pemilu Gubernur dan Wakil Gubernur Jawa Barat tahun 2013 berhasil menjadi salah satu “senjata ampuh” dalam misi mereka meraih kursi kepemimpinan di Jawa Barat pada saat itu. Kajian ini menggunakan metode deskriptif-kualitatif, dengan memfokuskan riset pada iklan-iklan televisi pasangan Aher-Deddy disertai analisis dengan menggunakan konsep-konsep komunikasi politik. Hasil menunjukkan bahwa iklan politik yang disebarkan oleh Aher dan Deddy bertujuan untuk membentuk citra positif di tengah masyarakat Jawa Barat. Dengan iklan politik, mereka menggugah kesadaran khalayak akan eksistensi mereka di dunia politik. Selain itu, iklan politik Aher-Deddy juga bertujuan untuk mempertebal kesetiaan anggota dan simpatisan Partai Keadilan Sejahtera (PKS) terhadap diri mereka sekaligus mengajak masyarakat non-partai untuk memilih mereka. Iklan politik yang mereka sebarkan secara intensif pada tahap primary dalam The Communicative Functions Model bertujuan untuk bersaing secara langsung dengan empat pasangan kandidat cagub dan cawagub Jabar dalam merebut perhatian masyarakat Jabar.
Exploring media consumption behavior through the role of social influence and hedonic motivation in anime binge-watching and cosplay participation Burhan, Panjibrata; Abdullah, Aceng; Priyatna, Centurion Chandratama
Jurnal Praksis dan Dedikasi Sosial Vol. 8 No. 1 (2025)
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um022v8i12025p197-205

Abstract

Anime binge-watching has emerged as a significant cultural trend, yet the pathway from this activity to active participation in cosplay remains insufficiently studied. This research explores how social influence and hedonic motivation contribute to this transition, offering broader insights into media consumption and fan engagement behaviors. Employing a quantitative survey approach, data were collected from 412 followers of Rafcreative, an Instagram-based community actively engaged in anime and cosplay events. The study utilizes path analysis through AMOS to examine the direct and indirect effects of social influence and hedonic motivation on cosplay participation, with binge-watching behavior as a mediating factor. The findings show that anime binge-watching plays a key mediating role between both social influence and hedonic motivation about cosplay engagement. Social influence positively impacts both binge-watching and cosplay participation, while hedonic motivation exerts an even more substantial influence on binge-watching and indirectly enhances cosplay involvement. These results underscore the importance of enjoyment-driven and socially influenced behaviors in shaping the experiences of anime fans. The study advances our understanding of fan engagement by outlining how media consumption can evolve into participatory practices, offering practical implications for event organizers and media producers seeking to build deeper connections within anime fan communities.
Pengunaan Kartun Editorial oleh Poliklitik.com sebagai Bentuk Praktik Jurnalisme Alternatif Afandi, Muhammad; Abdullah, Aceng
Jurnal Kajian Jurnalisme Vol 1, No 2 (2018): Kajian Jurnalisme
Publisher : Journalism Study Program, Faculty of Communication Sciences, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1018.653 KB) | DOI: 10.24198/jkj.v1i2.21338

