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Journal : Journal of Aesthetics, Design, and Art Management

THE AESTHETICS OF RENTENG DANCE Anak Agung Gde Agung Indrawan; I Ketut Sariada; Ni Made Arshiniwati
Journal of Aesthetics, Design, and Art Management Vol. 3 No. 2 (2023): Journal of Aesthetics, Design, and Art Management
Publisher : Yayasan Sinergi Widya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58982/jadam.v3i2.526

Abstract

Purpose: The Renteng dance in Saren I Hamlet, Nusa Penida, Klungkung, Bali has a very simple form. As a work of art, this dance does not explicitly show beautiful power, but implicitly, it can create beauty based on the qualities it has. This research aims to reveal, describe and understand the aesthetics of the Renteng dance in Saren I Hamlet, Nusa Penida, Klungkung, Bali. Research methods: The method used in this research is qualitative utilizing data collection techniques in the form of observation and documentation. The results of this research show that the aesthetics of the Renteng dance in Saren I Hamlet, Nusa Penida, Klungkung, Bali can be seen through unity, diversity, and intensity. Findings: The aesthetics contained in the Renteng dance through its three beautiful characteristics illustrate that no matter how simple the dance is, it will still create an aesthetic experience. The aesthetic experience of this dance can be seen through the unity of the elements or forming elements which are intertwined as a whole and single, and have a strong detailed effect that is carried out repetitively to create harmony. Implications: The aesthetics contained in the Renteng dance in Saren I Hamlet, Nusa Penida, Klungkung, Bali, through the three characteristics of beauty that have been discussed, illustrate that no matter how simple or simple the dance is, it will still create an aesthetic experience. The aesthetic experience of the Renteng dance in Saren I Hamlet, Nusa Penida, Klungkung, Bali can be seen through the unity of the elements or forming elements which are woven wholly and singly, and have a strong detailed effect which is carried out repetitively, thus creating harmony.
Co-Authors A.A.Ayu Mayun Artati Anak Agung Gde Agung Indrawan Anak Agung Gde Agung Indrawan Indrawan Andra Krisna Susanti, Ni Nyoman Ardhika, I Gusti Lanang Oka Artati, A.A.Ayu Mayun Ayana, I Wayan Deo Budiastomo, Denta Mandra Pradipta Cahyanthi, Ni Komang Putri Ciclia Indraningsih Jeno Desmi Kartiani, Ni Luh Dewi, I Gusti Ayu Agung Adi Sartika Diantara, I Putu Arya Eka Wahyuningsih, Ni Luh Putu Gst.Ayu Ketut Suandewi I Gede Arya Sugiartha I Gede Arya Sugiartha, I Gede Arya I Gede Mawan I Gusti Agung Sri Rwa Jayantini I Gusti Ayu Agung Adi Sartika Dewi I Gusti Lanang Oka Ardhika I Gusti Ngurah Seramasara, I Gusti Ngurah I Ketut Sariada I Ketut Sariada, I Ketut I Komang Rio Saputra Dinata I Wayan Mudra, I Wayan Ida Ayu Putri Widiastuti Ida Ayu Trisnawati, Ida Ayu Ida Bagus Gede Surya Peradantha Kadek Ayu Juni Aryani Kadek Krisna Dwipa Diartama Kadek Rendy Wiradana Laksmi Dewi, Ni Putu Putri Leslyani, Ni Putu Luh Risa Melliani Ni Ketut Suryatini Ni Ketut Suryatini Ni Ketut Suryatini, Ni Ketut Ni Komang Putri Cahyanthi Ni Luh Putu Eka Wahyuningsih Ni Luh Sustiawati Ni Made Ruastiti Ni Putu Ayu Rika Putri Dewi Ni Putu Ayu Rika Putri Dewi Ni Putu Leslyani Ni Wayan Juli Artiningsih, Ni Wayan Pande Gede Widya Supriyadnyana Pertiwi, Ni Wayan Eka Sri Putu Desi Anggerina Hikmaharyanti Santi, Heni Widya Sekar Arini, Ni Luh Ayu Sudarta, I Gusti Putu Sudibya, I Gusti Ngurah Suminto Suminto - Suminto Suminto Supriyadnyana, Pande Gede Widya Wayan Karja Widiastuti, Ida Ayu Putri Widnyana, Kompiang Gede Yanti Heriyawati Yulinis -