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All Journal Pattingalloang : Jurnal Pemikiran Pendidikan dan Penelitian Kesejarahan Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Jurnal DIDIKA: Wahana Ilmiah Pendidikan Dasar Panggung Educatio Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Walasuji : Jurnal Sejarah dan Budaya
Syahrul Amar
Universitas Hamzanwadi
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Nilai-Nilai Kearifan Lokal dalam Tari Gagak Mandiq dan Relevansinya terhadap Kehidupan Sosial Masyarakat Lenek Daya Lombok Timur Nurul Hikmah; Syahrul Amar; Suhupawati Suhupawati; Lalu Wahyu Andi Purnama
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Vol 11 No 4 (2025): Desember
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/jhm.v11i4.36570

Abstract

Traditional dance is a cultural archive that preserves the knowledge, values, and life orientation of its supporting community. This study examines the history of the Gagak Mandiq Dance, identifies local wisdom represented through its performance elements, and analyzes its relevance to the social life of the Lenek Daya community in East Lombok. A qualitative field-research design was employed. Data were collected through observation, in-depth interviews with nine informants representing the village government, art studio management, performers, community leaders, residents, and youth, as well as documentation. Data analysis involved reduction, display, and conclusion drawing, while source and technique triangulation were used to strengthen credibility. The findings show that Amaq Raya created the Gagak Mandiq Dance in 1956 after observing a crow bathing. The movements of ngindang, nyengkeng, bowing, flapping, trembling, and cleansing the body form a symbolic system that communicates balance between humans and nature, ecological awareness, humility, patience, courage, physical and spiritual purity, togetherness, mutual cooperation or besiru, and proper conduct. These values remain relevant because they are connected to the practices of besiru and begibung, character education for younger generations, religiosity, communal identity, and village social activities. Preservation through the Teruna Bebadosan Art Studio, village-government support, education, digital documentation, and adaptive performance packaging is therefore necessary. Adaptation should improve accessibility and attractiveness without separating the dance from the meanings, memories, and social practices through which the Lenek Daya community recognizes it as a living cultural identity.
The Arts of Klenang Nunggal and Social Change in Pringgasela, East Lombok Naharudin; Abdul Rasyad; Muhammad Shulhan Hadi; Syahrul Amar; Hanapi; Salman Alfarisi
PANGGUNG Vol 36 No 3 (2026): Reimagining Arts and Culture: Tradition, Innovation, and Social Transformation
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i3.4520

Abstract

This study examines the historical transformation of Klenang Nunggal and its relationship with social change in Pringgasela, East Lombok, from 1990 to 2024. It aims to reconstruct the changing existence and functions of Klenang Nunggal and to explain how the Pringgasela community responded to its decline and revitalisation amid broader sociocultural changes. This study employs the historical method, consisting of heuristics, source criticism, interpretation, and historiography, combined with a cultural and art-history approach. Data were collected through in-depth interviews with artists, community leaders, village government representatives, and local residents, supplemented by observation and documentation. The findings reveal four historical phases in the development of Klenang Nunggal: transition (1990–1999), when it emerged as a replacement for Rebana and became embedded in Sasak traditional processions; decline (2000–2010), characterised by decreasing performances and public interest; hiatus (2010–2020), when deteriorating instruments and weak intergenerational transmission brought the tradition close to disappearance; and revitalisation (2020–2024), driven by the Dongdala Festival, Sanggar Mahapati, village government support, and renewed youth participation. Revitalisation also transformed Klenang Nunggal primarily serving as musical accompaniment for traditional rituals into a marker of cultural identity and a cultural tourism attraction. Viewed through Talcott Parsons’ structural-functional framework, its survival reflects processes of adaptation, collective goal attainment, social integration, and cultural transmission. This study contributes to the historiography of Sasak performing arts by demonstrating that the continuity of traditional music is not merely a process of cultural preservation but a dynamic historical transformation shaped by community agency, institutional support, intergenerational regeneration, and the reconfiguration of tradition within cultural tourism.
Transformasi Rumah Panggung dan Perubahan Sosial Masyarakat Pesisir Tanjung Luar Lombok Timur, 1998-2024 Nurul Iswara Restu; Syahrul Amar; Muhammad Shulhan Hadi; Lalu Murdi
Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Vol 9 No 3 (2025): Desember
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/fhs.v9i3.36580

