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All Journal Proceeding Seminar LPPM UMP Tahun 2014 Journal of Language and Literature JSSH (Jurnal Sains Sosial dan Humaniora) Indonesian EFL Journal BASIS (BAHASA DAN SASTRA INGGRIS) Journal of Applied Studies in Language LEKSIKA Kandai Berumpun: international journal of social, politics and humanities Academic Journal Perspective : Education, Language, and Literature Jurnal Pengabdian Masyarakat Asia J-Lalite: Journal of English Studies Journal of English Language and Education Proceedings Series on Social Sciences & Humanities Academic Journal Perspective : Education, Language, and Literature Prosiding University Research Colloquium Widyaparwa Pamasa: Jurnal Pengabdian kepada Masyarakat Lire Journal (Journal of Linguistics and Literature) Journal of English Language Teaching and Literature (JELITA)
Widya Nirmalawati
Universitas Muhammadiyah Purwokerto
Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

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Stunting Counseling as the Right Step to Prevent Stunting with KKN Muhammadiyah Purwokerto University: Penyuluhan Stunting sebagai Langkah Tepat Cegah Stunting bersama KKN Universitas Muhammadiyah Purwokerto Nirmalawati, Widya; Cahyo, Alyssa Alwaini; Indriyani, Dian Fitria; Nurikmah, Tri; Arfiani, Lutfiana Resti; Juvitasari, Devi; Zaky, Muhammad Rafi Farhan
Prosiding University Research Colloquium Proceeding of The 18th University Research Colloquium 2023: Bidang Pengabdian Masyarakat
Publisher : Konsorsium Lembaga Penelitian dan Pengabdian kepada Masyarakat Perguruan Tinggi Muhammadiyah 'Aisyiyah (PTMA) Koordinator Wilayah Jawa Tengah - DIY

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Salah satu masalah gizi kronis pada balita adalah stunting. Kondisi stunting meskipun dialami oleh balita, namun diakibatkan karena beberapa faktor risiko penting sejak masa kehamilan sehingga perlu perhatian lebih untuk mencegah terjadinya stunting sejak kehamilan. Cara yang dapat dilakukan untuk menurunkan angka stunting adalah memberikan penyuluhan terkait dengan pencegahan stunting kepada keluarga. Hal ini bertujuan agar keluarga dapat mengetahui apa itu stunting dan dapat mengetahui pencegahan dini yang tepat terhadap stunting di Desa Gunungjaya.
EXPLORING CULINARY IDENTITY: A GASTRO-CRITICAL ANALYSIS OF AHMAD TOHARI'S RONGGENG DUKUH PARUK AND SURABANGLUS Widya Nirmalawati; Dodi Siraj Muamar Zain; Khristianto Khristianto
Indonesian EFL Journal Vol. 10 No. 2 (2024)
Publisher : University of Kuningan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25134/ieflj.v10i2.9781

Abstract

The novel Ronggeng Dukuh Paruk and the short story Surabanglus are two works by Ahmad Tohari (AT) that talk about food and how food becomes the identity of a society. RDP tells the story of how Srintil, the Ronggeng Dukuh Paruk, loses her parents due to a massive poisoning in her village caused by tempeh bongrek made by her parents. With very little knowledge of toxicology, the people of Dukuh Paruk "treat" the tempeh poisoning with empirical experience passed down from their ancestors. While Surabanglus tells the story of the friendship between Kimin and Suing which is so touching because Suing had to experience the bad luck of eating poisonous cassava due to unbearable hunger. This research is descriptive and qualitative and uses textual analysis to reveal and interpret the hidden construction in a text. The data collected is analyzed from a gastro-critical lens. Gastro-criticism is part of a critical approach to welcome the phenomenon of culinary literature in literary works. Culinary is chosen as one of the symbols, myths, and signs in the development of literary works. From the data contained in the novel RDP and short story Surabanglus in the form of narrative quotations, and dialog between characters in AT's two works, there are four findings, namely; food and its characteristics, food and socioeconomic status, food and food processing tools, food and medicine. Through these two works, AT not only presents a story with food as the plot, but at the same time, Tohari documents what and how food in a society becomes a symbol and social identity of the community.
The Other Woman: A Feminist-Existentialist Analysis of Anora (2024) Azis, Kamal Abdul; Nurhayati, Sulasih; Nirmalawati, Widya; Ernawati, Asih
JELITA Vol 7 No 1 (2026): Journal of English Language Teaching and Literature (JELITA)
Publisher : Universitas Muhammadiyah Barru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56185/jelita.v7i1.1210

