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Fakultas Seni Rupa Dan Desain Universitas Sebelas Maret Surakarta

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Journal : Acintya

SOJIWAN TEMPLE RELIEF AS AN INSPIRATION FOR CERAMIC ARTWORK Arisutta, Dona Prawita; Adi, Sigit Purnomo
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.5643

Abstract

This study explores the reception of monkey and crocodile figures depicted on one of the relief panels of Sojiwan Temple in Klaten, Central Java, Indonesia. The Sojiwan Temple reliefs visualize fairy tales from the Jataka, a collection of fables that often convey contextual and didactic themes. Through the lens of reception theory, this study identifies life lessons such as intelligence, dexterity, impartiality, and wisdom from the narrative panels of Sojiwan Temple and transforms them into ceramic art. Three ceramic artworks inspired by the monkey and crocodile reliefs highlight the notion that even a simple fairy tale does not possess a single, fixed meaning. Instead, there is a progressive interpretation that evolves with each reading of the reliefs at Sojiwan Temple. This research concludes that ceramics can serve as a medium to convey diverse interpretations, thereby enriching the aesthetic appreciation of the monkey and crocodile reliefs at Sojiwan Temple. Keyword: Monkey and Crocodile Relief, Sojiwan Temple, Life Learning, Reception Theory, Ceramic Art
PENCIPTAAN KARYA-KARYA SENI CETAK SARING DENGAN OBJEK VISUAL YANG BERBASIS KEARIFAN LOKAL Adi, sigit Purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Acintya Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i1.3824

Abstract

Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process requires several stages to be passed, including experimentation, reflection and finally formation. The selection of these objects is indeed very interesting because these objects are increasingly disappearing in our lives. So that in this work, we try to marry or collaborate between modern art represented by graphic art with visual objects based on local wisdom that represent tradition. The paradigm of modern art with a touch of tradition as an effort to find the roots of the characteristics of Indonesia from year to year has begun to be explored by artists in Indonesia as an effort to find Indonesian cultural identity.Keyword: Sablon, Artistic Creative, Printmaking. 
PENCIPTAAN KARYA-KARYA SENI CETAK SARING DENGAN OBJEK VISUAL YANG BERBASIS KEARIFAN LOKAL Adi, sigit Purnomo; Sukerta, Pande Made; Marianto, Martinus Dwi; Hadi, Sri
Acintya Vol. 13 No. 1 (2021)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v13i1.3824

Abstract

Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process requires several stages to be passed, including experimentation, reflection and finally formation. The selection of these objects is indeed very interesting because these objects are increasingly disappearing in our lives. So that in this work, we try to marry or collaborate between modern art represented by graphic art with visual objects based on local wisdom that represent tradition. The paradigm of modern art with a touch of tradition as an effort to find the roots of the characteristics of Indonesia from year to year has begun to be explored by artists in Indonesia as an effort to find Indonesian cultural identity.Keyword: Sablon, Artistic Creative, Printmaking. 
SOJIWAN TEMPLE RELIEF AS AN INSPIRATION FOR CERAMIC ARTWORK Arisutta, Dona Prawita; Adi, Sigit Purnomo
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.5643

Abstract

This study explores the reception of monkey and crocodile figures depicted on one of the relief panels of Sojiwan Temple in Klaten, Central Java, Indonesia. The Sojiwan Temple reliefs visualize fairy tales from the Jataka, a collection of fables that often convey contextual and didactic themes. Through the lens of reception theory, this study identifies life lessons such as intelligence, dexterity, impartiality, and wisdom from the narrative panels of Sojiwan Temple and transforms them into ceramic art. Three ceramic artworks inspired by the monkey and crocodile reliefs highlight the notion that even a simple fairy tale does not possess a single, fixed meaning. Instead, there is a progressive interpretation that evolves with each reading of the reliefs at Sojiwan Temple. This research concludes that ceramics can serve as a medium to convey diverse interpretations, thereby enriching the aesthetic appreciation of the monkey and crocodile reliefs at Sojiwan Temple. Keyword: Monkey and Crocodile Relief, Sojiwan Temple, Life Learning, Reception Theory, Ceramic Art