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All Journal Gorga : Jurnal Seni Rupa Publikasi Pendidikan SCHOOL EDUCATION JOURNAL PGSD FIP UNIMED JURNAL PENGABDIAN KEPADA MASYARAKAT Journal of Education, Humaniora and Social Sciences (JEHSS) Randwick International of Education and Linguistics
Nelson Tarigan
Universitas Negeri Medan
Agriculture, Biological Sciences & Forestry Arts Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Pengembangan Usaha Kuliner Rusmiati Di Desa Sambirejo Timur Kecamatan Percut Sei Tuan Yul Ifda Tanjung; Irham Ramadhani; Fitrawaty Fitrawaty; Nelson Tarigan
JURNAL PENGABDIAN KEPADA MASYARAKAT Vol 11, No 2 (2021): Desember 2021
Publisher : LPPM UNINUS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30999/jpkm.v11i2.1225

Abstract

This community service activity was carried out in Sambirejo Timur Village, Percut Sei Tuan District with culinary business partner Rusmiati. The problems faced by partners are consumer demand that is not following production capacity because production is still carried out manually, the lack of partner knowledge about attractive product packaging designs, product halal certification processes, marketing alternatives, and preparation of financial reports. These problems make partner businesses not develop and experience a decline, both in the fields of production and marketing. The methods implemented in this service activity are in the form of education, training, socialization, and mentoring. This method is carried out in the form of training on how to use appropriate technology tools, namely the use of dough printing machines and product packaging tools, training and designing packaging designs that are more attractive, and tidy so that partner products are more durable, socialization and assistance for standardization of the production process including the selection of raw materials, structuring the production space, making work standards to assisting partners in completing LPPOM MUI halal certification application documents as well as implementing education and training on financial accounting and business management and marketing through online store applications by utilizing IT. 
KARAKTERISTIK PATUNG MONUMEN DAN TUGU DI KOTA MEDAN Tetty Mirwa; Sugito Sugito; Khaerul Saleh; Nelson Tarigan
Gorga : Jurnal Seni Rupa Vol 12, No 1 (2023): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v12i1.38907

Abstract

This research was conducted to explore the works of monuments in the city of Medan. This study aims to reveal, explain and document the works of monuments and monuments. Related to this, this research is also: (1) to find out in real terms the techniques, materials of manufacture, visualization of ideas, shape characteristics, and layout arrangements in terms of the observer's perspective on the art of sculpture, monuments, and monuments, (2) to produce teaching materials for Sculpture. with local content in the Department of Fine Arts at the State University of Medan. The study was conducted on a population and a sample of 3 works. Data were collected by using the methods of observation, documentation, and questionnaires. Data analysis was used descriptively and qualitatively with the type of taxonomic analysis. The results of the analysis and discussion conclude that the meaning of monumental sculpture in the city of Medan expresses the value of state ideology, history, and culture. The meaning is contained in the shape, color, size of the material, and the location of the work which is based on the philosophy of Pancasila, the history of struggle, and the culture of the Indonesian nation. While the techniques used were the grain technique and cast iron reinforced concrete, the techniques were also modeling (printing), then the materials used were cement, concrete, and bronze. The average visualization of the work displayed human figures, while the monument displayed rectangular concrete objects towering upwards.Keywords: statues, monuments, teaching materials. AbstrakPenelitian ini dilakukan untuk mendalami tentang karya patung monumen dan tugu yang terdapat di Kota Medan. Penelitian ini bertujuan untuk mengungkapkan, menjelaskan, dan mendokumentasikan karya patung monumen dan tugu. Terkait hal ini, penelitian ini juga adalah: (1) mengetahui secara nyata teknik, bahan pembuatan, visualisasi ide, karakteristik bentuk, pengaturan tata letak ditinjau dari perspektif pengamat pada seni patung monumen dan tugu, (2) menghasilkan bahan ajar Seni Patung yang bermuatan lokal pada Jurusan Seni Rupa di Universitas Negeri Medan. Penelitian dilakukan terhadap populasi dan 3 sampel karya. Pengumpulan data dilakukan dengan menggunakan metode observasi, dokumentasi dan kuesioner. Analisis data digunakan secara deskriptif kualitatif dengan jenis analisis taksonomi. Hasil analisis dan pembahasan menyimpulkan bahwa makna karya seni patung monumen di Kota Medan mengungkapkan nilai pada ideologi negara, sejarah dan budaya. Makna tersebut terkandung pada bentuk, warna, ukuran, bahan dan lokasi karya yang berlandaskan pada falsafah Pancasila, sejarah perjuangan dan budaya bangsa Indonesia. Sedangkan teknik yang digunakan adalah teknik butsir, cor beton bertulang besi, juga teknik modelling (cetak), selanjutnya bahan yang digunakan rata-rata semen beton dan ada perunggu. Rata-rata visualisasi karya menampilkan sosok/figur manusia, sedangkan tugu menampilkan benda bentuk beton persegi panjang menjulang ke atas.Kata Kunci: patung, tugu pengayaan, bahan ajar.Authors:Tetty Mirwa : Universitas Negeri MedanSugito : Universitas Negeri MedanKhaerul Saleh : Universitas Negeri MedanNelson Tarigan : Universitas Negeri MedanReferences:Gie, L. (1976). Garis Besar Estetik. Yogyakarta: UGM.Hoeve, V. W. (1950). Ensiklopedia Indonesia. Bandung: Hoeve Press.Muchtar, B. (1992). Seni Patung Indonesia. Yogyakarta: ISI Yogyakarta.Primadi, P. (1978). Proses Kreasi dan Apresiasi Seni. Jakarta: Ghalia Indonesia.Saylor, H. H. (1952). Dictionary of Architecture. New York: John Wilcy and Son Inc.Sirait, B. (1985). Komposisi Seni Rupa. Medan: IKIP Medan.Soedarso, S.P. (1976). Tinjauan Seni. Yogyakarta: ASRI.Soekadarman, M. S. (1977). Filsafat Seni dan Fenomenologi Karya Seni. Malang. Malang: IKIP Malang.Suryabrata, S. (2012). Metodologi Penelitian. Jakarta: Raja Grafindo Persada.Webster, M. (1971). Webster Seven New Dictionary. New York: G & C Merriam Company. 
Teaching Materials Development of Bilingual Drawing North Sumatra Ornamental Variety to Improve Tourism Souvenirs Design at Universitas Negeri Medan Daulat Saragi; Nelson Tarigan
Randwick International of Education and Linguistics Science Journal Vol. 4 No. 3 (2023): RIELS Journal, September
Publisher : RIRAI Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47175/rielsj.v4i3.796