Abstract

This study analyzes the representation of female subjectivity, freedom, and agency in Anora (2024) through the lens of Sartre’s existentialism and Beauvoir’s existential feminism. It examines how Ani negotiates her existential autonomy by resisting patriarchal constructions that position her as “the Other.” Employing a qualitative descriptive approach based on dialogue transcripts, repeated viewing, and close analysis of key interactions, the data were selected according to thematic relevance to radical freedom, authenticity, and objectification. The findings show that Ani affirms herself as a responsible and choosing subject while resisting gendered labels and social objectification through her speech and actions. Her refusal to accept a subordinate identity and her insistence on the legitimacy of her marriage illustrate an existential struggle against imposed roles within patriarchal kinship structures. Rather than depicting liberation as triumphant, the film portrays women’s freedom as situated, relational, and constrained by class and institutional power. This study demonstrates that philosophical frameworks are essential for understanding how contemporary cinema visualizes feminine identity, agency, and the limits of existential freedom within oppressive social systems.
Analysis of Gender Representation in the Film Luca (2021): A Critique of Hegemonic Masculinity Al Firdaus, Juang Zuhdi; Khautsar, Daril Rakha; Saputra, Tegar Gunawan; Nirmalawati, Widya
J-Lalite: Journal of English Studies Vol 6 No 2 (2025): December (2025)
Publisher : Program Studi Sastra Inggris Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jes.2025.6.2.17233

Abstract

The animated film Luca (2021) contains many social messages related to how society views the role and identity of men. This study aims to analyze how forms of masculinity are represented in the film, particularly in relation to the concept of hegemonic masculinity. The method used is qualitative descriptive with a visual content analysis approach to key scenes in the film. Each scene analyzed was selected based on important moments that reveal the dynamics of male characters, whether through emotional expressions, inter character relationships, reactions to social pressure. The analysis results show that Luca presents a variety of masculinities, ranging from dominant and competitive to more emotionally open and accepting. The character Ercole, example, exemplifies aggressive and exclusive hegemonic masculinity, while Luca and Alberto demonstrate alternative forms of masculinity that are more reflective and emotional. The film also depicts the transformation of the main character from a fearful attitude to an individual who dares to express his identity, including in the context of friendship and future choices. This transformation reflects the potential for boys to move beyond traditional masculine expectations and explore more personal versions of themselves. The conclusion of this study affirms that masculinity in the film Luca is not presented in a singular manner but is diverse and open to interpretation as a critique of rigid gender norms. This study does not aim to generalize all forms of masculinity in animated films but only discusses the representations found in Luca based on the author's subjective analysis and interpretation.
Irony in Roald Dahl’s The Umbrella Man Using Booth’s Theory Salsabila, Shafwa; Nirmalawati, Widya; Wahyuningsih, Titik; Nurhayati, Sulasih
Journal of English Language and Education Vol 11, No 1 (2026)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v11i1.1985

Abstract

This study analyzes the use of irony in Roald Dahl’s short story The Umbrella Man using Wayne C. Booth’s theory of irony. The study aims to examine how stable and unstable irony function as narrative strategies to construct meaning and moral criticism in the story. Employing a qualitative descriptive method and close reading, the analysis focuses on narrative events, character behavior, and dialogue that reveal ironic contrasts between appearance and reality. The findings indicate that the story predominantly employs stable irony to guide readers toward a clear moral judgment, particularly through the umbrella man’s deceptive politeness and apparent helplessness. Although the narrative presents moments of moral ambiguity, these elements do not destabilize meaning but instead reinforce the satirical critique of misplaced trust and social vulnerability. The study concludes that irony in The Umbrella Man operates as a rhetorical device that shapes reader interpretation and delivers social criticism within a seemingly simple narrative.
The Influence of The Child-Friendly District Program on The Fulfillment of Children's Rights in Banyumas District Rahtami Susanti; Widya Nirmalawati
Proceedings Series on Social Sciences & Humanities Vol. 14 (2023): Proceedings of International Conference on Legal Studies (ICOLAS 2023)
Publisher : UM Purwokerto Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30595/pssh.v14i.912

