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Analisis Struktur dan Unsur Intrinsik dalam Drama Tradisional Nusantara Riska Sari Putri; Sella Marleoni; Tria Putri Andini; Wilidia Nanda Agustina; Wulan Gustina; Herlinda Herlinda
Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris Vol. 3 No. 2 (2025): June: Fonologi: Jurnal Ilmuan Bahasa dan Sastra Inggris
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/fonologi.v3i2.1822

Abstract

Traditional drama of the archipelago is one of Indonesia's cultural heritages that has an important role. This study aims to explore the plot structure and intrinsic elements in several forms of traditional drama in Indonesia. The study used a descriptive qualitative approach, with content analysis methods of scripts and performance documentation as the main data sources. The findings show that the plot of traditional drama generally consists of five narrative stages, namely introduction, emergence of conflict, climax, decline of tension, and resolution. Intrinsically, these dramas present universal themes such as justice, love, sacrifice and resistance to injustice, with characters clearly divided between good and evil. The plot tends to run chronologically, supported by settings that depict the real conditions of local communities, and dialog that is packaged in the form of rhymes, poems, or local languages. Moral messages are an important element in traditional dramas that strengthen local cultural values. Based on the results of the analysis, traditional Nusantara drama is proven to have a distinctive structure and rich intrinsic content, so it deserves more attention in the field of education and cultural preservation.
Analisis Struktural dan Tema dalam Naskah Drama Karya Eugene Ionesco Terjemahan W.S. Rendra Adinda Intan Mulya Prayetno; Agung Danuarta; Anisa Putri; Arum Fajar Rahmawati; Arvirelia Rahmatillah; Herlinda Herlinda
Mutiara : Jurnal Penelitian dan Karya Ilmiah Vol. 3 No. 3 (2025): Juni : Mutiara : Jurnal Penelitian dan Karya Ilmiah
Publisher : STAI YPIQ BAUBAU, SULAWESI TENGGARA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59059/mutiara.v3i3.2400

Abstract

Drama, as a form of literary work, plays a significant role in reflecting life values, social issues, and the psychological dynamics of human beings. Kakek dan Nenek (Grandfather and Grandmother), a play by Danarto, is a literary piece rich in philosophical and emotional meaning, portraying the complexity of human relationships, especially in old age. The background of this research is based on the importance of understanding the aesthetic, symbolic, and humanitarian messages embedded in dramatic works, particularly in the social and spiritual lives of the characters. The objective of this study is to analyze the structure, theme, characters, and symbols used in the play KAKEK dan NENEK, as well as to uncover the life values it conveys. This research employs a descriptive qualitative method with structural and semiotic approaches, where the data are derived from the original script and analyzed both textually and contextually. The findings reveal that the play not only illustrates the eternal love story between the two main characters but also implies social criticism, existential reflection, and the use of symbols such as a rose stem, a clock, and the sound of a baby to represent the life cycle, hope, and mortality. The dynamic, poetic, and emotionally rich dialogue structure enhances the reader's and viewer's experience in comprehending deeper meanings of life. Overall, the analysis shows that this play is a work of profound meaning, linguistic aesthetics, and strong narrative power.