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All Journal Jurnal Bahasa dan Sastra SASDAYA: Gadjah Mada Journal of Humanities Adabiyyat: Jurnal Bahasa dan Sastra Jurnal Basicedu Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Lingua Susastra Jurnal Basicedu Tsaqofah: Jurnal Penelitian Guru Indonesia Srawung: Journal of Social Sciences and Humanities AHKAM : Jurnal Hukum Islam dan Humaniora Asian Journal of Islamic Studies and Da'wah Persona: Kajian Bahasa dan Sastra BAHASTRA Journal of Education Language and Innovation Saka Bahasa: Jurnal Sastra, Bahasa, Pendidikan, dan Budaya
Siti Ainim Liusti
Universitas Negeri Padang
Religion Arts Humanities Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Public Health Social Sciences Other

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Indikasi Ujaran Kebencian Netizen dalam Kolom Komentar Akun Instagram @ahmadsahroni88: Kajian Linguistik Forensik Viony Salsabila; Haris Syukri; Ngusman; Siti Ainim Liusti
Journal of Education Language and Innovation Vol. 3 No. 3 (2025)
Publisher : Indonesian and Regional Language and Literature Department, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jeli.v3i3.179

Abstract

Perkembangan media sosial, khususnya Instagram, memicu meningkatnya fenomena ujaran kebencian di ruang digita. Kolom komentar media sosial tidak lagi hanya digunakan sebagai sarana menyampaikan opini, tetapi juga menjadi ruang munculnya berbagai bentuk serangan verbal yang berpotensi menimbulkan dampak sosial dan hukum. Penelitian ini bertujuan untuk mengidentifikasi jenis-jenis ujaran kebencian serta mengkategorikan efek sosial ujaran kebencian dalam kolom komentar akun Instagram @ahmadsahroni88 dengan pendekatan linguistik forensik. Penelitian ini menggunakan metode deskriptif kualitatif dengan data penelitian berupa komentar netizen yang mengandung unsur ujaran kebencian pada akun Instagram @ahmadsahroni88. Hasil penelitian menunjukkan bahwa terdapat 144 data ujaran kebencian yang terbagi ke dalam enam jenis, yaitu penghinaan (90 data), penghasutan (23 data), pencemaran nama baik (15 data), provokasi (10 data), penistaan (3 data), dan penyebaran berita bohong (3 data). Berdasarkan efek sosialnya, ujaran kebencian dikategorikan menjadi stigmatisasi (104 data), labeling (37 data), dan stereotip (4 data). Temuan penelitian menunjukkan bahwa penghinaan dan stigmatisasi merupakan bentuk yang paling dominan, yang mencerminkan kecenderungan netizen menyerang individu secara langsung serta membangun citra negatif melalui bahasa di media sosial. Penelitian ini berimplikasi pada pengembangan kajian linguistik forensik, khususnya dalam analisis ujaran kebencian di media sosial, serta dapat menjadi rujukan dalam meningkatkan literasi digital dan kesadaran masyarakat terhadap penggunaan bahasa yang etis di ruang digital.
Karakteristik Ungkapan Makian dalam Film Tuhan Izinkan Aku Berdosa Dina Rohadatul Aisy; Haris Syukri; Ngusman; Siti Ainim Liusti
Journal of Education Language and Innovation Vol. 3 No. 3 (2025)
Publisher : Indonesian and Regional Language and Literature Department, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jeli.v3i3.180

Abstract

Penelitian ini dilatarbelakangi oleh tingginya penggunaan ungkapan makian dalam media film sebagai sarana ekspresi emosi tokoh yang merefleksikan realitas sosial masyarakat. Permasalahan dalam penelitian ini adalah bagaimana bentuk, jenis, dan fungsi ungkapan makian dalam film Tuhan Izinkan Aku Berdosa. Penelitian ini bertujuan untuk mendeskripsikan bentuk, jenis, dan fungsi ungkapan makian yang digunakan para tokoh dalam film tersebut. Metode yang digunakan adalah metode deskriptif kualitatif dengan pendekatan sosiolinguistik. Data penelitian berupa tuturan yang mengandung ungkapan makian dalam dialog film Tuhan Izinkan Aku Berdosa. Sumber data penelitian berasal dari dialog para tokoh dalam film tersebut. Data dikumpulkan menggunakan metode simak dengan teknik catat, kemudian dianalisis dengan cara mengelompokkan data berdasarkan bentuk, jenis, dan fungsi ungkapan makian. Hasil penelitian menunjukkan bahwa ungkapan makian dalam film ini terdiri atas dua bentuk, yaitu bentuk kata dan bentuk frasa. Jenis makian yang ditemukan meliputi makian yang mengacu pada keadaan, binatang, makhluk halus, benda, bagian tubuh, kekerabatan, dan profesi. Fungsi ungkapan makian dalam film ini digunakan untuk mengekspresikan kemarahan, kejengkelan, keheranan, penghinaan, dan bercanda dalam interaksi antar tokoh. Implikasi penelitian ini menunjukkan bahwa penggunaan makian dalam film tidak hanya menjadi sarana pelampiasan emosi, tetapi juga mencerminkan relasi sosial, karakter tokoh, serta konteks situasi dalam alur cerita.
Tindak Tutur Ekspresif dalam Novel 00.00 Karya Ameylia Falensia Siska Triananda; Siti Ainim Liusti
AHKAM Vol 5 No 2 (2026): JUNI
Publisher : Lembaga Yasin AlSys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/ahkam.v5i2.9389

