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All Journal Jurnal Pendidikan Bahasa Jepang Undiksha Lingua Cultura KEMBARA Journal of Applied Studies in Language Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Jurnal Sora: Pernik Bahasa Asing Janaru Saja : Jurnal Program Studi Sastra Jepang Reswara: Jurnal Pengabdian Kepada Masyarakat J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Omiyage: Jurnal Bahasa dan Pembelajaran Bahasa Jepang Jurnal Bahasa Jepang Taiyou MAHADAYA Jurnal Bahasa, Sastra, dan Budaya Jurnal Abdi Dharma Masyarakat LOKATARA SARASWATI Jurnal Bahasa Asing Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Jurnal Pengabdian Kepada Masyarakat Morfologi : Jurnal Ilmu Pendidikan, Bahasa, Sastra dan Budaya Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Masyarakat Mandiri: Jurnal Pengabdian Dan Pembangunan Lokal Kagami : Jurnal Pendidikan dan Bahasa Jepang
Ni Luh Gede Meilantari
Universitas Mahasaraswati Denpasar
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Dentistry Economics, Econometrics & Finance Education Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Wacana Trauma dalam Haiku Pascaperang Dunia II: Kajian Semiotika Budaya Lotman Ni Luh Gede Meilantari; Ni Putu Dini Febriyanti
Morfologi : Jurnal Ilmu Pendidikan, Bahasa, Sastra dan Budaya Vol. 3 No. 5 (2025): Oktober : Morfologi : Jurnal Ilmu Pendidikan, Bahasa, Sastra dan Budaya
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/morfologi.v3i5.2295

Abstract

This study examines the utilization of haiku as a form of response to postwar trauma through Kaneko Tota’s and Saito Sanki’s war-themed haiku. Following Japan’s defeat in World War II in 1945, a cultural shift occurred marked by transformation within traditional arts, particularly haiku, which became a significant medium for expressing traumatic historical and social experiences. Although both poets used haiku as a medium to express dissatisfaction and critique the socio-political conditions of the postwar period, they represented different generations and approaches in responding to postwar trauma. Saito, having directly experienced the trauma of war, developed a deconstructive strategy towards traditional haiku conventions. Meanwhile, Kaneko, belonging to the postwar generation, adopted a more radical approach in formal and semantic experimentation. These dual strategies not only embodied individual artistic responses to trauma but also contributed to a broader cultural project aimed at reconstructing Japan’s collective identity in the postwar era. Yuri Lotman’s cultural semiotics framework is employed to analyze the semiotic transformation dynamics in the poets' works. Lotman’s theory, with its key concepts of semiosphere, cultural text, and translation mechanisms, offers a comprehensive analytical tool for understanding the dynamics of sign systems and cultural meanings in World War II-themed haiku. From the analysis of five war-themed haiku, it is concluded that both poets constructed a collective trauma discourse. Rather than employing explicit descriptive narratives, the trauma discourse utilizes strong semiotic condensation strategies. Saito and Kaneko juxtaposed established cultural symbols and codes, such as Hiroshima as a metaphor of absolute destruction, the marathon as a symbol of life, breasts as a symbol of motherhood, and blooming flowers representing renewal into new surreal configurations that created novel meanings at the semiotic boundaries where tensions clashed.
Perubahan Bervariasi dalam Transformasi Novel Kokuhaku ke Film Ningsih, Eka Fitra; Meilantari, Ni Luh Gede
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 6 No 2 (2024): November 2024
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jltera.2024.6.2.6799

Abstract

This research is entitled "Variety Changes in the Transformation of Kokuhaku Novel into Film". This research aims to describe the various changes that occur in the transformation of Kokuhaku's novel into film, so that readers and viewers can see the comparison of these two works objectively. The data sources for this research are the novel Kokuhaku by Minato Kanae and the film Kokuhaku directed by Tetsuya Nakashima. Kokuhaku is the debut novel of the famous Japanese writer Minato Kanae in the psychological thriller genre. Both the novel and the film of Kokuhaku have won awards that show the public's appreciation for these two literary works. The research method used is descriptive qualitative method. The theory used in this research is the theory of ecranization by Eneste. The results of this study indicate that there are various changes in the transformation of Kokuhaku's novel into the film, including that important objects in the story are highlighted, and some parts are made to be more dramatic. These changes are due to the difference in media between the two literary works. The purpose of these changes is to make it easier for the audience to remember important things in the storyline and identify the characters in the Kokuhaku film.
PENERAPAN ATS SECARA DARING PADA MATA KULIAH BUNSHO HYOGEN Ni Luh Gede Meilantari
Kagami : Jurnal Pendidikan dan Bahasa Jepang Vol. 12 No. 1 (2021): Kagami: Jurnal Pendidikan dan Bahasa Jepang
Publisher : Universitas Negeri Jakarta

