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All Journal IBDA` : Jurnal Kajian Islam dan Budaya Refleksi: Jurnal Kajian Agama dan Filsafat Afkaruna: Indonesian Interdisciplinary Journal of Islamic Studies Ulul Albab: Jurnal Studi Islam Al-'Adalah Jurnal KALAM Hunafa: Jurnal Studia Islamika Al-Ulum Heritage of Nusantara: International Journal of Religious Literature and Heritage Al-Bayan: Jurnal Studi Al-Qur´an dan Tafsir SAMARAH: Jurnal Hukum Keluarga dan Hukum Islam Jurnal At-Tibyan: Jurnal Ilmu Alqur’an dan Tafsir Jurnal As-Salam AL-FANAR: JURNAL ILMU AL-QUR’AN DAN TAFSIR Al Furqan: Jurnal Ilmu Al Quran dan Tafsir SCAFFOLDING: Jurnal Pendidikan Islam dan Multikulturalisme Ushuluna: Jurnal Ilmu Ushuluddin Jurnal Bimas Islam SUHUF: Jurnal Pengkajian Al-Qur'an dan Budaya Jurnal Studi Agama Pendekatan Kebijakan Publik dalam Politik Pendidikan Islam Hunafa: Jurnal Studia Islamika IBDA': Jurnal Kajian Islam dan Budaya Edukasia: Jurnal Pendidikan dan Pembelajaran Ulumul Qur'an: Jurnal Kajian Ilmu Al-Qur'an dan Tafsir Islam Transformatif : Journal of Islamic Studies Al-Istinbath: Jurnal Hukum Islam Heritage of Nusantara: International Journal of Religious Literature and Heritage Al-Fahmu: Jurnal Ilmu Al-Qur'an dan Tafsir
Hasani Ahmad Said
Universitas Islam Negeri Syarif Hidayatullah Jakarta
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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Fazlur Rahman dan Teori Double Movement: Definisi dan Aplikasi Umair, Muhammad; Said, Hasani Ahmad
Jurnal test Vol 2 No 1 (2023): March
Publisher : Lembaga Penelitian dan Pengabdian Kepada Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (337.386 KB) | DOI: 10.58363/alfahmu.v2i1.26

Abstract

This paper discusses one of the Muslim intellectuals who played a major role in the development of the interpretation of the Koran, namely Fazlur Rahman. He is known for his theory of interpretation of the Koran which is called the double movement theory. This theory is interesting to discuss because it is a form of renewal of the methodology of interpreting the Koran in the modern era. So in this paper will be presented the definition of the theory and also how it is applied in life. Fazlur Rahman himself received religious education from an early age from his father and continued his studies to become a professor in the field of Islamic thought. This double movement theory has two movements, namely first by starting from looking at contemporary times towards the time when the Qur'an was revealed, then the second movement returns to the present. In general, this movement has a combination pattern of induction and deduction reasoning. This paper uses the method of analytical description of sources related to the research theme. So it can be concluded that the theory of the double movement is said to be relevant for use in the modern era where the meaning of the Koran becomes contextual and applicable. So that we are no longer trapped in the meaning of the Koran which is only textual. So it is hoped that in the future new contemporary interpretations of the Qur'an will emerge from this double movement theory.
PARTNER STANDARDIZATION IN THE TIKTOK ERA: AN ISLAMIC LEGAL CRITIQUE OF LOVE'S REDUCTION TO DIGITAL AESTHETICS Said, Hasani Ahmad; Syarifudin, Aip; Al Faruq, Abdillah Achmad; Achmad, Adang Darmawan; Qotadah, Hudzaifah Achmad
Jurnal As-Salam Vol. 9 No. 2 (2025): Jurnal As-Salam
Publisher : Asosiasi Dosen Perguruan Tinggi Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37249/assalam.v9i2.957

