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All Journal Pendas : Jurnah Ilmiah Pendidikan Dasar Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences International Journal of Educational Research and Social Sciences (IJERSC) YASIN: Jurnal Pendidikan dan Sosial Budaya Deliberatio : Jurnal Mahasiswa Komunikasi Seloka: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Marselus Robot
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Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Analisis Gaya Bahasa Sarkasme dan Satire dalam Novel “Orang-Orang Oetimu” Karya Felix K. Nesi Djeni Novianti Debora Lona; Marselus Robot; Narantoputrayadi Makan Malay
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.10564

Abstract

Sarcasm and satire in literary works serve as means of conveying social criticism with contextual and profound meanings. This study aims to describe the forms of sarcasm and satire and to reveal the meanings contained in the novel Orang-Orang Oetimu by Felix K. Nesi. The study employed a qualitative descriptive method with a stylistic approach. The research data consisted of words, phrases, sentences, and dialogues containing sarcasm and satire. The data were collected through critical reading, coding, and note-taking and were then analyzed by identifying, classifying, and interpreting their meanings based on the context of the story. The results revealed 27 instances of sarcasm and 11 instances of satire. Sarcasm was used to express anger, insult, disappointment, and criticism directly through harsh and sharp words. Meanwhile, satire was used to convey indirect social criticism of social, political, moral, and societal behavioral issues. The findings showed that sarcasm was used more dominantly than satire. In addition, the use of local terms from Timorese communities strengthened the linguistic characteristics and the expression of criticism in the novel. This study confirms that figurative language in Orang-Orang Oetimu functions not only as an aesthetic element but also as a medium of social criticism and meaning construction. These findings contribute to the development of stylistic studies and literary analysis, particularly in understanding the functions of sarcasm and satire in representing social realities.
Analisis Deiksis Eksofora dalam Novel “Bulan Patah” Karya Maria Matildis Banda Caesilia Syrilla; Marselus Robot; Margareta P.E. Djokaho
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.10732

Abstract

Pragmatic studies, particularly exophoric deixis, are important for understanding the meanings of utterances that refer to contexts outside the text in literary works. The novel Bulan Patah by Maria Matildis Banda contains various forms of exophoric deixis that contribute to constructing meaning and clarifying the relationships among characters, time, place, and social situations in the story. This study aims to describe the use of exophoric deixis in the novel Bulan Patah by Maria Matildis Banda. The study employed a qualitative descriptive method with a pragmatic approach based on Bambang Kaswanti Purwo’s theory of deixis. The data source was the novel Bulan Patah, while the data consisted of words, sentences, and paragraphs containing exophoric deixis. The data were collected through a literature review and coding cards and were then analyzed by identifying and classifying the forms of deixis based on the context of the utterances. The results showed that exophoric deixis in the novel included person, place, time, and social deixis. A total of 929 instances of person deixis, 57 instances of place deixis, 106 instances of time deixis, and 652 instances of social deixis were identified. The use of these forms of deixis functions as a referential marker whose interpretation depends on the context of the speech situation, including the speaker, interlocutor, time, place, and social relationships. These findings confirm that exophoric deixis helps readers understand the meanings of utterances more accurately while clarifying the relationships among characters, spatial and temporal settings, and social situations in the novel. This study contributes to the development of pragmatic studies and can be used as a research reference and teaching material in Indonesian language and literature education.
Analisis Gaya Bahasa dalam Kumpulan Cerita Rakyat Adonara Maria Viviana Kewa Sua; Marselus Robot; Labu Djuli
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.10733

Abstract

Adonara folktales are an oral literary heritage containing cultural, moral, and social values passed down from generation to generation. However, studies on figurative language in Adonara folktales remain limited because previous research has focused primarily on themes and moral values. This study aims to analyze the types of figurative language and the meanings contained in a collection of Adonara folktales through a stylistic approach. The study employed a qualitative descriptive method with a stylistic approach. The data sources were the book Kumpulan Cerita Rakyat Adonara and accounts provided by informants, while the research data consisted of words, phrases, and quotations containing figurative language. The data were collected through documentation and interviews, with informants selected using purposive sampling, and were subsequently analyzed descriptively based on stylistic theory. The results showed that three folktales, namely Asal Usul Lamawolo, Asal Mula Waikebo, and Kwewa Wu’u, contained repetition, personification, symbolism, enumeration, allonym, bombast, euphemism, and metaphor, which belonged to the categories of comparative, emphatic, and contradictory figurative language. The use of these forms of figurative language serves to enhance the aesthetic presentation of the stories, clarify meanings, create atmosphere, and convey the cultural values and moral messages of the Adonara community. These findings confirm that figurative language plays an important role in strengthening aesthetic value while representing the cultural identity and local wisdom of the Adonara community. This study contributes to the development of stylistic studies on regional literature and encourages greater appreciation and preservation of folktales as part of the nation’s cultural heritage.
Trauma Psikologis dalam Novel Namaku Alam Karya Leila Salikha Chudori (Pendekatan Psikologi Sastra) Kholijah Safirah; Marselus Robot; Karolus Budiman Jama
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.10735