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Abstract

PENERAPAN ATS SECARA DARING PADA MATA KULIAH BUNSHO HYOGEN Ni Luh Gede Meilantari Universitas Mahasaraswati Denpasar meilantari@unmas.ac.id ABSTRAK Sejak awal tahun 2020, terjadi pandemi yang bersifat global, yaitu Covid-19. Pandemi ini mengubah paradigma sosial di masyarakat. Di Indonesia sendiri, saat pertama kali ditemukan kasus Covid-19 pada bulan Maret 2020, pemerintah mengeluarkan kebijakan tentang pembatasan kegiatan masyarakat, termasuk kebijakan belajar dari rumah, secara onlineatau dalam jaringan (daring). Perubahan yang cepat dan mendadak ini mengakibatkan para pengajar dan pembelajar harus beradaptasi dengan pembelajaran daring. Perubahan dari pembelajaran konvensional ke pembelajaran daring juga memaksa pengajar harus kreatif serta inovatif dalam mengajar dan menyiapkan bahan ajar. Salah satu metode mengajar adalah Asesmen Teman Sejawat atau ATS. ATS atau teknik pengoreksian teman sejawat, menurut Kustati dan Suhardi (dalam Sholihah, 2018: 63) merupakan teknik kolaborasi yang membuat peserta didik lebih aktif dalam belajar menulis dengan melakukan kerjasama antar team untuk saling bertukar pikiran dan memberikan saran terhadap hasil tulisan mereka. Dengan beberapa kajian dan penelitian terdahulu, penelitian ini bermaksud mengetahui penerapan ATS di masa pandemi Covid-19 yang diterapkan secara daring (online) melalui google classroom pada kelas mengarang tingkat lanjutan (bunsho hyougen) di Program Studi Sastra Jepang Universitas Mahasaraswati Denpasar. Penerapan teknik ATS melalui google classroom pada pembelajaran Bunsho Hyougen berpengaruh terhadap kemampuan menulis siswa. Ini dibuktikan dari nilai rata-rata mahasiswa. Saat tugas pertama (karangan hanya diperiksa dosen), rata-rata nilai adalah 86,61. Kemudian meningkat menjadi 87,91 dan 88,7 di tugas kedua dan ketiga (karangan diperiksa dosen dan rekan sejawat). Kata kunci: Peer review, ATS, mengarang
Mekanisme Pertahanan Ego melalui Penyamaran Tokoh Utama dalam Anime 91 Days: Kajian Psikoanalisis Freud I Kadek Arif Gunawan; Ni Luh Gede Meilantari
Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Vol. 4 No. 1 (2026): February : Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/semantik.v4i1.2579

Abstract

This research analyzes the phenomenon of identity concealment bu the main character in the anime 91 Days, Angelo Lagusa, who disguises himself as Avilio Bruno to revenge his family’s murder. The focus of this research is to identify and classify the ego defense mechanisms by Sigmund Freud employed by Angelo thoughout this process of concealment. Utilizing a descriptive qualitative method and a literary psychology approach, this research aims to provide a detailed description of how ego defense mechanism is manifested in the character’s actions and behavior. Data was collected through direct observation of all episodes in the series. The analysis reveals that four primary ego defense mechanisms are predominant. These four primary ego defense mechanisms are repression, sublimation, displacement and rationalization. Repression emerges as the most prominent mechanism, characterized by Angelo’s constant effort to suppress emotional drives (id), particularly in pain, rage and trauma into the subconscious to prevent them from interfering with his primary mission. Meanwhile, sublimation is evident when he channels his emotional energy into strategic and structured planning for his revenge. Displacement is observed in moments where his anger is redirected toward less threatening targets. Furthermore, rationalization is used by Angelo to justify his harsh and cruel actions with the logic of vengeance and justice. This research concludes that Angelo as Avilio in disguise is not merely a narrative strategy but an external representation of a complex internal psychological dynamic, where the ego functions as a mediator between the demands of the emotional id and the constraints of reality. Through this analysis, this research is expected to contribute to development of literary psychology studies, particularly in understanding the psychological construction of fictional characters through a Freudian theoretical lens.
Representasi Kesantunan Berbahasa Jepang: Analisis Keigo Tokoh Togo Nitta dalam Ousama Ni Sasagu Kusuriyubi I Gusti Ayu Regina Dhiras; Ni Luh Gede Meilantari
Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Vol. 4 No. 1 (2026): February : Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/semantik.v4i1.2580

