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All Journal Publika Budaya Jurnal Pengembangan Pendidikan Poetika: Jurnal Ilmu Sastra KEMBARA ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Semiotika Capture : Jurnal Seni Media Rekam Metahumaniora Journal of Management, Accounting, and Administration JENTERA: Jurnal Kajian Sastra
Irana Astutiningsih
English Department, Faculty Of Humanities, Universitas Jember Jln.Kalimantan 37, Jember 68121
Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences

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HIPERREALITAS DALAM NOVEL CYBERPUNK FREE TO FALL KARYA LAUREN MILLER Rahina Manik Wanodya; Hat Pujiati; Irana Astutiningsih
Publika Budaya Vol 3 No 2 (2015): Juli
Publisher : Fakultas Ilmu Budaya Universitas Jember

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AbstrakFree To Fall adalah sebuah novel cyberpunk yang ditulis oleh Lauren Miller. Sebagai sebuah novel cyberpunk, Free To Fall mengambil beberapa poin dari fiksi ilmiah dan fiksi postmodern. Novel ini berhubungan dengan teknologi dan efek dari teknologi yaitu hiperrealitas. Hiperrealitas adalah sebuah fenomena yang menyebabkan keterputusan antara yang asli dan tiruan. Hiperrealitas adalah topik utama dalam analisis ini. Analisis ini menggunakan metode analisis kualitatif. Data yang dikumpulkan adalah tentang informasi yang berhubungan dengan hiperrealitas di Free To Fall, informasi tentang Paradise Lost, dan kondisi Amerika saat ini terkait dengan perkembangan teknologi. Diskusi dimulai dengan analisis konstruksi fiksi cyberpunk yang menuntun pada diskusi tentang hiperrealitas. Dalam menganalisis hiperrealitas di Free To Fall, teori hiperrealitas oleh Baudrillard digunakan untuk menganalisis perubahan imaji tentang teknologi di dalam novel. diskusi berlanjut untuk menganalisis intertekstualitas antara Free To Fall dan Paradise Lost oleh John Milton. Selanjutnya, analisis ini juga mendiskusikan tentang kondisi Amerika yang digunakan untuk menunjukkan hubungan antara hiperrealitas di Free To Fall dan Amerika. Hasilnya, teknologi telah mengaburkan realitas dan membawa orang-orang menuju realitas buatan. Analisis tentang hiperrealitas menunjukkan bahwa terdapat simulasi dari simulasi di dalam Free To Fall. Selain itu, hiperrealitas di Amerika menunjukkan bahwa orang-orang Amerika menggunakan teknologi untuk menciptakan surga mereka sendiri dimana mereka mendapatkan kebahagiaan.
ANTI CAPITALISM THROUGH THE ADOPTION OF SOCIALIST IDEOLOGY SEEN IN JOHN STEINBECK’S THE GRAPES OF WRATH PANDANGAN ANTI KAPITALISME MELALUI ADOPSI IDEOLOGI SOSIALIS DALAM NOVEL THE GRAPES OF WRATH KARYA JOHN STEINBECK Silviana Selyandita; Imam Basuki; Irana Astutiningsih
Publika Budaya Vol 2 No 3 (2014): Nopember
Publisher : Fakultas Ilmu Budaya Universitas Jember