Abstract

The results of the analysis of the needs of students and lecturers in the archipelago ornamental design courses in the Department of Fine Arts Education were found that there was still a lack of teaching materials for the course. As a result, students are less familiar with and apply a variety of ornamental North Sumatra to other courses such as tourist souvenir designs, batik courses and others that require typical North Sumatra ornamentist. Research Objectives To develop and apply the textbook according to the needs of students so that they are with the needs of students, the textbook designed entitled Drawing North Sumatra Ornamental Variety in the form of two languages, Indonesian and English. Research and development conducted with five stages referring to the Addie model developed by Robert M. Branch. Products developed are validated by 3 experts in their fields and each concluded very well and is suitable for use. This proves that the teaching material for drawing a variety of North Sumatra has used by art students and for the public is suitable for use and effective. After conducting product trials to students, it was found that the product developed was very helpful for students and also had an impact on the level of creativity of students designing a variety of souvenirs based on local ornaments of North Sumatra. The results of the study can increase student activities and safety and contribute to improving student achievement in the design of ornamentists in tourist and other art objects. KEYWORDS
SUMATRAN HORNBILL AS AN IDEA FOR CREATING PAINTINGS Lalang Cakra Buana; Muslim Muslim; Azmi Azmi; Khaerul Saleh; Nelson Tarigan; Tifan Muhammad Amirulloh; Sugito Sugito
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The creation of this work is driven by the author’s profound interest in hornbills, particularly given the alarming rate of their extinction. The author’s objective is to convey the aesthetic significance of this animal to the broader community. The Sumatran hornbill, with its distinctive and striking characteristics, including its large beak, robust claws, and vibrant plumage, serves as the subject matter for this study. Through the meticulous application of acrylic paint on canvas, the author has crafted twelve paintings that meticulously capture the physical attributes of the bird and its natural habitat. Furthermore, these paintings depict the hornbill’s omnivorous lifestyle. The author employs a combination of three distinct techniques: plaque, chiaroscuro, and bravura. These techniques work synergistically to create a dynamic, contrasting, and vivacious portrayal of the hornbill within the paintings. The resulting twelve paintings, each bearing a unique title that reflects the author’s interpretation of the hornbill, provide an in-depth understanding of its physical characteristics, habitat, and behavior. Additionally, these works contribute to the advancement of the art form through the author’s unique perspective and creative expression.
Co-Authors Ameta Ulasia Ginting Azmi Azmi Daulat Saragi Dedy Husrizal Syah, Dedy Husrizal Deo Demonta Panggabean Edo Wahyu Triawan Fitrawaty Fitrawaty Fuad Erdansyah Indra Novianda Irfandi Irfandi Irham Ramadhani Jhoni Sailendra Saragih Juwita Sari Khaerul Saleh Lalang Cakra Buana Listy Ennida Dalimunthe Manurung, Imelda Free Unita Mhd. Try Adhitia Mukti Hamjah Harahap, Mukti Hamjah muslim muslim Nasution, Annio Indah Lestari Osberth Sinaga Rangkuti, Muhammad Aswin Rika Sulngam Litduitna Sugito Sugito Sumarsono Sumarsono Tetty Mirwa Tifan Muhammad Amirulloh Vriti Alya Vithaloka Yul Ifda Tanjung