Abstract

This study examines the use of keigo (honorific speech) by the character Togo Nitta in the Japanese drama Ousama ni Sasagu Kusuriyubi. The research focuses on identifying the forms of keigo employed by the main character in his communicative interactions. The method applied is the observational note-taking technique, which involves carefully watching the drama, transcribing all utterances containing keigo and subsequently conducting a qualitative analysis. The data analyses employ Tsujimura’s (1991) framework of keigo, which classifies honorific expressions into three primary categories. These categories are sonkeigo (respectful language), kenjogo (humble language) and teineigo (polite language). The finding indicates that teineigo dominates Togo Nitta’s use of keigo. This form is consistently utilized to refine conversation and express politeness between the speaker and interlocutor, irrespective of relative social status. Specifically, the study identifies four lexemes realized in teineigo form and three lexemes in kenjogo form. The use of kenjogo generally occurs in contexts where Togo Nitta needs to humble himself or his in group (uchi) towards an interlocutor of higher status. These findings suggest that the character’s politeness and adapting to social norms across various situasions, as represented within the drama’s narrative.
KONFLIK BATIN TOKOH NAGISA DALAM ANIME KANOJO MO KANOJO KARYA HIROYUKI Wayan Putra Mahardika; Ni Luh Gede Meilantari
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 1 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

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Abstract

The research purpose is to descibe and examine the inner conflict contained in the character Nagisa in the anime Kanojo mo Kanojo. This research is descriptive qualitative and use the data source from the anime Kanojo mo Kanojo. The data that has been obtained is then analyzed using the theory of personality psychology by Carl Gustav Jung. The research method used in this research is the method of listening and recording, namely by looking for data and recording any inner conflicts experienced by Nagisa character. The results of this study show that Nagisa character experiences inner conflicts that are analyzed using three types of human psychology, namely introvert feeling, introvert intuition, and introvert thinking.
IKON, INDEKS, SIMBOL PADA LAGU LIGHT, CRYSTAL SNOW, DAN YOUR EYES TELL KARYA BTS Putu Dian Norika; Anak Agung Ayu Dian Andriyani; Ni Luh Gede Meilantari
Janaru Saja Jurnal Program Studi Sastra Jepang Vol. 12 No. 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/js.v12i2.6775

Abstract

Penelitian ini berjudul Ikon, Indeks, dan Simbol Pada Lirik Lagu Light, Crystal Snow, Your Eyes Tell Karya BTS dengan menggunakan teori semiotika yang dikemukakan oleh Charles Sander Peirce. Sumber data pada penelitian ini menggunakan data dari tiga lagu karya BTS dengan judul Light, Crystal Snow, dan Your Eyes Tell. Data diperoleh dengan mengunduh lagu Light, Crystal Snow, Your Eyes Tell Karya BTS lalu melakukan penelitian secara kualitatif dengan menggunakan metode simak dan catat. Hasil dari penelitian ditemukan ikon, indeks, dan simbol. Selain ditemukannya data berupa tanda, pada penelitian ini juga ditemukan data berupa makna yang diklasifikasikan beriringan dengan tanda tersebut. Kata kunci: tanda, makna, lirik lagu
Implementasi Tingkat Tutur Dalam Konsep Uchi Soto Adi Arta Sudarta Made; Anak Agung Ayu Dian Andriyani; Ni Luh Gede Meilantari
Janaru Saja Jurnal Program Studi Sastra Jepang Vol. 13 No. 1 (2024): Mei 2024
Publisher : Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/js.v13i1.7818