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Abstract

Through The Grapes of Wrath, Steinbeck shows his idea to protest against bourgeois class. He tells about the bad conditions faced by migrant workers in California. This novel is announcing that a worldwide of proletariat’s consciousness is in the process of formation for socialism. This consequence means that this novel connotatively saves the rejection of capitalism. Therefore, seen from this rejection and its involvement to portrait social conflict, this novel can be included as the part of social realism genre. To analyse this novel, Marx’s theory is applied. On Marxist perspective, Steinbeck’s novel is categorized as the superstructure basis. It is because this novel gives a portrait about the change of social system because of economic system called capitalism. As the part of social realism genre, however, Steinbeck applies Marx’s intention about the idea of socialism. He considers that there is a need for universal kinship to overcome this mass oppression occurred by capitalist class. This universal kinship will point to class struggle where at the end of the struggle, it emerges classless society. Keywords: Capitalism, Socialism, Universal Kinship ABTRAK Melalui The Grapes of Wrath, Steinbeck menunjukan kritiknya terhadap kelas borjuis. Ia menceritakan bagaimana kehidupan pekerja migran di California mendapat perlakuan begitu buruk. Karena itu, novel ini menawarkan sebuah solusi untuk mengatasi tindak-tindak opresif akibat sistem kapitalisme. Menurut Steinbeck salah satu caranya adalah dengan membentuk kesadaran kelas yang berujung pada terbentuknya sistem sosialisme. Dari sini juga, dapat diketahui bila novel ini termasuk dalam kategori novel realism social. Untuk itulah, teori Marxis digunakan untuk menyelidiki konsep-konsep sosialisme yang ditawarkan Steinbeck dalam novelnya. Ia ingin menunjukan bahwa kapitalisme dapat di atasi dengan adanya kesadaran kelas, dimana kelas proletar menyadari posisinya terhadap kelas borjuis. Kesadaran ini kemudian akan membawa sebuah rasa persaudaraan yang universal antar kelas proletar. Di titik inilah, serangan terhadap sistem kapitalisme dapat dimulai dengan memunculkan sebuah perjuangan kelas. Muara dari semua ini pada hakikatnya adalah menuju suatu masyarakat tanpa kelas. Kata Kunci: Kapitalisme, Persaudaraan Universal, Sosialisme
REPRESENTASI WACANA FANDOM DALAM NOVEL FANGIRL KARYA RAINBOW ROWELL Hat Pujiati; Irana Astutiningsih; Maya Novita Sari
Publika Budaya Vol 3 No 2 (2015): Juli
Publisher : Fakultas Ilmu Budaya Universitas Jember

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ABSTRAKMelalui Fangirl, Rowell menyampaikan fenomena fandom dalam dua sudut pandang. Di satu sisi dia menunjukan pandangan seorang fan yang menilai fandom sebagai kegiatan yang wajar dan dia juga menunjukan gambaran orang-orang yang memberi penilaian buruk terhadap fandom. Wacana fandom di dalam novel dibentuk melalui karakter fiksi. Di dalam novel Fangirl terdapat pemeran utama dan pemeran pendukung yang memiliki perbedaan pandangan dalam menginterpretasikan sebuah teks. Teori representasi dan encoding/decoding oleh Stuart Hall diaplikasikan untuk menganalisa wacana fandom di dalam novel. Di dalam novel Fangirl, Rowell menunjukkan bahwa maksud dari sebuah teks tidak hanya dibentuk oleh satu pihak atau penulis saja tetapi juga bisa dibentuk oleh pembaca. Sebuah makna dibentuk melalui representasi wacana itu sendiri. Untuk menunjukan wacana fandom di dalam novel Fangirl, penelitian ini merangkum posisi karakter menjadi tiga grup sesuai dengan teori Hall yaitu posisi hegemoni dominan, negosiasi dan oposisi. Hasil dari penelitian ini menunjukkan bahawa novel Fangirl merepresentasikan ketiga posisi proses decoding. Konstruksi wacana fandom di dalam novel memiliki keterkaitan dengan pemikiran masyarakat Amerika tentang fandom; sebagian dari mereka menolak dan sebagian menerima. Disisi lain penulis Fangirl meletakkan novel sebagai produk asli yang lebih layak untuk di apresiasi dibandingkan produk dari fan terutama fan fiction. Rowell mengembalikan lagi hal tersebut kepada hirarkinya bahwa posisi budaya subordinasi masih dibawah budaya populer.
PERSPEKTIF SANTRI DALAM KARYA SASTRA: SEBUAH REPRESENTASI WACANA RELIGIUS-HUMANIS Irana Astutiningsih; Hat Pujiati
POETIKA Vol 7, No 1 (2019): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v7i1.40902