Abstract

Penelitian ini bertujuan untuk mengetahui latar belakang pendirian Poliklitik.com, mengetahui manajemen strategi media yang dibangun Poliklitik.com dan mengetahui kualitas jurnalistik yang dihasilkan oleh Poliklitik.com. Analisis strategi ini ditinjau dari aspek internal dan eksternal Poliklitik.com dengan menggunakan kerangka strategi manajemen media Sylvia M. Chan – Olmsted. Untuk menguraikannya, peneliti menggunakan metode penelitian kualitatif dengan pendekatan studi kasus intrinsik. Hasil penelitian ini menunjukan penggunaan kartun editorial sebagai konten utamadigunakan  oleh Poliklitik.com sebagai bentuk praktik jurnalisme alternatif di tengah dominasi media arus utama. Strategi tersebut diformulasikan berdasarkan aspek eksternal, yakni perkembangan teknologi dan informasi, serta aspek internal yang meliputi sumber daya utama selaku kekuatan utama Poliklitik.com. Simpulan penelitian adalah Poliklitik.com lahir sebagai sebuah media alternatif dengan menggunakan konten kartun editorial agar dapat memberi pengaruh kepada anak muda. Sementara untuk kualitas jurnalistik yang dihasilkan oleh Poliklitik.com sudah memperhatikan kaidah-kaidah jurnalistik namun belum cukup kredibel karena menggunakan teknik agregasi dan kurasi.
Democracy on Social Media: The Analysis of the New Criminal Code Ratification Polemic on Twitter Anbarini, Ratih; Abdullah, Aceng; Sjafirah, Nuryah Asri
Jurnal Kajian Jurnalisme Vol 7, No 1 (2023): KAJIAN JURNALISME
Publisher : Journalism Study Program, Faculty of Communication Sciences, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkj.v7i1.46588

Abstract

The new Criminal Code (Kitab Undang-undang Hukum Pidana/KUHP) passage on December 6, 2022, sparked a significant conversation on Twitter, with pro and con responses making it a trending topic. Among these responses, certain influential actors disseminated messages that had the potential to shape public opinion, even if the information was not always accurate. This research utilizes social network theory to map the conversations surrounding netizens’ reactions to the new Criminal Code ratification on social media platforms. The study employs descriptive social network analysis methods to analyze three key variables: network structure, groups, and actors. Data was collected using NodeXL Pro between December 6 to December 10, 2022. The findings revealed that although the network consisted of 25,245 actors and 59,396 relationships, the level of interconnectivity among actors was relatively loose, indicating weaker and mostly one-way relationships. Furthermore, influential actors came from diverse backgrounds and profiles. This research confirms the ability of social media platforms to connect individuals without physical face-to-face interactions. At the group level, discussions regarding the new Criminal Code were divided into various topics, highlighting different perspectives and opinions. The presence of diverse actors reflects the inclusive nature of the network, exemplifying the concept of digital opinion movements and the emergence of digital public spaces. Although the public protests did not change the government’s decision, the conversations among netizens regarding the new Criminal Code raised public awareness of national issues, a crucial aspect of digital democracy.
Adaptation of Convergence by Local Media Pikiran Rakyat and AyoBandung.com Fadillah, Ridwan Saleh; Abdullah, Aceng; Besman, Abie
Jurnal Kajian Jurnalisme Vol 6, No 1 (2022): KAJIAN JURNALISME
Publisher : Journalism Study Program, Faculty of Communication Sciences, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/jkj.v6i1.39193

Abstract

Convergence occurs because of the development of the internet, social media, and digital technology. In the realm of journalism, convergence refers to the practice of producing, distributing, and consuming content for multiple platforms in the form of text, photos, and videos by a single newsroom. The development of technology then gave birth to many disturbances and possibilities. Convergence challenges the media industry’s already stable business model to adapt to changes. The purpose of this study is to discuss and compare how the adaptation and application of convergence that the local media “Pikiran Rakyat” and AyoBandung.com have tried to use using convergence theory in Rich Gordon’s media organization. This research uses a case study method with a comparative qualitative approach that tries to explain how the application of convergence to “Pikiran Rakyat” and AyoBandung.com and compares how the two media put it into practice. The results showed that; the ownership of “Pikiran Rakyat” and AyoBandung.com adapted convergence by creating media groups and targeting local media as branches or media partners; on tactics, “Pikiran Rakyat” and AyoBandung. com cooperate in news creation with branches or partners and other media, both media focus on programmatic advertising as a source of income; on the structure, “Pikiran Rakyat” and AyoBandung.com implement newsroom 3.0; in gathering information, the journalists of Pikiran Rakyat and AyoBandung.com in carrying out their coverage only required to bring a smartphone; at the presentation, “Pikiran Rakyat” and AyoBandung. com carried out the action of packaging content to various platforms.