Abstract

In the modern digital world, TikTok has proved to be a formidable medium that not just entertains but also influences culture, perceptions of love, and romantic relationships. One of the main trends is the rise of standardized partners, in which ideas of companionship are increasingly built and judged through repetitive visual conventions, aesthetic criteria, and performance displays circulating on the site. This trend tends to simplify the meaning of love into surface-level terms that emphasize physical appearance, consumer symbols, and viral trends at the expense of the deeper aspects of affection, ethical commitment, and religious compatibility. This reductionism has profound consequences for youth, as it may create unattainable expectations, promote instability, and legitimize a culture of comparison that invalidates the authenticity of emotions. From the perspective of Islamic legal commentary, such developments call for serious thought. Islamic legal classics, such as the Qur'an and Prophetic traditions, prioritize moral excellence, religious piety, compatibility, and mutual respect as the core pillars for choosing a partner and marital stability. Prioritizing the aims of online aesthetics over such timeless values constitutes a marked shift away from Islamic values that aim to conserve human dignity and to advocate for a healthy family life that lasts. Through a qualitative and normative legal analysis, this paper explores the discord between TikTok-driven criteria for partner selection and the Islamic legal framework's principles of morality, religiousness, compatibility, and mutual respect. This study employs a normative qualitative (library) research approach under Islamic law and analyzes descriptively. The study finds that although TikTok facilitates a remaking of how people imagine love, it paradoxically renders the institution of marriage a trivial matter by turning the chosen ones into image commodities for consumption. Thus, this study highlights the need to shift the criteria for selecting a partner towards values that incorporate religion, morality, and deeper emotional realities, to augment the equilibrium between the trends of online culture on the one hand and the lofty goals of Islamic legal thought on the other.
PARTNER STANDARDIZATION IN THE TIKTOK ERA: AN ISLAMIC LEGAL CRITIQUE OF LOVE'S REDUCTION TO DIGITAL AESTHETICS Said, Hasani Ahmad; Syarifudin, Aip; Al Faruq, Abdillah Achmad; Achmad, Adang Darmawan; Qotadah, Hudzaifah Achmad
Jurnal As-Salam Vol. 9 No. 2 (2025): Jurnal As-Salam
Publisher : Asosiasi Dosen Perguruan Tinggi Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37249/assalam.v9i2.957

Abstract

In the modern digital world, TikTok has proved to be a formidable medium that not just entertains but also influences culture, perceptions of love, and romantic relationships. One of the main trends is the rise of standardized partners, in which ideas of companionship are increasingly built and judged through repetitive visual conventions, aesthetic criteria, and performance displays circulating on the site. This trend tends to simplify the meaning of love into surface-level terms that emphasize physical appearance, consumer symbols, and viral trends at the expense of the deeper aspects of affection, ethical commitment, and religious compatibility. This reductionism has profound consequences for youth, as it may create unattainable expectations, promote instability, and legitimize a culture of comparison that invalidates the authenticity of emotions. From the perspective of Islamic legal commentary, such developments call for serious thought. Islamic legal classics, such as the Qur'an and Prophetic traditions, prioritize moral excellence, religious piety, compatibility, and mutual respect as the core pillars for choosing a partner and marital stability. Prioritizing the aims of online aesthetics over such timeless values constitutes a marked shift away from Islamic values that aim to conserve human dignity and to advocate for a healthy family life that lasts. Through a qualitative and normative legal analysis, this paper explores the discord between TikTok-driven criteria for partner selection and the Islamic legal framework's principles of morality, religiousness, compatibility, and mutual respect. This study employs a normative qualitative (library) research approach under Islamic law and analyzes descriptively. The study finds that although TikTok facilitates a remaking of how people imagine love, it paradoxically renders the institution of marriage a trivial matter by turning the chosen ones into image commodities for consumption. Thus, this study highlights the need to shift the criteria for selecting a partner towards values that incorporate religion, morality, and deeper emotional realities, to augment the equilibrium between the trends of online culture on the one hand and the lofty goals of Islamic legal thought on the other.
Co-Authors Achmad, Adang Darmawan Ahbab, Muhammad Zamroni Akhyar Rifa'i, Muhammad Al Faruq, Abdillah Achmad Ali Abdul Wakhid Alif Ardianto Annas, Muhamad Annas Ardhi Ilhamul Birry Aristophan Firdaus Atssania Zahroh Desvia Nur Syafitri Dwi Setiowati Ferdiani, Nani Firdarini Hamka Hasan, Hamka Haq, Muhammad Rizqi Manarul Heni Noviarita Hirzumaula Muhammad, Rifki Ibnu Nur, Sunandar Jum Anggriani Jumaidil Awal Khodijah Samosir Lina Sobariyah M. Nainin, Dasrizal Moh. Mukri Muallifah Muallifah Muamar Muamar Muh. Akbar Nasrulah Muhamad Abdulkadir Martoprawiro Muhammad Fathur Rahman Munawar, Rosyid Nur Huda, Fauzan Ashar Qotadah, Hudzaifah Achmad Qurrata A'yun Ritonga, Budi Ramadhan Sahmin Madina Saputra, Rio Dwi Shidiq, Muhammad Iqbal Siti Nurul Adha Sunandar Ibnu Nur Suwandi Suwandi Syarifudin, Aip Tauhidah, Vieka Tsauri, M. Najib Umair, Muhammad Wahyudi, Ahmad Ilham