Abstract

Pesantren  kerap dicurigai sebagai lahan subur penyemai bibit radikalisme yang mengancam keutuhan bangsa dan negara, sejatinya sangat akrab dengan nilai-nilai yang humanis, yang salah satunya direpresentasikan dalam karya sastra pesantren.  Kajian ini membincang representasi wacana religius-humanis dalam sastra pesantren sebagai objek material, berupa tiga cerita pendek berjudul “Di Antara Dua Pilihan”, “Cinta Sejati Itu Tidak Mudah”, dan “Seruas Bingung. Ketiganya” terbit di buletin Tanwirul Afkar, sebuah buletin salah pondok pesantren Salafiyah Syafi’iyah di Sukorejo, Jawa Timur. Oleh sebab itu, teori representasi Stuart Hall dipakai sebagai alat analisis. Terkait dengan pendekatan konstruksionis model diskursif Foucauldian yang bertitik tekan pada produksi pengetahuan melalui wacana yang melibatkan sistem bahasa, ketiga cerpen dianalisis dengan memetakan wacana religius-Humanis dan dikaitkan dengan latar kontekstual tempat wacana tersebut diproduksi. Hasil analisis menunjukkan bahwa dalam sastra pesantren konstruksi wacana religius-humanis dihadirkan melalui nilai- nilai kemanusiaan yang universal, alih-alih terjebak pada dikotomi yang rigid antara benar dan salah, sebagaimana pemahaman yang kerap memicu radikalisme. Nilai religius justru hadir seiring dengan nilai kemanusiaan universal sebagai satu representasi keberpihakan santri penulis terhadap wacana religius-humanis melalui sastra pesantren.Kata Kunci: wacana; pesantren; sastra pesantren; religius-humanis; representasi Pesantren (Islamic Boarding School) is suspected as a fertile place for the radicalism which treat the united nations and states of Indonesia as a republic. As a religious school, pesantren is supposed to be representative for humanism since religion is taken as a living guide for human being. This article discusses representation of religious-humanist discourse in Pesantren Literature as the material object; they are short stories entitled: “Diantara Dua Pilihan”, “Cinta Sejati Itu Tidak Mudah” dan “Seruas Bingung”. The short stories were published in Tanwirul Afkar,a monthly bulletin in Salafiyah Syafi’iyah Islamic Boarding School at Sukorejo, Situbondo, East Java Indonesia. We apply Stuart Hall’s representation theory as a tool to analyze the stories. Focusing on Foucauldian’s discursive method in constructionist model that emphasizes on the knowledge production in discourses through language, we map the contextual background to find out the genealogy of religious-humanist discourse production. The result shows that religious-humanist discourses in Pesantren literary works are presented through universal human values, instead of being trapped in a rigid dichotomy between right and wrong that lead to a radicalism. Religiosity comes along with the universal human values as a representation of santri writers’s partialit on religious-humanist discourse through Pesantren literature.Keywords: discourse; pesantren; pesantren literature; religious-humanist; representation
THE REPRESENTATION OF WOMAN’S OPPRESSION IN LISA SEE’S SNOW FLOWER AND THE SECRET FAN Azara Nafia Irmadani; Supiastutik Supiastutik; Irana Astutiningsih
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 20 No 1 (2019): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v20i1.12832

Abstract

Snow Flower and The Secret Fan is one type of fiction novel written by Lisa See in 2005. Snow Flower and The Secret Fan tells about the lives of Chinese women in the nineteenth century where women's position was lower than men. In that era, there was a tradition that required women to tie their legs when they were young then caused them to endure unbearable pain because of a leg tie. By tying their legs, they can get married and improve their social status and bring them to a better life. Legs bound are to be sexually pleasure for men to achieve sexual satisfaction. In addition, in that era women were not permitted to get education like men. This problem was the impact of the Patriarchal culture. In the Patriarchal culture, there is a Confucian teaching that is used as a way of life for Chinese people. The teaching requires women to obey men: Father, husband, and later their sons. Therefore, Chinese women live as a second-class. In conducting this research, the author uses Representation Theory by Stuart Hall. Research shows that female oppression is clearly illustrated in the novel through a leg tie. Lisa See realistically describes the real conditions of women's oppression in China in the Snow Flower novel and The Secret Fan.
MULTILAYER RACISMS AS REPRESENTED IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS Dwi Fatmawati; Irana Astutiningsih
SEMIOTIKA: Jurnal Ilmu Sastra dan Linguistik Vol 21 No 1 (2020): Semiotika: Jurnal Ilmu Sastra dan Linguistik
Publisher : Diterbitkan oleh Jurusan Sastra Indonesia Fakultas Ilmu Budaya Universitas Jember bekerja sama dengan Himpunan Sarjana - Kesusastraan Indonesia (HISKI), Himpunan Pembina Bahasa Indonesia (HPBI) dan Masyarakat Linguistik Indonesia (MLI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/semiotika.v21i1.12848