Abstract

ABSTRACT In the Japanese bussness recognizes uchi soto concept which affects the use of speech levels used by speakers to speech partners This research is aims to analyze and describe how the implementation of speech level according to the ” Uchi soto” concept in the japanese bussness is described in the drama Love Phantom. The data in this research are primary data in the form of dialogue obtained using the observation method using the note-taking technique on the video drama Phantom which is watched online on the website filmarks.com. Analysis of the data using the technical method of determining pillar elements to select the speech data to be studied, namely the level of Japanese speech as a form of qualitative research that describes the speech between characters that appear in the drama Love Phantom, which is allegedly the level of Japanese speech when speaking to uchi and soto side of person. From the results obtained from this research, it shows that in the implementation of the speech level in the “uchi soto”concept, the level of speech used by uchi is futsuugo and teineigo only, this is based on the intimacy between fellow employees which is realized by useing futsuugo, and the use of teineigo to superiors as a form of respect. While the type of speech level used for the Soto party is the Keigo form which is used to show respect to the speech partner who is the Soto side of person. and also found the use of the Futsuugo pattern to the soto Side of person based on a close friendship relationship between the speaker and the speech partner during job. Keyword : Speech level, Uchi soto, Drama, Futsuugo, Keigo ABSTRAK Di dalam ranah bisnis Jepang mengenal konsep uchi soto yang mempengaruhi penggunaan tingkat tutur penutur kepada mitra tutur. Penelitian ini bertujuan untuk menganalisis dan mendeskripsikan bagaimana implemntasi tingkat tutur menurut konsep uchi soto dalam ranah bisnis jepang yang digambarkan dalam drama Love Phantom. Data penelitian ini adalah data primer berupa dialog yang didapat dengan metode observasi menggunakan teknik simak catat pada video drama Live Phantom yang secara daring di web filmarks.com. Penganalisisan data menggunakan metode teknik unsur pilar penentu untuk memilih data tuturan yang diteliti, yaitu tingkat tutur bahasa Jepang sebagai wujud penelitian yang kualitatif yang mendeskripsikan tuturan antar tokoh dalam drama Love Phantom saat berbicara kepada pihak uchi maupun soto. Dari hasil yang diperoleh penelitian ini, menunjukan bahwa dalam implementasi tingkat tutur dalam konsep uchi soto, tingkat tutur yang digunakan kepada pihak uchi yaitu futsuugo dan teineigo saja, hal ini didasar oleh adanya keakraban diantara sesama pegawai yang diwujudkan dengan penggunaan futsuugo, serta penggunaan teineigo kepada atasan sebagai wujud rasa hormat. Sementara jenis tingkat tutur yang digunakan kepada pihak soto adalah bentuk Keigo yang dipergunakan untuk menunjukan penghormatan kepada mitra tutur yang merupakan pihak soto, serta ditemukan pula adnaya penggunaan pola Futsuugo kepada pihak soto yang didasari adanya hubungan pertemannan yang akrab diantara sang penutur dan mitra tutur. Keyword : Tingkat tutur, Uchi soto, Drama, Futsuugo, Keigo
Penguatan Soft Skills Siswa SMK Farmasi Saraswati 3 Denpasar melalui Sosialisasi Nilai-Nilai Kaizen dan Budaya 5S Ni Luh Gede Meilantari; Tomas Falnilius Pulo; Ni Nyoman Widyastuti
Masyarakat Mandiri : Jurnal Pengabdian dan Pembangunan Lokal Vol. 3 No. 3 (2026): Juli: Masyarakat Mandiri : Jurnal Pengabdian dan Pembangunan Lokal
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62951/masyarakatmandiri.v3i3.3390

Abstract

This community service program aims to enhance the soft skills among students at SMK Farmasi Saraswati 3 Denpasar through socialization activities. The program focuses on core values of Japanese work culture: Kaizen (continuous improvement), 5S (seiri, seiton, seiso, seiketsu, shitsuke: sort, set in order, shine, standardize, sustain). These values are highly relevant to the pharmaceutical profession which demands precision, cleanliness, discipline, responsibility and excellent patient service. The activity involved 50 students from the eleventh grade, selected based on their readiness for upcoming workplace internships. The implementation consisted of three main stages: preparation, execution and evaluation. During the execution stage, students participated in interactive lectures, a 5S simulation exercise and a discussion session. Data were collected through observation sheets and participant satisfaction questionnaires. The result showed that the student participation and enthusiasm wre high, with 87% of students actively engaging in discussions and simulation activities. The 5S simulation successfully demonstrated the practical application of work culture values in a pharmacy laboratory setting. In conclusion, socialization is an effective and engaging method for improving vocational students’ appreciation of Japanese work culture, thereby better preparing them for the professional world. Recommendation is provided for schools to integrate these Japanese work value into their regular curricula and for further research with extender implementation time.
Co-Authors Adi Arta Sudarta Made Anak Agung Ayu Dian Andriyani Anak Agung Putu Wahyu Adiarta Antara, I Dewa Gede Kusuma Aritonang, Betty Betty Debora Aritonang Darmawan, I Wayan Andi Gusti Ayu Made Aryastiti I Gede Arya Weda I Gusti Ayu Regina Dhiras I Kadek Arif Gunawan I Ketut Adi Putra Bonitu I Ketut Sudewa I Nyoman Suarka I Putu Gede Aditya Djanardhana I Putu Gede Parameswara I Wayan Wahyu Cipta Widiastika Ida Bagus Putu Angga Sudharta Igaa Mas Triadnyani Imelda Wahyuning Tyas Kemala Dewi, Ni Luh Gede Diah Kevin Gunawan Putra Khazya Nanda Suryo Atmojo Made Henra Dwikarmawan Sudipa Made Henra Dwikarmawan Sudipa Ni Made Verayanti Utami Ni Nyoman Nadya Triswara Ni Nyoman Widyastuti Ni Putu Dini Febriyanti Ni Putu Figlia Ayu Salsa Dimita Ni Wayan Meidariani Ningsih, Eka Fitra Pande Ayu, Ayu Bella Ananda Putri Putu Diah Purnami Sari Putu Dian Norika Putu Sita Juniantini Siagian, Elizabeth Tomas Falnilius Pulo Wayan Nurita Wayan Putra Mahardika Widiastika, I Wayan Wahyu Cipta