Abstract

Although studies on expressive speech acts in literary works have been widely conducted, research linking types of expressive speech acts with speech strategies in contemporary novels remains limited. This study aims to analyze the types of expressive speech acts and speech strategies in the novel 00.00 by Ameylia Falensia. This study employed a qualitative approach with a descriptive design. The research data consisted of 336 character utterances selected through purposive sampling. Data were collected using reading and note-taking techniques, then analyzed using the Miles and Huberman analysis model, which includes data reduction, data presentation, and conclusion drawing. The results showed that there were twelve types of expressive speech acts, with condemning as the dominant type, followed by criticism and complaining. In the aspect of speech strategies, five strategies were identified, with the dominant strategy being bald on-record speech without small talk. These findings indicate that language use in the novel is influenced by emotional conflicts among the characters, so that utterances tend to be delivered directly. This study contributes to the development of pragmatic studies, particularly those related to expressive speech acts and speech strategies in literary works, and also has practical implications for the teaching of Indonesian language and literature. Further research is recommended to expand the object of study and use a corpus-based approach in order to obtain more comprehensive results.
First Language Acquisition in a Three-Year-Old Child: A Phonological, Morphological, and Syntactic Analysis Atika Zikri; Siti Ainim Liusti; Agustina Agustina
Srawung: Journal of Social Sciences and Humanities Vol. 5 Issue 2 (2026)
Publisher : jfpublisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56943/jssh.v5i2.978

Abstract

This study investigates the first language acquisition of a three-year-old Indonesian-speaking child at the phonological, morphological, and syntactic levels of linguistic analysis. Despite the considerable body of research on early childhood language development, naturalistic acquisition studies focusing on Indonesian as a first language remain underrepresented in the cross-linguistic literature, leaving a gap in understanding of how developmental patterns documented in widely studied languages manifest in typologically distinct ones. This study employed a qualitative descriptive design, with data collected over three weeks through participatory naturalistic observation within the subject's habitual domestic environment. The research subject was selected through purposive sampling on the basis of age, monolingual Indonesian language background, and absence of documented developmental disorder. Data were analysed following the interactive model of Miles, Huberman, and Saldaña, comprising the stages of data condensation, data display, and conclusion drawing. The findings reveal three principal outcomes. At the phonological level, the subject consistently substituted the trill consonant /r/ with the lateral approximant /l/ and the alveolar fricative /s/ with the palatal affricate /c/, patterns that are developmentally normative and consistent with universal consonant acquisition hierarchies. At the morphological level, the subject demonstrated productive use of base lexical forms across multiple word classes, alongside emerging but grammatically incomplete use of verbal prefixes. At the syntactic level, the subject produced all four major sentence types, with declarative sentences occurring most frequently, followed by interrogative, imperative, and exclamatory forms. These findings extend the cross-linguistic evidence base for universalist accounts of early language development and offer practical implications for parents and early childhood educators in supporting children's linguistic growth during this critical developmental period.
Kesantunan Tindak Tutur Ekspresif Memuji dalam Kolom Komentar Akun Instagram Atika Elsa Witri; Siti Ainim Liusti
Asian Journal of Islamic Studies and Da'wah Vol 4 No 1 (2026): Asian Journal of Islamic Studies and Da'wah
Publisher : Darul Yasin Al Sys