Abstract

This article discusses racism in India as illustrated in Arundhati Roy’s The God of Small Things. The novel contains racism issues in India in 19th century. In the novel, not only is racism experienced by coloured people as a result of white people discriminating them, but also among the coloured people themselves, experienced by those considered inferior based on caste. The research aims at figuring out how racism is constructed in The God of Small Things as well as knowing the ideological position of the author. Hence, Hall’s representation theory is used in this research focusing on discursive approach. The result shows that the author criticizes racism and people’s classification based on caste.
The Construction of Racism in Edward P Jones’s The Known World: A Genetic Structuralism Analysis Irana Astutiningsih
Metahumaniora Vol 7, No 1 (2017): METAHUMANIORA, APRIL 2017
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/metahumaniora.v7i1.23322

Abstract

Wacana diskriminasi rasial telah  menjadi perbincangan yang tak henti baik dalam konteks akademik maupun non-akademik. Sebagai hasil penelitian, artikel ini membincang wacana rasisme yang mewujud dalam konteks perbudakan dengan objek materi novel The Known World, sebuah novel karya Eward P Jones yang diterbitkan  tahun 2003 dan berlatar fenomena perbudakan di abad ke-19. Dengan merujuk pada teori Strukturalisme Genetik yang digagas Lucien Goldman, riset ini berupaya untuk mengetahui bagaimana wacana rasis dalam perbudakan dikonstruksi dalam novel terkait dengan latar kontekstualnya di Amerika pada abad ke-19. Lebih jauh lagi, riset ini juga berupaya menemukan pandangan dunia terkait persoalan rasis sebagaimana terkonstruksi dalam novel. Melalui metode dialektik Goldman, hasil analisis menunjukkan bahwa diskriminasi rasial tidak hanya dilakukan oleh orang-orang kulit putih terhadap kulit hitam sebagai budak mereka, namun juga dilakukan oleh orangorang kulit hitam terhadap sesama kulit hitam. Dengan kata lain, ada wacana rasisme internal dimana orang kulit hitam yang telah dibebaskan dari perbudakan kembali mereproduksi wacana perbudakan dan rasisme dengan cara memiliki budak kulit hitam. 
THE OPERATION OF HEGEMONY IN VICTORIA AVEYARD’S RED QUEEN Rachmawati, Ulul Azmi; Astutiningsih, Irana; Suwargono, Eko
ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Vol 7, No 1 (2023)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um006v7i12023p127-145

Abstract

Red Queen by Victoria Aveyard is dystopian, young adult fantasy novel setting up in the Kingdom of Norta where the construction of a class in society is determined by blood color; Silver and Red. In this novel, there is a depiction on how power and ruling position could be achieved by utilizing a process of negotiating beliefs and values rather than conducting a full coercive domination. The Silvers as the dominant class indoctrinating ideology using hegemonic apparatuses before finally gaining concensus and achieving ruling position from the Reds as subordinate class. This study uses qualitative research method. As the theoretical framework to analyze the data in the novel, this study utilizes the theory of hegemony by Antonio Gramsci. The purpose of this study is to discover how hegemony operation is constructed by the ruling class to subordinate class and to find out the ideological construction in Red Queen. The result of this study elaborates that hegemony operation works through several stages. This study also discover that hegemony operation depicted in the novel is correlatively related to the issue of racial discrimination and white supremacy in the United States. The ideological construction that is built in the Red Queen novel is to resist the totalitarian government with Silvers’ ideology that put the Reds powerless and inferior. From this result, it can be concluded that Red Queen as a cultural product acts as one of the hegemonic apparatuses to spread certain ideology of the author to the reader.
THE DIASPORIC LIFE OF PAKISTANI-AMERICAN GIRL IN DUR E AZIZ AMNA’S AMERICAN FEVER Sugiarto, Diktha Aurilya Ghardini Novi; Astutiningsih, Irana; Sukarno, Sukarno
ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Vol 7, No 2 (2023)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um006v7i22023p352-374