Abstract

Stilt houses represent both ecological adaptation and an important social space for the coastal community of Tanjung Luar, East Lombok Regency. Since the late 1990s, however, this dwelling type has increasingly shifted toward semi-permanent and concrete houses. This study explains the historical roots of stilt houses, the factors driving their transformation, and the resulting social changes during 1998-2024. It employed a qualitative historical method consisting of heuristics, source criticism, interpretation, and historiography. Data were collected through observation, documentation, village-profile records, and interviews with ten informants, including village officials, community figures, fishers, a builder, stilt-house residents, and other coastal inhabitants. The findings show that stilt houses were rooted in the migration and traditions of Bajo, Bugis, Mandar, and Makassar communities that settled in Tanjung Luar before the establishment of the nineteenth-century colonial port. Housing transformation was mainly driven by the high cost of durable timber, limited material availability and logging permits, growing household size, demands for additional rooms, and preferences for modern comfort and appearance. The shift reduced the function of the underfloor area as a gathering place, storage space for fishing equipment, communal kitchen, and locus of mutual assistance in house construction. Nevertheless, social relations did not disappear entirely, while the nyelamaq di lauq maritime ritual continues to retain a traditional stilt house as a cultural symbol. The study highlights the need for adaptive conservation that preserves elevated construction and communal space while accommodating contemporary housing requirements.
Bugis Migration to Labuhan Lombok: Social-Economic Adaptation and Maritime Transformation Lukmanul Hakim; Syahrul Amar; Muhammad Shulhan Hadi; Lalu Murdi
Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Vol 8 No 3 (2024): Desember
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/fhs.v8i3.36587

Abstract

This article examines Bugis migration to Labuhan Lombok and explains how migrant families built durable social, economic, and maritime lives in a Sasak coastal environment. The article is developed from a qualitative historical study using oral testimony, observation, documents, and relevant literature. Four stages of historical method were applied: heuristics, source criticism, interpretation, and historiography. The thesis records fourteen informants from Bugis and Sasak settlements in Labuhan Lombok. The findings identify two principal migration contexts: trade-oriented mobility associated with nineteenth-century inter-island commerce and family displacement connected to insecurity in South Sulawesi during the 1950s. Settlement was sustained through kinship chains, proximity to the sea, common Islamic affiliation, everyday exchange, interethnic marriage, and respect for local norms. Economic adaptation relied on fishing, diving, fish and shrimp-paste trading, and inter-island commerce. Maritime practices also changed from wind-powered sailing and experiential navigation to motorized boats, global positioning systems, generators, and more commercialized fish marketing. The Bugis presence in Labuhan Lombok should therefore be understood not merely as population movement, but as a locally negotiated maritime adaptation in which inherited knowledge, migrant networks, and technological change combined to produce interethnic integration and coastal economic transformation.
Co-Authors Abdul Rasyad Andi Sulastri Badarudin Baiq Nurul Hidayati Safitri Bambang Eka Saputra Dhea Himawati Fetridawati, Fetridawati Hanapi Hanapi, Hanapi Husnayati Husnayati Husnul Mukti Lalu Murdi Lalu Wahyu Andi Purnama Lukmanul Hakim M. Paisal Wadi Mardiana Mardiana Muhammad Izza Mahendra Muhammad Shulhan Hadi, Muhammad Shulhan Naharudin Novi Sa’diah Nurul Hikmah Nurul Iswara Restu Rohini Rohini Salman Alfarisi SUHARTIWI SUHARTIWI Suhartiwi, Suhartiwi Suhupawati, Suhupawati Zidni, Zidni Zulfikri Zulfikri