Abstract

Children play an important role in the future of a country, therefore the state has an obligation to protect their rights. Various child protection efforts through the issuance of legislation and concrete programs based on child protection have been carried out by the government. One of the child protection-based government policies implemented in the regions is the child-friendly district program. In 2021, the Banyumas Regency Government was successfully confirmed as a Child Friendly Regency. The objectives of the research are to determine the indicators that must be met by Banyumas Regency in order to be designated as a Child Friendly Regency, to find out how to create a child-friendly village regulation and to analyze the effect of the Child Friendly Regency Program on the fulfillment of children's rights in Banyumas Regency. The output of this research is an article in the national journal Sinta 6, namely Idea Law, Faculty of Law, Universitas Jenderal Soedirman Purwokerto, articles in proceedings with ISBN and copyright of scientific articles.
WOMEN’S RESISTANCES AGAINST OPPRESSIONS IN THE DAMSEL MOVIE Titania Dwi Arzety Arzety; Sulasih Nurhayati; Widya Nirmalawati; Titik Wahyuningsih
Lire Journal (Journal of Linguistics and Literature) Vol. 10 No. 2 (2026): Lire Journal (Journal of Linguistics and Literature): In Progress
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v10i2.612

Abstract

This research explores women’s resistance and empowerment to systemic oppression in the movie Damsel (2024) through the theoretical lenses of Iris Marion Young’s “Five Faces of Oppression” and Rosemarie Tong’s radical feminism. The movie tells a story of Elodie, a young noblewoman sacrificed by the royal monarchy to a dragon under the guise of marriage tradition. The study aims to identify the forms of oppression Elodie experiences and to analyze the strategies she employs to reclaim her agency. Using Young’s framework, the analysis reveals how Elodie endures five kinds of oppression, including exploitation, marginalization, powerlessness, cultural imperialism and violence. Elodie experiences physical aggression, loses her autonomy, is stigmatized due to her gender and class, and is politically exploited. Applying Tong’s interpretation of radical feminism, the research further explores Elodie’s development not merely as a survivor but as an empowered agent who actively resists patriarchal domination. The results show that her rejection of prescribed gender roles, her assertion of bodily and political autonomy, and her strategic confrontation with the monarchy exemplify radical feminist resistance aimed at transforming unjust structures. The study concludes that her final act of dismantling the oppressive system not only secures her own liberation but also creates possibilities for broader collective empowerment for other women within the narrative.
Fragments of Love and Conflict: Mother-Daughter Dynamics in “Everything Everywhere All at Once” through Object Relation Perspective Syamimi Salsabila; Widya Nirmalawati; Titik Wahyuningsih; Sulasih Nurhayati
JELITA Vol 7 No 2 (2026): Journal of English Language Teaching and Literature (JELITA)
Publisher : Universitas Muhammadiyah Barru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56185/jelita.v7i2.1550

Abstract

This study examines how internalized object relations, emotional misattunement, and maternal trauma shape the representation of the mother-daughter bond between Evelyn and Joy Wang in Everything Everywhere All at Once (2022), using Melanie Klein's and Donald Winnicott's Object Relations Theory. Although the film has attracted scholarly attention for its treatment of immigrant identity, existentialism, and multiversal narrative structure, no prior study has analyzed it through an object relations lens. Using a qualitative descriptive design, this study analyzes purposively selected scenes depicting Evelyn's and Joy's psychological states and their relational dynamics, interpreting them through Kleinian concepts of splitting, and Winnicottian concepts of the holding environment and the good-enough mother. The multiverse is read as a visual metaphor for Joy's psychological fragmentation resulting from repeated emotional misattunement. The analysis shows that Evelyn's unresolved childhood trauma produces a controlling, invalidating parenting pattern that Joy internalizes as rejection, fragmenting her sense of self into the alter ego Jobu Tupaki; reconciliation becomes possible once Evelyn replaces control with unconditional presence, illustrating how emotional repair can interrupt intergenerational trauma.
Co-Authors Akhmad Fauzan Al Firdaus, Juang Zuhdi Andrik Purwasito Arfiani, Lutfiana Resti Arini, Putri Syahara Asih Ernawati Azis, Kamal Abdul Cahyo, Alyssa Alwaini Dodi Siraj Muamar Zain Fitri Rakhmawati Gilang Aprillio SB Hanita, Salsabila Nur Indriyani, Dian Fitria Ine Kusuma Aryani Juvitasari, Devi Khautsar, Daril Rakha Khristianto Khristianto Khristianto, NFN Maharani, Dhea Gladys Nisa, Clarissa Adaira Nurikmah, Tri Rahtami Susanti Ristiana Dyah Purwandari Salsabila, Shafwa Saputra, Tegar Gunawan Sri Kusumo Habsari Sulasih Nurhayati Sulasih Nurhayati Syamimi Salsabila Titania Dwi Arzety Arzety Titik Wahyuningsih Titik Wahyuningsih Warto Warto Zaky, Muhammad Rafi Farhan