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58578/ajisd.v4i1.9024

Abstract

Linguistic politeness in online interactions is an important indicator of the quality of social relations on social media, including in Instagram comment sections, which are widely used by netizens to express appreciation and support. This study aimed to describe the politeness of expressive speech acts of praising used by netizens in Instagram comment sections. A descriptive qualitative approach was employed, with data consisting of utterances containing praise in the comment sections of three Instagram accounts, namely @jharnabhagwani, @ma.rinpo, and @arriind_. The data were collected from photo and video posts uploaded during the period July–August 2025 using observation and documentation methods, then analyzed by applying Leech’s politeness principle, which comprises six maxims: the maxim of approbation, maxim of agreement, maxim of modesty, maxim of tact, maxim of sympathy, and maxim of generosity. The findings show that, from the 130 data points analyzed, all politeness maxims were identified, with the maxim of approbation being the most dominant, indicating that Instagram comment sections function as interaction spaces oriented toward providing appreciation and positive support. In addition, the situational context of the speech event, such as the relationship between speaker and hearer, communicative goals, and the characteristics of digital communication—influenced the realization of each politeness maxim. These results demonstrate that expressive speech acts of praising on Instagram not only represent speakers’ psychological attitudes but also play a role in maintaining politeness and building harmonious social relations in digital spaces.
ALIH KODE DAN CAMPUR KODE DALAM FILM BUMI MANUSIA EXTENDED: KAJIAN SOSIOLINGUISTIK Azrina Amelia; Siti Ainim Liusti
Saka Bahasa: Jurnal Sastra, Bahasa, Pendidikan, dan Budaya Vol. 3 No. 1 (2026): Saka Bahasa: Jurnal Sastra, Bahasa, Pendidikan, dan Budaya
Publisher : Jurusan Pendidikan Bahasa dan Seni Fakultas Keguruan dan Ilmu Pendidikan Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/sakabahasa.v3i1.2272

Abstract

This study aims to describe code-switching and code-mixing in the film Bumi Manusia Extended, focusing on two main aspects: (1) the types of code-switching and code-mixing, and (2) the factors causing code-switching and code-mixing within the film. A qualitative descriptive method was employed. The data consisted of dialogue containing instances of code-switching and code-mixing in the film. The results identified 76 instances: 45 cases of code-switching (based on the theory of Chaer and Agustina, 2010) and 31 cases of code-mixing (based on the theory of Suwito, 1985). Regarding the causes, the most dominant factor for code-switching was the interlocutor (22 instances), while the most dominant factor for code-mixing was the speaker (21 instances). These findings indicate that code-switching reflects the complexity of social and political relationships during the colonial era, whereas code-mixing arises from language exchanges frequently occurring within social interactions.   Penelitian ini bertujuan untuk mendeskripsikan alih kode dan campur kode dalam film Bumi Manusia Extended yang meliputi dua fokus utama: (1) jenis alih kode dan campur kode dan (2) faktor penyebab terjadinya alih kode dan campur kode dalam film Bumi Manusia Extended.  Penelitian ini menggunakan metode kualitatif dengan menggunakan metode deskriptif.  Data dalam penelitian ini adalah dialog yang didalamnya terdapat alih kode dan campur kode dalam film Bumi Manusia Extended. Hasil   penelitian menunjukkan ditemukan 76 data yang mencakup alih kode sebanyak (45 data) berdasarkan teori Chaer dan Agustina (2010) dan campur kode sebanyak (31 data) berdasarkan teori Suwito (1985). Adapun faktor penyebab terjadinya alih kode berdasarkan Chaer dan Agustina (2010) yang paling dominan adalah lawan bicara atau lawan tutur (22 data) dan faktor penyebab terjadinya campur kode berdasarkan teori Suwito (1985) yang paling dominan adalah faktor penutur (21 data). Temuan alih kode dan campur kode ini menunjukkan bahwa alih kode mencerminkan tingkat kompleksitas hubungan sosial dan politik masyarakat pada masa kolonial dan campur kode muncuk akibat pertukaran bahasa yang sering terjadi di lingkungan pergaulan.
Co-Authors Agustina Agustina Anasti, Huriyah Padhilah Andayani, Zri Atika Elsa Witri Atika Zikri Azahra, Siti Fatimah Azrina Amelia Cindy Arieska Dewi, Tiara Tri Dina Rohadatul Aisy Ellya Ratna Endriani, Gustia Erizal Gani Gauri, Darma Haris Syukri Hasanah, Nadya Huriyah Padhilah Anasti Ida Ayu Putu Sri Widnyani Ifani, Yulia Ishak Bagea Ismail Johana, Nadia Luci Komala Bintang Ngusman Ngusman Niken Jeniska Novia Juita Nursiah Nursiah Putri Maharani Ram, Siti Ramlah Ramadhan, Genta Ridha Hasnul Ulya Rini Agustina Putri Rizki Dewi Astuti Silvy Banetri Siska Triananda Srimutia Elpalina Viony Salsabila Yoni Syahara Yosi Amelia Putri Zulfariati, Zulfariati Zulfikarni Zulfikarni