Abstract

The representation of psychological trauma in literary works is important to examine in order to understand the effects of political violence, social stigma, discrimination, and intergenerational trauma on individuals’ lives. This study aimed to describe the forms of psychological trauma experienced by the characters in the novel Namaku Alam by Leila Salikha Chudori and identify the symptoms of Post-Traumatic Stress Disorder (PTSD) in the character Segara Alam. The study employed a qualitative descriptive method with a literary psychology approach. The data source was the novel Namaku Alam, published by Kepustakaan Populer Gramedia. Data were collected using reading and note-taking techniques and subsequently analyzed through the stages of identification, classification, interpretation, and validation based on psychological trauma theory and the PTSD criteria in the DSM-5-TR published by the American Psychiatric Association. The results showed that the psychological trauma experienced by the characters included interpersonal trauma and attachment trauma. Interpersonal trauma was experienced by the characters Ibu, Segara Alam, Bimo, and Kenanga as a result of violence, intimidation, loss, and sociopolitical pressure. Attachment trauma was experienced by Om Aji, Bimo, and Kenanga as a result of disrupted emotional relationships with family members and significant others due to political stigma and family separation. Segara Alam also exhibited PTSD symptoms comprising intrusion, avoidance, negative alterations in cognition and mood, and alterations in arousal and reactivity. These findings confirm that the political violence of 1965 not only caused individual psychological trauma but also affected family relationships and generated intergenerational trauma. This study contributes to the development of literary psychology studies and broadens the understanding of representations of the psychological impacts of political violence and intergenerational trauma in literary works.
Alienasi Perempuan pada Novel Pasola Karya Maria Matildis Banda (Pendekatan Psikologi Sastra) Natalia Santiari Henuk; Marselus Robot; Karolus Budiman Jama
YASIN Vol 6 No 5 (2026): YASIN: Jurnal Pendidikan dan Sosial Budaya
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/yasin.v6i5.10736

Abstract

The novel Pasola by Maria Matildis Banda represents the lives of women who experience various forms of alienation due to patriarchal culture, social norms, and traditions that restrict their freedom. This study aims to describe the forms, causal factors, and impacts of alienation experienced by the female characters in the novel. The study employed a qualitative approach using a descriptive method and a literary psychology perspective based on Erich Fromm’s theory of alienation. The data source was the novel Pasola, while the data consisted of textual passages representing female alienation. The data were collected through documentation and coding techniques and were then analyzed through the stages of identification, classification, and interpretation. The results revealed 31 instances encompassing two forms of alienation, four causal factors, and four impacts of alienation. The forms of alienation consisted of alienation from oneself (self-alienation) and social alienation. The factors causing alienation included transcendence, rootedness, relatedness, and frame of orientation and devotion. The impacts of alienation included self-alienation, stress, anxiety and depression, superficial social relationships, and the loss of autonomy and creativity. These findings indicate that the female characters in the novel experience alienation due to the dominance of social systems and patriarchal culture that restrict their freedom, identity formation, and social relationships. This study contributes to the development of literary psychology studies, particularly the application of Erich Fromm’s theory of alienation, and enriches the understanding of the representation of women’s psychological experiences in Indonesian literary works.
Co-Authors Adam Bol Nefu Benu Caesilia Syrilla Darius Mauritsius Djeni Novianti Debora Lona Evrasia Kristina Timbu Fulgentino Kelvin Sanatalen Imelda H. E. Rimo Jama, Karolus Budiman Jimron Tamonob Karus Maria Margareta Kholijah Safirah Kristina Natalia Kodhe Kristina Rejoice Malelak Belan Labu Djuli Laurensia Ela Puspita Lusia Yunita Loe Margareta Margareta P.E Djokaho Margareta P.E. Djakaho Margareta P.E. Djokaho Maria Viviana Kewa Sua Narantoputrayadi Makan Malay Natalia Santiari Henuk Pere, Maria Florentina Swan, Maria V.D.P