Abstract

American Fever is a novel that tells the story of a high school girl from Pakistan named Hira who joins a student exchange program for 1 year in America. As a diaspora subject, Hira's arrival to America raises issues related to identity. Hira is seen as a stranger and she also has difficulty to adapt in a new environment with the different culture from Pakistan. Therefore, Bhabha's theory of postcolonialism is applied in this study. This thesis aims to reveal the cultural strategy undertaken by Hira to survive in America by connecting with contextual conditions and to find out the author's views on diaspora issues through the novels she wrote. This thesis is a critical-qualitative study. Primary data are from novels and secondary data are from the internet, books and articles. The results of the analysis of this novel show that as a diaspora subject, Hira experiences a phase of 'unhomeliness' caused by her first arrival to America. Then, to overcome this condition, Hira applies a cultural adjustment known as mimicry. The result of mimicry is that Hira has hybrid identity, as a Pakistani and an American. Amna, as the author of this novel conveyed her idea regarding the issue of diaspora that he experienced in 2008 that diaspora subjects will experience 3 phases namely 'unhomeliness', mimicry, and hybridity when they come to the host country. In conclusion, Bhabha's postcolonial theory is related to the events in American Fever which are the depiction of the author's personal experience as a diaspora subject in the past.
Women’s objectification in Charles Bukowski’s post office Wardani, L Dyah Purwita; Ardiansyah, Mohammad Ridho; Astutiningsih, Irana
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 9 No. 1 (2023): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v9i1.23097

Abstract

This study aimed to evaluate the discourse of women's objectification as portrayed in Charles Bukowski's Post Office novel. Many problems occur in the story, especially problems that revolve around women. They receive adverse treatment from men, both physically and mentally, and are also sexualized. It is critical to consider how literary work contributes to resolving social problems such as women's objectification, male gaze, sexual harassment, and other forms of abuse. The portrayal of women's objectification is traced through Stuart Hall's theory of representation, notably Michel Foucault's discursive approach. The findings of this study demonstrate how the Post Office novel objectifies women as a type of sexual freedom. The Post Office solely shows the female body's external features, focusing specific attention on the sexual organs. These features of women's unfavorable behavior help to objectify them. Bukowski assumed that women are prepared to be mistreated, particularly as sexual objects, in the name of sexual freedom. The Post Office represents male characters, objectifying female characters. Furthermore, some female characters normalize the way they are sexualized, from self-objectification to condescendingly stigmatizing other women. Female characters in the story face sexual objectification, rape, and sexual abuse in the name of sexual freedom.
Co-Authors Alfira Cindy Ramadhani Ardiansyah, Mohammad Ridho Azara Nafia Irmadani Bintang Putra Hidayatullah Dea Felycia Dio Catur Prasetyohadi Dwi Fatmawati Farras Shidqi Ferina Tri Wulandari Ferina Tri Wulandari, Ferina Tri Gayuh Wahyu Utami Ghanesya Hari Murti Hartanto, Denny Antyo Hat Pujiati Ikwan Setiawan Imam Basuki Imam Basuki Jessinta Dwi Alexa Nanda Khazanah, Dewianti Kusumayanti, Dina Dyah L Dyah Purwita WSWW M. Daffa Aufa Rifqi Amran M. Fadlil Abdillah M. Sukarno Maya Novita Sari Ni Luh Ayu Sukmawati Nur Laili Rahmania Rachmawati, Ulul Azmi Rahina Manik Wanodya Silviana Selyandita Silviana Selyandita, Silviana Sugiarto, Diktha Aurilya Ghardini Novi Supiastutik Supiastutik Sutarto Sutarto Sutarto Sutarto Suwargono, Eko Syamsiar, Syamsiar Tri Wijayanto, M. Ganjar Wardani SWW, L. Dyah Purwita Yuyun Wahyuni Zafirna Arrofifah